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A Truck Driver's Romance
Songs like
A Truck Driver's Romance
by
Moore
Based on a tempo of (+/- 10%) and a similar genre
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Moore
A Truck Driver's Romance
92 bpm • F Maj • 02:16 • -5.99db
2% Popularity • 44% Danceability • 67% Energy • 26% Liveness
0% Instrumentalness • 93% Positiveness
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Dick Curless
'Tater Raisin' Man
92 bpm • G# Maj • 02:01 • -9.37db
24% Popularity • 53% Danceability • 68% Energy • 30% Liveness
5% Instrumentalness • 85% Positiveness
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Cal Smith
Wrong Road Again
92 bpm • G Maj • 02:06 • -11.42db
18% Popularity • 68% Danceability • 51% Energy • 23% Liveness
0% Instrumentalness • 68% Positiveness
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Billy Walker
Cross the Brazos at Waco
92 bpm • C# Maj • 02:50 • -14.05db
23% Popularity • 61% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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Leroy Van Dyke
The Hobo's Last Ride
92 bpm • A Maj • 02:42 • -13.17db
32% Popularity • 57% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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Willis Brothers
When I Come Driving Through
92 bpm • A Maj • 02:02 • -10.34db
15% Popularity • 65% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 90% Positiveness
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Moore
Truck Driver's Woman
92 bpm • C Maj • 02:14 • -6.28db
2% Popularity • 47% Danceability • 54% Energy • 26% Liveness
0% Instrumentalness • 69% Positiveness
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R.W. Hampton
My Rifle, My Pony And Me - from Rio Brav...
91 bpm • D Maj • 02:46 • -15.32db
23% Popularity • 46% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Cal Smith
Arizona Whiz
92 bpm • A Maj • 03:15 • -17.91db
12% Popularity • 56% Danceability • 31% Energy • 21% Liveness
0% Instrumentalness • 25% Positiveness
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Mel McDaniel
Countryfied
91 bpm • D Maj • 02:38 • -7.56db
45% Popularity • 71% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
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Wynn Stewart
Another Day, Another Dollar
91 bpm • E Maj • 02:32 • -11db
18% Popularity • 63% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 94% Positiveness
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Anthony The Messenger
Smoke?
91 bpm • F# Maj • 03:02 • -4.02db
0% Popularity • 75% Danceability • 84% Energy • 36% Liveness
0% Instrumentalness • 35% Positiveness
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Moore
She Is Far from the Land
91 bpm • C Maj • 03:37 • -16.13db
0% Popularity • 23% Danceability • 20% Energy • 22% Liveness
0% Instrumentalness • 10% Positiveness
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Moe Bandy
It Was Always so Easy (To Find an Unhapp...
93 bpm • F Maj • 02:37 • -13.58db
32% Popularity • 57% Danceability • 29% Energy • 19% Liveness
0% Instrumentalness • 49% Positiveness
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Cal Smith
Drinking Champagne
93 bpm • C Maj • 03:29 • -14.42db
22% Popularity • 58% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Jimmy C. Newman
Alligator Man
91 bpm • A Maj • 02:11 • -9db
29% Popularity • 54% Danceability • 65% Energy • 5% Liveness
0% Instrumentalness • 73% Positiveness
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Warner Mack
Sittin' In An All Night Café
90 bpm • F Maj • 02:19 • -11.94db
16% Popularity • 61% Danceability • 46% Energy • 30% Liveness
0% Instrumentalness • 93% Positiveness
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George Morgan
Man Behind The Wheel
90 bpm • G Maj • 03:25 • -16.83db
8% Popularity • 45% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Moore
Pinball Blues
90 bpm • F Maj • 02:42 • -5.17db
4% Popularity • 54% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 70% Positiveness
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Gene Watson
Raisin' Cane In Texas
94 bpm • D Maj • 02:39 • -7db
37% Popularity • 65% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 77% Positiveness
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King Cobra
Never 2 Much
90 bpm • C# Maj • 02:38 • -10.03db
0% Popularity • 57% Danceability • 49% Energy • 37% Liveness
3% Instrumentalness • 43% Positiveness
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Del Reeves
This Must The The Bottom
89 bpm • A Maj • 01:53 • -14db
34% Popularity • 75% Danceability • 43% Energy • 25% Liveness
0% Instrumentalness • 80% Positiveness
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Willis Brothers
Truck Stop Cutie
95 bpm • C Maj • 02:04 • -11.08db
20% Popularity • 73% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Eddy Arnold
Tennessee Stud - Remastered
95 bpm • F Maj • 03:06 • -15.68db
31% Popularity • 81% Danceability • 36% Energy • 24% Liveness
0% Instrumentalness • 63% Positiveness
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Moore
Truck Driver's Queen
94 bpm • E Maj • 02:05 • -6.97db
23% Popularity • 64% Danceability • 52% Energy • 27% Liveness
0% Instrumentalness • 87% Positiveness
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Gene Watson
Pick The Wildwood Flower
94 bpm • G Maj • 02:21 • -8.66db
35% Popularity • 66% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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Cal Smith
The Lord Knows I'm Drinking
89 bpm • A Maj • 03:31 • -9.49db
36% Popularity • 67% Danceability • 50% Energy • 5% Liveness
5% Instrumentalness • 87% Positiveness
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Mickey Gilley
Don't The Girls All Get Prettier At Clos...
89 bpm • C Maj • 02:58 • -13.92db
34% Popularity • 64% Danceability • 65% Energy • 18% Liveness
0% Instrumentalness • 92% Positiveness
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Mel McDaniel
Goodbye Marie
95 bpm • D# Maj • 02:56 • -7.83db
34% Popularity • 64% Danceability • 62% Energy • 23% Liveness
0% Instrumentalness • 72% Positiveness
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Big Al Downing
Mister Jones
89 bpm • A# Maj • 04:55 • -6.82db
15% Popularity • 56% Danceability • 74% Energy • 32% Liveness
0% Instrumentalness • 79% Positiveness
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Moore
New Page
95 bpm • G# Maj • 03:11 • -5.11db
0% Popularity • 54% Danceability • 93% Energy • 12% Liveness
8% Instrumentalness • 53% Positiveness
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Tex Williams
Teamster Power
89 bpm • G# Maj • 03:35 • -14.99db
7% Popularity • 71% Danceability • 56% Energy • 12% Liveness
75% Instrumentalness • 52% Positiveness
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Moe Bandy & Joe Stampley
Roll on Big Mama
96 bpm • C# min • 02:34 • -10.3db
29% Popularity • 56% Danceability • 74% Energy • 35% Liveness
0% Instrumentalness • 77% Positiveness
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Joe Stampley
Roll On Big Mama
96 bpm • G# min • 02:32 • -9.15db
26% Popularity • 62% Danceability • 74% Energy • 35% Liveness
0% Instrumentalness • 85% Positiveness
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Dick Curless
Six Times A Day (The Trains Came Down)
96 bpm • C Maj • 02:33 • -11.25db
22% Popularity • 61% Danceability • 45% Energy • 24% Liveness
0% Instrumentalness • 59% Positiveness
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Buzz Martin
Different Kind of Breed of A Truck Drivi...
96 bpm • A Maj • 02:12 • -16.37db
14% Popularity • 79% Danceability • 43% Energy • 23% Liveness
0% Instrumentalness • 96% Positiveness
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Johnny Rodriguez
I Just Can't Get Her Out Of My Mind
97 bpm • F Maj • 02:36 • -10.18db
38% Popularity • 54% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Eddy Arnold
Where the Mountains Meet the Sky
88 bpm • D Maj • 01:58 • -13.44db
31% Popularity • 52% Danceability • 21% Energy • 21% Liveness
0% Instrumentalness • 57% Positiveness
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Billy Walker
Matamoros
97 bpm • D Maj • 03:38 • -14.18db
23% Popularity • 61% Danceability • 28% Energy • 19% Liveness
0% Instrumentalness • 47% Positiveness
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Michael Martin Murphey
The Old Chisholm Trail
97 bpm • E Maj • 04:46 • -5.21db
22% Popularity • 75% Danceability • 84% Energy • 19% Liveness
0% Instrumentalness • 88% Positiveness
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Tommy Collins
Poor, Broke, Mixed up Mess of a Heart
97 bpm • G Maj • 02:09 • -14.9db
26% Popularity • 76% Danceability • 41% Energy • 28% Liveness
0% Instrumentalness • 95% Positiveness
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Buzz Martin
Used Log Truck
97 bpm • D Maj • 03:47 • -18.06db
16% Popularity • 55% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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Johnny Russell
Red Necks, White Socks, And Blue Ribbon ...
87 bpm • E Maj • 02:32 • -8.53db
36% Popularity • 67% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 81% Positiveness
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Moe Bandy
Bandy The Rodeo Clown
97 bpm • F Maj • 02:55 • -7.92db
38% Popularity • 61% Danceability • 69% Energy • 17% Liveness
0% Instrumentalness • 81% Positiveness
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Lefty Frizzell
She's Gone, Gone, Gone
97 bpm • G Maj • 02:21 • -12db
33% Popularity • 66% Danceability • 47% Energy • 3% Liveness
0% Instrumentalness • 92% Positiveness
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Buck Owens And His Buckaroos
You'll Never Miss the Water (Till the We...
97 bpm • A Maj • 02:28 • -8.33db
14% Popularity • 75% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Michael Martin Murphey
When the Work's All Done This Fall
97 bpm • G Maj • 03:18 • -6.25db
16% Popularity • 72% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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Sons Of The San Joaquin
Horses, Cattle and Coyotes
97 bpm • D Maj • 04:18 • -10.64db
21% Popularity • 63% Danceability • 39% Energy • 17% Liveness
0% Instrumentalness • 68% Positiveness
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Johnny Russell
Red Necks, White Socks and Blue Ribbon B...
87 bpm • E Maj • 02:33 • -5.87db
17% Popularity • 67% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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Claude King
Beer Drops & Tear Drops
87 bpm • E Maj • 03:30 • -8.76db
21% Popularity • 55% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
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Dick Curless
Hard, Hard Traveling Man
98 bpm • G Maj • 02:33 • -8db
28% Popularity • 71% Danceability • 80% Energy • 11% Liveness
7% Instrumentalness • 96% Positiveness
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Malpass Brothers
Man In Black is Wearing White
98 bpm • D Maj • 03:05 • -6.23db
10% Popularity • 77% Danceability • 56% Energy • 18% Liveness
0% Instrumentalness • 79% Positiveness
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Moe Bandy
Bandy the Rodeo Clown
98 bpm • F Maj • 02:52 • -11.05db
39% Popularity • 61% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 81% Positiveness
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Gina Green
Changes
98 bpm • G Maj • 03:18 • -5.44db
0% Popularity • 78% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Mel McDaniel
If I Keep On Going Crazy
86 bpm • F Maj • 02:38 • -7.35db
47% Popularity • 74% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
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Red Steagall
Little Joe The Wrangler
98 bpm • D Maj • 04:13 • -11.57db
20% Popularity • 67% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
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Charles Villiers Stanford
Traditional: She Is Far from the Land (I...
86 bpm • A Maj • 02:52 • -19.79db
0% Popularity • 29% Danceability • 11% Energy • 34% Liveness
30% Instrumentalness • 23% Positiveness
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Buzz Martin
Loggers Home Brew
86 bpm • D Maj • 02:42 • -11db
19% Popularity • 55% Danceability • 53% Energy • 27% Liveness
0% Instrumentalness • 96% Positiveness
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Tanya Tucker
Pecos Promenade
98 bpm • G# Maj • 02:29 • -9.72db
26% Popularity • 63% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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C.W. McCall
Around The World With A Rubber Duck
98 bpm • C Maj • 04:08 • -12.65db
34% Popularity • 63% Danceability • 63% Energy • 7% Liveness
1% Instrumentalness • 92% Positiveness
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Mel McDaniel
Maximum Living On A Minimum Wage
98 bpm • C# Maj • 02:57 • -7.47db
34% Popularity • 72% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
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Del Reeves
Looking At The World Through A Windshiel...
98 bpm • A Maj • 02:27 • -9.32db
39% Popularity • 61% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
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Jim Ed Brown
Southern Loving
99 bpm • F Maj • 02:13 • -10.54db
25% Popularity • 73% Danceability • 63% Energy • 28% Liveness
0% Instrumentalness • 80% Positiveness
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Red Steagall
Lone Star Beer and Bob Wills
99 bpm • E Maj • 02:09 • -7db
34% Popularity • 69% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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Tommy Cash
The Ramblin' Kind
98 bpm • B min • 02:13 • -8db
19% Popularity • 69% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 64% Positiveness
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Gene Watson
Speak Softly (You're Talking To My Heart...
99 bpm • C Maj • 02:06 • -6.26db
32% Popularity • 62% Danceability • 79% Energy • 29% Liveness
0% Instrumentalness • 84% Positiveness
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Billy Walker
Samuel Colt
85 bpm • C# Maj • 02:36 • -15.29db
31% Popularity • 67% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Gina Green
God Is Love
100 bpm • E min • 03:55 • -5.63db
0% Popularity • 80% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 91% Positiveness
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Willis Brothers
Highway Patrol
100 bpm • D Maj • 02:03 • -12.3db
15% Popularity • 68% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 81% Positiveness
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Red Steagall
The Wagon Tongue
99 bpm • A Maj • 03:34 • -16.27db
17% Popularity • 72% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
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Freddie Dean Snowden
My Wife Ran Off With My Best Friend
85 bpm • C Maj • 02:00 • -5.24db
20% Popularity • 66% Danceability • 56% Energy • 18% Liveness
76% Instrumentalness • 82% Positiveness
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Roy Drusky
Long Long Texas Road
100 bpm • E Maj • 02:23 • -11.65db
33% Popularity • 61% Danceability • 54% Energy • 20% Liveness
0% Instrumentalness • 88% Positiveness
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Don Rich
Wham Bam
100 bpm • G# Maj • 02:02 • -9.06db
21% Popularity • 71% Danceability • 61% Energy • 6% Liveness
2% Instrumentalness • 96% Positiveness
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Stringbean
Rye Whiskey
84 bpm • G Maj • 02:39 • -13.57db
25% Popularity • 67% Danceability • 31% Energy • 19% Liveness
0% Instrumentalness • 52% Positiveness
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Vern Gosdin
Right In the Wrong Direction
84 bpm • C# Maj • 02:14 • -11db
36% Popularity • 68% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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Eddy Arnold
The Wayward Wind
101 bpm • C# Maj • 03:06 • -15.86db
31% Popularity • 62% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Hank Thompson And His Brazos Valley Boys
Squaws Along The Yukon
101 bpm • C Maj • 02:31 • -7.05db
28% Popularity • 74% Danceability • 60% Energy • 39% Liveness
0% Instrumentalness • 84% Positiveness
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Frankie Miller
Black Land Farmer
101 bpm • A Maj • 02:31 • -10.29db
22% Popularity • 60% Danceability • 47% Energy • 33% Liveness
0% Instrumentalness • 94% Positiveness
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Gene Watson
Cowboys Don't Get Lucky All The Time
101 bpm • C Maj • 02:34 • -11db
36% Popularity • 63% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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Moe Bandy
Cowboys and Playboys
84 bpm • C Maj • 02:27 • -11.33db
21% Popularity • 68% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
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Billy Walker
Buy Juanita Some Flowers
101 bpm • C# Maj • 02:34 • -15.54db
17% Popularity • 71% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Tommy Cash
Six White Horses
83 bpm • D Maj • 02:50 • -12db
38% Popularity • 58% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
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Del Reeves
The Girl On The Billboard
83 bpm • D Maj • 02:42 • -11db
47% Popularity • 62% Danceability • 72% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
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Coleman Wilson
Green Truck Driver's First Experience Wi...
102 bpm • C Maj • 02:47 • -8.26db
12% Popularity • 41% Danceability • 43% Energy • 17% Liveness
0% Instrumentalness • 26% Positiveness
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Claude Gray
How Fast Them Trucks Can Go
83 bpm • D Maj • 02:45 • -18db
24% Popularity • 62% Danceability • 37% Energy • 36% Liveness
14% Instrumentalness • 78% Positiveness
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Moore
Guitar Pickin' Truck Driver
102 bpm • A Maj • 02:00 • -7.48db
2% Popularity • 59% Danceability • 66% Energy • 19% Liveness
0% Instrumentalness • 74% Positiveness
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Minnie Pearl
Giddyup Go Answer
83 bpm • C Maj • 04:05 • -9.46db
12% Popularity • 53% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
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Johnny Russell
She Burnt the Little Roadside Tavern Dow...
103 bpm • E Maj • 02:37 • -8db
27% Popularity • 68% Danceability • 64% Energy • 29% Liveness
0% Instrumentalness • 94% Positiveness
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Del Reeves
Right Back Loving You Again
102 bpm • A Maj • 02:08 • -8.63db
33% Popularity • 68% Danceability • 64% Energy • 3% Liveness
0% Instrumentalness • 94% Positiveness
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C.W. McCall
Audubon
103 bpm • C Maj • 03:46 • -13db
27% Popularity • 68% Danceability • 47% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
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Johnny Rodriguez
Down On The Rio Grande
103 bpm • A Maj • 03:34 • -13db
30% Popularity • 68% Danceability • 36% Energy • 19% Liveness
0% Instrumentalness • 58% Positiveness
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Moore
The Arm Of God
103 bpm • F Maj • 02:06 • -9.08db
0% Popularity • 73% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 83% Positiveness
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Ian Tyson
Lone Star And Coors
103 bpm • G Maj • 02:52 • -14.06db
9% Popularity • 73% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
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Cal Smith
Drinking Champagne
103 bpm • F Maj • 02:40 • -17db
17% Popularity • 62% Danceability • 22% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
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Little Jimmy Dickens
Country Music Lover
104 bpm • E Maj • 02:57 • -9.21db
15% Popularity • 72% Danceability • 56% Energy • 3% Liveness
0% Instrumentalness • 96% Positiveness
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Charlie Walker
I Wouldn't Take Her to a Dogfight
103 bpm • A Maj • 02:13 • -8.66db
25% Popularity • 70% Danceability • 72% Energy • 20% Liveness
0% Instrumentalness • 93% Positiveness
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George Hamilton IV
Truck Driving Man
104 bpm • E Maj • 02:28 • -10.54db
27% Popularity • 63% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 87% Positiveness
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Mel McDaniel
Hello Daddy, Good Morning Darling
104 bpm • C Maj • 03:27 • -9.14db
36% Popularity • 70% Danceability • 46% Energy • 7% Liveness
2% Instrumentalness • 59% Positiveness
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Jimmy Martin
Run Pete Run
104 bpm • D Maj • 02:22 • -15.23db
22% Popularity • 62% Danceability • 42% Energy • 24% Liveness
0% Instrumentalness • 90% Positiveness
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Willis Brothers
Long Haul Weekend
104 bpm • B Maj • 02:42 • -11.74db
13% Popularity • 64% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
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A Truck Driver's Romance