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Aaradhisuve
Songs like
Aaradhisuve
by
B.K. Sumitra
Based on a tempo of (+/- 10%) and a similar genre
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Kaundinya Achutuni
Bhalevadivayya
175 bpm • G min • 05:27 • -7.4db
20% Popularity • 72% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
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Puttur Narasimha Nayak
Sri Katileshwari Bhramarambe
175 bpm • E Maj • 03:55 • -8.24db
14% Popularity • 42% Danceability • 50% Energy • 36% Liveness
0% Instrumentalness • 72% Positiveness
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Sri Vidyabhushana
Maadu Sikkadalla
175 bpm • C# Maj • 03:48 • -6db
18% Popularity • 54% Danceability • 78% Energy • 22% Liveness
0% Instrumentalness • 82% Positiveness
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B.K. Sumitra
Aaradhisuve
175 bpm • G Maj • 05:57 • -3.82db
15% Popularity • 37% Danceability • 60% Energy • 38% Liveness
0% Instrumentalness • 61% Positiveness
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Meera Krishna
Anbe Sivamai
176 bpm • A min • 03:51 • -9.06db
20% Popularity • 54% Danceability • 42% Energy • 26% Liveness
0% Instrumentalness • 88% Positiveness
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M. S. Sheela
Jagadoddarana
174 bpm • G# Maj • 06:54 • -5.71db
15% Popularity • 29% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Mysore Ananthaswamy
O Nanna Chetana
174 bpm • E min • 03:51 • -7db
25% Popularity • 39% Danceability • 54% Energy • 40% Liveness
0% Instrumentalness • 84% Positiveness
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Tithi
Saiyan Tang Na Kara
174 bpm • G Maj • 05:25 • -5.67db
7% Popularity • 58% Danceability • 74% Energy • 30% Liveness
0% Instrumentalness • 90% Positiveness
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G Balakrishna Prasad
Munula Tapamunade
174 bpm • F min • 06:20 • -8.53db
13% Popularity • 48% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
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B.K. Sumitra
Munjaaneddu Kumbaaranna
176 bpm • G# Maj • 04:45 • -4.97db
15% Popularity • 52% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Puttur Narasimha Nayak
Mysoru Betta Paavana
176 bpm • G Maj • 04:01 • -9.5db
14% Popularity • 58% Danceability • 58% Energy • 7% Liveness
1% Instrumentalness • 81% Positiveness
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Vidyabhushana
Bhagyada Lakshmi
177 bpm • D min • 05:06 • -8.87db
30% Popularity • 51% Danceability • 48% Energy • 28% Liveness
0% Instrumentalness • 92% Positiveness
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Shobha Raju
Thandanana
173 bpm • G Maj • 04:39 • -3.9db
7% Popularity • 42% Danceability • 88% Energy • 33% Liveness
0% Instrumentalness • 74% Positiveness
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Manjula Gururaj
Jaya Jaya Jaya Durga
177 bpm • D Maj • 04:45 • -15db
6% Popularity • 50% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 91% Positiveness
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Shamita Malnad
Challidaru Malligeya
177 bpm • G min • 06:28 • -12.89db
1% Popularity • 51% Danceability • 61% Energy • 21% Liveness
0% Instrumentalness • 92% Positiveness
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B.K. Sumitra
Sangeetha Sahitya Samalochani
176 bpm • F# min • 03:34 • -6.45db
7% Popularity • 49% Danceability • 60% Energy • 32% Liveness
0% Instrumentalness • 85% Positiveness
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Naadapriya
Divya Athma Shivashakthi
177 bpm • D Maj • 03:00 • -5.73db
0% Popularity • 19% Danceability • 57% Energy • 79% Liveness
0% Instrumentalness • 56% Positiveness
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Puttur Narasimha Nayak
Shukravaara Dinathaani
173 bpm • B min • 04:07 • -7.04db
12% Popularity • 43% Danceability • 60% Energy • 36% Liveness
0% Instrumentalness • 91% Positiveness
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Bhimsen Joshi
Mooruthiyane Nilliso
177 bpm • F# Maj • 05:48 • -5.4db
10% Popularity • 28% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 53% Positiveness
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C. Ashwath
Sneha Madabekinthavala
173 bpm • G Maj • 04:39 • -6.49db
16% Popularity • 46% Danceability • 64% Energy • 4% Liveness
0% Instrumentalness • 80% Positiveness
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Ratnamala Prakash
Thoogire Rangana Thoogire Krishnana
177 bpm • E min • 05:55 • -10.42db
16% Popularity • 48% Danceability • 37% Energy • 33% Liveness
0% Instrumentalness • 79% Positiveness
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Manjula Gururaj
Shankarara Sthothrake
172 bpm • F# Maj • 05:54 • -15.54db
5% Popularity • 42% Danceability • 36% Energy • 30% Liveness
0% Instrumentalness • 73% Positiveness
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Raju Anantaswamy
Muchchu Mare Illade
172 bpm • F Maj • 05:29 • -10db
9% Popularity • 63% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
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Latha Hamsalekha
Kodubige Thuppa
172 bpm • A min • 05:30 • -4.3db
19% Popularity • 72% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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Vidyabhushana
Hari Kunida
179 bpm • A# Maj • 03:56 • -7db
23% Popularity • 51% Danceability • 57% Energy • 23% Liveness
0% Instrumentalness • 68% Positiveness
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C. Ashwath
Mohada Hendathi
178 bpm • G Maj • 04:26 • -6.07db
13% Popularity • 45% Danceability • 41% Energy • 34% Liveness
0% Instrumentalness • 71% Positiveness
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Devotional
Mayil Vangananey
172 bpm • C min • 05:08 • -8.71db
11% Popularity • 36% Danceability • 60% Energy • 58% Liveness
0% Instrumentalness • 48% Positiveness
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Sangeetha Katti
Seere Seere Seere
179 bpm • D Maj • 04:16 • -13.6db
20% Popularity • 54% Danceability • 37% Energy • 29% Liveness
0% Instrumentalness • 58% Positiveness
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S. Janaki
Shukravaaradalli Mussanje
171 bpm • C min • 04:50 • -11.97db
0% Popularity • 49% Danceability • 40% Energy • 23% Liveness
0% Instrumentalness • 80% Positiveness
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Mysore Ramachandrachar
Raja Beediyolage
171 bpm • G# Maj • 05:59 • -6.71db
10% Popularity • 53% Danceability • 62% Energy • 4% Liveness
0% Instrumentalness • 95% Positiveness
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Bombay Saradha
Omkara
180 bpm • E Maj • 05:31 • -7.9db
18% Popularity • 60% Danceability • 59% Energy • 25% Liveness
3% Instrumentalness • 90% Positiveness
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Dr. Shamitha Malnad
Gajavadana Kodugamana
180 bpm • D Maj • 05:41 • -4.82db
13% Popularity • 62% Danceability • 89% Energy • 20% Liveness
0% Instrumentalness • 86% Positiveness
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Jagadiswari Murthy
Sai Sadguru
180 bpm • G min • 05:43 • -8.77db
15% Popularity • 44% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Rathnamala Prakash
Modala Dina Mouna
181 bpm • F# Maj • 04:25 • -7.95db
17% Popularity • 39% Danceability • 44% Energy • 36% Liveness
0% Instrumentalness • 71% Positiveness
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S. Janaki
Bandalo Lakshmi Bandalo
180 bpm • F min • 05:30 • -12.38db
0% Popularity • 37% Danceability • 41% Energy • 88% Liveness
0% Instrumentalness • 74% Positiveness
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Nithya Santhoshini
Sumanasa Vandhita(Ashta Laxmi Stotram)
170 bpm • G# min • 09:09 • -7db
32% Popularity • 61% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 59% Positiveness
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Mysore Ramachandrachar
Ambiga Na Ninna Nambide
180 bpm • F# Maj • 07:30 • -4.93db
13% Popularity • 53% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
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B.K. Sumitra
Neeliya Banali
170 bpm • D min • 04:08 • -6.43db
6% Popularity • 54% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
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Jagadiswari Murthy
Chavadilo
170 bpm • D Maj • 07:01 • -9.14db
14% Popularity • 57% Danceability • 45% Energy • 33% Liveness
21% Instrumentalness • 49% Positiveness
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Ratnamala Prakash
Jo Jo Srikrishna Paramananda
169 bpm • E min • 07:18 • -9.39db
11% Popularity • 49% Danceability • 38% Energy • 12% Liveness
2% Instrumentalness • 75% Positiveness
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Sudha
Kolu Kolenna Kole
169 bpm • F min • 03:43 • -6.13db
9% Popularity • 55% Danceability • 78% Energy • 36% Liveness
0% Instrumentalness • 84% Positiveness
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Rathnamala Prakash
Thoura Sukhadolagenna
181 bpm • A Maj • 05:38 • -8.03db
13% Popularity • 43% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Mahanadi Shobana
Bhagyam Tharum
168 bpm • G Maj • 05:21 • -6.48db
18% Popularity • 63% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
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B.K. Sumitra
Udayavu Okuli Chellihudu
168 bpm • G Maj • 07:15 • -5.19db
17% Popularity • 38% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Saindhavi
Amma Endral
182 bpm • G min • 05:29 • -6db
12% Popularity • 57% Danceability • 87% Energy • 34% Liveness
0% Instrumentalness • 94% Positiveness
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Jagadiswari Murthy
Abhayamu
170 bpm • E min • 05:40 • -8.19db
15% Popularity • 50% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Manjula Gururaj
Modaka Hasthage
168 bpm • G min • 04:56 • -13.87db
7% Popularity • 44% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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Sri Vidyabhushana
Pillangoviya
183 bpm • G Maj • 04:33 • -14.77db
25% Popularity • 50% Danceability • 34% Energy • 25% Liveness
0% Instrumentalness • 52% Positiveness
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Bangalore Sisters
Namamma Sharade
183 bpm • G Maj • 04:35 • -3.82db
20% Popularity • 32% Danceability • 78% Energy • 30% Liveness
0% Instrumentalness • 77% Positiveness
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Shivamogga Subbanna
Alabeda Thangi
183 bpm • F Maj • 03:39 • -6.55db
15% Popularity • 42% Danceability • 51% Energy • 30% Liveness
0% Instrumentalness • 44% Positiveness
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Indu Vishwanath
Belagaagi Naaneddhu Yaaryaaran Neneyali
184 bpm • D# min • 04:44 • -9db
12% Popularity • 53% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
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C. Ashwath
Mohada Hendathi
184 bpm • A Maj • 04:02 • -5.66db
17% Popularity • 59% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
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Manjula Gururaj
Sharanara Kayai
166 bpm • C Maj • 02:31 • -15.65db
15% Popularity • 40% Danceability • 32% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
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B.K. Sumitra
Sri Durge
166 bpm • G Maj • 04:22 • -7.03db
0% Popularity • 50% Danceability • 44% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
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Bellur Sisters
Daasana Madiko Enna...
165 bpm • F min • 05:44 • -7.74db
8% Popularity • 57% Danceability • 67% Energy • 31% Liveness
0% Instrumentalness • 79% Positiveness
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Shimoga Subbanna
Alabeda
186 bpm • G Maj • 03:40 • -5.88db
10% Popularity • 53% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Sheshagiridas Raichur
Rama Rama Sri Raghurama
164 bpm • G Maj • 05:15 • -2.95db
12% Popularity • 62% Danceability • 71% Energy • 59% Liveness
0% Instrumentalness • 79% Positiveness
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Rathnamala Prakash
Pallavagala Pallaviyali
163 bpm • A# Maj • 05:39 • -4.06db
11% Popularity • 44% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
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Rajesh Krishnan
Sheshadrivasa Sri Tirumalesha
163 bpm • G min • 04:45 • -0.95db
15% Popularity • 60% Danceability • 96% Energy • 63% Liveness
0% Instrumentalness • 88% Positiveness
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Naadapriya
Bhakthanadode
163 bpm • F Maj • 03:11 • -7.61db
0% Popularity • 49% Danceability • 40% Energy • 11% Liveness
10% Instrumentalness • 64% Positiveness
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K. Yuvaraj
Maathanaadannayya
189 bpm • A# Maj • 06:21 • -9.07db
8% Popularity • 58% Danceability • 62% Energy • 6% Liveness
3% Instrumentalness • 93% Positiveness
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Shimoga Subbanna
Hachchevu Kannadada Deepa
162 bpm • D Maj • 06:58 • -9.05db
8% Popularity • 42% Danceability • 45% Energy • 45% Liveness
0% Instrumentalness • 68% Positiveness
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B.K. Sumitra
Barayya Belandingale
162 bpm • G Maj • 06:20 • -7.42db
9% Popularity • 53% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
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Vijay Aurs
Ello Jogappa Ninaramane
189 bpm • E min • 06:29 • -3.56db
18% Popularity • 45% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 90% Positiveness
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C. Ashwath
Cheluvayya Cheluvo
162 bpm • C Maj • 05:51 • -23db
21% Popularity • 67% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 91% Positiveness
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Sowmya Raoh
Jaya Mangalam
162 bpm • F Maj • 02:12 • -1.8db
2% Popularity • 50% Danceability • 75% Energy • 33% Liveness
0% Instrumentalness • 97% Positiveness
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Puttur Narasimha Nayak
Bhagyada Lakshmi Eeramma
161 bpm • C# min • 04:35 • -9db
22% Popularity • 48% Danceability • 49% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
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Various Artists
Naane Bhagyavathi - Srinivasa Kalyana / ...
161 bpm • A# min • 03:56 • -1.79db
24% Popularity • 33% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Manjula Gururaj
Kolluru Kodachadri
161 bpm • C Maj • 06:01 • -5db
14% Popularity • 58% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
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Malaysia Vasudevan
Vaadi Pulla
161 bpm • C# Maj • 03:33 • -5.27db
26% Popularity • 47% Danceability • 77% Energy • 49% Liveness
0% Instrumentalness • 81% Positiveness
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Veeramanidasan
IYYANARAPPAN
160 bpm • C# Maj • 06:51 • -7db
11% Popularity • 49% Danceability • 79% Energy • 17% Liveness
0% Instrumentalness • 65% Positiveness
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Mahanadi Shobana
Thalamengum
160 bpm • D min • 05:29 • -5.06db
12% Popularity • 59% Danceability • 62% Energy • 48% Liveness
0% Instrumentalness • 89% Positiveness
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C. Ashwath
Danidana Nanna Dore
160 bpm • E Maj • 02:04 • -4.67db
20% Popularity • 61% Danceability • 47% Energy • 17% Liveness
0% Instrumentalness • 55% Positiveness
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Premalatha Divakar
Ako Shaama
160 bpm • C Maj • 05:25 • -7db
6% Popularity • 50% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Manjula Gururaj
Nyaya Neethi Murthy
160 bpm • E Maj • 04:11 • -16db
26% Popularity • 47% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Mysore Ramachandrachar
Barayya Ba Ba Bakuthara
160 bpm • C Maj • 06:03 • -12db
23% Popularity • 53% Danceability • 44% Energy • 33% Liveness
0% Instrumentalness • 87% Positiveness
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Venkatesh Kumar
Ondu Baari Smarane Saalade
160 bpm • F# Maj • 07:38 • -7.35db
17% Popularity • 42% Danceability • 57% Energy • 83% Liveness
0% Instrumentalness • 70% Positiveness
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B. R. Chaya
Skanda Ninagandada
160 bpm • A min • 02:06 • -11.87db
0% Popularity • 67% Danceability • 64% Energy • 31% Liveness
0% Instrumentalness • 96% Positiveness
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Sangeetha Katti
Ettu Hennina Tatti
160 bpm • A min • 04:27 • -1.49db
17% Popularity • 55% Danceability • 72% Energy • 33% Liveness
1% Instrumentalness • 46% Positiveness
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B.K. Sumitra
Chamundi Bettadalli
159 bpm • B min • 04:58 • -7.52db
9% Popularity • 44% Danceability • 57% Energy • 44% Liveness
0% Instrumentalness • 72% Positiveness
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Sri Vidyabhushana
Manavajanma
158 bpm • F# Maj • 02:42 • -8.54db
9% Popularity • 44% Danceability • 69% Energy • 44% Liveness
0% Instrumentalness • 59% Positiveness
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Partha Saradhi
Srinivasa Prabhuvu
158 bpm • G Maj • 05:25 • -10.08db
10% Popularity • 64% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Puttur Narasimha Nayak
Kogile Dwani
158 bpm • C# min • 04:28 • -11.31db
11% Popularity • 47% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
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Manjula Gururaj
Nodu Nodu Kannara
158 bpm • E min • 04:45 • -15.1db
24% Popularity • 58% Danceability • 31% Energy • 11% Liveness
15% Instrumentalness • 72% Positiveness
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Pallavi
Entha Sundarivamma
158 bpm • G min • 03:33 • -7.81db
8% Popularity • 50% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
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Ramesh Chandra
O Chandamama
158 bpm • F Maj • 04:11 • -16db
17% Popularity • 70% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Gayatri
Muddu Gopala Baludu
157 bpm • D Maj • 05:48 • -11.5db
10% Popularity • 67% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
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Baby Aishwarya
Chilanka Ketty
157 bpm • E Maj • 05:38 • -5.08db
18% Popularity • 57% Danceability • 59% Energy • 24% Liveness
0% Instrumentalness • 85% Positiveness
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Puttur Narasimha Nayak
Poorva Janmadali Naa Maadida
158 bpm • C# min • 05:23 • -7.27db
13% Popularity • 65% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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S. Janaki
Varade Thaayi Karaveera
157 bpm • F min • 05:09 • -12.24db
0% Popularity • 57% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
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Sudha
Maayadantha Male
157 bpm • F Maj • 04:22 • -5.78db
9% Popularity • 58% Danceability • 71% Energy • 29% Liveness
0% Instrumentalness • 72% Positiveness
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Nithyasree Mahadevan
Sadhinchane - Nithyasree Mahadevan
157 bpm • E Maj • 08:23 • -12.64db
9% Popularity • 47% Danceability • 60% Energy • 33% Liveness
0% Instrumentalness • 78% Positiveness
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B.K. Sumitra
Devi Amma
157 bpm • C min • 05:12 • -8.4db
0% Popularity • 58% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 74% Positiveness
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Kanjula Gururaj
Bhuviya Vaikuntavaaythu
156 bpm • F# Maj • 06:36 • -11.76db
10% Popularity • 55% Danceability • 51% Energy • 37% Liveness
0% Instrumentalness • 89% Positiveness
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Purandara Dasara Bhakta Bandugalu
Bandanene Ranga
156 bpm • G Maj • 04:43 • -8.7db
1% Popularity • 40% Danceability • 67% Energy • 15% Liveness
4% Instrumentalness • 88% Positiveness
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Puttur Narasimha Nayak
Mahishasura Mardhini
156 bpm • G Maj • 05:38 • -9.96db
16% Popularity • 49% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 93% Positiveness
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Sudha
Navvaale Banthappa
157 bpm • C min • 02:35 • -5.88db
10% Popularity • 54% Danceability • 84% Energy • 38% Liveness
0% Instrumentalness • 97% Positiveness
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G Balakrishna Prasad
Ithadokade
156 bpm • E min • 07:21 • -5.31db
20% Popularity • 53% Danceability • 60% Energy • 18% Liveness
0% Instrumentalness • 72% Positiveness
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D. G. S. Dhinakaran
Manuvaayinaar
156 bpm • A# Maj • 05:30 • -9.86db
8% Popularity • 56% Danceability • 58% Energy • 19% Liveness
0% Instrumentalness • 86% Positiveness
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Vidyabhushana
Alli Idey Nam Mane
156 bpm • E Maj • 04:34 • -8.94db
2% Popularity • 56% Danceability • 49% Energy • 36% Liveness
0% Instrumentalness • 68% Positiveness
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Aaradhisuve