Songs like A Ton of Love by Editors
Based on a tempo of (+/- 10%) and a similar genre
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James
Moving On
142 bpm • C Maj • 04:44 • -4.87db
37% Popularity • 52% Danceability • 85% Energy • 11% Liveness
24% Instrumentalness • 55% Positiveness
37% Popularity • 52% Danceability • 85% Energy • 11% Liveness
24% Instrumentalness • 55% Positiveness
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Editors
A Ton of Love
142 bpm • G Maj • 03:58 • -4.19db
43% Popularity • 46% Danceability • 96% Energy • 28% Liveness
0% Instrumentalness • 40% Positiveness
43% Popularity • 46% Danceability • 96% Energy • 28% Liveness
0% Instrumentalness • 40% Positiveness
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Arsenal
Lotuk
142 bpm • C Maj • 05:05 • -10.48db
38% Popularity • 65% Danceability • 54% Energy • 12% Liveness
78% Instrumentalness • 37% Positiveness
38% Popularity • 65% Danceability • 54% Energy • 12% Liveness
78% Instrumentalness • 37% Positiveness
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Klaxons
Golden Skans
142 bpm • D min • 02:45 • -2.78db
65% Popularity • 46% Danceability • 84% Energy • 25% Liveness
0% Instrumentalness • 71% Positiveness
65% Popularity • 46% Danceability • 84% Energy • 25% Liveness
0% Instrumentalness • 71% Positiveness
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Handsome Poets
Dance (The War Is Over)
142 bpm • G min • 03:32 • -7.08db
30% Popularity • 40% Danceability • 83% Energy • 36% Liveness
0% Instrumentalness • 39% Positiveness
30% Popularity • 40% Danceability • 83% Energy • 36% Liveness
0% Instrumentalness • 39% Positiveness
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Interpol
Slow Hands
142 bpm • B min • 03:04 • -2.52db
62% Popularity • 24% Danceability • 97% Energy • 36% Liveness
44% Instrumentalness • 64% Positiveness
62% Popularity • 24% Danceability • 97% Energy • 36% Liveness
44% Instrumentalness • 64% Positiveness
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White Lies
Bigger Than Us
143 bpm • A Maj • 04:42 • -5.36db
49% Popularity • 31% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
49% Popularity • 31% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Ryan Adams
So Alive
142 bpm • E Maj • 03:58 • -4.25db
34% Popularity • 21% Danceability • 89% Energy • 9% Liveness
88% Instrumentalness • 18% Positiveness
34% Popularity • 21% Danceability • 89% Energy • 9% Liveness
88% Instrumentalness • 18% Positiveness
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Voicst
Everyday I Work on the Road - Radio Edit
143 bpm • G# min • 03:22 • -5db
23% Popularity • 52% Danceability • 96% Energy • 32% Liveness
0% Instrumentalness • 75% Positiveness
23% Popularity • 52% Danceability • 96% Energy • 32% Liveness
0% Instrumentalness • 75% Positiveness
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Elbow
Mirrorball
143 bpm • F# min • 05:50 • -9db
46% Popularity • 59% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
46% Popularity • 59% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Babyshambles
Delivery
141 bpm • F Maj • 02:41 • -4.2db
47% Popularity • 50% Danceability • 91% Energy • 28% Liveness
0% Instrumentalness • 75% Positiveness
47% Popularity • 50% Danceability • 91% Energy • 28% Liveness
0% Instrumentalness • 75% Positiveness
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Novastar
Mars Needs Woman
144 bpm • B min • 03:32 • -7.9db
34% Popularity • 48% Danceability • 37% Energy • 25% Liveness
0% Instrumentalness • 25% Positiveness
34% Popularity • 48% Danceability • 37% Energy • 25% Liveness
0% Instrumentalness • 25% Positiveness
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Morrissey
Irish Blood, English Heart
140 bpm • A min • 02:37 • -5.24db
52% Popularity • 57% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
52% Popularity • 57% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
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Bertolf
Cut Me Loose
140 bpm • D min • 03:00 • -4.11db
8% Popularity • 43% Danceability • 81% Energy • 24% Liveness
90% Instrumentalness • 60% Positiveness
8% Popularity • 43% Danceability • 81% Energy • 24% Liveness
90% Instrumentalness • 60% Positiveness
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Editors
Violence
140 bpm • D Maj • 06:06 • -10.69db
35% Popularity • 66% Danceability • 57% Energy • 11% Liveness
32% Instrumentalness • 37% Positiveness
35% Popularity • 66% Danceability • 57% Energy • 11% Liveness
32% Instrumentalness • 37% Positiveness
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Elbow
Fly Boy Blue / Lunette
143 bpm • D Maj • 06:23 • -9.06db
37% Popularity • 37% Danceability • 53% Energy • 20% Liveness
0% Instrumentalness • 18% Positiveness
37% Popularity • 37% Danceability • 53% Energy • 20% Liveness
0% Instrumentalness • 18% Positiveness
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Turin Brakes
Long Distance
144 bpm • A Maj • 04:27 • -5.53db
32% Popularity • 26% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
32% Popularity • 26% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
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Zornik
You Move Me
140 bpm • C Maj • 03:51 • -4.36db
20% Popularity • 50% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
20% Popularity • 50% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
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Mintzkov
One Equals A Lot
145 bpm • A min • 03:25 • -4.95db
18% Popularity • 37% Danceability • 81% Energy • 12% Liveness
72% Instrumentalness • 56% Positiveness
18% Popularity • 37% Danceability • 81% Energy • 12% Liveness
72% Instrumentalness • 56% Positiveness
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The Sore Losers
Don't Know Nothing
145 bpm • D Maj • 03:01 • -5.24db
15% Popularity • 60% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
15% Popularity • 60% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
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Editors
Karma Climb
140 bpm • G Maj • 05:18 • -5db
41% Popularity • 52% Danceability • 92% Energy • 40% Liveness
10% Instrumentalness • 35% Positiveness
41% Popularity • 52% Danceability • 92% Energy • 40% Liveness
10% Instrumentalness • 35% Positiveness
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Maximo Park
Going Missing
145 bpm • E min • 03:42 • -5db
41% Popularity • 39% Danceability • 84% Energy • 23% Liveness
47% Instrumentalness • 41% Positiveness
41% Popularity • 39% Danceability • 84% Energy • 23% Liveness
47% Instrumentalness • 41% Positiveness
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Arid
Life - US Version
139 bpm • G Maj • 04:24 • -6.69db
4% Popularity • 40% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
4% Popularity • 40% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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U2
City Of Blinding Lights
139 bpm • G# Maj • 05:45 • -4.13db
60% Popularity • 44% Danceability • 77% Energy • 11% Liveness
2% Instrumentalness • 20% Positiveness
60% Popularity • 44% Danceability • 77% Energy • 11% Liveness
2% Instrumentalness • 20% Positiveness
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Moss
The Comfort
145 bpm • B Maj • 03:20 • -6.55db
12% Popularity • 50% Danceability • 88% Energy • 23% Liveness
11% Instrumentalness • 63% Positiveness
12% Popularity • 50% Danceability • 88% Energy • 23% Liveness
11% Instrumentalness • 63% Positiveness
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Admiral Freebee
Einstein Brain
139 bpm • C Maj • 02:46 • -8.15db
38% Popularity • 72% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
38% Popularity • 72% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Editors
Lights
144 bpm • E min • 02:32 • -6.05db
11% Popularity • 40% Danceability • 85% Energy • 43% Liveness
9% Instrumentalness • 62% Positiveness
11% Popularity • 40% Danceability • 85% Energy • 43% Liveness
9% Instrumentalness • 62% Positiveness
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White Lies
A Place To Hide
139 bpm • D Maj • 05:01 • -4.95db
34% Popularity • 50% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
34% Popularity • 50% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Arid
Tied to the Hands
139 bpm • E min • 03:13 • -6.5db
24% Popularity • 62% Danceability • 82% Energy • 9% Liveness
2% Instrumentalness • 94% Positiveness
24% Popularity • 62% Danceability • 82% Energy • 9% Liveness
2% Instrumentalness • 94% Positiveness
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Snow Patrol
Spitting Games
145 bpm • G Maj • 03:46 • -4db
52% Popularity • 50% Danceability • 88% Energy • 57% Liveness
3% Instrumentalness • 56% Positiveness
52% Popularity • 50% Danceability • 88% Energy • 57% Liveness
3% Instrumentalness • 56% Positiveness
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The Van Jets
Teevee
145 bpm • C min • 02:49 • -7db
25% Popularity • 47% Danceability • 80% Energy • 20% Liveness
0% Instrumentalness • 77% Positiveness
25% Popularity • 47% Danceability • 80% Energy • 20% Liveness
0% Instrumentalness • 77% Positiveness
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School Is Cool
Close
146 bpm • G min • 04:38 • -6db
35% Popularity • 46% Danceability • 84% Energy • 24% Liveness
1% Instrumentalness • 55% Positiveness
35% Popularity • 46% Danceability • 84% Energy • 24% Liveness
1% Instrumentalness • 55% Positiveness
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Editors
No Harm
145 bpm • F# min • 05:06 • -13.19db
41% Popularity • 46% Danceability • 40% Energy • 9% Liveness
40% Instrumentalness • 10% Positiveness
41% Popularity • 46% Danceability • 40% Energy • 9% Liveness
40% Instrumentalness • 10% Positiveness
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Pulp
Common People - Full Length Version
145 bpm • C Maj • 05:51 • -9.03db
69% Popularity • 31% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
69% Popularity • 31% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
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Bear's Den
Dew On The Vine
146 bpm • E Maj • 05:02 • -6.78db
39% Popularity • 49% Danceability • 88% Energy • 5% Liveness
27% Instrumentalness • 54% Positiveness
39% Popularity • 49% Danceability • 88% Energy • 5% Liveness
27% Instrumentalness • 54% Positiveness
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Bloc Party
Octopus
146 bpm • A min • 03:05 • -6db
45% Popularity • 52% Danceability • 86% Energy • 37% Liveness
66% Instrumentalness • 61% Positiveness
45% Popularity • 52% Danceability • 86% Energy • 37% Liveness
66% Instrumentalness • 61% Positiveness
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FFS
Johnny Delusional
138 bpm • D min • 03:11 • -5.25db
42% Popularity • 56% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
42% Popularity • 56% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
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The Dandy Warhols
Get Off
146 bpm • E min • 03:10 • -4.88db
50% Popularity • 46% Danceability • 86% Energy • 34% Liveness
0% Instrumentalness • 65% Positiveness
50% Popularity • 46% Danceability • 86% Energy • 34% Liveness
0% Instrumentalness • 65% Positiveness
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Editors
When Anger Shows
139 bpm • E min • 05:45 • -4.94db
32% Popularity • 40% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
32% Popularity • 40% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Skunk Anansie
Twisted (Everyday Hurts)
138 bpm • E min • 04:14 • -6.96db
41% Popularity • 63% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
41% Popularity • 63% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
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The Cinematics
Guernica
138 bpm • B min • 03:37 • -5db
11% Popularity • 57% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
11% Popularity • 57% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Kings of Leon
Molly's Chambers
146 bpm • B Maj • 02:14 • -3.97db
65% Popularity • 60% Danceability • 91% Energy • 22% Liveness
0% Instrumentalness • 95% Positiveness
65% Popularity • 60% Danceability • 91% Energy • 22% Liveness
0% Instrumentalness • 95% Positiveness
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Foals
What Went Down
147 bpm • D min • 05:00 • -6db
54% Popularity • 23% Danceability • 92% Energy • 6% Liveness
0% Instrumentalness • 13% Positiveness
54% Popularity • 23% Danceability • 92% Energy • 6% Liveness
0% Instrumentalness • 13% Positiveness
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Mintzkov
Ruby Red
137 bpm • E min • 04:35 • -7db
17% Popularity • 35% Danceability • 70% Energy • 22% Liveness
63% Instrumentalness • 22% Positiveness
17% Popularity • 35% Danceability • 70% Energy • 22% Liveness
63% Instrumentalness • 22% Positiveness
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Sherman
On Your Side - Bonus track
147 bpm • D Maj • 03:00 • -5.29db
9% Popularity • 50% Danceability • 90% Energy • 39% Liveness
0% Instrumentalness • 95% Positiveness
9% Popularity • 50% Danceability • 90% Energy • 39% Liveness
0% Instrumentalness • 95% Positiveness
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Interpol
The Heinrich Maneuver
137 bpm • E min • 03:28 • -3.86db
58% Popularity • 51% Danceability • 99% Energy • 66% Liveness
1% Instrumentalness • 48% Positiveness
58% Popularity • 51% Danceability • 99% Energy • 66% Liveness
1% Instrumentalness • 48% Positiveness
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U2
Invisible - (RED) Edit
137 bpm • D# Maj • 03:46 • -7db
42% Popularity • 54% Danceability • 89% Energy • 11% Liveness
1% Instrumentalness • 55% Positiveness
42% Popularity • 54% Danceability • 89% Energy • 11% Liveness
1% Instrumentalness • 55% Positiveness
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Admiral Freebee
Living For The Week End
137 bpm • D Maj • 02:58 • -4db
29% Popularity • 53% Danceability • 82% Energy • 31% Liveness
0% Instrumentalness • 60% Positiveness
29% Popularity • 53% Danceability • 82% Energy • 31% Liveness
0% Instrumentalness • 60% Positiveness
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The Vaccines
Post Break-Up Sex
137 bpm • F Maj • 02:54 • -4db
58% Popularity • 40% Danceability • 90% Energy • 26% Liveness
0% Instrumentalness • 57% Positiveness
58% Popularity • 40% Danceability • 90% Energy • 26% Liveness
0% Instrumentalness • 57% Positiveness
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Biffy Clyro
Bubbles
147 bpm • D# Maj • 05:01 • -5.89db
41% Popularity • 35% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
41% Popularity • 35% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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The Maccabees
Spit It Out
137 bpm • E min • 05:09 • -7.91db
31% Popularity • 39% Danceability • 84% Energy • 7% Liveness
42% Instrumentalness • 21% Positiveness
31% Popularity • 39% Danceability • 84% Energy • 7% Liveness
42% Instrumentalness • 21% Positiveness
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Babyshambles
You Talk
148 bpm • D Maj • 03:28 • -4db
34% Popularity • 41% Danceability • 90% Energy • 32% Liveness
0% Instrumentalness • 55% Positiveness
34% Popularity • 41% Danceability • 90% Energy • 32% Liveness
0% Instrumentalness • 55% Positiveness
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U2
The Unforgettable Fire - Remastered 2009
137 bpm • A# Maj • 04:54 • -9db
52% Popularity • 43% Danceability • 74% Energy • 10% Liveness
6% Instrumentalness • 23% Positiveness
52% Popularity • 43% Danceability • 74% Energy • 10% Liveness
6% Instrumentalness • 23% Positiveness
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Arcade Fire
No Cars Go
136 bpm • C# Maj • 05:43 • -6.95db
60% Popularity • 32% Danceability • 77% Energy • 12% Liveness
17% Instrumentalness • 29% Positiveness
60% Popularity • 32% Danceability • 77% Energy • 12% Liveness
17% Instrumentalness • 29% Positiveness
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James
Getting Away With It (All Messed Up)
135 bpm • C Maj • 04:25 • -6.44db
61% Popularity • 52% Danceability • 67% Energy • 34% Liveness
2% Instrumentalness • 17% Positiveness
61% Popularity • 52% Danceability • 67% Energy • 34% Liveness
2% Instrumentalness • 17% Positiveness
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The Van Jets
Down Below
148 bpm • C Maj • 03:14 • -4db
15% Popularity • 29% Danceability • 89% Energy • 34% Liveness
0% Instrumentalness • 57% Positiveness
15% Popularity • 29% Danceability • 89% Energy • 34% Liveness
0% Instrumentalness • 57% Positiveness
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White Lies
Death
135 bpm • G Maj • 05:01 • -5.62db
54% Popularity • 45% Danceability • 84% Energy • 8% Liveness
1% Instrumentalness • 22% Positiveness
54% Popularity • 45% Danceability • 84% Energy • 8% Liveness
1% Instrumentalness • 22% Positiveness
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Editors
Munich
149 bpm • G min • 03:46 • -4.4db
37% Popularity • 19% Danceability • 88% Energy • 29% Liveness
5% Instrumentalness • 39% Positiveness
37% Popularity • 19% Danceability • 88% Energy • 29% Liveness
5% Instrumentalness • 39% Positiveness
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U2
Get On Your Boots
149 bpm • C Maj • 03:25 • -6db
38% Popularity • 56% Danceability • 75% Energy • 19% Liveness
1% Instrumentalness • 60% Positiveness
38% Popularity • 56% Danceability • 75% Energy • 19% Liveness
1% Instrumentalness • 60% Positiveness
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Admiral Freebee
Oh Darkness
149 bpm • E Maj • 03:37 • -2db
35% Popularity • 32% Danceability • 95% Energy • 25% Liveness
0% Instrumentalness • 30% Positiveness
35% Popularity • 32% Danceability • 95% Energy • 25% Liveness
0% Instrumentalness • 30% Positiveness
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Mintzkov
Author Of The Play
135 bpm • G# Maj • 03:51 • -8.06db
17% Popularity • 63% Danceability • 73% Energy • 8% Liveness
26% Instrumentalness • 84% Positiveness
17% Popularity • 63% Danceability • 73% Energy • 8% Liveness
26% Instrumentalness • 84% Positiveness
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De Staat
The Fantastic Journey Of The Underground...
135 bpm • F# Maj • 03:25 • -6db
25% Popularity • 79% Danceability • 92% Energy • 6% Liveness
0% Instrumentalness • 65% Positiveness
25% Popularity • 79% Danceability • 92% Energy • 6% Liveness
0% Instrumentalness • 65% Positiveness
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Arid
Broken Dancer
135 bpm • D Maj • 03:26 • -3.7db
22% Popularity • 60% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
22% Popularity • 60% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Muse
Resistance
135 bpm • A min • 05:46 • -6.57db
62% Popularity • 47% Danceability • 77% Energy • 11% Liveness
29% Instrumentalness • 9% Positiveness
62% Popularity • 47% Danceability • 77% Energy • 11% Liveness
29% Instrumentalness • 9% Positiveness
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James
Tomorrow
149 bpm • C Maj • 03:42 • -6.32db
44% Popularity • 30% Danceability • 94% Energy • 17% Liveness
2% Instrumentalness • 18% Positiveness
44% Popularity • 30% Danceability • 94% Energy • 17% Liveness
2% Instrumentalness • 18% Positiveness
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Tim Knol
Sam
135 bpm • E Maj • 03:18 • -6.4db
26% Popularity • 45% Danceability • 92% Energy • 28% Liveness
0% Instrumentalness • 35% Positiveness
26% Popularity • 45% Danceability • 92% Energy • 28% Liveness
0% Instrumentalness • 35% Positiveness
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Air Traffic
Shooting Star
149 bpm • A min • 04:08 • -5.07db
38% Popularity • 41% Danceability • 73% Energy • 24% Liveness
0% Instrumentalness • 28% Positiveness
38% Popularity • 41% Danceability • 73% Energy • 24% Liveness
0% Instrumentalness • 28% Positiveness
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Editors
Fingers In The Factory
150 bpm • F# min • 04:14 • -5.51db
7% Popularity • 45% Danceability • 71% Energy • 47% Liveness
0% Instrumentalness • 59% Positiveness
7% Popularity • 45% Danceability • 71% Energy • 47% Liveness
0% Instrumentalness • 59% Positiveness
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Kings of Leon
Temple
150 bpm • A Maj • 04:10 • -7.78db
56% Popularity • 48% Danceability • 64% Energy • 12% Liveness
28% Instrumentalness • 57% Positiveness
56% Popularity • 48% Danceability • 64% Energy • 12% Liveness
28% Instrumentalness • 57% Positiveness
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Moss
The Hunter
150 bpm • D Maj • 03:59 • -6.32db
15% Popularity • 54% Danceability • 91% Energy • 28% Liveness
44% Instrumentalness • 76% Positiveness
15% Popularity • 54% Danceability • 91% Energy • 28% Liveness
44% Instrumentalness • 76% Positiveness
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The War On Drugs
Under The Pressure
134 bpm • F# Maj • 08:52 • -6.55db
58% Popularity • 32% Danceability • 71% Energy • 13% Liveness
17% Instrumentalness • 20% Positiveness
58% Popularity • 32% Danceability • 71% Energy • 13% Liveness
17% Instrumentalness • 20% Positiveness
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Maximo Park
Graffiti
150 bpm • E Maj • 03:05 • -3db
39% Popularity • 16% Danceability • 90% Energy • 38% Liveness
14% Instrumentalness • 42% Positiveness
39% Popularity • 16% Danceability • 90% Energy • 38% Liveness
14% Instrumentalness • 42% Positiveness
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Cherry Ghost
People Help the People
134 bpm • F# min • 03:55 • -5.79db
38% Popularity • 44% Danceability • 64% Energy • 24% Liveness
21% Instrumentalness • 57% Positiveness
38% Popularity • 44% Danceability • 64% Energy • 24% Liveness
21% Instrumentalness • 57% Positiveness
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Editors
An End Has a Start
150 bpm • F# min • 03:45 • -2.43db
52% Popularity • 35% Danceability • 92% Energy • 34% Liveness
11% Instrumentalness • 54% Positiveness
52% Popularity • 35% Danceability • 92% Energy • 34% Liveness
11% Instrumentalness • 54% Positiveness
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Supergrass
Sun Hits the Sky
150 bpm • A# Maj • 04:55 • -6.91db
46% Popularity • 37% Danceability • 94% Energy • 10% Liveness
50% Instrumentalness • 34% Positiveness
46% Popularity • 37% Danceability • 94% Energy • 10% Liveness
50% Instrumentalness • 34% Positiveness
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Zornik
Hey Girl
134 bpm • D Maj • 04:11 • -5.41db
25% Popularity • 50% Danceability • 71% Energy • 63% Liveness
2% Instrumentalness • 25% Positiveness
25% Popularity • 50% Danceability • 71% Energy • 63% Liveness
2% Instrumentalness • 25% Positiveness
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R.E.M.
Ãœberlin
134 bpm • G min • 04:14 • -4.7db
48% Popularity • 60% Danceability • 75% Energy • 37% Liveness
0% Instrumentalness • 27% Positiveness
48% Popularity • 60% Danceability • 75% Energy • 37% Liveness
0% Instrumentalness • 27% Positiveness
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Ghosts
The World Is Outside
134 bpm • A# Maj • 03:32 • -6.09db
30% Popularity • 56% Danceability • 91% Energy • 39% Liveness
0% Instrumentalness • 74% Positiveness
30% Popularity • 56% Danceability • 91% Energy • 39% Liveness
0% Instrumentalness • 74% Positiveness
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The Kooks
Ooh La
151 bpm • A# min • 03:28 • -5.19db
63% Popularity • 55% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
63% Popularity • 55% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
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Editors
Blood
150 bpm • F# min • 03:27 • -5db
14% Popularity • 38% Danceability • 93% Energy • 20% Liveness
7% Instrumentalness • 61% Positiveness
14% Popularity • 38% Danceability • 93% Energy • 20% Liveness
7% Instrumentalness • 61% Positiveness
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Supergrass
Sun Hits the Sky (Radio Edit)
151 bpm • A# Maj • 03:42 • -4.51db
14% Popularity • 28% Danceability • 96% Energy • 20% Liveness
34% Instrumentalness • 27% Positiveness
14% Popularity • 28% Danceability • 96% Energy • 20% Liveness
34% Instrumentalness • 27% Positiveness
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Lenny Kravitz
Mr. Cab Driver - Remastered
133 bpm • D Maj • 03:50 • -7.51db
36% Popularity • 74% Danceability • 73% Energy • 11% Liveness
39% Instrumentalness • 91% Positiveness
36% Popularity • 74% Danceability • 73% Energy • 11% Liveness
39% Instrumentalness • 91% Positiveness
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Air Traffic
No More Running Away
134 bpm • C Maj • 04:22 • -6.96db
31% Popularity • 62% Danceability • 55% Energy • 12% Liveness
73% Instrumentalness • 47% Positiveness
31% Popularity • 62% Danceability • 55% Energy • 12% Liveness
73% Instrumentalness • 47% Positiveness
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Miles Kane
Rearrange
133 bpm • C# min • 03:29 • -4db
47% Popularity • 56% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
47% Popularity • 56% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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The Slow Readers Club
I Saw A Ghost
133 bpm • G Maj • 03:32 • -5.41db
33% Popularity • 56% Danceability • 80% Energy • 43% Liveness
42% Instrumentalness • 30% Positiveness
33% Popularity • 56% Danceability • 80% Energy • 43% Liveness
42% Instrumentalness • 30% Positiveness
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Editors
Heart Attack
134 bpm • F# min • 05:48 • -6.49db
41% Popularity • 50% Danceability • 93% Energy • 10% Liveness
13% Instrumentalness • 36% Positiveness
41% Popularity • 50% Danceability • 93% Energy • 10% Liveness
13% Instrumentalness • 36% Positiveness
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Kensington
All For Nothing
152 bpm • A# Maj • 04:49 • -6.5db
41% Popularity • 46% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
41% Popularity • 46% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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White Lies
First Time Caller
152 bpm • F Maj • 03:34 • -4.88db
39% Popularity • 48% Danceability • 95% Energy • 25% Liveness
14% Instrumentalness • 54% Positiveness
39% Popularity • 48% Danceability • 95% Energy • 25% Liveness
14% Instrumentalness • 54% Positiveness
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Air Traffic
Charlotte
152 bpm • D Maj • 02:24 • -3db
34% Popularity • 43% Danceability • 96% Energy • 30% Liveness
0% Instrumentalness • 66% Positiveness
34% Popularity • 43% Danceability • 96% Energy • 30% Liveness
0% Instrumentalness • 66% Positiveness
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Kings of Leon
Waste A Moment
153 bpm • D Maj • 03:03 • -4.86db
70% Popularity • 44% Danceability • 85% Energy • 13% Liveness
74% Instrumentalness • 54% Positiveness
70% Popularity • 44% Danceability • 85% Energy • 13% Liveness
74% Instrumentalness • 54% Positiveness
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U2
The Saints Are Coming
152 bpm • B min • 03:22 • -7db
52% Popularity • 30% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
52% Popularity • 30% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Editors
Bones
152 bpm • F# min • 04:06 • -3db
42% Popularity • 34% Danceability • 94% Energy • 39% Liveness
6% Instrumentalness • 36% Positiveness
42% Popularity • 34% Danceability • 94% Energy • 39% Liveness
6% Instrumentalness • 36% Positiveness
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The Veils
The Leavers Dance
132 bpm • B Maj • 04:06 • -8.85db
38% Popularity • 43% Danceability • 55% Energy • 12% Liveness
68% Instrumentalness • 19% Positiveness
38% Popularity • 43% Danceability • 55% Energy • 12% Liveness
68% Instrumentalness • 19% Positiveness
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White Lies
To Lose My Life
132 bpm • A# min • 03:11 • -4.71db
55% Popularity • 54% Danceability • 82% Energy • 11% Liveness
1% Instrumentalness • 27% Positiveness
55% Popularity • 54% Danceability • 82% Energy • 11% Liveness
1% Instrumentalness • 27% Positiveness
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Infadels
Love Like Semtex
132 bpm • G# min • 03:47 • -8db
31% Popularity • 56% Danceability • 88% Energy • 79% Liveness
0% Instrumentalness • 58% Positiveness
31% Popularity • 56% Danceability • 88% Energy • 79% Liveness
0% Instrumentalness • 58% Positiveness
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Mintzkov
Return & Smile
132 bpm • D min • 04:02 • -7.13db
22% Popularity • 62% Danceability • 73% Energy • 9% Liveness
4% Instrumentalness • 40% Positiveness
22% Popularity • 62% Danceability • 73% Energy • 9% Liveness
4% Instrumentalness • 40% Positiveness
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Badly Drawn Boy
Nothing's Gonna Change Your Mind
132 bpm • B min • 05:17 • -5.05db
16% Popularity • 33% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
16% Popularity • 33% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Supergrass
Pumping on Your Stereo
132 bpm • D Maj • 03:20 • -4.79db
49% Popularity • 44% Danceability • 90% Energy • 84% Liveness
9% Instrumentalness • 24% Positiveness
49% Popularity • 44% Danceability • 90% Energy • 84% Liveness
9% Instrumentalness • 24% Positiveness
