Songs like À tire-d'ailes (Starring Marianne Elise) by Fred Avril
Based on a tempo of (+/- 10%) and a similar genre
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Gaétan Nonchalant
Gagner Son Pain
98 bpm • D Maj • 03:15 • -10db
9% Popularity • 62% Danceability • 51% Energy • 20% Liveness
9% Instrumentalness • 49% Positiveness
9% Popularity • 62% Danceability • 51% Energy • 20% Liveness
9% Instrumentalness • 49% Positiveness
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Rouquine
Tombé
98 bpm • D# min • 02:56 • -11.55db
25% Popularity • 75% Danceability • 44% Energy • 21% Liveness
0% Instrumentalness • 54% Positiveness
25% Popularity • 75% Danceability • 44% Energy • 21% Liveness
0% Instrumentalness • 54% Positiveness
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Mou
Victoires de la musique
98 bpm • G Maj • 03:09 • -7.24db
14% Popularity • 65% Danceability • 56% Energy • 35% Liveness
0% Instrumentalness • 59% Positiveness
14% Popularity • 65% Danceability • 56% Energy • 35% Liveness
0% Instrumentalness • 59% Positiveness
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Fred Avril
À tire-d'ailes (Starring Marianne Elise...
98 bpm • E Maj • 03:16 • -8.34db
13% Popularity • 30% Danceability • 40% Energy • 11% Liveness
46% Instrumentalness • 15% Positiveness
13% Popularity • 30% Danceability • 40% Energy • 11% Liveness
46% Instrumentalness • 15% Positiveness
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Marvin Jouno
Sur Mars
98 bpm • D# min • 05:04 • -5.56db
10% Popularity • 54% Danceability • 74% Energy • 10% Liveness
6% Instrumentalness • 26% Positiveness
10% Popularity • 54% Danceability • 74% Energy • 10% Liveness
6% Instrumentalness • 26% Positiveness
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Cadillac
Game over
99 bpm • G Maj • 03:15 • -4.9db
30% Popularity • 76% Danceability • 70% Energy • 18% Liveness
0% Instrumentalness • 71% Positiveness
30% Popularity • 76% Danceability • 70% Energy • 18% Liveness
0% Instrumentalness • 71% Positiveness
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CuréLabel
Kona - Thème
97 bpm • E min • 04:09 • -12.49db
14% Popularity • 45% Danceability • 50% Energy • 10% Liveness
92% Instrumentalness • 31% Positiveness
14% Popularity • 45% Danceability • 50% Energy • 10% Liveness
92% Instrumentalness • 31% Positiveness
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P.R2B
Dolce Vita
97 bpm • A# min • 03:48 • -11db
26% Popularity • 72% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
26% Popularity • 72% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
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Thomas Gauthier
La chanson de l'amour réaliste
99 bpm • E min • 02:20 • -18.29db
11% Popularity • 62% Danceability • 13% Energy • 20% Liveness
0% Instrumentalness • 54% Positiveness
11% Popularity • 62% Danceability • 13% Energy • 20% Liveness
0% Instrumentalness • 54% Positiveness
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Fred Avril
Chorum - Bonus Track
99 bpm • C Maj • 01:51 • -10.01db
6% Popularity • 13% Danceability • 39% Energy • 11% Liveness
54% Instrumentalness • 3% Positiveness
6% Popularity • 13% Danceability • 39% Energy • 11% Liveness
54% Instrumentalness • 3% Positiveness
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Shiruvin
Jette un sou au Sorceleur
100 bpm • G# Maj • 03:43 • -5.65db
30% Popularity • 54% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
30% Popularity • 54% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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The Pirouettes
Medina II
100 bpm • A min • 01:45 • -14.4db
20% Popularity • 50% Danceability • 11% Energy • 11% Liveness
20% Instrumentalness • 11% Positiveness
20% Popularity • 50% Danceability • 11% Energy • 11% Liveness
20% Instrumentalness • 11% Positiveness
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Guillaume Houzé
La colère de Grougaloragran
100 bpm • F Maj • 03:27 • -11.04db
24% Popularity • 58% Danceability • 80% Energy • 18% Liveness
94% Instrumentalness • 5% Positiveness
24% Popularity • 58% Danceability • 80% Energy • 18% Liveness
94% Instrumentalness • 5% Positiveness
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Ludivine Sagnier
Mère et fille
100 bpm • C Maj • 03:00 • -15.18db
11% Popularity • 84% Danceability • 16% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
11% Popularity • 84% Danceability • 16% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
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Thomas Gauthier
No Hablo (Studio)
100 bpm • C Maj • 02:20 • -14db
10% Popularity • 70% Danceability • 57% Energy • 43% Liveness
0% Instrumentalness • 75% Positiveness
10% Popularity • 70% Danceability • 57% Energy • 43% Liveness
0% Instrumentalness • 75% Positiveness
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Cadillac
Rétroviseur
100 bpm • A min • 03:21 • -5.03db
18% Popularity • 76% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
18% Popularity • 76% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Fred Avril
Mars Express
99 bpm • F Maj • 01:53 • -17.05db
13% Popularity • 24% Danceability • 25% Energy • 9% Liveness
96% Instrumentalness • 7% Positiveness
13% Popularity • 24% Danceability • 25% Energy • 9% Liveness
96% Instrumentalness • 7% Positiveness
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Mrs Yéyé
Je ne suis pas une erreur
100 bpm • A Maj • 04:31 • -6.95db
10% Popularity • 62% Danceability • 84% Energy • 24% Liveness
0% Instrumentalness • 35% Positiveness
10% Popularity • 62% Danceability • 84% Energy • 24% Liveness
0% Instrumentalness • 35% Positiveness
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Côme
Cru
100 bpm • G# min • 04:15 • -5.36db
10% Popularity • 61% Danceability • 83% Energy • 22% Liveness
35% Instrumentalness • 46% Positiveness
10% Popularity • 61% Danceability • 83% Energy • 22% Liveness
35% Instrumentalness • 46% Positiveness
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Guillaume Pladys
Astrub
96 bpm • A# Maj • 02:37 • -18.07db
22% Popularity • 45% Danceability • 18% Energy • 19% Liveness
97% Instrumentalness • 31% Positiveness
22% Popularity • 45% Danceability • 18% Energy • 19% Liveness
97% Instrumentalness • 31% Positiveness
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Thomas Gauthier
Tout Va Bien
100 bpm • C Maj • 01:54 • -13.43db
14% Popularity • 72% Danceability • 34% Energy • 18% Liveness
0% Instrumentalness • 55% Positiveness
14% Popularity • 72% Danceability • 34% Energy • 18% Liveness
0% Instrumentalness • 55% Positiveness
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Krystal Zealot
Tourner un peu en rond
100 bpm • G Maj • 03:10 • -12.7db
11% Popularity • 72% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
11% Popularity • 72% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Guillaume Houzé
L’enfer du Boufbowl
100 bpm • A min • 02:13 • -11.99db
28% Popularity • 55% Danceability • 72% Energy • 8% Liveness
70% Instrumentalness • 15% Positiveness
28% Popularity • 55% Danceability • 72% Energy • 8% Liveness
70% Instrumentalness • 15% Positiveness
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Yolande Bashing
Claude
100 bpm • G# Maj • 04:57 • -11.91db
7% Popularity • 70% Danceability • 31% Energy • 10% Liveness
84% Instrumentalness • 13% Positiveness
7% Popularity • 70% Danceability • 31% Energy • 10% Liveness
84% Instrumentalness • 13% Positiveness
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Radio Elvis
New York
100 bpm • G Maj • 04:17 • -8db
10% Popularity • 63% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
10% Popularity • 63% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Cadillac
SPDC
100 bpm • C Maj • 03:05 • -5.23db
16% Popularity • 89% Danceability • 80% Energy • 39% Liveness
0% Instrumentalness • 94% Positiveness
16% Popularity • 89% Danceability • 80% Energy • 39% Liveness
0% Instrumentalness • 94% Positiveness
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Thomas Gauthier
Je suis mort
100 bpm • E min • 01:40 • -16db
17% Popularity • 73% Danceability • 56% Energy • 78% Liveness
0% Instrumentalness • 88% Positiveness
17% Popularity • 73% Danceability • 56% Energy • 78% Liveness
0% Instrumentalness • 88% Positiveness
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Kyan Khojandi
J'te déteste
96 bpm • F# min • 03:00 • -10db
25% Popularity • 56% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
25% Popularity • 56% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
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Guillaume Houzé
Wakfu opening song (Extented song)
100 bpm • F Maj • 04:01 • -6.21db
34% Popularity • 47% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
34% Popularity • 47% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Malik Djoudi
Train de nuit
100 bpm • F# min • 03:07 • -21.43db
18% Popularity • 36% Danceability • 13% Energy • 9% Liveness
93% Instrumentalness • 3% Positiveness
18% Popularity • 36% Danceability • 13% Energy • 9% Liveness
93% Instrumentalness • 3% Positiveness
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Six Drummers
Roof Kiss
96 bpm • F Maj • 01:41 • -18.32db
1% Popularity • 26% Danceability • 33% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
1% Popularity • 26% Danceability • 33% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
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Château Forte
À moitié chiens
100 bpm • C# min • 02:57 • -13db
13% Popularity • 47% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
13% Popularity • 47% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Fred Avril
Dieu=7
101 bpm • B min • 02:07 • -16.43db
11% Popularity • 51% Danceability • 44% Energy • 11% Liveness
84% Instrumentalness • 6% Positiveness
11% Popularity • 51% Danceability • 44% Energy • 11% Liveness
84% Instrumentalness • 6% Positiveness
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Saez
Regarder les filles pleurer - Theme
101 bpm • A min • 08:47 • -15.63db
24% Popularity • 45% Danceability • 36% Energy • 10% Liveness
87% Instrumentalness • 6% Positiveness
24% Popularity • 45% Danceability • 36% Energy • 10% Liveness
87% Instrumentalness • 6% Positiveness
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Guillaume Houzé
Wakfu opening song
100 bpm • C Maj • 01:04 • -7.11db
39% Popularity • 40% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
39% Popularity • 40% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Dionysos
Le jour le plus froid du monde
95 bpm • A Maj • 04:53 • -4db
33% Popularity • 62% Danceability • 77% Energy • 56% Liveness
0% Instrumentalness • 28% Positiveness
33% Popularity • 62% Danceability • 77% Energy • 56% Liveness
0% Instrumentalness • 28% Positiveness
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Conjur1ng
La plage
95 bpm • D min • 02:51 • -12.53db
11% Popularity • 79% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
11% Popularity • 79% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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Brothers
Children of This War
95 bpm • G Maj • 03:29 • -7.12db
15% Popularity • 55% Danceability • 61% Energy • 36% Liveness
0% Instrumentalness • 41% Positiveness
15% Popularity • 55% Danceability • 61% Energy • 36% Liveness
0% Instrumentalness • 41% Positiveness
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Thomas Gauthier
Privilégié
95 bpm • C# min • 01:56 • -5.62db
23% Popularity • 69% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
23% Popularity • 69% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
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Tone
Conscience (Rework PHR)
95 bpm • F min • 03:48 • -7.29db
15% Popularity • 71% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
15% Popularity • 71% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Cadillac
Débile
102 bpm • A Maj • 03:36 • -5.13db
29% Popularity • 92% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
29% Popularity • 92% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
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Flairs
Bus, pt. 1
102 bpm • A min • 00:55 • -15.1db
13% Popularity • 35% Danceability • 32% Energy • 20% Liveness
90% Instrumentalness • 39% Positiveness
13% Popularity • 35% Danceability • 32% Energy • 20% Liveness
90% Instrumentalness • 39% Positiveness
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Mélanie Bernuz
Thème du soleil
102 bpm • A# Maj • 02:04 • -14.08db
11% Popularity • 60% Danceability • 20% Energy • 17% Liveness
1% Instrumentalness • 40% Positiveness
11% Popularity • 60% Danceability • 20% Energy • 17% Liveness
1% Instrumentalness • 40% Positiveness
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Fred Avril
Come and Play - Bonus Track
102 bpm • C Maj • 01:00 • -4.07db
5% Popularity • 45% Danceability • 87% Energy • 35% Liveness
39% Instrumentalness • 82% Positiveness
5% Popularity • 45% Danceability • 87% Energy • 35% Liveness
39% Instrumentalness • 82% Positiveness
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Bleu Berline
Mon amie la rose
102 bpm • A# Maj • 02:53 • -8.99db
16% Popularity • 59% Danceability • 52% Energy • 12% Liveness
1% Instrumentalness • 27% Positiveness
16% Popularity • 59% Danceability • 52% Energy • 12% Liveness
1% Instrumentalness • 27% Positiveness
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Clara Doxal
Idéal paradoxal
94 bpm • E min • 03:51 • -8.35db
22% Popularity • 65% Danceability • 64% Energy • 21% Liveness
0% Instrumentalness • 18% Positiveness
22% Popularity • 65% Danceability • 64% Energy • 21% Liveness
0% Instrumentalness • 18% Positiveness
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Dionysos
Une sirène à Paris
94 bpm • G Maj • 03:18 • -6.88db
13% Popularity • 56% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
13% Popularity • 56% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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ANDREI
Homme à la mer
94 bpm • F min • 04:48 • -9.01db
22% Popularity • 72% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
22% Popularity • 72% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
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Château Forte
Qui peut faire de la voile sans vent
103 bpm • C# min • 02:15 • -14.32db
17% Popularity • 51% Danceability • 20% Energy • 31% Liveness
0% Instrumentalness • 22% Positiveness
17% Popularity • 51% Danceability • 20% Energy • 31% Liveness
0% Instrumentalness • 22% Positiveness
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Philippe Katerine
Aimez-moi
103 bpm • E min • 04:17 • -10.86db
17% Popularity • 46% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
17% Popularity • 46% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Magenta Club
Boum Bap
103 bpm • E min • 04:14 • -6.94db
22% Popularity • 64% Danceability • 79% Energy • 24% Liveness
0% Instrumentalness • 12% Positiveness
22% Popularity • 64% Danceability • 79% Energy • 24% Liveness
0% Instrumentalness • 12% Positiveness
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Stupeflip
Le spleen des petits
93 bpm • G# Maj • 03:08 • -4.43db
40% Popularity • 69% Danceability • 82% Energy • 33% Liveness
0% Instrumentalness • 80% Positiveness
40% Popularity • 69% Danceability • 82% Energy • 33% Liveness
0% Instrumentalness • 80% Positiveness
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Demusmaker
Llightgirl
93 bpm • C Maj • 01:22 • -3.28db
11% Popularity • 57% Danceability • 88% Energy • 9% Liveness
28% Instrumentalness • 93% Positiveness
11% Popularity • 57% Danceability • 88% Energy • 9% Liveness
28% Instrumentalness • 93% Positiveness
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Arthur H
Cet Amour Me Tue
104 bpm • G min • 03:48 • -13.02db
14% Popularity • 56% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
14% Popularity • 56% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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MAI LAN
Le Loup
104 bpm • C min • 03:58 • -11.25db
27% Popularity • 51% Danceability • 31% Energy • 10% Liveness
29% Instrumentalness • 4% Positiveness
27% Popularity • 51% Danceability • 31% Energy • 10% Liveness
29% Instrumentalness • 4% Positiveness
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Pablo Pico
Opéra Sirocco
104 bpm • E min • 03:03 • -17.73db
19% Popularity • 26% Danceability • 13% Energy • 36% Liveness
30% Instrumentalness • 4% Positiveness
19% Popularity • 26% Danceability • 13% Energy • 36% Liveness
30% Instrumentalness • 4% Positiveness
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Agar Agar
Requiem
92 bpm • C# min • 04:35 • -12.45db
33% Popularity • 75% Danceability • 36% Energy • 11% Liveness
67% Instrumentalness • 32% Positiveness
33% Popularity • 75% Danceability • 36% Energy • 11% Liveness
67% Instrumentalness • 32% Positiveness
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Itoura Moussongo
Steph
104 bpm • C Maj • 04:35 • -5.9db
11% Popularity • 46% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
11% Popularity • 46% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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Radio Elvis
Fini fini fini
92 bpm • G# Maj • 02:32 • -4.29db
8% Popularity • 53% Danceability • 90% Energy • 10% Liveness
19% Instrumentalness • 72% Positiveness
8% Popularity • 53% Danceability • 90% Energy • 10% Liveness
19% Instrumentalness • 72% Positiveness
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Meimuna
Aux Gens du Vide
92 bpm • C min • 03:32 • -15.89db
16% Popularity • 65% Danceability • 23% Energy • 10% Liveness
18% Instrumentalness • 19% Positiveness
16% Popularity • 65% Danceability • 23% Energy • 10% Liveness
18% Instrumentalness • 19% Positiveness
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Terrenoire
Baise-Moi
92 bpm • A# min • 02:18 • -13db
31% Popularity • 64% Danceability • 38% Energy • 13% Liveness
20% Instrumentalness • 38% Positiveness
31% Popularity • 64% Danceability • 38% Energy • 13% Liveness
20% Instrumentalness • 38% Positiveness
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Stupeflip
Sinode pibouin
92 bpm • C Maj • 04:12 • -7.37db
32% Popularity • 60% Danceability • 75% Energy • 43% Liveness
0% Instrumentalness • 39% Positiveness
32% Popularity • 60% Danceability • 75% Energy • 43% Liveness
0% Instrumentalness • 39% Positiveness
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Starrysky
Joker
105 bpm • C# Maj • 03:57 • -5.74db
12% Popularity • 37% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
12% Popularity • 37% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
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Gilles Gabriel
Flou de toi
105 bpm • F min • 03:16 • -7.33db
16% Popularity • 74% Danceability • 70% Energy • 31% Liveness
0% Instrumentalness • 83% Positiveness
16% Popularity • 74% Danceability • 70% Energy • 31% Liveness
0% Instrumentalness • 83% Positiveness
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Mademoiselle K
Pour aller mieux
104 bpm • F# min • 03:31 • -9.89db
19% Popularity • 42% Danceability • 51% Energy • 20% Liveness
0% Instrumentalness • 59% Positiveness
19% Popularity • 42% Danceability • 51% Energy • 20% Liveness
0% Instrumentalness • 59% Positiveness
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Alt236
Second Coming
105 bpm • E min • 03:04 • -13.21db
22% Popularity • 60% Danceability • 39% Energy • 60% Liveness
94% Instrumentalness • 24% Positiveness
22% Popularity • 60% Danceability • 39% Energy • 60% Liveness
94% Instrumentalness • 24% Positiveness
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Guillaume Pladys
Bonta la Céleste
91 bpm • F min • 04:57 • -18.8db
25% Popularity • 21% Danceability • 21% Energy • 13% Liveness
84% Instrumentalness • 29% Positiveness
25% Popularity • 21% Danceability • 21% Energy • 13% Liveness
84% Instrumentalness • 29% Positiveness
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Stupeflip
Strange Traps
92 bpm • F Maj • 03:37 • -4.65db
30% Popularity • 64% Danceability • 81% Energy • 31% Liveness
17% Instrumentalness • 47% Positiveness
30% Popularity • 64% Danceability • 81% Energy • 31% Liveness
17% Instrumentalness • 47% Positiveness
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Gringe
On aboie en silence
105 bpm • G# Maj • 03:18 • -10.88db
43% Popularity • 41% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
43% Popularity • 41% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Dan Levy
That Night
91 bpm • F min • 01:36 • -13.52db
23% Popularity • 33% Danceability • 15% Energy • 11% Liveness
88% Instrumentalness • 21% Positiveness
23% Popularity • 33% Danceability • 15% Energy • 11% Liveness
88% Instrumentalness • 21% Positiveness
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Rob
Inform 222
105 bpm • F Maj • 05:57 • -15.67db
11% Popularity • 74% Danceability • 18% Energy • 22% Liveness
90% Instrumentalness • 55% Positiveness
11% Popularity • 74% Danceability • 18% Energy • 22% Liveness
90% Instrumentalness • 55% Positiveness
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Alt236
Time Travels
105 bpm • A# Maj • 03:12 • -10.26db
29% Popularity • 49% Danceability • 60% Energy • 5% Liveness
94% Instrumentalness • 17% Positiveness
29% Popularity • 49% Danceability • 60% Energy • 5% Liveness
94% Instrumentalness • 17% Positiveness
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Fred Avril
Même plus l'amour
106 bpm • C Maj • 03:10 • -8.19db
15% Popularity • 69% Danceability • 78% Energy • 28% Liveness
0% Instrumentalness • 97% Positiveness
15% Popularity • 69% Danceability • 78% Energy • 28% Liveness
0% Instrumentalness • 97% Positiveness
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Mathieu Saïkaly
Jeux d'ombres
91 bpm • G# min • 04:08 • -8.6db
9% Popularity • 49% Danceability • 50% Energy • 34% Liveness
5% Instrumentalness • 20% Positiveness
9% Popularity • 49% Danceability • 50% Energy • 34% Liveness
5% Instrumentalness • 20% Positiveness
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Meloman & Máni
Vroum
90 bpm • E min • 04:33 • -6db
9% Popularity • 62% Danceability • 70% Energy • 4% Liveness
0% Instrumentalness • 18% Positiveness
9% Popularity • 62% Danceability • 70% Energy • 4% Liveness
0% Instrumentalness • 18% Positiveness
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Terrenoire
Lâchons prise
90 bpm • A Maj • 04:05 • -9.92db
18% Popularity • 27% Danceability • 40% Energy • 13% Liveness
2% Instrumentalness • 18% Positiveness
18% Popularity • 27% Danceability • 40% Energy • 13% Liveness
2% Instrumentalness • 18% Positiveness
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Iliona
J’ai du mal
90 bpm • A min • 03:02 • -14.08db
40% Popularity • 56% Danceability • 29% Energy • 10% Liveness
38% Instrumentalness • 7% Positiveness
40% Popularity • 56% Danceability • 29% Energy • 10% Liveness
38% Instrumentalness • 7% Positiveness
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Kyan Khojandi
Soleil nuit
90 bpm • G min • 03:50 • -13.32db
20% Popularity • 61% Danceability • 47% Energy • 11% Liveness
8% Instrumentalness • 26% Positiveness
20% Popularity • 61% Danceability • 47% Energy • 11% Liveness
8% Instrumentalness • 26% Positiveness
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Daniel Gadd
Far From Home
107 bpm • F Maj • 02:33 • -17.19db
27% Popularity • 50% Danceability • 10% Energy • 10% Liveness
1% Instrumentalness • 5% Positiveness
27% Popularity • 50% Danceability • 10% Energy • 10% Liveness
1% Instrumentalness • 5% Positiveness
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Daxx
Coroned
107 bpm • G min • 01:49 • -10db
8% Popularity • 81% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
8% Popularity • 81% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Juliette Katz
J'ai peur
90 bpm • A Maj • 02:58 • -6.85db
11% Popularity • 68% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
11% Popularity • 68% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
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MPL
Champ-contrechamp
90 bpm • A min • 03:17 • -11.6db
28% Popularity • 61% Danceability • 48% Energy • 29% Liveness
0% Instrumentalness • 57% Positiveness
28% Popularity • 61% Danceability • 48% Energy • 29% Liveness
0% Instrumentalness • 57% Positiveness
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Danshin
I Wonder
89 bpm • G min • 05:14 • -14.87db
18% Popularity • 19% Danceability • 22% Energy • 9% Liveness
2% Instrumentalness • 5% Positiveness
18% Popularity • 19% Danceability • 22% Energy • 9% Liveness
2% Instrumentalness • 5% Positiveness
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Kyan Khojandi
L'horizon des évènements
90 bpm • C min • 03:10 • -9.74db
22% Popularity • 53% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
22% Popularity • 53% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Thomas Gauthier
La Chanson de la Nostalgie
89 bpm • A# min • 02:24 • -14.79db
14% Popularity • 57% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
14% Popularity • 57% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Silent Poets
Almost nothing - "Death Stranding" Endin...
108 bpm • E min • 04:56 • -11.32db
38% Popularity • 45% Danceability • 43% Energy • 9% Liveness
48% Instrumentalness • 8% Positiveness
38% Popularity • 45% Danceability • 43% Energy • 9% Liveness
48% Instrumentalness • 8% Positiveness
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Khaled Freak
C'est pas de votre faute
108 bpm • C# Maj • 02:31 • -12.24db
16% Popularity • 86% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
16% Popularity • 86% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Krystal Zealot
Fur on Fur
108 bpm • C min • 03:31 • -11.19db
28% Popularity • 73% Danceability • 57% Energy • 9% Liveness
72% Instrumentalness • 26% Positiveness
28% Popularity • 73% Danceability • 57% Energy • 9% Liveness
72% Instrumentalness • 26% Positiveness
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Salut C'est Cool
Menu
89 bpm • A min • 01:38 • -18.19db
12% Popularity • 39% Danceability • 37% Energy • 15% Liveness
19% Instrumentalness • 45% Positiveness
12% Popularity • 39% Danceability • 37% Energy • 15% Liveness
19% Instrumentalness • 45% Positiveness
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Kyan Khojandi
La sortie des classes
89 bpm • F min • 04:57 • -17.04db
16% Popularity • 46% Danceability • 33% Energy • 10% Liveness
15% Instrumentalness • 28% Positiveness
16% Popularity • 46% Danceability • 33% Energy • 10% Liveness
15% Instrumentalness • 28% Positiveness
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Alt236
Neverending Story
89 bpm • C Maj • 02:34 • -13.85db
21% Popularity • 12% Danceability • 25% Energy • 24% Liveness
97% Instrumentalness • 4% Positiveness
21% Popularity • 12% Danceability • 25% Energy • 24% Liveness
97% Instrumentalness • 4% Positiveness
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Guillaume Ferran
Meguro
109 bpm • G Maj • 02:19 • -20.14db
18% Popularity • 25% Danceability • 13% Energy • 10% Liveness
88% Instrumentalness • 7% Positiveness
18% Popularity • 25% Danceability • 13% Energy • 10% Liveness
88% Instrumentalness • 7% Positiveness
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Hippocampe Fou
Nouveau départ
88 bpm • G# min • 03:13 • -8.52db
10% Popularity • 42% Danceability • 58% Energy • 11% Liveness
22% Instrumentalness • 17% Positiveness
10% Popularity • 42% Danceability • 58% Energy • 11% Liveness
22% Instrumentalness • 17% Positiveness
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Stupeflip
Nan ?... Si ?
88 bpm • G# Maj • 02:52 • -7.48db
47% Popularity • 64% Danceability • 82% Energy • 10% Liveness
8% Instrumentalness • 48% Positiveness
47% Popularity • 64% Danceability • 82% Energy • 10% Liveness
8% Instrumentalness • 48% Positiveness
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Pépite
Revues
88 bpm • A min • 03:48 • -10.24db
33% Popularity • 54% Danceability • 54% Energy • 40% Liveness
10% Instrumentalness • 24% Positiveness
33% Popularity • 54% Danceability • 54% Energy • 40% Liveness
10% Instrumentalness • 24% Positiveness
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Klub Des Loosers
Neuf moins huit
88 bpm • A min • 04:20 • -7.12db
10% Popularity • 62% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
10% Popularity • 62% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Demusmaker
Humanity
88 bpm • C Maj • 01:37 • -10.17db
15% Popularity • 24% Danceability • 38% Energy • 12% Liveness
70% Instrumentalness • 26% Positiveness
15% Popularity • 24% Danceability • 38% Energy • 12% Liveness
70% Instrumentalness • 26% Positiveness
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Kyan Khojandi
Rentrer chez moi
88 bpm • G Maj • 07:22 • -13.1db
19% Popularity • 56% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
19% Popularity • 56% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
