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'A Vucchella
Songs like
'A Vucchella
by
Francesco Paolo Tosti
Based on a tempo of (+/- 10%) and a similar genre
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Cesare Andrea Bixio
La mia canzone al vento
132 bpm • F Maj • 03:05 • -11.74db
23% Popularity • 37% Danceability • 34% Energy • 34% Liveness
0% Instrumentalness • 57% Positiveness
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Francesco Paolo Tosti
Marechiare (Arr. Chiaramello)
132 bpm • C Maj • 03:31 • -14.1db
5% Popularity • 34% Danceability • 22% Energy • 34% Liveness
3% Instrumentalness • 39% Positiveness
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Léo Delibes
Delibes : Lakmé : Act 2 The Bell Song [...
131 bpm • G Maj • 07:42 • -25.48db
11% Popularity • 35% Danceability • 6% Energy • 18% Liveness
0% Instrumentalness • 5% Positiveness
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Ruggero Leoncavallo
Mattinata
133 bpm • E Maj • 02:29 • -6.79db
20% Popularity • 29% Danceability • 40% Energy • 22% Liveness
0% Instrumentalness • 27% Positiveness
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Johann Strauss II
Die Fledermaus, Act II: No. 8a, Couplet....
133 bpm • G Maj • 03:24 • -13db
23% Popularity • 46% Danceability • 20% Energy • 66% Liveness
0% Instrumentalness • 29% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice (Orphée et Eurydice),...
131 bpm • F min • 03:05 • -11db
12% Popularity • 40% Danceability • 25% Energy • 4% Liveness
1% Instrumentalness • 21% Positiveness
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George Frideric Handel
Semele, Act II: "Where'er You Walk"
131 bpm • A# Maj • 05:55 • -17.38db
10% Popularity • 25% Danceability • 22% Energy • 26% Liveness
1% Instrumentalness • 7% Positiveness
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Francesco Paolo Tosti
Sogno
131 bpm • G# Maj • 03:35 • -9.88db
1% Popularity • 41% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Gaetano Donizetti
La fille du régiment: Overture
130 bpm • A# Maj • 06:40 • -16.7db
14% Popularity • 38% Danceability • 28% Energy • 10% Liveness
65% Instrumentalness • 23% Positiveness
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Friedrich von Flotow
Martha: M'apparì tutt'amor
134 bpm • C Maj • 03:02 • -14db
13% Popularity • 30% Danceability • 21% Energy • 7% Liveness
1% Instrumentalness • 7% Positiveness
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Gioachino Rossini
Il Barbiere di Siviglia, Act I, Scene On...
130 bpm • C Maj • 04:09 • -20.3db
8% Popularity • 34% Danceability • 13% Energy • 29% Liveness
0% Instrumentalness • 10% Positiveness
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Renata Tebaldi
Verdi: La Forza del Destino: La Vergine ...
130 bpm • G Maj • 03:47 • -20db
22% Popularity • 22% Danceability • 17% Energy • 30% Liveness
82% Instrumentalness • 13% Positiveness
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Salvatore Cardillo
Core 'ngrato (orch. G. Chiaramello)
136 bpm • C# Maj • 03:13 • -21db
21% Popularity • 25% Danceability • 11% Energy • 14% Liveness
5% Instrumentalness • 6% Positiveness
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Francesco Paolo Tosti
Marechiare (Arr. Langley)
131 bpm • D min • 03:19 • -16.6db
3% Popularity • 35% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Gaetano Donizetti
Spargi d’amaro pianto
129 bpm • D# Maj • 03:41 • -18db
14% Popularity • 38% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act 1: Les oisea...
136 bpm • G# Maj • 05:02 • -18db
14% Popularity • 44% Danceability • 11% Energy • 68% Liveness
0% Instrumentalness • 16% Positiveness
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Ernesto de Curtis
Voce 'e notte (Arr. Chiaramello)
137 bpm • A min • 04:30 • -13.78db
23% Popularity • 28% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Renata Tebaldi
Libiamo Ne' Lieti Calici (Brindisi) - la...
134 bpm • A# Maj • 03:04 • -13db
34% Popularity • 40% Danceability • 34% Energy • 40% Liveness
0% Instrumentalness • 35% Positiveness
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Wolfgang Amadeus Mozart
Don Giovanni, K. 527, Act II: Canzonetta...
137 bpm • D Maj • 02:31 • -28db
21% Popularity • 32% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
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Francesco Paolo Tosti
La sera: No. 1, Introduzione per pianofo...
134 bpm • G# min • 01:17 • -30.56db
0% Popularity • 58% Danceability • 0% Energy • 10% Liveness
88% Instrumentalness • 40% Positiveness
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Pietro Mascagni
Cavalleria rusticana: "Il cavallo scalpi...
128 bpm • F# Maj • 02:29 • -15db
25% Popularity • 49% Danceability • 34% Energy • 71% Liveness
2% Instrumentalness • 39% Positiveness
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Gaetano Donizetti
L'elisir d'amore / Act 1: "Udite, udite,...
127 bpm • A Maj • 08:00 • -15.57db
20% Popularity • 45% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Gioachino Rossini
Rossini : La Cenerentola : Act 2 "Non pi...
127 bpm • E Maj • 03:11 • -18db
18% Popularity • 43% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Renata Tebaldi
Un Bel Di Vedremo (Madame Butterfly)
128 bpm • C# Maj • 04:52 • -10.89db
29% Popularity • 31% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Wolfgang Amadeus Mozart
Don Giovanni, K. 527 / Act 2: "Vedrai, c...
137 bpm • C Maj • 03:45 • -20db
19% Popularity • 29% Danceability • 6% Energy • 17% Liveness
1% Instrumentalness • 12% Positiveness
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Victoria de los Ángeles
Op 34, N. 2: "Auf Flügeln des Gesanges"
138 bpm • G# Maj • 02:42 • -16db
17% Popularity • 37% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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Francesco Paolo Tosti
Marechiare (Sung in Neapolitan) [Remaste...
128 bpm • B Maj • 02:51 • -8.74db
2% Popularity • 37% Danceability • 34% Energy • 50% Liveness
13% Instrumentalness • 48% Positiveness
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Gaetano Donizetti
Donizetti: L'elisir d'amore, Act 2: No. ...
126 bpm • A# Maj • 04:27 • -18.14db
30% Popularity • 31% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Gioachino Rossini
Canzonetta spagnuola
126 bpm • D min • 02:08 • -15.72db
28% Popularity • 48% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
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Vincenzo Bellini
I Capuleti e i Montecchi: Eccomi in liet...
139 bpm • G Maj • 08:54 • -19.59db
7% Popularity • 32% Danceability • 14% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
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Pietro Mascagni
Cavalleria rusticana: "Dite, mama Lucia"
139 bpm • F# min • 03:41 • -19db
24% Popularity • 28% Danceability • 7% Energy • 39% Liveness
0% Instrumentalness • 7% Positiveness
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Camille Saint-Saëns
Mon coeur s'ouvre à ta voix
139 bpm • C# Maj • 05:24 • -14.52db
7% Popularity • 26% Danceability • 32% Energy • 8% Liveness
11% Instrumentalness • 5% Positiveness
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Francesco Paolo Tosti
Plenilunio: No. 4, All'aria libera, dolc...
128 bpm • C# Maj • 01:37 • -33.54db
0% Popularity • 31% Danceability • 0% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
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Salvatore Cardillo
Cardillo: Core n'grato
125 bpm • D# Maj • 04:44 • -11.72db
18% Popularity • 24% Danceability • 24% Energy • 36% Liveness
0% Instrumentalness • 14% Positiveness
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Gaetano Donizetti
L'elisir d'amore: Overture (Preludio)
139 bpm • D Maj • 02:41 • -24.99db
17% Popularity • 25% Danceability • 2% Energy • 11% Liveness
86% Instrumentalness • 12% Positiveness
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Choir and Orchestra of the Budapest State Opera
Triumphal March & Chorus Act.2 (Aida)
140 bpm • D# Maj • 11:44 • -20.87db
11% Popularity • 32% Danceability • 8% Energy • 15% Liveness
48% Instrumentalness • 19% Positiveness
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Sweepa
Kopstoot - Hebbe Remix
140 bpm • F# min • 04:27 • -9.1db
5% Popularity • 48% Danceability • 57% Energy • 6% Liveness
65% Instrumentalness • 15% Positiveness
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Alexander Borodin
Prince Igor (Knyaz Igor), Act II: Ni sna...
140 bpm • C# Maj • 07:17 • -11.86db
8% Popularity • 26% Danceability • 34% Energy • 10% Liveness
2% Instrumentalness • 7% Positiveness
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Francesco Paolo Tosti
Marechiare
128 bpm • B min • 03:25 • -11.59db
8% Popularity • 38% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Nacio Herb Brown
Brown / Arr. Schifrin: A Tribute to Holl...
140 bpm • A# Maj • 02:18 • -16.28db
29% Popularity • 25% Danceability • 64% Energy • 82% Liveness
38% Instrumentalness • 49% Positiveness
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Vincenzo Bellini
Norma: Sinfonia
140 bpm • G Maj • 06:08 • -17.53db
14% Popularity • 24% Danceability • 8% Energy • 15% Liveness
88% Instrumentalness • 7% Positiveness
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Salvatore Cardillo
Core ngrato
141 bpm • D# Maj • 03:48 • -15.77db
7% Popularity • 20% Danceability • 21% Energy • 36% Liveness
0% Instrumentalness • 8% Positiveness
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Sweepa
Ketel - Requake Remix
140 bpm • B Maj • 04:42 • -10.61db
5% Popularity • 84% Danceability • 30% Energy • 18% Liveness
53% Instrumentalness • 10% Positiveness
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Igor Stravinsky
The Rake's Progress / Act 2 / Scene 3: "...
141 bpm • D min • 03:49 • -19.82db
11% Popularity • 46% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Francesco Paolo Tosti
Tosti: Ave Maria
139 bpm • A Maj • 04:04 • -22.11db
0% Popularity • 21% Danceability • 6% Energy • 10% Liveness
32% Instrumentalness • 3% Positiveness
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Chor der Staatsoper Wien
Giuseppe Verdi: Rigoletto - Scorrendo un...
123 bpm • A Maj • 01:45 • -21db
14% Popularity • 44% Danceability • 28% Energy • 14% Liveness
1% Instrumentalness • 80% Positiveness
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Vincenzo Bellini
Bellini: Norma: Sinfonia
141 bpm • G Maj • 05:39 • -17db
21% Popularity • 24% Danceability • 10% Energy • 8% Liveness
92% Instrumentalness • 15% Positiveness
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Gaetano Donizetti
Linda di Chamounix: O luce di quest'anim...
123 bpm • G Maj • 05:21 • -17.04db
12% Popularity • 43% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
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Gioachino Rossini
L'italiana in Algeri / Act 1: "Cruda sor...
123 bpm • F Maj • 04:57 • -23.17db
11% Popularity • 41% Danceability • 8% Energy • 23% Liveness
0% Instrumentalness • 11% Positiveness
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Umberto Giordano
Fedora / Act II: Intermezzo
123 bpm • E Maj • 02:03 • -18.82db
24% Popularity • 17% Danceability • 16% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Francesco Paolo Tosti
Tosti / Arr. Schifrin: Around the World:...
139 bpm • G# min • 03:09 • -19.79db
23% Popularity • 35% Danceability • 24% Energy • 79% Liveness
13% Instrumentalness • 52% Positiveness
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Teresa Berganza
El Barberillo de Lavapiés: "Canción de...
144 bpm • A Maj • 02:52 • -6db
23% Popularity • 57% Danceability • 54% Energy • 20% Liveness
0% Instrumentalness • 84% Positiveness
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Amilcare Ponchielli
La Gioconda, Act II, Scene 4: Cielo e ma...
145 bpm • D# Maj • 04:51 • -17.99db
9% Popularity • 20% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Gaetano Donizetti
Linda di Chamounix, A. 62, Act I Scene 3...
144 bpm • D Maj • 01:23 • -22.33db
43% Popularity • 29% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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June Anderson
La Promessa
120 bpm • G# Maj • 03:37 • -22db
10% Popularity • 39% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Gioachino Rossini
Il Barbiere di Siviglia: Una voce poco f...
120 bpm • E Maj • 06:10 • -21.52db
5% Popularity • 39% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Francesco Paolo Tosti
La serenata
124 bpm • F Maj • 03:00 • -19.25db
1% Popularity • 33% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
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Renata Tebaldi
Act Two (Part One)
147 bpm • F min • 06:20 • -18.68db
10% Popularity • 37% Danceability • 15% Energy • 30% Liveness
83% Instrumentalness • 30% Positiveness
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Leo Nucci
Miniera
119 bpm • A Maj • 03:36 • -12db
36% Popularity • 40% Danceability • 21% Energy • 13% Liveness
1% Instrumentalness • 29% Positiveness
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Gaetano Donizetti
La fille du régiment / Act 1: Au bruit ...
120 bpm • G Maj • 07:12 • -16.64db
10% Popularity • 44% Danceability • 21% Energy • 72% Liveness
0% Instrumentalness • 12% Positiveness
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Chor der Deutschen Oper Berlin
Rigoletto: Scorrendo uniti remota via
118 bpm • A Maj • 01:51 • -18.62db
11% Popularity • 47% Danceability • 15% Energy • 7% Liveness
56% Instrumentalness • 83% Positiveness
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Gioachino Rossini
"Non si da follia maggiore" (Fiorilla)
117 bpm • A Maj • 03:14 • -18.46db
12% Popularity • 48% Danceability • 11% Energy • 32% Liveness
0% Instrumentalness • 33% Positiveness
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Francesco Paolo Tosti
Tormento
141 bpm • G min • 03:57 • -17.89db
1% Popularity • 22% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
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Manuel de Falla
Siete canciones populares españolas - A...
117 bpm • A min • 01:34 • -22.63db
10% Popularity • 41% Danceability • 11% Energy • 12% Liveness
50% Instrumentalness • 5% Positiveness
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Gina Lollobrigida
Ideale
116 bpm • G Maj • 01:27 • -16.78db
2% Popularity • 33% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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Gaetano Donizetti
L'elisir d'amore / Act I: "Bel conforto"
119 bpm • F Maj • 01:59 • -18.62db
23% Popularity • 38% Danceability • 22% Energy • 10% Liveness
5% Instrumentalness • 31% Positiveness
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Pyotr Ilyich Tchaikovsky
Eugene Onegin, Op. 24, TH. 5 / Act II: (...
116 bpm • D Maj • 07:59 • -15db
16% Popularity • 36% Danceability • 35% Energy • 10% Liveness
47% Instrumentalness • 16% Positiveness
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Gioachino Rossini
Péchés de vieillesse / Vol. III: Tiran...
117 bpm • C Maj • 04:28 • -17.42db
37% Popularity • 43% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Le nozze di Figaro, K. 492, Act ...
116 bpm • C min • 02:52 • -23.89db
30% Popularity • 32% Danceability • 5% Energy • 14% Liveness
1% Instrumentalness • 13% Positiveness
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Francesco Paolo Tosti
Vorrei
148 bpm • A# Maj • 03:30 • -19.44db
0% Popularity • 25% Danceability • 7% Energy • 7% Liveness
0% Instrumentalness • 9% Positiveness
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Carlo Bergonzi
Puccini's Manon Lescaut - Donna Non Vidi...
116 bpm • A# Maj • 02:35 • -14.96db
24% Popularity • 21% Danceability • 28% Energy • 8% Liveness
4% Instrumentalness • 11% Positiveness
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Gaetano Donizetti
L'elisir d'amore / Act II: "Io son ricco...
117 bpm • A# Maj • 04:49 • -20.93db
9% Popularity • 64% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Francesco Cilea
Adriana Lecouvreur: L'anima ho stanca
150 bpm • B min • 01:57 • -18.45db
17% Popularity • 22% Danceability • 26% Energy • 12% Liveness
21% Instrumentalness • 4% Positiveness
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Vincenzo Bellini
La Sonnambula / Act 1: Viva! Viva Amina!
116 bpm • F# min • 01:06 • -30db
36% Popularity • 25% Danceability • 10% Energy • 16% Liveness
30% Instrumentalness • 5% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Le nozze di Figaro, K. 492, Act ...
115 bpm • A# Maj • 02:55 • -19db
20% Popularity • 34% Danceability • 10% Energy • 16% Liveness
0% Instrumentalness • 16% Positiveness
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Francesco Paolo Tosti
Penso!
116 bpm • E min • 02:41 • -19.1db
1% Popularity • 39% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
► Preview
Gioachino Rossini
Il Barbiere di Siviglia, Act I, Scene On...
115 bpm • D Maj • 01:05 • -25.16db
15% Popularity • 60% Danceability • 4% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
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George Gershwin
Gershwin: Porgy and Bess: "Summertime"
153 bpm • F# min • 02:54 • -13.92db
9% Popularity • 21% Danceability • 19% Energy • 11% Liveness
28% Instrumentalness • 4% Positiveness
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Eduardo di Capua
O Sole Mio
113 bpm • F Maj • 03:19 • -5.86db
19% Popularity • 26% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Dame Joan Sutherland
I Puritani
112 bpm • D Maj • 03:05 • -15.82db
29% Popularity • 42% Danceability • 21% Energy • 10% Liveness
2% Instrumentalness • 23% Positiveness
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Agnes Baltsa
Carmen (Act I, Sequedille)
112 bpm • D Maj • 02:04 • -14.83db
21% Popularity • 44% Danceability • 19% Energy • 69% Liveness
0% Instrumentalness • 21% Positiveness
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Francesco Paolo Tosti
Non T'amo Più
113 bpm • E Maj • 04:59 • -18.06db
2% Popularity • 39% Danceability • 5% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Pietro Mascagni
Cavalleria Rusticana: Easter Hymn
157 bpm • G Maj • 07:20 • -23db
13% Popularity • 12% Danceability • 9% Energy • 12% Liveness
46% Instrumentalness • 4% Positiveness
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Omar González Galán
il Muto. In tutta Italia canterò
161 bpm • C Maj • 03:57 • -15.77db
7% Popularity • 16% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Richard Wagner
Tannhauser, Act III: Begluckt darf nun d...
164 bpm • D# Maj • 03:49 • -23db
31% Popularity • 9% Danceability • 4% Energy • 11% Liveness
3% Instrumentalness • 6% Positiveness
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Pyotr Ilyich Tchaikovsky
Eugene Onegin, Op. 24, TH 5 / Act 2: "Ku...
166 bpm • E min • 05:52 • -17.66db
12% Popularity • 20% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
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Leo Nucci
«Ninon»
168 bpm • E Maj • 04:02 • -19db
9% Popularity • 30% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Léo Delibes
Lakmé / Act 2: "Où va la jeune Indoue"...
168 bpm • D min • 08:38 • -15db
18% Popularity • 34% Danceability • 14% Energy • 20% Liveness
1% Instrumentalness • 5% Positiveness
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Pietro Mascagni
Cavalleria rusticana: Intermezzo sinfoni...
166 bpm • F Maj • 03:54 • -23.52db
11% Popularity • 9% Danceability • 7% Energy • 29% Liveness
93% Instrumentalness • 4% Positiveness
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Ambroise Thomas
Hamlet: Hamlet, Act II: O vin, dissipe l...
168 bpm • A# Maj • 03:39 • -11.56db
10% Popularity • 31% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Igor Krutoy
Ricomincerò
168 bpm • F min • 04:31 • -9db
8% Popularity • 16% Danceability • 39% Energy • 11% Liveness
2% Instrumentalness • 18% Positiveness
► Preview
Alfredo Catalani
Catalani: La Wally, Act 1: "Ebben? Andr�...
168 bpm • E Maj • 03:28 • -16db
15% Popularity • 15% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
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Francesco Paolo Tosti
Ancora…!
169 bpm • G Maj • 04:34 • -17.79db
0% Popularity • 27% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
► Preview
Berliner Philharmoniker
Violin Concerto In D Major, Op. 61
169 bpm • E min • 06:15 • -17db
9% Popularity • 19% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Pietro Mascagni
Cavalleria rusticana: "O lola ch'ai di l...
167 bpm • F min • 02:18 • -30db
28% Popularity • 15% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Gaetano Donizetti
Donizetti: L'elisir d'amore, Act 1 Scene...
169 bpm • C Maj • 02:30 • -18db
17% Popularity • 28% Danceability • 11% Energy • 7% Liveness
0% Instrumentalness • 15% Positiveness
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Umberto Giordano
Fedora / Act 2: "Amor ti vieta" - Remast...
171 bpm • C Maj • 01:49 • -14.35db
21% Popularity • 17% Danceability • 27% Energy • 16% Liveness
5% Instrumentalness • 17% Positiveness
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Richard Heuberger
Im chambre séparée
171 bpm • D Maj • 04:03 • -20.04db
15% Popularity • 20% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Francesco Paolo Tosti
A vucchella
171 bpm • F Maj • 02:45 • -11.66db
1% Popularity • 22% Danceability • 21% Energy • 8% Liveness
1% Instrumentalness • 5% Positiveness
► Preview
Camille Saint-Saëns
Samson et Dalila, Op. 47, R. 288 / Act I...
174 bpm • C# Maj • 06:29 • -16.73db
13% Popularity • 18% Danceability • 25% Energy • 12% Liveness
11% Instrumentalness • 4% Positiveness
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'A Vucchella