Songs like A Weng Wzeng by Peter Giger's Family Of Percussion
Based on a tempo of (+/- 10%) and a similar genre
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Egberto Gismonti
Kalimba (Lua Cheia)
102 bpm • D min • 05:14 • -22.95db
11% Popularity • 53% Danceability • 22% Energy • 9% Liveness
29% Instrumentalness • 34% Positiveness
11% Popularity • 53% Danceability • 22% Energy • 9% Liveness
29% Instrumentalness • 34% Positiveness
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Peter Giger's Family Of Percussion
Gospel to Music
102 bpm • D# Maj • 08:12 • -18.08db
0% Popularity • 49% Danceability • 24% Energy • 12% Liveness
88% Instrumentalness • 13% Positiveness
0% Popularity • 49% Danceability • 24% Energy • 12% Liveness
88% Instrumentalness • 13% Positiveness
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Ralph Towner
Sand
102 bpm • C Maj • 04:08 • -14.87db
12% Popularity • 41% Danceability • 40% Energy • 14% Liveness
35% Instrumentalness • 17% Positiveness
12% Popularity • 41% Danceability • 40% Energy • 14% Liveness
35% Instrumentalness • 17% Positiveness
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Bengt Berger
Chetu
102 bpm • G# min • 03:20 • -15.37db
11% Popularity • 40% Danceability • 28% Energy • 10% Liveness
13% Instrumentalness • 94% Positiveness
11% Popularity • 40% Danceability • 28% Energy • 10% Liveness
13% Instrumentalness • 94% Positiveness
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CLASSICOW
Safari End
102 bpm • D min • 01:02 • -11db
20% Popularity • 59% Danceability • 44% Energy • 17% Liveness
47% Instrumentalness • 84% Positiveness
20% Popularity • 59% Danceability • 44% Energy • 17% Liveness
47% Instrumentalness • 84% Positiveness
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Kahil El'Zabar
Degi - Degi
101 bpm • D# min • 08:07 • -12.54db
10% Popularity • 51% Danceability • 50% Energy • 9% Liveness
86% Instrumentalness • 27% Positiveness
10% Popularity • 51% Danceability • 50% Energy • 9% Liveness
86% Instrumentalness • 27% Positiveness
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Yazz Ahmed
Al Muharraq
103 bpm • B Maj • 02:16 • -17.8db
11% Popularity • 26% Danceability • 18% Energy • 16% Liveness
83% Instrumentalness • 4% Positiveness
11% Popularity • 26% Danceability • 18% Energy • 16% Liveness
83% Instrumentalness • 4% Positiveness
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Peter Giger's Family Of Percussion
A Weng Wzeng
102 bpm • C# Maj • 02:46 • -21.99db
1% Popularity • 37% Danceability • 30% Energy • 11% Liveness
92% Instrumentalness • 7% Positiveness
1% Popularity • 37% Danceability • 30% Energy • 11% Liveness
92% Instrumentalness • 7% Positiveness
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Daniel lork
Bring
101 bpm • D# min • 02:23 • -23.5db
11% Popularity • 68% Danceability • 8% Energy • 11% Liveness
82% Instrumentalness • 59% Positiveness
11% Popularity • 68% Danceability • 8% Energy • 11% Liveness
82% Instrumentalness • 59% Positiveness
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Jam Maschine
Just Walking Again
103 bpm • C Maj • 04:50 • -22.49db
9% Popularity • 55% Danceability • 11% Energy • 11% Liveness
90% Instrumentalness • 8% Positiveness
9% Popularity • 55% Danceability • 11% Energy • 11% Liveness
90% Instrumentalness • 8% Positiveness
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Marc Ribot
Bateau
103 bpm • C# Maj • 04:59 • -13.14db
8% Popularity • 45% Danceability • 22% Energy • 11% Liveness
93% Instrumentalness • 5% Positiveness
8% Popularity • 45% Danceability • 22% Energy • 11% Liveness
93% Instrumentalness • 5% Positiveness
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Mary Halvorson
Armory Beams
103 bpm • B Maj • 01:08 • -12.44db
22% Popularity • 42% Danceability • 21% Energy • 18% Liveness
94% Instrumentalness • 4% Positiveness
22% Popularity • 42% Danceability • 21% Energy • 18% Liveness
94% Instrumentalness • 4% Positiveness
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Emmanuel Abdul-Rahim
Kalahari Suite
101 bpm • A min • 07:34 • -14.2db
10% Popularity • 50% Danceability • 63% Energy • 16% Liveness
84% Instrumentalness • 85% Positiveness
10% Popularity • 50% Danceability • 63% Energy • 16% Liveness
84% Instrumentalness • 85% Positiveness
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Peter Giger's Family Of Percussion
Hymn for Her
103 bpm • F min • 04:02 • -17.59db
0% Popularity • 39% Danceability • 55% Energy • 6% Liveness
68% Instrumentalness • 13% Positiveness
0% Popularity • 39% Danceability • 55% Energy • 6% Liveness
68% Instrumentalness • 13% Positiveness
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Jaimie Branch
reflections on a broken sea
103 bpm • B min • 02:14 • -15.28db
11% Popularity • 66% Danceability • 46% Energy • 20% Liveness
93% Instrumentalness • 54% Positiveness
11% Popularity • 66% Danceability • 46% Energy • 20% Liveness
93% Instrumentalness • 54% Positiveness
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Alice Coltrane
Morning Worship
101 bpm • A Maj • 03:36 • -19.2db
21% Popularity • 31% Danceability • 43% Energy • 8% Liveness
86% Instrumentalness • 20% Positiveness
21% Popularity • 31% Danceability • 43% Energy • 8% Liveness
86% Instrumentalness • 20% Positiveness
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Rainer Brüninghaus
Stufen
101 bpm • C# Maj • 08:20 • -14.22db
7% Popularity • 38% Danceability • 40% Energy • 8% Liveness
91% Instrumentalness • 12% Positiveness
7% Popularity • 38% Danceability • 40% Energy • 8% Liveness
91% Instrumentalness • 12% Positiveness
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David Friedman
Catch Me
103 bpm • F Maj • 02:10 • -15.66db
11% Popularity • 74% Danceability • 40% Energy • 11% Liveness
82% Instrumentalness • 42% Positiveness
11% Popularity • 74% Danceability • 40% Energy • 11% Liveness
82% Instrumentalness • 42% Positiveness
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John Lurie
Men Working
103 bpm • G# min • 01:07 • -18.53db
35% Popularity • 56% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 30% Positiveness
35% Popularity • 56% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 30% Positiveness
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Peter Giger's Family Of Percussion
Superposition 3
103 bpm • C# Maj • 05:19 • -12.41db
0% Popularity • 57% Danceability • 38% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
0% Popularity • 57% Danceability • 38% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Ahmed Abdul-Malik
Summertime
100 bpm • A Maj • 10:27 • -15.69db
11% Popularity • 61% Danceability • 20% Energy • 10% Liveness
92% Instrumentalness • 33% Positiveness
11% Popularity • 61% Danceability • 20% Energy • 10% Liveness
92% Instrumentalness • 33% Positiveness
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Don Cherry
Mahakali
100 bpm • E min • 09:48 • -8.28db
14% Popularity • 36% Danceability • 74% Energy • 11% Liveness
60% Instrumentalness • 16% Positiveness
14% Popularity • 36% Danceability • 74% Energy • 11% Liveness
60% Instrumentalness • 16% Positiveness
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Jaimie Branch
...Meanwhile
104 bpm • D Maj • 02:49 • -14db
14% Popularity • 39% Danceability • 45% Energy • 11% Liveness
71% Instrumentalness • 19% Positiveness
14% Popularity • 39% Danceability • 45% Energy • 11% Liveness
71% Instrumentalness • 19% Positiveness
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Tony Williams
Touch Me
100 bpm • F Maj • 01:23 • -23.63db
31% Popularity • 56% Danceability • 33% Energy • 11% Liveness
86% Instrumentalness • 83% Positiveness
31% Popularity • 56% Danceability • 33% Energy • 11% Liveness
86% Instrumentalness • 83% Positiveness
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MORIS
Six
104 bpm • C min • 01:55 • -10.7db
24% Popularity • 53% Danceability • 12% Energy • 11% Liveness
90% Instrumentalness • 35% Positiveness
24% Popularity • 53% Danceability • 12% Energy • 11% Liveness
90% Instrumentalness • 35% Positiveness
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Peter Giger's Family Of Percussion
Ora Cinci
103 bpm • D# min • 01:46 • -17.67db
1% Popularity • 56% Danceability • 38% Energy • 10% Liveness
93% Instrumentalness • 83% Positiveness
1% Popularity • 56% Danceability • 38% Energy • 10% Liveness
93% Instrumentalness • 83% Positiveness
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Niwel Tsumbu
Tears of Joy
104 bpm • D# min • 03:51 • -12.92db
9% Popularity • 62% Danceability • 44% Energy • 10% Liveness
80% Instrumentalness • 72% Positiveness
9% Popularity • 62% Danceability • 44% Energy • 10% Liveness
80% Instrumentalness • 72% Positiveness
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Kham Meslien
A travers les orages
104 bpm • G Maj • 04:36 • -16.87db
20% Popularity • 55% Danceability • 25% Energy • 11% Liveness
86% Instrumentalness • 10% Positiveness
20% Popularity • 55% Danceability • 25% Energy • 11% Liveness
86% Instrumentalness • 10% Positiveness
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Lloyd Miller
Chahargah
104 bpm • D min • 02:58 • -13.9db
26% Popularity • 49% Danceability • 44% Energy • 12% Liveness
87% Instrumentalness • 17% Positiveness
26% Popularity • 49% Danceability • 44% Energy • 12% Liveness
87% Instrumentalness • 17% Positiveness
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Watchdog
Tau Ceti
104 bpm • F min • 02:59 • -10.87db
9% Popularity • 91% Danceability • 11% Energy • 11% Liveness
73% Instrumentalness • 56% Positiveness
9% Popularity • 91% Danceability • 11% Energy • 11% Liveness
73% Instrumentalness • 56% Positiveness
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Petter Eldh
Koma Camu
104 bpm • D min • 01:57 • -12.4db
14% Popularity • 43% Danceability • 36% Energy • 10% Liveness
79% Instrumentalness • 33% Positiveness
14% Popularity • 43% Danceability • 36% Energy • 10% Liveness
79% Instrumentalness • 33% Positiveness
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Peter Giger's Family Of Percussion
Ichtyosaurios
104 bpm • C min • 03:38 • -18.97db
0% Popularity • 57% Danceability • 33% Energy • 11% Liveness
71% Instrumentalness • 24% Positiveness
0% Popularity • 57% Danceability • 33% Energy • 11% Liveness
71% Instrumentalness • 24% Positiveness
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Flock
Murmuration
100 bpm • G Maj • 01:58 • -12.57db
20% Popularity • 55% Danceability • 60% Energy • 6% Liveness
84% Instrumentalness • 46% Positiveness
20% Popularity • 55% Danceability • 60% Energy • 6% Liveness
84% Instrumentalness • 46% Positiveness
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Hadouk Trio
Parasol blanc, pt. 1
105 bpm • A min • 02:47 • -13.85db
29% Popularity • 46% Danceability • 13% Energy • 10% Liveness
88% Instrumentalness • 25% Positiveness
29% Popularity • 46% Danceability • 13% Energy • 10% Liveness
88% Instrumentalness • 25% Positiveness
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Bex Burch
Pardieu
99 bpm • G Maj • 02:03 • -14.15db
21% Popularity • 68% Danceability • 49% Energy • 12% Liveness
80% Instrumentalness • 79% Positiveness
21% Popularity • 68% Danceability • 49% Energy • 12% Liveness
80% Instrumentalness • 79% Positiveness
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Brahja
Money / People / Time
105 bpm • G Maj • 05:34 • -6db
20% Popularity • 39% Danceability • 91% Energy • 10% Liveness
93% Instrumentalness • 46% Positiveness
20% Popularity • 39% Danceability • 91% Energy • 10% Liveness
93% Instrumentalness • 46% Positiveness
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Senator Quartet
Federal Money
99 bpm • E Maj • 01:08 • -10.73db
17% Popularity • 36% Danceability • 92% Energy • 7% Liveness
91% Instrumentalness • 57% Positiveness
17% Popularity • 36% Danceability • 92% Energy • 7% Liveness
91% Instrumentalness • 57% Positiveness
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John Lurie
Vibe Whoops
99 bpm • F# min • 01:24 • -21.54db
20% Popularity • 73% Danceability • 22% Energy • 7% Liveness
83% Instrumentalness • 30% Positiveness
20% Popularity • 73% Danceability • 22% Energy • 7% Liveness
83% Instrumentalness • 30% Positiveness
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Steve Lehman Trio
Ih Calam & Ynnus
99 bpm • A Maj • 05:54 • -9.48db
10% Popularity • 48% Danceability • 65% Energy • 5% Liveness
91% Instrumentalness • 47% Positiveness
10% Popularity • 48% Danceability • 65% Energy • 5% Liveness
91% Instrumentalness • 47% Positiveness
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William Parker
Black Cherry
99 bpm • C# Maj • 02:42 • -11.09db
14% Popularity • 50% Danceability • 46% Energy • 15% Liveness
96% Instrumentalness • 79% Positiveness
14% Popularity • 50% Danceability • 46% Energy • 15% Liveness
96% Instrumentalness • 79% Positiveness
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East Axis
Decisions Have Already Been Made
99 bpm • B min • 10:17 • -13.29db
18% Popularity • 35% Danceability • 63% Energy • 23% Liveness
50% Instrumentalness • 33% Positiveness
18% Popularity • 35% Danceability • 63% Energy • 23% Liveness
50% Instrumentalness • 33% Positiveness
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Kham Meslien
La couleur (Elbows of the land)
99 bpm • E min • 05:52 • -14.23db
19% Popularity • 62% Danceability • 34% Energy • 10% Liveness
2% Instrumentalness • 21% Positiveness
19% Popularity • 62% Danceability • 34% Energy • 10% Liveness
2% Instrumentalness • 21% Positiveness
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Peter Brötzmann
Improvisation über ein Thema von Js Bac...
99 bpm • C Maj • 01:29 • -24.43db
13% Popularity • 54% Danceability • 0% Energy • 14% Liveness
22% Instrumentalness • 29% Positiveness
13% Popularity • 54% Danceability • 0% Energy • 14% Liveness
22% Instrumentalness • 29% Positiveness
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John Lurie
The Beast
99 bpm • B min • 04:18 • -10.96db
16% Popularity • 68% Danceability • 38% Energy • 10% Liveness
77% Instrumentalness • 26% Positiveness
16% Popularity • 68% Danceability • 38% Energy • 10% Liveness
77% Instrumentalness • 26% Positiveness
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Art Ensemble Of Chicago
Prayer For Jimbo Kwesi
105 bpm • D Maj • 09:47 • -21.07db
9% Popularity • 22% Danceability • 12% Energy • 12% Liveness
72% Instrumentalness • 5% Positiveness
9% Popularity • 22% Danceability • 12% Energy • 12% Liveness
72% Instrumentalness • 5% Positiveness
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Barre Phillips
Quest - Pt. 1
99 bpm • C Maj • 02:38 • -36.41db
10% Popularity • 49% Danceability • 0% Energy • 35% Liveness
43% Instrumentalness • 14% Positiveness
10% Popularity • 49% Danceability • 0% Energy • 35% Liveness
43% Instrumentalness • 14% Positiveness
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Sun Ra
Cosmic Interpretation
99 bpm • B min • 02:02 • -32.28db
7% Popularity • 32% Danceability • 5% Energy • 22% Liveness
81% Instrumentalness • 42% Positiveness
7% Popularity • 32% Danceability • 5% Energy • 22% Liveness
81% Instrumentalness • 42% Positiveness
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Mette Henriette
Better Unheard (Yet To Be Told)
99 bpm • C min • 01:12 • -23.83db
30% Popularity • 25% Danceability • 10% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
30% Popularity • 25% Danceability • 10% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Sélène Saint-Aimé
Indigo Bay
105 bpm • C Maj • 06:00 • -15.56db
9% Popularity • 46% Danceability • 27% Energy • 19% Liveness
76% Instrumentalness • 39% Positiveness
9% Popularity • 46% Danceability • 27% Energy • 19% Liveness
76% Instrumentalness • 39% Positiveness
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John Lurie
Are You Warm Enough?
105 bpm • A Maj • 02:46 • -19.65db
11% Popularity • 73% Danceability • 16% Energy • 13% Liveness
39% Instrumentalness • 34% Positiveness
11% Popularity • 73% Danceability • 16% Energy • 13% Liveness
39% Instrumentalness • 34% Positiveness
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Mary Halvorson
The Booming
99 bpm • G Maj • 01:26 • -9db
12% Popularity • 36% Danceability • 49% Energy • 9% Liveness
90% Instrumentalness • 18% Positiveness
12% Popularity • 36% Danceability • 49% Energy • 9% Liveness
90% Instrumentalness • 18% Positiveness
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Peter Giger's Family Of Percussion
Trilokie
98 bpm • G# Maj • 06:00 • -16.84db
1% Popularity • 67% Danceability • 50% Energy • 10% Liveness
88% Instrumentalness • 92% Positiveness
1% Popularity • 67% Danceability • 50% Energy • 10% Liveness
88% Instrumentalness • 92% Positiveness
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Naïssam Jalal
Rituel de la lune
98 bpm • G Maj • 09:51 • -14.05db
12% Popularity • 36% Danceability • 26% Energy • 9% Liveness
79% Instrumentalness • 14% Positiveness
12% Popularity • 36% Danceability • 26% Energy • 9% Liveness
79% Instrumentalness • 14% Positiveness
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Beagle Deveraux
Je T'aime...Paris
106 bpm • C# Maj • 04:35 • -24.51db
13% Popularity • 41% Danceability • 28% Energy • 90% Liveness
79% Instrumentalness • 13% Positiveness
13% Popularity • 41% Danceability • 28% Energy • 90% Liveness
79% Instrumentalness • 13% Positiveness
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Mário Rui Silva
Kizomba Kya Kisanji
98 bpm • F# Maj • 01:44 • -16.5db
24% Popularity • 72% Danceability • 77% Energy • 18% Liveness
80% Instrumentalness • 86% Positiveness
24% Popularity • 72% Danceability • 77% Energy • 18% Liveness
80% Instrumentalness • 86% Positiveness
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John Lurie
GB-14
98 bpm • F# min • 02:12 • -11.56db
21% Popularity • 80% Danceability • 23% Energy • 10% Liveness
93% Instrumentalness • 36% Positiveness
21% Popularity • 80% Danceability • 23% Energy • 10% Liveness
93% Instrumentalness • 36% Positiveness
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Maurício Tagliari
EICNSCS para 6 músicos
107 bpm • B Maj • 08:03 • -12.08db
12% Popularity • 43% Danceability • 51% Energy • 6% Liveness
65% Instrumentalness • 16% Positiveness
12% Popularity • 43% Danceability • 51% Energy • 6% Liveness
65% Instrumentalness • 16% Positiveness
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Peter Giger's Family Of Percussion
Colère Sacré
106 bpm • C# Maj • 02:48 • -13.24db
0% Popularity • 57% Danceability • 64% Energy • 34% Liveness
2% Instrumentalness • 30% Positiveness
0% Popularity • 57% Danceability • 64% Energy • 34% Liveness
2% Instrumentalness • 30% Positiveness
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Mary Halvorson
Undercover Meltdowns
98 bpm • C# Maj • 02:29 • -8.63db
7% Popularity • 61% Danceability • 53% Energy • 13% Liveness
94% Instrumentalness • 19% Positiveness
7% Popularity • 61% Danceability • 53% Energy • 13% Liveness
94% Instrumentalness • 19% Positiveness
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Serge Gainsbourg
Transit à Marilou - Version instrumenta...
107 bpm • A# min • 01:37 • -13.15db
7% Popularity • 65% Danceability • 80% Energy • 20% Liveness
84% Instrumentalness • 76% Positiveness
7% Popularity • 65% Danceability • 80% Energy • 20% Liveness
84% Instrumentalness • 76% Positiveness
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Brahja
Welcom to Wohlom
107 bpm • G# min • 06:29 • -13.54db
19% Popularity • 43% Danceability • 36% Energy • 11% Liveness
93% Instrumentalness • 39% Positiveness
19% Popularity • 43% Danceability • 36% Energy • 11% Liveness
93% Instrumentalness • 39% Positiveness
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Eberhard Weber
Cambridge
97 bpm • F Maj • 04:16 • -24db
23% Popularity • 43% Danceability • 10% Energy • 13% Liveness
92% Instrumentalness • 22% Positiveness
23% Popularity • 43% Danceability • 10% Energy • 13% Liveness
92% Instrumentalness • 22% Positiveness
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Sun Ra
Voice of Space
97 bpm • F Maj • 07:45 • -15.45db
9% Popularity • 39% Danceability • 63% Energy • 11% Liveness
4% Instrumentalness • 62% Positiveness
9% Popularity • 39% Danceability • 63% Energy • 11% Liveness
4% Instrumentalness • 62% Positiveness
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Peter Giger's Family Of Percussion
Trans Tanz
98 bpm • C min • 05:33 • -10.48db
2% Popularity • 33% Danceability • 64% Energy • 10% Liveness
4% Instrumentalness • 37% Positiveness
2% Popularity • 33% Danceability • 64% Energy • 10% Liveness
4% Instrumentalness • 37% Positiveness
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Albert Mangelsdorff
Goma
97 bpm • D min • 01:10 • -26.73db
19% Popularity • 52% Danceability • 5% Energy • 11% Liveness
91% Instrumentalness • 22% Positiveness
19% Popularity • 52% Danceability • 5% Energy • 11% Liveness
91% Instrumentalness • 22% Positiveness
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Yannick Peeters
Playtime's Over
97 bpm • D Maj • 06:41 • -19.9db
19% Popularity • 36% Danceability • 13% Energy • 11% Liveness
37% Instrumentalness • 8% Positiveness
19% Popularity • 36% Danceability • 13% Energy • 11% Liveness
37% Instrumentalness • 8% Positiveness
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Dollar Brand
ドンの歌
107 bpm • E min • 07:36 • -9.65db
9% Popularity • 25% Danceability • 53% Energy • 16% Liveness
75% Instrumentalness • 20% Positiveness
9% Popularity • 25% Danceability • 53% Energy • 16% Liveness
75% Instrumentalness • 20% Positiveness
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Byard Lancaster
Last Summer
97 bpm • E min • 03:25 • -18.33db
11% Popularity • 20% Danceability • 25% Energy • 11% Liveness
30% Instrumentalness • 14% Positiveness
11% Popularity • 20% Danceability • 25% Energy • 11% Liveness
30% Instrumentalness • 14% Positiveness
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Ari Hoenig
Brush Off
97 bpm • A# min • 02:18 • -27.81db
8% Popularity • 37% Danceability • 62% Energy • 16% Liveness
74% Instrumentalness • 3% Positiveness
8% Popularity • 37% Danceability • 62% Energy • 16% Liveness
74% Instrumentalness • 3% Positiveness
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Peter Giger's Family Of Percussion
Message to the Enemies of Time
107 bpm • C# Maj • 06:04 • -10.95db
1% Popularity • 69% Danceability • 86% Energy • 10% Liveness
82% Instrumentalness • 77% Positiveness
1% Popularity • 69% Danceability • 86% Energy • 10% Liveness
82% Instrumentalness • 77% Positiveness
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Alice Coltrane
Sita Ram
108 bpm • F Maj • 04:45 • -12.72db
17% Popularity • 21% Danceability • 36% Energy • 23% Liveness
71% Instrumentalness • 4% Positiveness
17% Popularity • 21% Danceability • 36% Energy • 23% Liveness
71% Instrumentalness • 4% Positiveness
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Arild Andersen
If You Look
108 bpm • A min • 03:10 • -25.26db
9% Popularity • 36% Danceability • 25% Energy • 37% Liveness
49% Instrumentalness • 4% Positiveness
9% Popularity • 36% Danceability • 25% Energy • 37% Liveness
49% Instrumentalness • 4% Positiveness
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Eric Vloeimans
Wie Niet Waagt, Die Niet Wint
108 bpm • C Maj • 01:27 • -13.93db
14% Popularity • 62% Danceability • 22% Energy • 12% Liveness
84% Instrumentalness • 34% Positiveness
14% Popularity • 62% Danceability • 22% Energy • 12% Liveness
84% Instrumentalness • 34% Positiveness
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Petter Eldh
Saxo Chop
96 bpm • G min • 02:03 • -12.6db
18% Popularity • 34% Danceability • 49% Energy • 19% Liveness
87% Instrumentalness • 31% Positiveness
18% Popularity • 34% Danceability • 49% Energy • 19% Liveness
87% Instrumentalness • 31% Positiveness
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Jon Hassell
Night Moves (Fear)
108 bpm • C# min • 02:24 • -24.03db
9% Popularity • 65% Danceability • 33% Energy • 11% Liveness
94% Instrumentalness • 92% Positiveness
9% Popularity • 65% Danceability • 33% Energy • 11% Liveness
94% Instrumentalness • 92% Positiveness
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Peter Giger's Family Of Percussion
Spies
97 bpm • E min • 02:27 • -19.18db
2% Popularity • 32% Danceability • 33% Energy • 7% Liveness
83% Instrumentalness • 6% Positiveness
2% Popularity • 32% Danceability • 33% Energy • 7% Liveness
83% Instrumentalness • 6% Positiveness
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Kham Meslien
The Alarm
96 bpm • A# min • 04:34 • -20.25db
23% Popularity • 66% Danceability • 13% Energy • 11% Liveness
93% Instrumentalness • 20% Positiveness
23% Popularity • 66% Danceability • 13% Energy • 11% Liveness
93% Instrumentalness • 20% Positiveness
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Kahil El'Zabar
AMERICA THE BEAUTIFUL - INSTRUMENTAL
109 bpm • F# Maj • 02:25 • -8.64db
9% Popularity • 48% Danceability • 31% Energy • 9% Liveness
39% Instrumentalness • 4% Positiveness
9% Popularity • 48% Danceability • 31% Energy • 9% Liveness
39% Instrumentalness • 4% Positiveness
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Eric Vloeimans
Tik Een Eitje
108 bpm • G Maj • 01:08 • -11.3db
16% Popularity • 73% Danceability • 38% Energy • 8% Liveness
10% Instrumentalness • 71% Positiveness
16% Popularity • 73% Danceability • 38% Energy • 8% Liveness
10% Instrumentalness • 71% Positiveness
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Yusef Lateef
Bamboo Flute Blues
96 bpm • C min • 03:59 • -25.54db
27% Popularity • 47% Danceability • 5% Energy • 8% Liveness
52% Instrumentalness • 7% Positiveness
27% Popularity • 47% Danceability • 5% Energy • 8% Liveness
52% Instrumentalness • 7% Positiveness
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LaZoze
Black Perfecto
109 bpm • C Maj • 01:02 • -18.82db
22% Popularity • 68% Danceability • 7% Energy • 14% Liveness
59% Instrumentalness • 36% Positiveness
22% Popularity • 68% Danceability • 7% Energy • 14% Liveness
59% Instrumentalness • 36% Positiveness
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Peter Giger's Family Of Percussion
Family of Percussion
108 bpm • F min • 03:00 • -16.85db
0% Popularity • 64% Danceability • 57% Energy • 9% Liveness
87% Instrumentalness • 54% Positiveness
0% Popularity • 64% Danceability • 57% Energy • 9% Liveness
87% Instrumentalness • 54% Positiveness
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Will Glaser
Song for the Snake Man
109 bpm • B Maj • 04:57 • -15.06db
1% Popularity • 51% Danceability • 39% Energy • 9% Liveness
94% Instrumentalness • 16% Positiveness
1% Popularity • 51% Danceability • 39% Energy • 9% Liveness
94% Instrumentalness • 16% Positiveness
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The Greg Foat Group
Blue Lotus
95 bpm • B min • 05:43 • -12.82db
8% Popularity • 28% Danceability • 16% Energy • 9% Liveness
92% Instrumentalness • 11% Positiveness
8% Popularity • 28% Danceability • 16% Energy • 9% Liveness
92% Instrumentalness • 11% Positiveness
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Phi-Psonics
The Searcher
110 bpm • F min • 04:40 • -16.19db
8% Popularity • 53% Danceability • 27% Energy • 14% Liveness
88% Instrumentalness • 37% Positiveness
8% Popularity • 53% Danceability • 27% Energy • 14% Liveness
88% Instrumentalness • 37% Positiveness
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Lloyd Miller
Mandala
109 bpm • E Maj • 03:22 • -12.4db
19% Popularity • 36% Danceability • 63% Energy • 8% Liveness
82% Instrumentalness • 62% Positiveness
19% Popularity • 36% Danceability • 63% Energy • 8% Liveness
82% Instrumentalness • 62% Positiveness
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Henry Threadgill
I Can't Wait Till I Get Home
95 bpm • B min • 04:07 • -15.04db
18% Popularity • 56% Danceability • 44% Energy • 12% Liveness
74% Instrumentalness • 32% Positiveness
18% Popularity • 56% Danceability • 44% Energy • 12% Liveness
74% Instrumentalness • 32% Positiveness
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Peter Giger's Family Of Percussion
Mistral
108 bpm • F Maj • 03:33 • -15.36db
1% Popularity • 55% Danceability • 78% Energy • 9% Liveness
89% Instrumentalness • 59% Positiveness
1% Popularity • 55% Danceability • 78% Energy • 9% Liveness
89% Instrumentalness • 59% Positiveness
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Rabih Abou-Khalil
Story Teller
110 bpm • C# Maj • 08:52 • -15.91db
8% Popularity • 60% Danceability • 32% Energy • 35% Liveness
66% Instrumentalness • 34% Positiveness
8% Popularity • 60% Danceability • 32% Energy • 35% Liveness
66% Instrumentalness • 34% Positiveness
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Collin Walcott
Prancing
95 bpm • G Maj • 03:22 • -18.83db
13% Popularity • 63% Danceability • 41% Energy • 10% Liveness
85% Instrumentalness • 69% Positiveness
13% Popularity • 63% Danceability • 41% Energy • 10% Liveness
85% Instrumentalness • 69% Positiveness
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Cicorivolta
Memoria Oblivione Latet
110 bpm • E min • 01:56 • -12.55db
8% Popularity • 55% Danceability • 61% Energy • 67% Liveness
82% Instrumentalness • 32% Positiveness
8% Popularity • 55% Danceability • 61% Energy • 67% Liveness
82% Instrumentalness • 32% Positiveness
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Bill Dixon
Valentina Di Sera
110 bpm • D Maj • 03:07 • -17.87db
8% Popularity • 40% Danceability • 33% Energy • 9% Liveness
88% Instrumentalness • 34% Positiveness
8% Popularity • 40% Danceability • 33% Energy • 9% Liveness
88% Instrumentalness • 34% Positiveness
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Patoche Sec
Raging Skies
110 bpm • A min • 01:46 • -19.08db
29% Popularity • 79% Danceability • 8% Energy • 11% Liveness
90% Instrumentalness • 81% Positiveness
29% Popularity • 79% Danceability • 8% Energy • 11% Liveness
90% Instrumentalness • 81% Positiveness
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Peter Giger's Family Of Percussion
For Ti Roro
95 bpm • A# min • 09:39 • -7.54db
1% Popularity • 44% Danceability • 83% Energy • 8% Liveness
11% Instrumentalness • 81% Positiveness
1% Popularity • 44% Danceability • 83% Energy • 8% Liveness
11% Instrumentalness • 81% Positiveness
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Gary Peacock
Only Now
110 bpm • C Maj • 04:40 • -21.27db
10% Popularity • 62% Danceability • 17% Energy • 11% Liveness
87% Instrumentalness • 7% Positiveness
10% Popularity • 62% Danceability • 17% Energy • 11% Liveness
87% Instrumentalness • 7% Positiveness
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Black Flower
Winter
110 bpm • E min • 05:34 • -12.08db
11% Popularity • 68% Danceability • 45% Energy • 53% Liveness
35% Instrumentalness • 42% Positiveness
11% Popularity • 68% Danceability • 45% Energy • 53% Liveness
35% Instrumentalness • 42% Positiveness
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Alice Coltrane
Vrindavana Sanchara
94 bpm • A min • 04:03 • -21.8db
21% Popularity • 22% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
21% Popularity • 22% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Giuffre Zone
Whirr
110 bpm • C# Maj • 02:53 • -9.73db
10% Popularity • 51% Danceability • 55% Energy • 76% Liveness
62% Instrumentalness • 57% Positiveness
10% Popularity • 51% Danceability • 55% Energy • 76% Liveness
62% Instrumentalness • 57% Positiveness
