Songs like Aami Kothai Pabo by Amar Paul
Based on a tempo of (+/- 10%) and a similar genre
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Bhoomi
Golemale Golemale Pirit Koro Na
177 bpm • G min • 03:33 • -5.39db
33% Popularity • 67% Danceability • 76% Energy • 36% Liveness
0% Instrumentalness • 88% Positiveness
33% Popularity • 67% Danceability • 76% Energy • 36% Liveness
0% Instrumentalness • 88% Positiveness
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Bickram Ghosh
Oi Dakchhe Boi
176 bpm • D Maj • 03:25 • -7.91db
13% Popularity • 64% Danceability • 69% Energy • 33% Liveness
0% Instrumentalness • 64% Positiveness
13% Popularity • 64% Danceability • 69% Energy • 33% Liveness
0% Instrumentalness • 64% Positiveness
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Manna Dey
Kaharba Noy Dadra Bajao
177 bpm • G Maj • 04:00 • -15.01db
17% Popularity • 40% Danceability • 44% Energy • 16% Liveness
40% Instrumentalness • 73% Positiveness
17% Popularity • 40% Danceability • 44% Energy • 16% Liveness
40% Instrumentalness • 73% Positiveness
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Pousali Banerjee
Bonomali
172 bpm • C# min • 03:20 • -14db
27% Popularity • 61% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
27% Popularity • 61% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Pota
Ami Sudhu Cheachi Tomay_
173 bpm • E Maj • 04:15 • -8.02db
24% Popularity • 38% Danceability • 55% Energy • 48% Liveness
0% Instrumentalness • 42% Positiveness
24% Popularity • 38% Danceability • 55% Energy • 48% Liveness
0% Instrumentalness • 42% Positiveness
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Bappa Mazumder
Ami Chini Go Chini
180 bpm • C# Maj • 02:53 • -12.78db
44% Popularity • 51% Danceability • 34% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
44% Popularity • 51% Danceability • 34% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
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Bhoomi
Bhador Ashwin Mase
174 bpm • F Maj • 03:47 • -7.43db
31% Popularity • 57% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
31% Popularity • 57% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
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Subhomita
Ghorete Bhramor Elo - Female Vocals
172 bpm • B Maj • 04:06 • -6db
6% Popularity • 44% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
6% Popularity • 44% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Manna Dey
Khub Jante Icha Kare
178 bpm • C# min • 03:41 • -15.68db
7% Popularity • 37% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
7% Popularity • 37% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Indranil Sen
Boro asha kore eshechi
180 bpm • B Maj • 02:18 • -10.94db
21% Popularity • 24% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 41% Positiveness
21% Popularity • 24% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 41% Positiveness
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Aarti Mukherji
Laje Ranga Holo Kone Bou Go
172 bpm • F Maj • 03:15 • -12db
7% Popularity • 43% Danceability • 34% Energy • 82% Liveness
0% Instrumentalness • 60% Positiveness
7% Popularity • 43% Danceability • 34% Energy • 82% Liveness
0% Instrumentalness • 60% Positiveness
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Lopamudra Mitra
Hare Re Re Re
170 bpm • A Maj • 01:48 • -8db
19% Popularity • 56% Danceability • 51% Energy • 20% Liveness
0% Instrumentalness • 66% Positiveness
19% Popularity • 56% Danceability • 51% Energy • 20% Liveness
0% Instrumentalness • 66% Positiveness
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Anweshaa
Amar Mukti Aloe Aloe
170 bpm • A# Maj • 03:52 • -8.49db
13% Popularity • 46% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
13% Popularity • 46% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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Nirmalya Roy
Doob De Re Mon
170 bpm • C# Maj • 02:15 • -6db
13% Popularity • 51% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
13% Popularity • 51% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Sanam
Amar Mallika Bone
170 bpm • A# Maj • 03:08 • -9db
30% Popularity • 48% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
30% Popularity • 48% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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S. D. Burman
Barne Gandhe Chhande Gitite
183 bpm • D Maj • 03:13 • -12.46db
11% Popularity • 42% Danceability • 34% Energy • 38% Liveness
0% Instrumentalness • 71% Positiveness
11% Popularity • 42% Danceability • 34% Energy • 38% Liveness
0% Instrumentalness • 71% Positiveness
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Aamader Chaade: Best of Roof Concert
Hoyni Alap
169 bpm • D Maj • 04:43 • -12.32db
31% Popularity • 32% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
31% Popularity • 32% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Rupankar Bagchi
Chupi Chupi Raat
169 bpm • C Maj • 05:02 • -9db
15% Popularity • 44% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
15% Popularity • 44% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Kartick Das Baul
Bosonto Batase
169 bpm • F# Maj • 05:04 • -7db
11% Popularity • 39% Danceability • 55% Energy • 36% Liveness
0% Instrumentalness • 80% Positiveness
11% Popularity • 39% Danceability • 55% Energy • 36% Liveness
0% Instrumentalness • 80% Positiveness
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Kumar Bishwajit
Ektara Bajaiyo
183 bpm • F# Maj • 04:10 • -7.63db
22% Popularity • 50% Danceability • 88% Energy • 22% Liveness
0% Instrumentalness • 95% Positiveness
22% Popularity • 50% Danceability • 88% Energy • 22% Liveness
0% Instrumentalness • 95% Positiveness
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Bappa Mazumder
Purano Shei Diner Kotha
168 bpm • D# Maj • 03:49 • -13.84db
36% Popularity • 28% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
36% Popularity • 28% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Subhamita
Jodi Bondhu Hao
168 bpm • C# Maj • 04:45 • -4.74db
27% Popularity • 35% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
27% Popularity • 35% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Arnob
Ei To Tomar Alokdhenu
168 bpm • G# Maj • 02:58 • -13.44db
31% Popularity • 44% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
31% Popularity • 44% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Rupankar Bagchi
Jawkhon Porbena Mor
184 bpm • D Maj • 07:43 • -10.37db
41% Popularity • 33% Danceability • 19% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
41% Popularity • 33% Danceability • 19% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
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Noor Jehan
Mujh Se Pehli Si Mohbat - Original Mix
168 bpm • G# Maj • 03:56 • -10.41db
25% Popularity • 38% Danceability • 40% Energy • 38% Liveness
0% Instrumentalness • 60% Positiveness
25% Popularity • 38% Danceability • 40% Energy • 38% Liveness
0% Instrumentalness • 60% Positiveness
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Anusheh Anadil
Shohoj Manush
167 bpm • G Maj • 04:48 • -11db
16% Popularity • 47% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
16% Popularity • 47% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Nayyara Noor
Yeh Dhoop Kinara
166 bpm • D Maj • 04:06 • -18db
20% Popularity • 34% Danceability • 20% Energy • 8% Liveness
35% Instrumentalness • 45% Positiveness
20% Popularity • 34% Danceability • 20% Energy • 8% Liveness
35% Instrumentalness • 45% Positiveness
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Chandrabindoo
Geet Gobindo
165 bpm • E Maj • 03:31 • -6db
35% Popularity • 73% Danceability • 73% Energy • 25% Liveness
0% Instrumentalness • 90% Positiveness
35% Popularity • 73% Danceability • 73% Energy • 25% Liveness
0% Instrumentalness • 90% Positiveness
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Rupam Islam
Phiriye Dewar Gaan
160 bpm • D Maj • 05:52 • -7.61db
39% Popularity • 54% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
39% Popularity • 54% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Arko Mukherjee
Amay Dubaili Re
160 bpm • F# min • 03:31 • -11.81db
26% Popularity • 75% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
26% Popularity • 75% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Sahana Bajpaie
Tomra Ja Bolo Tai Balo
160 bpm • A Maj • 05:50 • -10.49db
11% Popularity • 46% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
11% Popularity • 46% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Fakira
Boroloker Bitilo
159 bpm • A min • 03:30 • -5.48db
37% Popularity • 58% Danceability • 82% Energy • 36% Liveness
0% Instrumentalness • 90% Positiveness
37% Popularity • 58% Danceability • 82% Energy • 36% Liveness
0% Instrumentalness • 90% Positiveness
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Shilajit
Bajlo Chutir Ghaanta
156 bpm • G Maj • 04:42 • -16.32db
15% Popularity • 67% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
15% Popularity • 67% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Akhil Bandhu Ghosh
O Dayal Bichar Karo
159 bpm • D# Maj • 02:41 • -16.54db
16% Popularity • 45% Danceability • 25% Energy • 38% Liveness
63% Instrumentalness • 62% Positiveness
16% Popularity • 45% Danceability • 25% Energy • 38% Liveness
63% Instrumentalness • 62% Positiveness
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Sanjeeb Chaudhury
Gari Choley Na
156 bpm • D# Maj • 04:40 • -7db
24% Popularity • 74% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
24% Popularity • 74% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
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Mahesh Ranjan Shome
Bhaba Sagar Taran Karan He
156 bpm • C# Maj • 07:25 • -5.85db
21% Popularity • 49% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
21% Popularity • 49% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Sahana Bajpaie
Shaajo Shaajao ( From "Ballabhpurer Roop...
165 bpm • F Maj • 04:32 • -10db
23% Popularity • 50% Danceability • 42% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
23% Popularity • 50% Danceability • 42% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
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Jayati Chakraborty
Bhalobese Sokhi
155 bpm • C Maj • 04:32 • -9.06db
37% Popularity • 30% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
37% Popularity • 30% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Kaushiki Chakraborty
Keno Rong Dile Mohey ("Bismillah")
155 bpm • G Maj • 05:47 • -6.88db
15% Popularity • 34% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
15% Popularity • 34% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Silajit
Jhinti
201 bpm • D Maj • 05:21 • -25.45db
27% Popularity • 54% Danceability • 18% Energy • 23% Liveness
0% Instrumentalness • 66% Positiveness
27% Popularity • 54% Danceability • 18% Energy • 23% Liveness
0% Instrumentalness • 66% Positiveness
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Madhuraa Bhattacharya
Shyamo Shundoro
154 bpm • D# Maj • 05:05 • -8.86db
26% Popularity • 39% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 43% Positiveness
26% Popularity • 39% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 43% Positiveness
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Aditi Munshi
Shree Krishna Vandana
154 bpm • D Maj • 05:08 • -8.09db
31% Popularity • 59% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
31% Popularity • 59% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
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Lagnajita Chakraborty
Amar Onge Onge
154 bpm • A# Maj • 02:37 • -7.63db
42% Popularity • 25% Danceability • 45% Energy • 17% Liveness
1% Instrumentalness • 33% Positiveness
42% Popularity • 25% Danceability • 45% Energy • 17% Liveness
1% Instrumentalness • 33% Positiveness
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Kartik Das Baul
Khachar Vitar Achin Pakhi Kemne Aase Jai
154 bpm • E Maj • 06:00 • -8db
30% Popularity • 76% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
30% Popularity • 76% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
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Srikanta Acharya
Amra Sobai Raja
153 bpm • A# Maj • 02:24 • -7.25db
24% Popularity • 54% Danceability • 66% Energy • 25% Liveness
0% Instrumentalness • 95% Positiveness
24% Popularity • 54% Danceability • 66% Energy • 25% Liveness
0% Instrumentalness • 95% Positiveness
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Kishore Kumar, Manna Dey, Hemonta Mukherjee, Rabindranath Tagore
Jadi Tare Nai
152 bpm • B Maj • 03:13 • -9db
6% Popularity • 54% Danceability • 48% Energy • 26% Liveness
0% Instrumentalness • 67% Positiveness
6% Popularity • 54% Danceability • 48% Energy • 26% Liveness
0% Instrumentalness • 67% Positiveness
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Tushar Dutta
Om Ayurdehi Jashodehi
152 bpm • F# Maj • 07:16 • -9.66db
16% Popularity • 56% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
16% Popularity • 56% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
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Hemanta Mukhopadhyay
Aamar Hiyar Majhe Lukiye
150 bpm • F# min • 04:13 • -13.61db
21% Popularity • 29% Danceability • 34% Energy • 17% Liveness
5% Instrumentalness • 53% Positiveness
21% Popularity • 29% Danceability • 34% Energy • 17% Liveness
5% Instrumentalness • 53% Positiveness
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Pousali Banerjee
Krishna Bole Amar Radha
150 bpm • C Maj • 06:24 • -8.92db
32% Popularity • 74% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
32% Popularity • 74% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
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Arnob
Ekla Cholo
150 bpm • F# Maj • 04:57 • -10.81db
39% Popularity • 58% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
39% Popularity • 58% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
