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After Hours - Digitally Mastered - September 1991
Songs like
After Hours - Digitally Mastered - September 1991
by
Erskine Hawkins & His Orchestra
Based on a tempo of (+/- 10%) and a similar genre
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Erskine Hawkins & His Orchestra
After Hours
83 bpm • C Maj • 03:22 • -19.61db
0% Popularity • 53% Danceability • 16% Energy • 14% Liveness
94% Instrumentalness • 28% Positiveness
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Ace Harris
So Long Goodbye Blues
83 bpm • G Maj • 02:55 • -9.83db
0% Popularity • 52% Danceability • 31% Energy • 34% Liveness
0% Instrumentalness • 40% Positiveness
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Johnny Hodges & His Orchestra
Jeep's Blues
83 bpm • A# Maj • 02:56 • -14.01db
38% Popularity • 56% Danceability • 21% Energy • 18% Liveness
84% Instrumentalness • 62% Positiveness
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Erskine Hawkins
After Hours
84 bpm • G Maj • 03:23 • -20.64db
15% Popularity • 60% Danceability • 11% Energy • 10% Liveness
94% Instrumentalness • 41% Positiveness
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Lucky Millinder
Savoy
82 bpm • F Maj • 03:06 • -8.95db
4% Popularity • 57% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Charlie Barnet
I Like to Riff
82 bpm • C# Maj • 02:54 • -8.05db
17% Popularity • 72% Danceability • 52% Energy • 27% Liveness
1% Instrumentalness • 65% Positiveness
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Erskine Hawkins & His Orchestra
Easy Rider
83 bpm • D# Maj • 02:43 • -18.82db
0% Popularity • 63% Danceability • 17% Energy • 10% Liveness
86% Instrumentalness • 93% Positiveness
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Kid Ory's Creole Jazz Band
Blues for Jimmy Noone
84 bpm • A# Maj • 03:10 • -11.44db
17% Popularity • 51% Danceability • 24% Energy • 25% Liveness
91% Instrumentalness • 28% Positiveness
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Johnny Dodds
Wild Man Blues (Alternate Take)
85 bpm • F# min • 03:13 • -11db
19% Popularity • 74% Danceability • 30% Energy • 8% Liveness
62% Instrumentalness • 73% Positiveness
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Erskine Hawkins
After Hours
85 bpm • G Maj • 03:20 • -11.33db
11% Popularity • 66% Danceability • 32% Energy • 10% Liveness
93% Instrumentalness • 44% Positiveness
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King Oliver
Chimes Blues
81 bpm • C Maj • 02:51 • -10db
17% Popularity • 56% Danceability • 30% Energy • 19% Liveness
92% Instrumentalness • 79% Positiveness
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Jimmy Witherspoon
S.K. Blues
81 bpm • G# Maj • 02:50 • -10.37db
7% Popularity • 56% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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Erskine Hawkins & His Orchestra
After Hours - Digitally Mastered - Septe...
83 bpm • G Maj • 03:23 • -20db
10% Popularity • 67% Danceability • 14% Energy • 16% Liveness
92% Instrumentalness • 43% Positiveness
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James P. Johnson
I'm Gonna Sit Right Down (And Write Myse...
81 bpm • C# Maj • 02:49 • -18db
28% Popularity • 72% Danceability • 25% Energy • 9% Liveness
85% Instrumentalness • 91% Positiveness
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Alberta Hunter
I Got Myself A Workin' Man
81 bpm • A# Maj • 03:15 • -14.79db
14% Popularity • 49% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
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Sidney Bechet's One Man Band
Blues of Bechet
85 bpm • D# Maj • 01:53 • -14db
11% Popularity • 53% Danceability • 16% Energy • 9% Liveness
83% Instrumentalness • 50% Positiveness
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Clarence Williams
Texas Moaner Blues
81 bpm • B Maj • 03:06 • -14db
12% Popularity • 52% Danceability • 30% Energy • 36% Liveness
83% Instrumentalness • 55% Positiveness
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Julia Lee And Her Boyfriends
My Man Stands Out
80 bpm • D# Maj • 02:16 • -12.86db
27% Popularity • 82% Danceability • 24% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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Erskine Hawkins & His Orchestra
After Hours
84 bpm • C Maj • 03:23 • -27.27db
0% Popularity • 60% Danceability • 6% Energy • 11% Liveness
93% Instrumentalness • 31% Positiveness
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Charlie Barnet & His Orchestra
Pompton Turnpike
86 bpm • F min • 03:02 • -13.67db
19% Popularity • 43% Danceability • 22% Energy • 9% Liveness
28% Instrumentalness • 27% Positiveness
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Muggsy Spanier
Relaxin' At the Touro
86 bpm • C Maj • 03:14 • -11db
21% Popularity • 69% Danceability • 20% Energy • 10% Liveness
94% Instrumentalness • 43% Positiveness
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Lester's Blues
Evenin'
80 bpm • C min • 02:59 • -12.35db
11% Popularity • 71% Danceability • 26% Energy • 5% Liveness
0% Instrumentalness • 62% Positiveness
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Count Basie & His All American Rhythm Section
Sugar Blues - 78rpm Version
80 bpm • C Maj • 02:57 • -15.82db
6% Popularity • 71% Danceability • 5% Energy • 12% Liveness
69% Instrumentalness • 46% Positiveness
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Cootie Williams
Juice Head Baby
87 bpm • C min • 03:09 • -10db
24% Popularity • 52% Danceability • 32% Energy • 23% Liveness
0% Instrumentalness • 64% Positiveness
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Erskine Hawkins & His Orchestra
Drifting Along - Remastered
84 bpm • C min • 03:26 • -8.98db
0% Popularity • 47% Danceability • 52% Energy • 15% Liveness
82% Instrumentalness • 66% Positiveness
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Sidney Bechet and his New Orleans Feetwarmers
Nobody Knows the Way I Feel Dis Mornin'
88 bpm • A# Maj • 03:29 • -9.56db
7% Popularity • 56% Danceability • 42% Energy • 6% Liveness
63% Instrumentalness • 63% Positiveness
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Lucky Millinder
I'm Just Waiting for You
79 bpm • F min • 02:37 • -7.23db
13% Popularity • 59% Danceability • 21% Energy • 17% Liveness
0% Instrumentalness • 46% Positiveness
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Bix Beiderbecke
I Like That
88 bpm • D# Maj • 03:02 • -15.06db
37% Popularity • 70% Danceability • 26% Energy • 10% Liveness
91% Instrumentalness • 88% Positiveness
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Una Mae Carlisle
Oh, I'm evil
78 bpm • D# Maj • 02:28 • -7.04db
13% Popularity • 80% Danceability • 48% Energy • 20% Liveness
0% Instrumentalness • 91% Positiveness
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Cootie Williams
Slidin' And Glidin'
78 bpm • A# Maj • 03:35 • -8.71db
25% Popularity • 68% Danceability • 35% Energy • 20% Liveness
0% Instrumentalness • 77% Positiveness
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Erskine Hawkins & His Orchestra
Let's Have Fun
81 bpm • F Maj • 03:19 • -12.3db
0% Popularity • 79% Danceability • 27% Energy • 13% Liveness
48% Instrumentalness • 69% Positiveness
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Sidney Bechet and his New Orleans Feetwarmers
When It's Sleepy Time Down South
88 bpm • D# Maj • 03:01 • -16db
11% Popularity • 60% Danceability • 16% Energy • 22% Liveness
89% Instrumentalness • 71% Positiveness
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Pee Wee Russell
Embraceable You
88 bpm • F Maj • 04:04 • -16db
8% Popularity • 46% Danceability • 13% Energy • 12% Liveness
76% Instrumentalness • 45% Positiveness
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Duke Ellington Orchestra
Let's Get Together
89 bpm • F Maj • 02:38 • -6.69db
12% Popularity • 62% Danceability • 59% Energy • 28% Liveness
0% Instrumentalness • 82% Positiveness
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Illinois Jacquet
Jacquet and No Vest
78 bpm • C min • 02:55 • -6.07db
3% Popularity • 67% Danceability • 40% Energy • 13% Liveness
62% Instrumentalness • 72% Positiveness
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Big Bang Jazz Band
New Orleans
89 bpm • C min • 03:18 • -21.74db
11% Popularity • 81% Danceability • 8% Energy • 8% Liveness
1% Instrumentalness • 50% Positiveness
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Erskine Hawkins & His Orchestra
I Guess I'll Have to Get Along Without Y...
79 bpm • F# Maj • 03:02 • -11.89db
0% Popularity • 41% Danceability • 27% Energy • 27% Liveness
28% Instrumentalness • 44% Positiveness
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Lucky Millinder
Who Said Shorty Wasn't Coming Back?
77 bpm • F# Maj • 02:42 • -6.77db
22% Popularity • 83% Danceability • 51% Energy • 36% Liveness
0% Instrumentalness • 74% Positiveness
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Johnny Hodges & His Orchestra
Things Ain't What They Used To Be - 1995...
89 bpm • C# Maj • 03:37 • -17.04db
29% Popularity • 65% Danceability • 13% Energy • 11% Liveness
90% Instrumentalness • 53% Positiveness
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Woody Herman & His Orchestra
Blues in the Night
89 bpm • C Maj • 03:11 • -11.68db
23% Popularity • 54% Danceability • 17% Energy • 55% Liveness
0% Instrumentalness • 43% Positiveness
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Slim & Slam
8, 9 and 10 (Alternate Take)
89 bpm • D Maj • 02:42 • -15.23db
10% Popularity • 70% Danceability • 20% Energy • 11% Liveness
35% Instrumentalness • 82% Positiveness
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Jack McVea
Wine-O
77 bpm • F min • 03:03 • -12.26db
12% Popularity • 71% Danceability • 31% Energy • 11% Liveness
76% Instrumentalness • 73% Positiveness
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Red McKenzie
Basin St Blues
77 bpm • F Maj • 01:56 • -15db
19% Popularity • 69% Danceability • 15% Energy • 12% Liveness
2% Instrumentalness • 58% Positiveness
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Muggsy Spanier
Feather Brain Blues
76 bpm • C Maj • 03:02 • -7.37db
10% Popularity • 62% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Lucky Millinder
Savoy
90 bpm • F min • 03:00 • -9.61db
11% Popularity • 42% Danceability • 53% Energy • 33% Liveness
1% Instrumentalness • 84% Positiveness
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The Cats & The Fiddle
Killing Jive - Alternate Take
91 bpm • C Maj • 02:51 • -10.07db
12% Popularity • 75% Danceability • 41% Energy • 14% Liveness
1% Instrumentalness • 82% Positiveness
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Lavay Smith & Her Red Hot Skillet Lickers
Downhearted Blues
76 bpm • G min • 05:23 • -11.68db
18% Popularity • 47% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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Wilbur De Paris
Madagascar
76 bpm • G# Maj • 06:21 • -11.46db
23% Popularity • 55% Danceability • 43% Energy • 32% Liveness
73% Instrumentalness • 73% Positiveness
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Hoagy Carmichael
New Orleans
76 bpm • C min • 03:55 • -16.99db
15% Popularity • 62% Danceability • 15% Energy • 15% Liveness
1% Instrumentalness • 39% Positiveness
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Johnny Dodds
Wild Man Blues
92 bpm • E min • 03:14 • -11.98db
19% Popularity • 61% Danceability • 13% Energy • 32% Liveness
78% Instrumentalness • 57% Positiveness
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Albert Ammons
I Don't Want to See You
92 bpm • G Maj • 02:51 • -12.19db
9% Popularity • 68% Danceability • 40% Energy • 45% Liveness
0% Instrumentalness • 83% Positiveness
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The Cats & The Fiddle
We Cats Will Swing for You
91 bpm • C min • 02:38 • -10.82db
24% Popularity • 78% Danceability • 47% Energy • 9% Liveness
62% Instrumentalness • 90% Positiveness
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Erskine Hawkins & His Orchestra
Gin Mill Special
92 bpm • A# min • 03:13 • -18.04db
0% Popularity • 68% Danceability • 16% Energy • 13% Liveness
81% Instrumentalness • 82% Positiveness
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Erskine Hawkins
Tuxedo Junction
75 bpm • F min • 03:15 • -6.46db
23% Popularity • 63% Danceability • 37% Energy • 18% Liveness
45% Instrumentalness • 78% Positiveness
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Billy Eckstine
Lonesome Lover Blues
92 bpm • F# Maj • 02:48 • -11.83db
14% Popularity • 64% Danceability • 50% Energy • 16% Liveness
81% Instrumentalness • 77% Positiveness
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Helen Humes
See, See, Rider
74 bpm • F min • 02:50 • -13.55db
14% Popularity • 54% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Lucky Millinder
I Know Who Threw the Whiskey in the Well...
92 bpm • A# Maj • 02:46 • -8.7db
21% Popularity • 75% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
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King Oliver
Mahogany Hall Stomp
93 bpm • C Maj • 02:39 • -10.36db
27% Popularity • 63% Danceability • 37% Energy • 6% Liveness
92% Instrumentalness • 85% Positiveness
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Lil Green
Romance In The Dark
93 bpm • F Maj • 03:23 • -14.12db
7% Popularity • 65% Danceability • 28% Energy • 10% Liveness
6% Instrumentalness • 78% Positiveness
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Bix Beiderbecke
Blue River
74 bpm • D# Maj • 03:25 • -12db
35% Popularity • 67% Danceability • 24% Energy • 11% Liveness
3% Instrumentalness • 67% Positiveness
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Fletcher Henderson
Hocus Pocus
93 bpm • C# Maj • 03:18 • -12db
8% Popularity • 73% Danceability • 38% Energy • 11% Liveness
91% Instrumentalness • 88% Positiveness
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Duke Ellington And The Jungle Band
Rockin' in Rhythm
94 bpm • C Maj • 03:03 • -8.37db
32% Popularity • 75% Danceability • 31% Energy • 17% Liveness
83% Instrumentalness • 80% Positiveness
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Slim & Slam
A-Well-A-Take-'em-A-Joe, Crap Shooter's ...
94 bpm • F Maj • 03:02 • -12.26db
12% Popularity • 71% Danceability • 46% Energy • 16% Liveness
44% Instrumentalness • 82% Positiveness
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King Oliver
Dipper Mouth Blues
93 bpm • A min • 02:30 • -13.6db
12% Popularity • 59% Danceability • 39% Energy • 16% Liveness
93% Instrumentalness • 93% Positiveness
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Johnny Hodges & His Orchestra
Cool Your Motor
73 bpm • A# Maj • 03:36 • -13.7db
31% Popularity • 52% Danceability • 18% Energy • 10% Liveness
7% Instrumentalness • 61% Positiveness
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The Sign Posters
I Just Can't See for Lookin'
94 bpm • G Maj • 03:08 • -17.73db
7% Popularity • 62% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Fletcher Henderson
Sing You Sinners
94 bpm • C# Maj • 02:39 • -8.16db
32% Popularity • 76% Danceability • 50% Energy • 26% Liveness
93% Instrumentalness • 94% Positiveness
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Nat Gonella And His Georgians
Hesitation Blues
95 bpm • G min • 03:15 • -13.63db
27% Popularity • 81% Danceability • 32% Energy • 6% Liveness
4% Instrumentalness • 73% Positiveness
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Henry "Red" Allen
Just a Closer Walk with Thee
95 bpm • G# Maj • 03:23 • -15.17db
22% Popularity • 42% Danceability • 12% Energy • 11% Liveness
86% Instrumentalness • 37% Positiveness
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King Oliver
Canal Street Blues
94 bpm • F Maj • 02:28 • -9.99db
20% Popularity • 66% Danceability • 44% Energy • 14% Liveness
47% Instrumentalness • 89% Positiveness
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Woody Herman & His Orchestra
River Bed Blues
73 bpm • A Maj • 02:58 • -15.76db
13% Popularity • 62% Danceability • 13% Energy • 12% Liveness
3% Instrumentalness • 36% Positiveness
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Wingy Manone
When I Get You Alone Tonight
95 bpm • D# Maj • 03:12 • -7.5db
18% Popularity • 69% Danceability • 52% Energy • 6% Liveness
1% Instrumentalness • 94% Positiveness
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The Five Blazes
Chicago Boogie
95 bpm • C Maj • 02:55 • -10.82db
11% Popularity • 53% Danceability • 48% Energy • 12% Liveness
23% Instrumentalness • 88% Positiveness
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Louis Armstrong & His Hot Seven
Willie the Weeper
96 bpm • F Maj • 03:06 • -8.62db
9% Popularity • 74% Danceability • 43% Energy • 7% Liveness
84% Instrumentalness • 91% Positiveness
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The Cats & The Fiddle
Please Don't Leave Me Now
96 bpm • D min • 03:06 • -10.84db
11% Popularity • 78% Danceability • 26% Energy • 9% Liveness
2% Instrumentalness • 32% Positiveness
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King Oliver
Black Snake Blues
95 bpm • C Maj • 02:50 • -10.1db
20% Popularity • 55% Danceability • 20% Energy • 9% Liveness
20% Instrumentalness • 55% Positiveness
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Johnny Hodges & His Orchestra
Saturday Afternoon Blues
96 bpm • G min • 05:59 • -14.4db
12% Popularity • 58% Danceability • 35% Energy • 27% Liveness
0% Instrumentalness • 69% Positiveness
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Big Mama Thornton
The Big Change
72 bpm • G# Maj • 02:45 • -10.37db
5% Popularity • 54% Danceability • 31% Energy • 23% Liveness
0% Instrumentalness • 32% Positiveness
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Lucky Millinder
Shorty's Got to Go
72 bpm • F min • 03:15 • -8db
25% Popularity • 75% Danceability • 31% Energy • 38% Liveness
0% Instrumentalness • 82% Positiveness
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Fletcher Henderson
Riffin'
96 bpm • D# Maj • 02:28 • -2.3db
17% Popularity • 78% Danceability • 62% Energy • 10% Liveness
94% Instrumentalness • 92% Positiveness
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The Cats & The Fiddle
Gangbusters
96 bpm • D min • 03:06 • -11.03db
19% Popularity • 82% Danceability • 39% Energy • 7% Liveness
44% Instrumentalness • 76% Positiveness
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Wingy Carpenter
Team Up
96 bpm • G# Maj • 02:53 • -13.38db
10% Popularity • 81% Danceability • 24% Energy • 7% Liveness
24% Instrumentalness • 96% Positiveness
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King Oliver
Dipper Mouth Blues, Pt. 1
95 bpm • C Maj • 02:30 • -12.05db
22% Popularity • 57% Danceability • 38% Energy • 6% Liveness
92% Instrumentalness • 86% Positiveness
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Bix Beiderbecke
Ostrich Walk
97 bpm • D# Maj • 03:09 • -11.79db
25% Popularity • 58% Danceability • 44% Energy • 13% Liveness
92% Instrumentalness • 96% Positiveness
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Illinois Jacquet
Bottom's Up
97 bpm • C# Maj • 05:17 • -10.83db
13% Popularity • 59% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Charlie Barnet
Rockin' In Rhythm (06-19-40)
97 bpm • G# Maj • 03:11 • -9.94db
14% Popularity • 59% Danceability • 46% Energy • 10% Liveness
37% Instrumentalness • 96% Positiveness
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Andy Kirk
I'se A Muggin'
97 bpm • F Maj • 02:47 • -14.32db
13% Popularity • 83% Danceability • 21% Energy • 13% Liveness
5% Instrumentalness • 87% Positiveness
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Julia Lee And Her Boyfriends
Trouble in Mind
97 bpm • A# min • 02:50 • -11.55db
16% Popularity • 72% Danceability • 24% Energy • 12% Liveness
10% Instrumentalness • 70% Positiveness
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Kid Ory
Sheik of Araby
97 bpm • A# Maj • 04:50 • -10.97db
11% Popularity • 55% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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Teddy Powell
Jamaica Jam
71 bpm • G# Maj • 02:45 • -12.54db
12% Popularity • 50% Danceability • 59% Energy • 19% Liveness
1% Instrumentalness • 74% Positiveness
► Preview
Jimmy Witherspoon
When I've Been Drinkin'
71 bpm • F Maj • 03:38 • -13.33db
16% Popularity • 55% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Casa Loma Orchestra
Whoa Babe
97 bpm • F Maj • 03:00 • -12.81db
12% Popularity • 76% Danceability • 35% Energy • 46% Liveness
10% Instrumentalness • 94% Positiveness
► Preview
Una Mae Carlisle
Don't Try Your Jive on Me
97 bpm • G min • 02:52 • -8.93db
9% Popularity • 65% Danceability • 49% Energy • 32% Liveness
1% Instrumentalness • 93% Positiveness
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Mills Blue Rhythm Band
Callin' Your Bluff
98 bpm • F Maj • 03:00 • -10.38db
11% Popularity • 72% Danceability • 37% Energy • 12% Liveness
72% Instrumentalness • 82% Positiveness
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Fletcher Henderson
Christopher Columbus
98 bpm • G min • 03:00 • -8.05db
16% Popularity • 67% Danceability • 53% Energy • 8% Liveness
93% Instrumentalness • 84% Positiveness
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Henry "Red" Allen
You're Gonna Lose Your Gal
98 bpm • F# Maj • 02:53 • -9.8db
22% Popularity • 81% Danceability • 40% Energy • 8% Liveness
12% Instrumentalness • 75% Positiveness
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King Oliver
King Porter Stomp
98 bpm • F min • 02:33 • -9.27db
12% Popularity • 70% Danceability • 33% Energy • 18% Liveness
92% Instrumentalness • 90% Positiveness
► Preview
Charlie Shavers
Jack, I'm Mellow
98 bpm • D# Maj • 02:48 • -12.81db
9% Popularity • 78% Danceability • 34% Energy • 7% Liveness
8% Instrumentalness • 85% Positiveness
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Eddie Condon
It's Right Here For You, Pt. 1
98 bpm • C Maj • 03:04 • -20.42db
13% Popularity • 67% Danceability • 13% Energy • 43% Liveness
91% Instrumentalness • 71% Positiveness
► Preview
Albert Ammons
Boogie Woogie Prayer
98 bpm • C Maj • 02:03 • -16.48db
22% Popularity • 53% Danceability • 46% Energy • 12% Liveness
94% Instrumentalness • 97% Positiveness
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After Hours - Digitally Mastered - September 1991