Songs like A Whiter Shade Of Pale by Ronnie Aldrich and his 2 pianos
Based on a tempo of (+/- 10%) and a similar genre
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Pasapoga Light Orchestra
Celos
131 bpm • D Maj • 03:02 • -9.58db
36% Popularity • 38% Danceability • 37% Energy • 28% Liveness
19% Instrumentalness • 49% Positiveness
36% Popularity • 38% Danceability • 37% Energy • 28% Liveness
19% Instrumentalness • 49% Positiveness
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The Melachrino Strings
Stardust
131 bpm • D Maj • 04:11 • -19db
33% Popularity • 17% Danceability • 16% Energy • 30% Liveness
68% Instrumentalness • 4% Positiveness
33% Popularity • 17% Danceability • 16% Energy • 30% Liveness
68% Instrumentalness • 4% Positiveness
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Ronnie Aldrich and his 2 pianos
A Whiter Shade Of Pale
131 bpm • C Maj • 03:36 • -13db
35% Popularity • 44% Danceability • 28% Energy • 11% Liveness
81% Instrumentalness • 32% Positiveness
35% Popularity • 44% Danceability • 28% Energy • 11% Liveness
81% Instrumentalness • 32% Positiveness
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Hugo Winterhalter And His Orchestra
Strange Music
132 bpm • A# min • 02:42 • -12db
35% Popularity • 35% Danceability • 42% Energy • 12% Liveness
82% Instrumentalness • 56% Positiveness
35% Popularity • 35% Danceability • 42% Energy • 12% Liveness
82% Instrumentalness • 56% Positiveness
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Linda McKechnie
He Hideth My Soul
131 bpm • C Maj • 03:31 • -14.05db
4% Popularity • 22% Danceability • 28% Energy • 20% Liveness
89% Instrumentalness • 12% Positiveness
4% Popularity • 22% Danceability • 28% Energy • 20% Liveness
89% Instrumentalness • 12% Positiveness
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Alan Alonmoore
Autumn Leaves
130 bpm • E min • 02:17 • -11db
39% Popularity • 85% Danceability • 41% Energy • 30% Liveness
89% Instrumentalness • 88% Positiveness
39% Popularity • 85% Danceability • 41% Energy • 30% Liveness
89% Instrumentalness • 88% Positiveness
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John Fox
When Will I See You Again
130 bpm • A Maj • 03:10 • -12db
31% Popularity • 36% Danceability • 39% Energy • 14% Liveness
82% Instrumentalness • 25% Positiveness
31% Popularity • 36% Danceability • 39% Energy • 14% Liveness
82% Instrumentalness • 25% Positiveness
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Pierre Charlon
Plaisir D'amour
130 bpm • F Maj • 02:47 • -13.64db
46% Popularity • 66% Danceability • 19% Energy • 11% Liveness
81% Instrumentalness • 29% Positiveness
46% Popularity • 66% Danceability • 19% Energy • 11% Liveness
81% Instrumentalness • 29% Positiveness
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Joaquin Borges
Amazing Grace
130 bpm • G Maj • 02:50 • -22db
32% Popularity • 18% Danceability • 9% Energy • 12% Liveness
80% Instrumentalness • 10% Positiveness
32% Popularity • 18% Danceability • 9% Energy • 12% Liveness
80% Instrumentalness • 10% Positiveness
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Botticelli
My Love
133 bpm • F Maj • 03:04 • -14.64db
23% Popularity • 25% Danceability • 38% Energy • 18% Liveness
62% Instrumentalness • 32% Positiveness
23% Popularity • 25% Danceability • 38% Energy • 18% Liveness
62% Instrumentalness • 32% Positiveness
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Les & Larry Elgart
Meditation
133 bpm • C min • 02:52 • -17db
33% Popularity • 63% Danceability • 34% Energy • 10% Liveness
91% Instrumentalness • 66% Positiveness
33% Popularity • 63% Danceability • 34% Energy • 10% Liveness
91% Instrumentalness • 66% Positiveness
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Sergio Golwarz
Las Hojas Muertas
133 bpm • E min • 03:08 • -6db
35% Popularity • 27% Danceability • 50% Energy • 12% Liveness
58% Instrumentalness • 32% Positiveness
35% Popularity • 27% Danceability • 50% Energy • 12% Liveness
58% Instrumentalness • 32% Positiveness
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Neil Sedaka
Breaking Up Is Hard To Do
133 bpm • F Maj • 03:01 • -10.88db
10% Popularity • 53% Danceability • 49% Energy • 9% Liveness
70% Instrumentalness • 74% Positiveness
10% Popularity • 53% Danceability • 49% Energy • 9% Liveness
70% Instrumentalness • 74% Positiveness
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Ricardo Juarez
Too Young
133 bpm • C# Maj • 02:55 • -13.14db
31% Popularity • 70% Danceability • 69% Energy • 35% Liveness
90% Instrumentalness • 87% Positiveness
31% Popularity • 70% Danceability • 69% Energy • 35% Liveness
90% Instrumentalness • 87% Positiveness
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London Festival Orchestra
Chopin: Barcarolle In F Sharp, Op. 60
133 bpm • F# Maj • 08:19 • -18.16db
6% Popularity • 33% Danceability • 15% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
6% Popularity • 33% Danceability • 15% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
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Botticelli
Paroles paroles
133 bpm • G min • 03:31 • -14db
18% Popularity • 40% Danceability • 41% Energy • 24% Liveness
27% Instrumentalness • 45% Positiveness
18% Popularity • 40% Danceability • 41% Energy • 24% Liveness
27% Instrumentalness • 45% Positiveness
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Richard Zillersman
L'été 42
134 bpm • C Maj • 02:02 • -13db
44% Popularity • 53% Danceability • 27% Energy • 10% Liveness
79% Instrumentalness • 4% Positiveness
44% Popularity • 53% Danceability • 27% Energy • 10% Liveness
79% Instrumentalness • 4% Positiveness
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Ronnie Aldrich and his 2 pianos
Barefoot In The Park
134 bpm • F Maj • 02:38 • -12.91db
18% Popularity • 45% Danceability • 43% Energy • 32% Liveness
76% Instrumentalness • 49% Positiveness
18% Popularity • 45% Danceability • 43% Energy • 32% Liveness
76% Instrumentalness • 49% Positiveness
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Leslie Bricusse
Candy Man
129 bpm • G Maj • 03:24 • -14.34db
12% Popularity • 54% Danceability • 35% Energy • 4% Liveness
13% Instrumentalness • 59% Positiveness
12% Popularity • 54% Danceability • 35% Energy • 4% Liveness
13% Instrumentalness • 59% Positiveness
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Discovey Light Orchestra
Bilits
134 bpm • G Maj • 03:24 • -12db
49% Popularity • 55% Danceability • 33% Energy • 14% Liveness
77% Instrumentalness • 44% Positiveness
49% Popularity • 55% Danceability • 33% Energy • 14% Liveness
77% Instrumentalness • 44% Positiveness
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London Festival Orchestra
Raisins And Almonds
133 bpm • E min • 04:54 • -15.37db
5% Popularity • 17% Danceability • 23% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
5% Popularity • 17% Danceability • 23% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
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Francis Pourcel Orchestra
Insensatez
128 bpm • G# Maj • 04:19 • -14.28db
17% Popularity • 78% Danceability • 30% Energy • 12% Liveness
81% Instrumentalness • 69% Positiveness
17% Popularity • 78% Danceability • 30% Energy • 12% Liveness
81% Instrumentalness • 69% Positiveness
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Rubén Ochoa
Un DÃa Domingo
134 bpm • F# Maj • 04:32 • -12db
13% Popularity • 51% Danceability • 45% Energy • 15% Liveness
80% Instrumentalness • 15% Positiveness
13% Popularity • 51% Danceability • 45% Energy • 15% Liveness
80% Instrumentalness • 15% Positiveness
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Birmingham Light Orchestra
There's a Kind of Hush
128 bpm • D Maj • 03:08 • -12.1db
40% Popularity • 66% Danceability • 56% Energy • 8% Liveness
92% Instrumentalness • 67% Positiveness
40% Popularity • 66% Danceability • 56% Energy • 8% Liveness
92% Instrumentalness • 67% Positiveness
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Fred Neil
Everybody's Talkin'
128 bpm • E Maj • 02:57 • -13.87db
30% Popularity • 53% Danceability • 49% Energy • 21% Liveness
94% Instrumentalness • 64% Positiveness
30% Popularity • 53% Danceability • 49% Energy • 21% Liveness
94% Instrumentalness • 64% Positiveness
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Ronnie Aldrich and his 2 pianos
Wave
128 bpm • D min • 03:38 • -13.31db
11% Popularity • 57% Danceability • 35% Energy • 8% Liveness
85% Instrumentalness • 48% Positiveness
11% Popularity • 57% Danceability • 35% Energy • 8% Liveness
85% Instrumentalness • 48% Positiveness
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Carly Simon
You're So Vain
127 bpm • D min • 03:41 • -14.02db
7% Popularity • 59% Danceability • 46% Energy • 40% Liveness
62% Instrumentalness • 70% Positiveness
7% Popularity • 59% Danceability • 46% Energy • 40% Liveness
62% Instrumentalness • 70% Positiveness
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Johnny Pearson Y Su Orquesta
Ata una cinta amarilla al viejo roble
135 bpm • C Maj • 03:30 • -15db
40% Popularity • 56% Danceability • 34% Energy • 11% Liveness
87% Instrumentalness • 57% Positiveness
40% Popularity • 56% Danceability • 34% Energy • 11% Liveness
87% Instrumentalness • 57% Positiveness
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The Richard Romance Orchestra
Jamaica Farewell
135 bpm • D# Maj • 03:14 • -12.2db
24% Popularity • 62% Danceability • 41% Energy • 17% Liveness
75% Instrumentalness • 59% Positiveness
24% Popularity • 62% Danceability • 41% Energy • 17% Liveness
75% Instrumentalness • 59% Positiveness
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Ralph MacDonald
Where Is The Love
127 bpm • F min • 02:53 • -16.93db
12% Popularity • 48% Danceability • 24% Energy • 13% Liveness
31% Instrumentalness • 25% Positiveness
12% Popularity • 48% Danceability • 24% Energy • 13% Liveness
31% Instrumentalness • 25% Positiveness
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Carmen Cavallaro
You Belong to My Heart = Solamente Una V...
135 bpm • F min • 02:36 • -5.87db
23% Popularity • 52% Danceability • 58% Energy • 8% Liveness
71% Instrumentalness • 91% Positiveness
23% Popularity • 52% Danceability • 58% Energy • 8% Liveness
71% Instrumentalness • 91% Positiveness
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Zantalino and his Orchestra
Tender Love
136 bpm • D# Maj • 02:55 • -13db
28% Popularity • 23% Danceability • 27% Energy • 12% Liveness
76% Instrumentalness • 17% Positiveness
28% Popularity • 23% Danceability • 27% Energy • 12% Liveness
76% Instrumentalness • 17% Positiveness
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Aldo Livorno Y Su Acordeón Napolitano
C'est Si Bon
136 bpm • G Maj • 03:08 • -11.37db
32% Popularity • 72% Danceability • 47% Energy • 9% Liveness
11% Instrumentalness • 64% Positiveness
32% Popularity • 72% Danceability • 47% Energy • 9% Liveness
11% Instrumentalness • 64% Positiveness
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Luis Siu Riveron
Tigi-Tigi - Instrumental
136 bpm • C Maj • 03:09 • -10.22db
34% Popularity • 70% Danceability • 60% Energy • 16% Liveness
90% Instrumentalness • 86% Positiveness
34% Popularity • 70% Danceability • 60% Energy • 16% Liveness
90% Instrumentalness • 86% Positiveness
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The Richard Romance Orchestra
Nikita
136 bpm • G# Maj • 05:39 • -9.68db
11% Popularity • 49% Danceability • 32% Energy • 9% Liveness
1% Instrumentalness • 28% Positiveness
11% Popularity • 49% Danceability • 32% Energy • 9% Liveness
1% Instrumentalness • 28% Positiveness
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Gershon Kingsley
Popcorn
135 bpm • B min • 02:42 • -11.36db
8% Popularity • 55% Danceability • 44% Energy • 9% Liveness
2% Instrumentalness • 63% Positiveness
8% Popularity • 55% Danceability • 44% Energy • 9% Liveness
2% Instrumentalness • 63% Positiveness
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Rubén Ochoa
Mona Lisa
136 bpm • D# Maj • 02:42 • -10.27db
23% Popularity • 29% Danceability • 23% Energy • 20% Liveness
84% Instrumentalness • 12% Positiveness
23% Popularity • 29% Danceability • 23% Energy • 20% Liveness
84% Instrumentalness • 12% Positiveness
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Frank Davis Orchestra
Great Pretender
136 bpm • C Maj • 03:29 • -7.62db
15% Popularity • 44% Danceability • 55% Energy • 8% Liveness
73% Instrumentalness • 33% Positiveness
15% Popularity • 44% Danceability • 55% Energy • 8% Liveness
73% Instrumentalness • 33% Positiveness
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London Festival Orchestra
Chopin: Waltz In E Flat, Op. 18, "Grande...
137 bpm • G# Maj • 05:20 • -18.28db
6% Popularity • 43% Danceability • 18% Energy • 11% Liveness
91% Instrumentalness • 37% Positiveness
6% Popularity • 43% Danceability • 18% Energy • 11% Liveness
91% Instrumentalness • 37% Positiveness
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Tony Mottola y Su Orquesta
Dominiqui
126 bpm • G# Maj • 02:17 • -11.17db
38% Popularity • 65% Danceability • 41% Energy • 11% Liveness
94% Instrumentalness • 56% Positiveness
38% Popularity • 65% Danceability • 41% Energy • 11% Liveness
94% Instrumentalness • 56% Positiveness
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Pierre Charlon
Noelle's Theme
126 bpm • D# Maj • 03:40 • -12.5db
33% Popularity • 29% Danceability • 18% Energy • 10% Liveness
78% Instrumentalness • 4% Positiveness
33% Popularity • 29% Danceability • 18% Energy • 10% Liveness
78% Instrumentalness • 4% Positiveness
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Alfred Hause
Sonate Nr. 15 C-Dur KV 545
125 bpm • C Maj • 03:27 • -12db
35% Popularity • 45% Danceability • 46% Energy • 16% Liveness
82% Instrumentalness • 57% Positiveness
35% Popularity • 45% Danceability • 46% Energy • 16% Liveness
82% Instrumentalness • 57% Positiveness
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Asi Es El Beguine
Beguine The Beguine
125 bpm • D min • 03:35 • -13db
33% Popularity • 55% Danceability • 52% Energy • 31% Liveness
92% Instrumentalness • 71% Positiveness
33% Popularity • 55% Danceability • 52% Energy • 31% Liveness
92% Instrumentalness • 71% Positiveness
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Horst Jankowski
A Lover's Concerto
125 bpm • C min • 02:49 • -10.5db
34% Popularity • 51% Danceability • 55% Energy • 15% Liveness
2% Instrumentalness • 65% Positiveness
34% Popularity • 51% Danceability • 55% Energy • 15% Liveness
2% Instrumentalness • 65% Positiveness
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London Festival Orchestra
Beethoven: Piano Concerto No. 4 in G, Op...
136 bpm • G Maj • 10:28 • -18.31db
4% Popularity • 35% Danceability • 23% Energy • 5% Liveness
93% Instrumentalness • 16% Positiveness
4% Popularity • 35% Danceability • 23% Energy • 5% Liveness
93% Instrumentalness • 16% Positiveness
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Johann Strauss II
The Gipsy Baron Overture, Op. 418
125 bpm • C Maj • 06:25 • -14.8db
5% Popularity • 34% Danceability • 17% Energy • 6% Liveness
92% Instrumentalness • 12% Positiveness
5% Popularity • 34% Danceability • 17% Energy • 6% Liveness
92% Instrumentalness • 12% Positiveness
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Pierre Charlon
Balada Para Adelina
137 bpm • C Maj • 02:40 • -9.41db
54% Popularity • 36% Danceability • 40% Energy • 13% Liveness
37% Instrumentalness • 39% Positiveness
54% Popularity • 36% Danceability • 40% Energy • 13% Liveness
37% Instrumentalness • 39% Positiveness
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Golden Strings Orchestra
Aria En Re
124 bpm • D Maj • 03:13 • -16.92db
42% Popularity • 18% Danceability • 30% Energy • 14% Liveness
94% Instrumentalness • 11% Positiveness
42% Popularity • 18% Danceability • 30% Energy • 14% Liveness
94% Instrumentalness • 11% Positiveness
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Hugo Winterhalter And His Orchestra
Cheerful Little Earful - Instrumental
138 bpm • G# Maj • 02:34 • -11.08db
22% Popularity • 53% Danceability • 39% Energy • 23% Liveness
4% Instrumentalness • 72% Positiveness
22% Popularity • 53% Danceability • 39% Energy • 23% Liveness
4% Instrumentalness • 72% Positiveness
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Frank Davis Orchestra
Somewhere over the Rainbow
124 bpm • C Maj • 02:20 • -9db
15% Popularity • 57% Danceability • 42% Energy • 25% Liveness
93% Instrumentalness • 16% Positiveness
15% Popularity • 57% Danceability • 42% Energy • 25% Liveness
93% Instrumentalness • 16% Positiveness
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Lex DeAzevedo
I'll Never Love This Way Again
138 bpm • E min • 03:12 • -17db
17% Popularity • 22% Danceability • 14% Energy • 12% Liveness
79% Instrumentalness • 18% Positiveness
17% Popularity • 22% Danceability • 14% Energy • 12% Liveness
79% Instrumentalness • 18% Positiveness
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Luis Siu Riveron
Siboney - Instrumental
124 bpm • C Maj • 02:17 • -13db
43% Popularity • 62% Danceability • 38% Energy • 7% Liveness
78% Instrumentalness • 78% Positiveness
43% Popularity • 62% Danceability • 38% Energy • 7% Liveness
78% Instrumentalness • 78% Positiveness
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Pierre Charlon
A Como Amor
138 bpm • A# min • 03:13 • -12.66db
46% Popularity • 41% Danceability • 34% Energy • 12% Liveness
81% Instrumentalness • 25% Positiveness
46% Popularity • 41% Danceability • 34% Energy • 12% Liveness
81% Instrumentalness • 25% Positiveness
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Pepe Jaramillo
The Breeze and I
124 bpm • A# Maj • 02:19 • -15.2db
35% Popularity • 74% Danceability • 26% Energy • 11% Liveness
95% Instrumentalness • 77% Positiveness
35% Popularity • 74% Danceability • 26% Energy • 11% Liveness
95% Instrumentalness • 77% Positiveness
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Ronnie Aldrich and his 2 pianos
April In Portugal
124 bpm • C Maj • 02:51 • -15db
14% Popularity • 60% Danceability • 34% Energy • 36% Liveness
36% Instrumentalness • 70% Positiveness
14% Popularity • 60% Danceability • 34% Energy • 36% Liveness
36% Instrumentalness • 70% Positiveness
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Johnny Pearson Y Su Orquesta
Vivir y dejar morir
139 bpm • G Maj • 03:26 • -13db
20% Popularity • 47% Danceability • 37% Energy • 12% Liveness
92% Instrumentalness • 11% Positiveness
20% Popularity • 47% Danceability • 37% Energy • 12% Liveness
92% Instrumentalness • 11% Positiveness
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André Popp
Les papillons
124 bpm • F Maj • 02:30 • -6db
45% Popularity • 61% Danceability • 65% Energy • 10% Liveness
83% Instrumentalness • 71% Positiveness
45% Popularity • 61% Danceability • 65% Energy • 10% Liveness
83% Instrumentalness • 71% Positiveness
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Edmundo Ros & His Orchestra
Green Eyes
124 bpm • F Maj • 02:36 • -14.55db
31% Popularity • 45% Danceability • 33% Energy • 12% Liveness
93% Instrumentalness • 56% Positiveness
31% Popularity • 45% Danceability • 33% Energy • 12% Liveness
93% Instrumentalness • 56% Positiveness
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Bernstein
Love Theme From Hawaii
139 bpm • D min • 02:20 • -12.95db
13% Popularity • 17% Danceability • 30% Energy • 10% Liveness
92% Instrumentalness • 8% Positiveness
13% Popularity • 17% Danceability • 30% Energy • 10% Liveness
92% Instrumentalness • 8% Positiveness
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MelodÃas Mágicas
C'est Si Bon
139 bpm • A# Maj • 02:53 • -14.14db
44% Popularity • 65% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
44% Popularity • 65% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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Ronnie Aldrich and his 2 pianos
I'll Have To Say I Love You In A Song
124 bpm • D min • 02:47 • -13.06db
11% Popularity • 58% Danceability • 34% Energy • 10% Liveness
61% Instrumentalness • 46% Positiveness
11% Popularity • 58% Danceability • 34% Energy • 10% Liveness
61% Instrumentalness • 46% Positiveness
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Johnny Pearson Y Su Orquesta
Concierto de Aranjuez
139 bpm • B min • 04:40 • -11db
32% Popularity • 28% Danceability • 23% Energy • 11% Liveness
93% Instrumentalness • 10% Positiveness
32% Popularity • 28% Danceability • 23% Energy • 11% Liveness
93% Instrumentalness • 10% Positiveness
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François Gilbert
La Felicidad
123 bpm • F min • 02:06 • -10.14db
32% Popularity • 58% Danceability • 30% Energy • 8% Liveness
71% Instrumentalness • 36% Positiveness
32% Popularity • 58% Danceability • 30% Energy • 8% Liveness
71% Instrumentalness • 36% Positiveness
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Edmundo Ros & His Orchestra
A Felicidade
123 bpm • C min • 03:12 • -14db
40% Popularity • 51% Danceability • 32% Energy • 5% Liveness
66% Instrumentalness • 52% Positiveness
40% Popularity • 51% Danceability • 32% Energy • 5% Liveness
66% Instrumentalness • 52% Positiveness
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Franco Legrand & His Magic Piano
"A" Como en Amor
139 bpm • A# min • 03:09 • -8db
35% Popularity • 51% Danceability • 45% Energy • 13% Liveness
97% Instrumentalness • 11% Positiveness
35% Popularity • 51% Danceability • 45% Energy • 13% Liveness
97% Instrumentalness • 11% Positiveness
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Dave Koz
As Time Goes By
123 bpm • F Maj • 04:02 • -11.22db
26% Popularity • 35% Danceability • 31% Energy • 38% Liveness
51% Instrumentalness • 21% Positiveness
26% Popularity • 35% Danceability • 31% Energy • 38% Liveness
51% Instrumentalness • 21% Positiveness
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Ronnie Aldrich and his 2 pianos
The Way We Were
139 bpm • A Maj • 03:15 • -16.07db
13% Popularity • 29% Danceability • 22% Energy • 13% Liveness
73% Instrumentalness • 19% Positiveness
13% Popularity • 29% Danceability • 22% Energy • 13% Liveness
73% Instrumentalness • 19% Positiveness
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Jerry Herman
Hello, Dolly!
140 bpm • D# Maj • 03:13 • -12.46db
12% Popularity • 41% Danceability • 48% Energy • 28% Liveness
51% Instrumentalness • 68% Positiveness
12% Popularity • 41% Danceability • 48% Energy • 28% Liveness
51% Instrumentalness • 68% Positiveness
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Larry Evoy
Last Song
140 bpm • F Maj • 03:27 • -17.58db
7% Popularity • 56% Danceability • 26% Energy • 11% Liveness
77% Instrumentalness • 58% Positiveness
7% Popularity • 56% Danceability • 26% Energy • 11% Liveness
77% Instrumentalness • 58% Positiveness
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London Festival Orchestra
Rachmaninov: Piano Concerto No. 2 in C M...
140 bpm • C min • 10:06 • -18.24db
5% Popularity • 25% Danceability • 18% Energy • 4% Liveness
89% Instrumentalness • 8% Positiveness
5% Popularity • 25% Danceability • 18% Energy • 4% Liveness
89% Instrumentalness • 8% Positiveness
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MelodÃas Mágicas
Tengo Dos Amores
123 bpm • F Maj • 02:01 • -19.5db
49% Popularity • 58% Danceability • 15% Energy • 12% Liveness
89% Instrumentalness • 77% Positiveness
49% Popularity • 58% Danceability • 15% Energy • 12% Liveness
89% Instrumentalness • 77% Positiveness
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Discovey Light Orchestra
A Mi Manera
140 bpm • F Maj • 02:56 • -13db
51% Popularity • 40% Danceability • 38% Energy • 15% Liveness
97% Instrumentalness • 23% Positiveness
51% Popularity • 40% Danceability • 38% Energy • 15% Liveness
97% Instrumentalness • 23% Positiveness
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Johnny Pearson Y Su Orquesta
La manana ha roto
140 bpm • C Maj • 03:10 • -12db
29% Popularity • 43% Danceability • 33% Energy • 9% Liveness
88% Instrumentalness • 35% Positiveness
29% Popularity • 43% Danceability • 33% Energy • 9% Liveness
88% Instrumentalness • 35% Positiveness
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Orquesta Intersonido
Tema De Angélica
141 bpm • D Maj • 03:22 • -12db
18% Popularity • 30% Danceability • 36% Energy • 12% Liveness
1% Instrumentalness • 14% Positiveness
18% Popularity • 30% Danceability • 36% Energy • 12% Liveness
1% Instrumentalness • 14% Positiveness
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Ronnie Aldrich and his 2 pianos
Secret Love
122 bpm • D min • 02:31 • -17.16db
12% Popularity • 50% Danceability • 20% Energy • 10% Liveness
14% Instrumentalness • 49% Positiveness
12% Popularity • 50% Danceability • 20% Energy • 10% Liveness
14% Instrumentalness • 49% Positiveness
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Orquesta Romántica de La Habana
Emmanuelle
122 bpm • C min • 03:03 • -20.32db
47% Popularity • 42% Danceability • 12% Energy • 9% Liveness
85% Instrumentalness • 34% Positiveness
47% Popularity • 42% Danceability • 12% Energy • 9% Liveness
85% Instrumentalness • 34% Positiveness
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Saxo
Emmanuelle
122 bpm • C min • 02:59 • -18db
36% Popularity • 34% Danceability • 17% Energy • 10% Liveness
97% Instrumentalness • 34% Positiveness
36% Popularity • 34% Danceability • 17% Energy • 10% Liveness
97% Instrumentalness • 34% Positiveness
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Tony Mottola y Su Orquesta
C'est Si Bon
121 bpm • F# Maj • 03:02 • -12.31db
27% Popularity • 73% Danceability • 19% Energy • 8% Liveness
4% Instrumentalness • 62% Positiveness
27% Popularity • 73% Danceability • 19% Energy • 8% Liveness
4% Instrumentalness • 62% Positiveness
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Lex DeAzevedo
Without You
141 bpm • F Maj • 03:16 • -16db
20% Popularity • 39% Danceability • 26% Energy • 10% Liveness
2% Instrumentalness • 28% Positiveness
20% Popularity • 39% Danceability • 26% Energy • 10% Liveness
2% Instrumentalness • 28% Positiveness
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Diego De Cossio
Meditación
141 bpm • A Maj • 02:40 • -17.3db
37% Popularity • 70% Danceability • 32% Energy • 11% Liveness
88% Instrumentalness • 85% Positiveness
37% Popularity • 70% Danceability • 32% Energy • 11% Liveness
88% Instrumentalness • 85% Positiveness
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The Fantasy Strings
Tea for Two
142 bpm • A min • 03:14 • -11.39db
18% Popularity • 57% Danceability • 57% Energy • 36% Liveness
7% Instrumentalness • 45% Positiveness
18% Popularity • 57% Danceability • 57% Energy • 36% Liveness
7% Instrumentalness • 45% Positiveness
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Joaquin Borges
La Vida En Rosa
141 bpm • E Maj • 03:06 • -22.73db
28% Popularity • 15% Danceability • 6% Energy • 18% Liveness
46% Instrumentalness • 12% Positiveness
28% Popularity • 15% Danceability • 6% Energy • 18% Liveness
46% Instrumentalness • 12% Positiveness
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Charles Fox
Killing Me Softly With His Song
121 bpm • C Maj • 04:28 • -18.61db
21% Popularity • 45% Danceability • 18% Energy • 11% Liveness
36% Instrumentalness • 16% Positiveness
21% Popularity • 45% Danceability • 18% Energy • 11% Liveness
36% Instrumentalness • 16% Positiveness
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Ronnie Aldrich and his 2 pianos
Music To Watch Girls By
142 bpm • G min • 02:37 • -12db
31% Popularity • 52% Danceability • 48% Energy • 18% Liveness
92% Instrumentalness • 65% Positiveness
31% Popularity • 52% Danceability • 48% Energy • 18% Liveness
92% Instrumentalness • 65% Positiveness
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Aldo Livorno Y Su Acordeón Napolitano
Volare
121 bpm • C Maj • 03:04 • -12.12db
42% Popularity • 34% Danceability • 41% Energy • 9% Liveness
6% Instrumentalness • 36% Positiveness
42% Popularity • 34% Danceability • 41% Energy • 9% Liveness
6% Instrumentalness • 36% Positiveness
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Pepe Jaramillo
South of the Border
121 bpm • A# Maj • 02:59 • -13db
35% Popularity • 76% Danceability • 27% Energy • 10% Liveness
92% Instrumentalness • 91% Positiveness
35% Popularity • 76% Danceability • 27% Energy • 10% Liveness
92% Instrumentalness • 91% Positiveness
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Orquestra Românticos de Cuba
Besame Mucho / Dos Almas
121 bpm • D min • 03:26 • -5.86db
43% Popularity • 53% Danceability • 60% Energy • 9% Liveness
91% Instrumentalness • 64% Positiveness
43% Popularity • 53% Danceability • 60% Energy • 9% Liveness
91% Instrumentalness • 64% Positiveness
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Joaquin Borges
Molino Rojo
142 bpm • G Maj • 03:10 • -23db
31% Popularity • 16% Danceability • 6% Energy • 8% Liveness
91% Instrumentalness • 9% Positiveness
31% Popularity • 16% Danceability • 6% Energy • 8% Liveness
91% Instrumentalness • 9% Positiveness
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Michael Hazlewood
It Never Rains In Southern California
121 bpm • G Maj • 04:29 • -17.55db
12% Popularity • 56% Danceability • 28% Energy • 10% Liveness
82% Instrumentalness • 64% Positiveness
12% Popularity • 56% Danceability • 28% Energy • 10% Liveness
82% Instrumentalness • 64% Positiveness
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Ronnie Aldrich and his 2 pianos
More
121 bpm • E Maj • 03:39 • -11.18db
9% Popularity • 42% Danceability • 34% Energy • 14% Liveness
62% Instrumentalness • 24% Positiveness
9% Popularity • 42% Danceability • 34% Energy • 14% Liveness
62% Instrumentalness • 24% Positiveness
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Pasapoga Light Orchestra
Sugar Sugar
121 bpm • D Maj • 02:17 • -16.72db
38% Popularity • 68% Danceability • 48% Energy • 14% Liveness
41% Instrumentalness • 90% Positiveness
38% Popularity • 68% Danceability • 48% Energy • 14% Liveness
41% Instrumentalness • 90% Positiveness
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The Fantasy Strings
Arrevederci Roma
121 bpm • F Maj • 03:04 • -11db
21% Popularity • 54% Danceability • 63% Energy • 13% Liveness
13% Instrumentalness • 70% Positiveness
21% Popularity • 54% Danceability • 63% Energy • 13% Liveness
13% Instrumentalness • 70% Positiveness
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Horst Jankowski
Toselli Serenade
142 bpm • G min • 02:49 • -10.33db
28% Popularity • 34% Danceability • 45% Energy • 10% Liveness
62% Instrumentalness • 47% Positiveness
28% Popularity • 34% Danceability • 45% Energy • 10% Liveness
62% Instrumentalness • 47% Positiveness
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Luis Siu Riveron
Begin the Beguine - Instrumental
120 bpm • C Maj • 04:06 • -13db
30% Popularity • 66% Danceability • 39% Energy • 9% Liveness
89% Instrumentalness • 73% Positiveness
30% Popularity • 66% Danceability • 39% Energy • 9% Liveness
89% Instrumentalness • 73% Positiveness
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Frank Davis Orchestra
What a Wonderful World
120 bpm • F Maj • 02:37 • -9db
28% Popularity • 40% Danceability • 43% Energy • 13% Liveness
89% Instrumentalness • 22% Positiveness
28% Popularity • 40% Danceability • 43% Energy • 13% Liveness
89% Instrumentalness • 22% Positiveness
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Ronnie Aldrich and his 2 pianos
A Man And A Woman
142 bpm • F# min • 02:18 • -14db
30% Popularity • 39% Danceability • 32% Energy • 7% Liveness
91% Instrumentalness • 29% Positiveness
30% Popularity • 39% Danceability • 32% Energy • 7% Liveness
91% Instrumentalness • 29% Positiveness
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Neil Diamond
Song Sung Blue
120 bpm • C Maj • 02:54 • -15.9db
21% Popularity • 55% Danceability • 22% Energy • 10% Liveness
53% Instrumentalness • 42% Positiveness
21% Popularity • 55% Danceability • 22% Energy • 10% Liveness
53% Instrumentalness • 42% Positiveness
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Francis Dupont
Little serenade
120 bpm • A# Maj • 03:12 • -14db
30% Popularity • 62% Danceability • 46% Energy • 12% Liveness
89% Instrumentalness • 80% Positiveness
30% Popularity • 62% Danceability • 46% Energy • 12% Liveness
89% Instrumentalness • 80% Positiveness