Songs like After Dinner Speech (04-21-38) by Red Norvo
Based on a tempo of (+/- 10%) and a similar genre
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Erskine Hawkins
Gin Mill Special
99 bpm • A# min • 03:19 • -10db
11% Popularity • 63% Danceability • 44% Energy • 64% Liveness
9% Instrumentalness • 85% Positiveness
11% Popularity • 63% Danceability • 44% Energy • 64% Liveness
9% Instrumentalness • 85% Positiveness
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Ben Selvin & His Orchestra
Let Me Sing and I'm Happy
99 bpm • D min • 03:04 • -14.82db
17% Popularity • 81% Danceability • 24% Energy • 10% Liveness
60% Instrumentalness • 87% Positiveness
17% Popularity • 81% Danceability • 24% Energy • 10% Liveness
60% Instrumentalness • 87% Positiveness
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Johnny Mercer & The Pied Pipers
Baby I'm True To You
99 bpm • A# Maj • 02:58 • -10.26db
13% Popularity • 74% Danceability • 12% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
13% Popularity • 74% Danceability • 12% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
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Charlie Spivak & His Orchestra
Blue Champagne
99 bpm • F# Maj • 02:24 • -18db
24% Popularity • 36% Danceability • 14% Energy • 22% Liveness
84% Instrumentalness • 34% Positiveness
24% Popularity • 36% Danceability • 14% Energy • 22% Liveness
84% Instrumentalness • 34% Positiveness
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Eddie Condon
I'm Gonna Stomp, Mr Henry Lee
99 bpm • C# Maj • 03:37 • -12.74db
10% Popularity • 70% Danceability • 40% Energy • 20% Liveness
49% Instrumentalness • 74% Positiveness
10% Popularity • 70% Danceability • 40% Energy • 20% Liveness
49% Instrumentalness • 74% Positiveness
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Glenn Miller & AAFTCO
I Sustain The Wings (Theme) - 1944 Recor...
99 bpm • A# Maj • 04:43 • -13.2db
16% Popularity • 61% Danceability • 22% Energy • 9% Liveness
76% Instrumentalness • 63% Positiveness
16% Popularity • 61% Danceability • 22% Energy • 9% Liveness
76% Instrumentalness • 63% Positiveness
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Wingy Manone
Ain't It a Shame About Mame?
99 bpm • C min • 03:04 • -10.58db
11% Popularity • 77% Danceability • 40% Energy • 12% Liveness
3% Instrumentalness • 88% Positiveness
11% Popularity • 77% Danceability • 40% Energy • 12% Liveness
3% Instrumentalness • 88% Positiveness
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Andy Kirk
Until The Real Thing Comes Along
99 bpm • G# Maj • 02:57 • -17.36db
9% Popularity • 68% Danceability • 5% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
9% Popularity • 68% Danceability • 5% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
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Paul Whiteman
Whispering
99 bpm • D Maj • 03:17 • -11.65db
14% Popularity • 64% Danceability • 43% Energy • 33% Liveness
89% Instrumentalness • 36% Positiveness
14% Popularity • 64% Danceability • 43% Energy • 33% Liveness
89% Instrumentalness • 36% Positiveness
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Larry Clinton & His Orchestra
You Go To My Head
100 bpm • D# Maj • 03:41 • -24.76db
25% Popularity • 35% Danceability • 3% Energy • 12% Liveness
1% Instrumentalness • 13% Positiveness
25% Popularity • 35% Danceability • 3% Energy • 12% Liveness
1% Instrumentalness • 13% Positiveness
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Red Norvo
Some Like It Hot
98 bpm • D min • 02:54 • -9.71db
13% Popularity • 79% Danceability • 46% Energy • 16% Liveness
87% Instrumentalness • 89% Positiveness
13% Popularity • 79% Danceability • 46% Energy • 16% Liveness
87% Instrumentalness • 89% Positiveness
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Bob Howard
Copper Colored Gal (10-12-36)
98 bpm • C Maj • 02:50 • -12.17db
8% Popularity • 74% Danceability • 46% Energy • 8% Liveness
11% Instrumentalness • 86% Positiveness
8% Popularity • 74% Danceability • 46% Energy • 8% Liveness
11% Instrumentalness • 86% Positiveness
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Count Basie Orchestra
Basie Boogie
98 bpm • C Maj • 02:17 • -16.12db
13% Popularity • 61% Danceability • 36% Energy • 13% Liveness
31% Instrumentalness • 88% Positiveness
13% Popularity • 61% Danceability • 36% Energy • 13% Liveness
31% Instrumentalness • 88% Positiveness
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Johnny Dodds
Melancholy - 21/01/1938
100 bpm • C Maj • 02:43 • -12.71db
33% Popularity • 82% Danceability • 40% Energy • 6% Liveness
92% Instrumentalness • 87% Positiveness
33% Popularity • 82% Danceability • 40% Energy • 6% Liveness
92% Instrumentalness • 87% Positiveness
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Casa Loma Orchestra
Memories of You
98 bpm • C min • 03:02 • -9.66db
2% Popularity • 51% Danceability • 23% Energy • 33% Liveness
93% Instrumentalness • 64% Positiveness
2% Popularity • 51% Danceability • 23% Energy • 33% Liveness
93% Instrumentalness • 64% Positiveness
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Erskine Hawkins
Knock Me a Kiss
100 bpm • F min • 02:47 • -9.46db
12% Popularity • 46% Danceability • 24% Energy • 25% Liveness
0% Instrumentalness • 51% Positiveness
12% Popularity • 46% Danceability • 24% Energy • 25% Liveness
0% Instrumentalness • 51% Positiveness
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Red Norvo
Everyone's Wrong but Me
98 bpm • G Maj • 02:58 • -14.54db
12% Popularity • 64% Danceability • 18% Energy • 13% Liveness
41% Instrumentalness • 33% Positiveness
12% Popularity • 64% Danceability • 18% Energy • 13% Liveness
41% Instrumentalness • 33% Positiveness
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Charlie Shavers
Jack, I'm Mellow
98 bpm • D# Maj • 02:48 • -12.81db
10% Popularity • 78% Danceability • 34% Energy • 7% Liveness
8% Instrumentalness • 85% Positiveness
10% Popularity • 78% Danceability • 34% Energy • 7% Liveness
8% Instrumentalness • 85% Positiveness
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Eddie Condon
It's Right Here For You, Pt. 1
98 bpm • C Maj • 03:04 • -20.42db
16% Popularity • 67% Danceability • 13% Energy • 43% Liveness
91% Instrumentalness • 71% Positiveness
16% Popularity • 67% Danceability • 13% Energy • 43% Liveness
91% Instrumentalness • 71% Positiveness
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Henry "Red" Allen
You're Gonna Lose Your Gal
98 bpm • F# Maj • 02:53 • -9.8db
22% Popularity • 81% Danceability • 40% Energy • 8% Liveness
12% Instrumentalness • 75% Positiveness
22% Popularity • 81% Danceability • 40% Energy • 8% Liveness
12% Instrumentalness • 75% Positiveness
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Mills Blue Rhythm Band
Callin' Your Bluff
98 bpm • F Maj • 03:00 • -10.38db
11% Popularity • 72% Danceability • 37% Energy • 12% Liveness
72% Instrumentalness • 82% Positiveness
11% Popularity • 72% Danceability • 37% Energy • 12% Liveness
72% Instrumentalness • 82% Positiveness
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Jimmy Dorsey & His Orchestra
All Of Me
100 bpm • D min • 03:08 • -14db
22% Popularity • 44% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
22% Popularity • 44% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Red Norvo
Stella by Starlight
100 bpm • G Maj • 03:16 • -15.06db
0% Popularity • 33% Danceability • 24% Energy • 25% Liveness
82% Instrumentalness • 12% Positiveness
0% Popularity • 33% Danceability • 24% Energy • 25% Liveness
82% Instrumentalness • 12% Positiveness
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Stockholm Swing All Stars
All Star Theme
97 bpm • A min • 02:10 • -11.29db
17% Popularity • 69% Danceability • 38% Energy • 18% Liveness
77% Instrumentalness • 85% Positiveness
17% Popularity • 69% Danceability • 38% Energy • 18% Liveness
77% Instrumentalness • 85% Positiveness
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Raymond Scott
Creepy Weepy - 1940
97 bpm • G Maj • 02:50 • -8.66db
13% Popularity • 53% Danceability • 80% Energy • 14% Liveness
91% Instrumentalness • 82% Positiveness
13% Popularity • 53% Danceability • 80% Energy • 14% Liveness
91% Instrumentalness • 82% Positiveness
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Larry Clinton
Let'er Go
97 bpm • C Maj • 02:18 • -8.33db
20% Popularity • 83% Danceability • 52% Energy • 3% Liveness
0% Instrumentalness • 71% Positiveness
20% Popularity • 83% Danceability • 52% Energy • 3% Liveness
0% Instrumentalness • 71% Positiveness
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Una Mae Carlisle
Don't Try Your Jive on Me
97 bpm • G min • 02:52 • -8.93db
10% Popularity • 65% Danceability • 49% Energy • 32% Liveness
1% Instrumentalness • 93% Positiveness
10% Popularity • 65% Danceability • 49% Energy • 32% Liveness
1% Instrumentalness • 93% Positiveness
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Jimmy Dorsey & His Orchestra
In A Sentimental Mood
97 bpm • G min • 03:02 • -12.82db
26% Popularity • 46% Danceability • 20% Energy • 14% Liveness
13% Instrumentalness • 40% Positiveness
26% Popularity • 46% Danceability • 20% Energy • 14% Liveness
13% Instrumentalness • 40% Positiveness
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Red Norvo
Nrc Jump
98 bpm • F min • 04:57 • -17.7db
1% Popularity • 69% Danceability • 16% Energy • 11% Liveness
1% Instrumentalness • 60% Positiveness
1% Popularity • 69% Danceability • 16% Energy • 11% Liveness
1% Instrumentalness • 60% Positiveness
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Woody Herman And His Woodchoppers
Steps - 78rpm Version
101 bpm • D# Maj • 03:18 • -20.24db
0% Popularity • 65% Danceability • 4% Energy • 13% Liveness
62% Instrumentalness • 27% Positiveness
0% Popularity • 65% Danceability • 4% Energy • 13% Liveness
62% Instrumentalness • 27% Positiveness
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Ray McKinley & His Orchestra
I Kiss Your Hand
97 bpm • A# Maj • 03:43 • -13.88db
15% Popularity • 55% Danceability • 14% Energy • 13% Liveness
52% Instrumentalness • 39% Positiveness
15% Popularity • 55% Danceability • 14% Energy • 13% Liveness
52% Instrumentalness • 39% Positiveness
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Casa Loma Orchestra
Whoa Babe
97 bpm • F Maj • 03:00 • -12.81db
12% Popularity • 76% Danceability • 35% Energy • 46% Liveness
10% Instrumentalness • 94% Positiveness
12% Popularity • 76% Danceability • 35% Energy • 46% Liveness
10% Instrumentalness • 94% Positiveness
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Ella Fitzgerald and Her Savoy Eight
I Was Doing All Right
101 bpm • C# Maj • 02:54 • -11.93db
22% Popularity • 75% Danceability • 10% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
22% Popularity • 75% Danceability • 10% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
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Kid Ory
Sheik of Araby
97 bpm • A# Maj • 04:50 • -10.97db
12% Popularity • 55% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
12% Popularity • 55% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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Woody Herman & His Orchestra
Blowin' up a Storm
97 bpm • A# Maj • 03:22 • -9.35db
14% Popularity • 72% Danceability • 31% Energy • 10% Liveness
11% Instrumentalness • 87% Positiveness
14% Popularity • 72% Danceability • 31% Energy • 10% Liveness
11% Instrumentalness • 87% Positiveness
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Red Nichols and His Orchestra
Organ Grinder's Song
97 bpm • G Maj • 02:37 • -8.66db
15% Popularity • 73% Danceability • 30% Energy • 20% Liveness
87% Instrumentalness • 63% Positiveness
15% Popularity • 73% Danceability • 30% Energy • 20% Liveness
87% Instrumentalness • 63% Positiveness
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Charlie Barnet
Rockin' In Rhythm (06-19-40)
97 bpm • G# Maj • 03:11 • -9.94db
14% Popularity • 59% Danceability • 46% Energy • 10% Liveness
37% Instrumentalness • 96% Positiveness
14% Popularity • 59% Danceability • 46% Energy • 10% Liveness
37% Instrumentalness • 96% Positiveness
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Casa Loma Orchestra
Lazy Bones
97 bpm • A# Maj • 03:12 • -15.98db
9% Popularity • 73% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
9% Popularity • 73% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Una Mae Carlisle
Sweet Talk
97 bpm • A min • 03:03 • -16.7db
3% Popularity • 66% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
3% Popularity • 66% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Andy Kirk
I'se A Muggin'
97 bpm • F Maj • 02:47 • -14.32db
12% Popularity • 83% Danceability • 21% Energy • 13% Liveness
5% Instrumentalness • 87% Positiveness
12% Popularity • 83% Danceability • 21% Energy • 13% Liveness
5% Instrumentalness • 87% Positiveness
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Martha Tilton
I'll Remember April
102 bpm • F# Maj • 03:03 • -12.52db
15% Popularity • 38% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
15% Popularity • 38% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Hot Sugar Band
At the Jimmy's Bar
96 bpm • C Maj • 03:10 • -11.13db
9% Popularity • 81% Danceability • 26% Energy • 13% Liveness
19% Instrumentalness • 66% Positiveness
9% Popularity • 81% Danceability • 26% Energy • 13% Liveness
19% Instrumentalness • 66% Positiveness
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Count Basie Orchestra
St. Louis Boogie
96 bpm • A min • 02:36 • -11.68db
11% Popularity • 70% Danceability • 29% Energy • 37% Liveness
70% Instrumentalness • 72% Positiveness
11% Popularity • 70% Danceability • 29% Energy • 37% Liveness
70% Instrumentalness • 72% Positiveness
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Billy Strayhorn
Brown Suede
96 bpm • D# Maj • 03:08 • -13.88db
12% Popularity • 39% Danceability • 15% Energy • 16% Liveness
91% Instrumentalness • 33% Positiveness
12% Popularity • 39% Danceability • 15% Energy • 16% Liveness
91% Instrumentalness • 33% Positiveness
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Jimmy Dorsey & His Orchestra
The Darktown Strutter's Ball
102 bpm • F min • 02:27 • -8db
26% Popularity • 71% Danceability • 55% Energy • 51% Liveness
3% Instrumentalness • 84% Positiveness
26% Popularity • 71% Danceability • 55% Energy • 51% Liveness
3% Instrumentalness • 84% Positiveness
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Red Norvo
On a Slow Boat to China
96 bpm • C min • 06:40 • -16.41db
1% Popularity • 48% Danceability • 35% Energy • 33% Liveness
33% Instrumentalness • 79% Positiveness
1% Popularity • 48% Danceability • 35% Energy • 33% Liveness
33% Instrumentalness • 79% Positiveness
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Shorty Rogers
Steps
102 bpm • D# Maj • 03:22 • -17.76db
0% Popularity • 62% Danceability • 8% Energy • 12% Liveness
56% Instrumentalness • 33% Positiveness
0% Popularity • 62% Danceability • 8% Energy • 12% Liveness
56% Instrumentalness • 33% Positiveness
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The Jack Montrose Quintet
Don't Get Around Much Anymore
96 bpm • A# Maj • 05:48 • -19.57db
1% Popularity • 68% Danceability • 5% Energy • 10% Liveness
78% Instrumentalness • 33% Positiveness
1% Popularity • 68% Danceability • 5% Energy • 10% Liveness
78% Instrumentalness • 33% Positiveness
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King Oliver
New Orleans Shout
102 bpm • F Maj • 02:43 • -12db
20% Popularity • 85% Danceability • 40% Energy • 20% Liveness
92% Instrumentalness • 97% Positiveness
20% Popularity • 85% Danceability • 40% Energy • 20% Liveness
92% Instrumentalness • 97% Positiveness
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Jazz de Paris
Souvenirs
96 bpm • D# Maj • 02:41 • -10.16db
5% Popularity • 68% Danceability • 43% Energy • 25% Liveness
78% Instrumentalness • 85% Positiveness
5% Popularity • 68% Danceability • 43% Energy • 25% Liveness
78% Instrumentalness • 85% Positiveness
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Connee Boswell
Basin Street Blues
103 bpm • D# Maj • 03:00 • -13.75db
16% Popularity • 61% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
16% Popularity • 61% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Erskine Hawkins
Shipyard Ramble
96 bpm • C min • 03:26 • -8.75db
16% Popularity • 66% Danceability • 54% Energy • 14% Liveness
92% Instrumentalness • 67% Positiveness
16% Popularity • 66% Danceability • 54% Energy • 14% Liveness
92% Instrumentalness • 67% Positiveness
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Bea Wain
My Reverie
102 bpm • F Maj • 03:25 • -12db
17% Popularity • 35% Danceability • 15% Energy • 36% Liveness
3% Instrumentalness • 40% Positiveness
17% Popularity • 35% Danceability • 15% Energy • 36% Liveness
3% Instrumentalness • 40% Positiveness
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Eddie Condon
Diane
103 bpm • F min • 03:06 • -15db
16% Popularity • 57% Danceability • 11% Energy • 11% Liveness
89% Instrumentalness • 66% Positiveness
16% Popularity • 57% Danceability • 11% Energy • 11% Liveness
89% Instrumentalness • 66% Positiveness
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Red Norvo
Polly Wolly Doodle
96 bpm • F Maj • 02:50 • -13.39db
2% Popularity • 82% Danceability • 33% Energy • 31% Liveness
1% Instrumentalness • 91% Positiveness
2% Popularity • 82% Danceability • 33% Energy • 31% Liveness
1% Instrumentalness • 91% Positiveness
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Kurt Weill
September Song
95 bpm • A# Maj • 03:26 • -16.39db
1% Popularity • 59% Danceability • 21% Energy • 11% Liveness
94% Instrumentalness • 12% Positiveness
1% Popularity • 59% Danceability • 21% Energy • 11% Liveness
94% Instrumentalness • 12% Positiveness
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Erskine Hawkins & His Orchestra
Swing Out
103 bpm • A# Maj • 03:19 • -13db
9% Popularity • 78% Danceability • 24% Energy • 9% Liveness
81% Instrumentalness • 44% Positiveness
9% Popularity • 78% Danceability • 24% Energy • 9% Liveness
81% Instrumentalness • 44% Positiveness
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Charlie Spivak & His Orchestra
Solitude
95 bpm • G min • 02:30 • -18.21db
16% Popularity • 29% Danceability • 11% Energy • 19% Liveness
95% Instrumentalness • 25% Positiveness
16% Popularity • 29% Danceability • 11% Energy • 19% Liveness
95% Instrumentalness • 25% Positiveness
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Humphrey Lyttelton
Evenin'
103 bpm • D min • 02:43 • -13.87db
9% Popularity • 65% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
9% Popularity • 65% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Mills Blue Rhythm Band
Mr. Ghost Goes to Town
95 bpm • D# Maj • 03:24 • -14.05db
12% Popularity • 75% Danceability • 31% Energy • 16% Liveness
54% Instrumentalness • 88% Positiveness
12% Popularity • 75% Danceability • 31% Energy • 16% Liveness
54% Instrumentalness • 88% Positiveness
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Red Norvo
Worried over You
95 bpm • C Maj • 03:13 • -11.46db
0% Popularity • 55% Danceability • 22% Energy • 17% Liveness
8% Instrumentalness • 27% Positiveness
0% Popularity • 55% Danceability • 22% Energy • 17% Liveness
8% Instrumentalness • 27% Positiveness
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George Wallington
Godchild
95 bpm • B Maj • 04:04 • -14.2db
0% Popularity • 57% Danceability • 25% Energy • 10% Liveness
84% Instrumentalness • 54% Positiveness
0% Popularity • 57% Danceability • 25% Energy • 10% Liveness
84% Instrumentalness • 54% Positiveness
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Carroll Gibbons
It's Been a Long Time
104 bpm • F Maj • 03:16 • -11.09db
10% Popularity • 63% Danceability • 21% Energy • 11% Liveness
3% Instrumentalness • 35% Positiveness
10% Popularity • 63% Danceability • 21% Energy • 11% Liveness
3% Instrumentalness • 35% Positiveness
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Glen Gray & The Casa Loma Orchestra
A Lover's Lullaby (Twilight Reverie)
94 bpm • G# Maj • 03:05 • -14.12db
10% Popularity • 48% Danceability • 10% Energy • 15% Liveness
92% Instrumentalness • 41% Positiveness
10% Popularity • 48% Danceability • 10% Energy • 15% Liveness
92% Instrumentalness • 41% Positiveness
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Nat Gonella And His Georgians
Hesitation Blues
95 bpm • G min • 03:15 • -13.63db
28% Popularity • 81% Danceability • 32% Energy • 6% Liveness
4% Instrumentalness • 73% Positiveness
28% Popularity • 81% Danceability • 32% Energy • 6% Liveness
4% Instrumentalness • 73% Positiveness
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Paul Whiteman
The Darktown Strutters' Ball
94 bpm • B Maj • 02:58 • -4.9db
28% Popularity • 78% Danceability • 59% Energy • 6% Liveness
78% Instrumentalness • 91% Positiveness
28% Popularity • 78% Danceability • 59% Energy • 6% Liveness
78% Instrumentalness • 91% Positiveness
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Red Norvo
Russian Lullaby
95 bpm • D min • 03:02 • -9.77db
1% Popularity • 69% Danceability • 45% Energy • 12% Liveness
89% Instrumentalness • 86% Positiveness
1% Popularity • 69% Danceability • 45% Energy • 12% Liveness
89% Instrumentalness • 86% Positiveness
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Slim & Slam
A-Well-A-Take-'em-A-Joe, Crap Shooter's ...
94 bpm • F Maj • 03:02 • -12.26db
12% Popularity • 71% Danceability • 46% Energy • 16% Liveness
44% Instrumentalness • 82% Positiveness
12% Popularity • 71% Danceability • 46% Energy • 16% Liveness
44% Instrumentalness • 82% Positiveness
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Larry Clinton & His Orchestra
Deep Purple
104 bpm • D# Maj • 02:52 • -11db
13% Popularity • 56% Danceability • 39% Energy • 40% Liveness
0% Instrumentalness • 58% Positiveness
13% Popularity • 56% Danceability • 39% Energy • 40% Liveness
0% Instrumentalness • 58% Positiveness
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Johnny Hodges
I'm in Another World
94 bpm • C# Maj • 02:53 • -12.4db
10% Popularity • 63% Danceability • 10% Energy • 35% Liveness
87% Instrumentalness • 47% Positiveness
10% Popularity • 63% Danceability • 10% Energy • 35% Liveness
87% Instrumentalness • 47% Positiveness
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Raymond Scott
Key West - 1941
104 bpm • A# Maj • 02:11 • -9.68db
15% Popularity • 74% Danceability • 30% Energy • 11% Liveness
85% Instrumentalness • 71% Positiveness
15% Popularity • 74% Danceability • 30% Energy • 11% Liveness
85% Instrumentalness • 71% Positiveness
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Bunny Berigan
All God s Chillun Got Rhyth
105 bpm • A# Maj • 02:25 • -11db
20% Popularity • 71% Danceability • 47% Energy • 8% Liveness
63% Instrumentalness • 80% Positiveness
20% Popularity • 71% Danceability • 47% Energy • 8% Liveness
63% Instrumentalness • 80% Positiveness
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Red Norvo
Russian Lullaby (10-10-44)
95 bpm • D min • 04:39 • -14.63db
0% Popularity • 61% Danceability • 13% Energy • 11% Liveness
93% Instrumentalness • 16% Positiveness
0% Popularity • 61% Danceability • 13% Energy • 11% Liveness
93% Instrumentalness • 16% Positiveness
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Kay Kyser & His Orchestra
Can't You Read Between the Lines?
105 bpm • C# Maj • 03:15 • -17.47db
10% Popularity • 58% Danceability • 4% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
10% Popularity • 58% Danceability • 4% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
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Glen Gray
Clementine
94 bpm • D# Maj • 02:38 • -12.09db
4% Popularity • 75% Danceability • 35% Energy • 9% Liveness
35% Instrumentalness • 80% Positiveness
4% Popularity • 75% Danceability • 35% Energy • 9% Liveness
35% Instrumentalness • 80% Positiveness
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Charlie Barnet
Wichita Windstorm
105 bpm • F# Maj • 02:39 • -8db
22% Popularity • 68% Danceability • 49% Energy • 24% Liveness
81% Instrumentalness • 82% Positiveness
22% Popularity • 68% Danceability • 49% Energy • 24% Liveness
81% Instrumentalness • 82% Positiveness
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Glen Gray & The Casa Loma Orchestra
Under a Blanket of Blue
105 bpm • C# Maj • 02:56 • -19.85db
10% Popularity • 35% Danceability • 5% Energy • 12% Liveness
83% Instrumentalness • 30% Positiveness
10% Popularity • 35% Danceability • 5% Energy • 12% Liveness
83% Instrumentalness • 30% Positiveness
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Eddie Condon
Wherever There's Love (There's You and I...
105 bpm • G# Maj • 02:32 • -19.64db
10% Popularity • 46% Danceability • 6% Energy • 12% Liveness
88% Instrumentalness • 22% Positiveness
10% Popularity • 46% Danceability • 6% Energy • 12% Liveness
88% Instrumentalness • 22% Positiveness
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Red Norvo
Red's Stuff (04-05-44)
104 bpm • C min • 03:12 • -11.43db
0% Popularity • 78% Danceability • 29% Energy • 36% Liveness
0% Instrumentalness • 68% Positiveness
0% Popularity • 78% Danceability • 29% Energy • 36% Liveness
0% Instrumentalness • 68% Positiveness
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Bob Crosby & His Orchestra
What's New?
105 bpm • A# min • 02:57 • -25db
13% Popularity • 56% Danceability • 6% Energy • 7% Liveness
90% Instrumentalness • 35% Positiveness
13% Popularity • 56% Danceability • 6% Energy • 7% Liveness
90% Instrumentalness • 35% Positiveness
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Carroll Gibbons
The Mood That I'm In (Carroll Gibbons; T...
105 bpm • F min • 03:21 • -13.37db
22% Popularity • 40% Danceability • 21% Energy • 16% Liveness
1% Instrumentalness • 34% Positiveness
22% Popularity • 40% Danceability • 21% Energy • 16% Liveness
1% Instrumentalness • 34% Positiveness
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Kid Ory
1919 Rag
105 bpm • C min • 03:08 • -9.46db
8% Popularity • 48% Danceability • 63% Energy • 32% Liveness
91% Instrumentalness • 97% Positiveness
8% Popularity • 48% Danceability • 63% Energy • 32% Liveness
91% Instrumentalness • 97% Positiveness
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Paul Whiteman
The Birth Of The Blues
93 bpm • F Maj • 03:18 • -16db
30% Popularity • 65% Danceability • 18% Energy • 31% Liveness
25% Instrumentalness • 78% Positiveness
30% Popularity • 65% Danceability • 18% Energy • 31% Liveness
25% Instrumentalness • 78% Positiveness
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Eddie Condon
Home Cooking
105 bpm • C min • 03:10 • -10db
20% Popularity • 67% Danceability • 36% Energy • 16% Liveness
4% Instrumentalness • 62% Positiveness
20% Popularity • 67% Danceability • 36% Energy • 16% Liveness
4% Instrumentalness • 62% Positiveness
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Red Norvo
Get Happy - Take B
105 bpm • F min • 04:04 • -10.85db
0% Popularity • 66% Danceability • 46% Energy • 10% Liveness
63% Instrumentalness • 80% Positiveness
0% Popularity • 66% Danceability • 46% Energy • 10% Liveness
63% Instrumentalness • 80% Positiveness
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King Oliver
Mahogany Hall Stomp
93 bpm • C Maj • 02:39 • -10.36db
27% Popularity • 63% Danceability • 37% Energy • 6% Liveness
92% Instrumentalness • 85% Positiveness
27% Popularity • 63% Danceability • 37% Energy • 6% Liveness
92% Instrumentalness • 85% Positiveness
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Martha Tilton
The Angels Cried
93 bpm • F# Maj • 03:05 • -13.29db
8% Popularity • 57% Danceability • 10% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
8% Popularity • 57% Danceability • 10% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
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Jimmy Dorsey & His Orchestra
King Porter Stomp
106 bpm • G# Maj • 02:52 • -8.64db
26% Popularity • 72% Danceability • 60% Energy • 66% Liveness
97% Instrumentalness • 89% Positiveness
26% Popularity • 72% Danceability • 60% Energy • 66% Liveness
97% Instrumentalness • 89% Positiveness
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Lee Wiley
Manhattan
106 bpm • G# Maj • 03:25 • -17.66db
19% Popularity • 56% Danceability • 16% Energy • 17% Liveness
2% Instrumentalness • 49% Positiveness
19% Popularity • 56% Danceability • 16% Energy • 17% Liveness
2% Instrumentalness • 49% Positiveness
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Eddie Condon
Carnegie Drag
106 bpm • A# Maj • 03:16 • -13db
15% Popularity • 69% Danceability • 31% Energy • 9% Liveness
72% Instrumentalness • 82% Positiveness
15% Popularity • 69% Danceability • 31% Energy • 9% Liveness
72% Instrumentalness • 82% Positiveness
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Woody Herman And His Woodchoppers
Pam - 78rpm Version
106 bpm • F Maj • 03:12 • -19.19db
0% Popularity • 46% Danceability • 4% Energy • 10% Liveness
65% Instrumentalness • 22% Positiveness
0% Popularity • 46% Danceability • 4% Energy • 10% Liveness
65% Instrumentalness • 22% Positiveness
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Bennie Moten
New Moten Stomp
106 bpm • G# Maj • 02:56 • -9.34db
22% Popularity • 81% Danceability • 47% Energy • 14% Liveness
79% Instrumentalness • 90% Positiveness
22% Popularity • 81% Danceability • 47% Energy • 14% Liveness
79% Instrumentalness • 90% Positiveness
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Benny Goodman & His Orchestra; Vocal by Helen Forrest
Dreaming Out Loud
106 bpm • D Maj • 03:00 • -15.76db
8% Popularity • 56% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
8% Popularity • 56% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Erskine Hawkins
Hawk's Boogie
92 bpm • G Maj • 02:58 • -5.07db
23% Popularity • 61% Danceability • 56% Energy • 30% Liveness
84% Instrumentalness • 80% Positiveness
23% Popularity • 61% Danceability • 56% Energy • 30% Liveness
84% Instrumentalness • 80% Positiveness
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Frankie Trumbauer
Riverboat Shuffle
106 bpm • G# Maj • 03:10 • -8.74db
4% Popularity • 73% Danceability • 53% Energy • 12% Liveness
88% Instrumentalness • 93% Positiveness
4% Popularity • 73% Danceability • 53% Energy • 12% Liveness
88% Instrumentalness • 93% Positiveness
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Johnny Dodds
Red Onion Blues
107 bpm • C Maj • 02:53 • -6.4db
9% Popularity • 56% Danceability • 55% Energy • 38% Liveness
80% Instrumentalness • 80% Positiveness
9% Popularity • 56% Danceability • 55% Energy • 38% Liveness
80% Instrumentalness • 80% Positiveness
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Muggsy Spanier
That Da Da Strain
92 bpm • D min • 02:30 • -13.33db
16% Popularity • 58% Danceability • 40% Energy • 31% Liveness
92% Instrumentalness • 91% Positiveness
16% Popularity • 58% Danceability • 40% Energy • 31% Liveness
92% Instrumentalness • 91% Positiveness
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Paul Whiteman & His Orchestra
You Were Never Lovelier
92 bpm • D# Maj • 03:17 • -17db
16% Popularity • 27% Danceability • 11% Energy • 28% Liveness
3% Instrumentalness • 22% Positiveness
16% Popularity • 27% Danceability • 11% Energy • 28% Liveness
3% Instrumentalness • 22% Positiveness
