Songs like Aaron Burr, Sir by Lin-Manuel Miranda
Based on a tempo of (+/- 10%) and a similar genre
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Jorge Rivera-Herrans
Done For
160 bpm • B min • 02:27 • -6.38db
65% Popularity • 63% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
65% Popularity • 63% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Lin-Manuel Miranda
Stay Alive - Reprise
160 bpm • C min • 01:51 • -13.75db
58% Popularity • 55% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
58% Popularity • 55% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Annaleigh Ashford
Omigod You Guys
160 bpm • G Maj • 05:46 • -9.74db
53% Popularity • 57% Danceability • 48% Energy • 42% Liveness
0% Instrumentalness • 62% Positiveness
53% Popularity • 57% Danceability • 48% Energy • 42% Liveness
0% Instrumentalness • 62% Positiveness
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Grey Henson
Meet The Plastics
160 bpm • B Maj • 04:17 • -4.51db
61% Popularity • 44% Danceability • 58% Energy • 65% Liveness
0% Instrumentalness • 38% Positiveness
61% Popularity • 44% Danceability • 58% Energy • 65% Liveness
0% Instrumentalness • 38% Positiveness
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Jessie Mueller
Opening Up
161 bpm • D Maj • 02:34 • -5.24db
52% Popularity • 58% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
52% Popularity • 58% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
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Central Park Cast
Die Trying
161 bpm • F Maj • 03:19 • -7.77db
20% Popularity • 55% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 57% Positiveness
20% Popularity • 55% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 57% Positiveness
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Leslie Kritzer
What I Know Now
161 bpm • G Maj • 03:34 • -6.09db
54% Popularity • 64% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
54% Popularity • 64% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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Original Broadway Cast of Hamilton
Stay Alive
160 bpm • C min • 02:39 • -10.39db
63% Popularity • 72% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
63% Popularity • 72% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Benjamin Schrader
Spooky Mormon Hell Dream
158 bpm • D# Maj • 04:30 • -8db
44% Popularity • 53% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
44% Popularity • 53% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
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Kristin Stokes
My Grand Plan
164 bpm • C# Maj • 02:58 • -6.79db
45% Popularity • 50% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
45% Popularity • 50% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Daphne Rubin-Vega
No Me Diga
164 bpm • G# Maj • 02:24 • -6.96db
48% Popularity • 50% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
48% Popularity • 50% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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Lin-Manuel Miranda
Cousin
155 bpm • B min • 02:19 • -6db
44% Popularity • 74% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
44% Popularity • 74% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Alex Brightman
The Whole "Being Dead" Thing
156 bpm • F min • 03:43 • -5.78db
60% Popularity • 52% Danceability • 84% Energy • 43% Liveness
0% Instrumentalness • 67% Positiveness
60% Popularity • 52% Danceability • 84% Energy • 43% Liveness
0% Instrumentalness • 67% Positiveness
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Leslie Odom Jr.
Your Obedient Servant
166 bpm • F Maj • 02:30 • -11.07db
64% Popularity • 74% Danceability • 37% Energy • 4% Liveness
0% Instrumentalness • 62% Positiveness
64% Popularity • 74% Danceability • 37% Energy • 4% Liveness
0% Instrumentalness • 62% Positiveness
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Andrew Rannells
Two by Two
157 bpm • D# Maj • 04:31 • -10.08db
48% Popularity • 55% Danceability • 44% Energy • 34% Liveness
0% Instrumentalness • 61% Positiveness
48% Popularity • 55% Danceability • 44% Energy • 34% Liveness
0% Instrumentalness • 61% Positiveness
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Chris McCarrell
Son of Poseidon
155 bpm • D Maj • 03:49 • -6.23db
40% Popularity • 52% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 50% Positiveness
40% Popularity • 52% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 50% Positiveness
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SIX
Don't Lose Ur Head
166 bpm • A# Maj • 04:51 • -9.73db
54% Popularity • 67% Danceability • 61% Energy • 92% Liveness
0% Instrumentalness • 55% Positiveness
54% Popularity • 67% Danceability • 61% Energy • 92% Liveness
0% Instrumentalness • 55% Positiveness
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Lin-Manuel Miranda
In the Heights - Radio Edit
166 bpm • G min • 03:49 • -5.92db
30% Popularity • 68% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
30% Popularity • 68% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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The Guy Who Didn't Like Musicals Cast
Join Us (And Die)
166 bpm • A Maj • 02:01 • -7.83db
42% Popularity • 63% Danceability • 59% Energy • 4% Liveness
1% Instrumentalness • 61% Positiveness
42% Popularity • 63% Danceability • 59% Energy • 4% Liveness
1% Instrumentalness • 61% Positiveness
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Sophia Anne Caruso
Creepy Old Guy
166 bpm • F# Maj • 04:22 • -5.69db
48% Popularity • 53% Danceability • 72% Energy • 85% Liveness
0% Instrumentalness • 69% Positiveness
48% Popularity • 53% Danceability • 72% Energy • 85% Liveness
0% Instrumentalness • 69% Positiveness
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Central Park Cast
Imperfectly Perfect
154 bpm • C min • 02:28 • -6.26db
27% Popularity • 71% Danceability • 68% Energy • 25% Liveness
0% Instrumentalness • 70% Positiveness
27% Popularity • 71% Danceability • 68% Energy • 25% Liveness
0% Instrumentalness • 70% Positiveness
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The Original Broadway Cast Of School Of Rock
When I Climb to the Top of Mount Rock
154 bpm • D Maj • 03:27 • -3.24db
39% Popularity • 48% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
39% Popularity • 48% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Hugh Jackman
The Other Side
154 bpm • C Maj • 03:34 • -8.45db
72% Popularity • 64% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
72% Popularity • 64% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
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Lin-Manuel Miranda
Aaron Burr, Sir
160 bpm • G Maj • 02:36 • -10.84db
68% Popularity • 65% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
68% Popularity • 65% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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'Be More Chill' Ensemble
The Play
154 bpm • A Maj • 06:19 • -6.55db
26% Popularity • 46% Danceability • 55% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
26% Popularity • 46% Danceability • 55% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
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Brian D'Arcy James
God, I Hate Shakespeare
154 bpm • C# min • 02:44 • -7.14db
46% Popularity • 64% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
46% Popularity • 64% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
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Andrew Rannells
I Believe
167 bpm • C# Maj • 04:42 • -9db
49% Popularity • 38% Danceability • 45% Energy • 30% Liveness
0% Instrumentalness • 56% Positiveness
49% Popularity • 38% Danceability • 45% Energy • 30% Liveness
0% Instrumentalness • 56% Positiveness
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Kate Shindle
Legally Blonde - Remix
154 bpm • A Maj • 04:59 • -9.84db
46% Popularity • 49% Danceability • 58% Energy • 4% Liveness
0% Instrumentalness • 46% Positiveness
46% Popularity • 49% Danceability • 58% Energy • 4% Liveness
0% Instrumentalness • 46% Positiveness
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Barrett Wilbert Weed
Seventeen (Reprise)
153 bpm • G# Maj • 02:44 • -8.09db
52% Popularity • 33% Danceability • 45% Energy • 5% Liveness
0% Instrumentalness • 56% Positiveness
52% Popularity • 33% Danceability • 45% Energy • 5% Liveness
0% Instrumentalness • 56% Positiveness
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Lin-Manuel Miranda
Right Hand Man
159 bpm • G# Maj • 05:21 • -9.41db
65% Popularity • 68% Danceability • 41% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
65% Popularity • 68% Danceability • 41% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
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Rob Rokicki
Pick a Side - Bonus Track
153 bpm • F min • 02:33 • -4.12db
38% Popularity • 58% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
38% Popularity • 58% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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Angela Lansbury
Nowhere to Go But Up
168 bpm • B Maj • 05:45 • -11.77db
36% Popularity • 36% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
36% Popularity • 36% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Joel Hatch
Welcome To The Rock
168 bpm • G Maj • 03:41 • -5db
49% Popularity • 66% Danceability • 67% Energy • 20% Liveness
0% Instrumentalness • 71% Positiveness
49% Popularity • 66% Danceability • 67% Energy • 20% Liveness
0% Instrumentalness • 71% Positiveness
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Stephen Schwartz
What Is This Feeling?
152 bpm • C Maj • 03:32 • -8.69db
47% Popularity • 63% Danceability • 42% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
47% Popularity • 63% Danceability • 42% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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Ben Fankhauser
King Of New York
168 bpm • C Maj • 04:09 • -8.16db
50% Popularity • 66% Danceability • 56% Energy • 23% Liveness
0% Instrumentalness • 72% Positiveness
50% Popularity • 66% Danceability • 56% Energy • 23% Liveness
0% Instrumentalness • 72% Positiveness
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Lin-Manuel Miranda
In The Heights
168 bpm • G Maj • 07:41 • -7.45db
52% Popularity • 57% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
52% Popularity • 57% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Central Park Cast
Ideally I'd Deal with It
152 bpm • F Maj • 02:11 • -8.69db
9% Popularity • 78% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
9% Popularity • 78% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
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Andrew Garfield
Green Green Dress - bonus track
152 bpm • A# Maj • 02:32 • -5.84db
49% Popularity • 62% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 63% Positiveness
49% Popularity • 62% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 63% Positiveness
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"Weird Al" Yankovic
The Hamilton Polka
151 bpm • G Maj • 05:00 • -6.64db
45% Popularity • 50% Danceability • 74% Energy • 21% Liveness
0% Instrumentalness • 93% Positiveness
45% Popularity • 50% Danceability • 74% Energy • 21% Liveness
0% Instrumentalness • 93% Positiveness
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Bo Burnham
Left Brain, Right Brain
169 bpm • E Maj • 06:34 • -6db
49% Popularity • 46% Danceability • 70% Energy • 66% Liveness
0% Instrumentalness • 55% Positiveness
49% Popularity • 46% Danceability • 70% Energy • 66% Liveness
0% Instrumentalness • 55% Positiveness
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Grey Henson
Stop
170 bpm • F Maj • 04:50 • -6.23db
48% Popularity • 60% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 70% Positiveness
48% Popularity • 60% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 70% Positiveness
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Lin-Manuel Miranda
Epilogue
151 bpm • C Maj • 03:06 • -11.47db
37% Popularity • 54% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
37% Popularity • 54% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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James Marsden
The Nicest Kids In Town
170 bpm • C# min • 02:42 • -5.6db
51% Popularity • 55% Danceability • 89% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
51% Popularity • 55% Danceability • 89% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
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Jessie Mueller
Bad Idea
170 bpm • C# Maj • 03:06 • -4.62db
53% Popularity • 54% Danceability • 79% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
53% Popularity • 54% Danceability • 79% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
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SIX
Haus of Holbein
150 bpm • F min • 02:06 • -6.53db
60% Popularity • 67% Danceability • 67% Energy • 32% Liveness
0% Instrumentalness • 83% Positiveness
60% Popularity • 67% Danceability • 67% Energy • 32% Liveness
0% Instrumentalness • 83% Positiveness
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Andrew Garfield
Swimming
150 bpm • B Maj • 03:16 • -6.37db
44% Popularity • 45% Danceability • 68% Energy • 23% Liveness
0% Instrumentalness • 12% Positiveness
44% Popularity • 45% Danceability • 68% Energy • 23% Liveness
0% Instrumentalness • 12% Positiveness
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Will Roland
More Than Survive
150 bpm • C Maj • 08:28 • -6.66db
25% Popularity • 51% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
25% Popularity • 51% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Sarah Beth Pfeifer
Put You in Your Place
150 bpm • E Maj • 03:03 • -4.63db
43% Popularity • 60% Danceability • 72% Energy • 39% Liveness
0% Instrumentalness • 69% Positiveness
43% Popularity • 60% Danceability • 72% Energy • 39% Liveness
0% Instrumentalness • 69% Positiveness
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Ethan Slater
(Just a) Simple Sponge
150 bpm • C Maj • 03:56 • -5.64db
34% Popularity • 50% Danceability • 85% Energy • 41% Liveness
0% Instrumentalness • 56% Positiveness
34% Popularity • 50% Danceability • 85% Energy • 41% Liveness
0% Instrumentalness • 56% Positiveness
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Dana Steingold
Girl Scout
150 bpm • G Maj • 02:26 • -6.96db
51% Popularity • 69% Danceability • 57% Energy • 55% Liveness
0% Instrumentalness • 60% Positiveness
51% Popularity • 69% Danceability • 57% Energy • 55% Liveness
0% Instrumentalness • 60% Positiveness
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Lin-Manuel Miranda
In the Heights
171 bpm • F Maj • 07:38 • -7.15db
49% Popularity • 62% Danceability • 47% Energy • 34% Liveness
0% Instrumentalness • 69% Positiveness
49% Popularity • 62% Danceability • 47% Energy • 34% Liveness
0% Instrumentalness • 69% Positiveness
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Taylor Louderman
Someone Gets Hurt
150 bpm • B min • 03:07 • -4.37db
59% Popularity • 27% Danceability • 69% Energy • 23% Liveness
0% Instrumentalness • 32% Positiveness
59% Popularity • 27% Danceability • 69% Energy • 23% Liveness
0% Instrumentalness • 32% Positiveness
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Jeremy Jordan
Carrying The Banner
149 bpm • D Maj • 05:08 • -8.71db
50% Popularity • 49% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
50% Popularity • 49% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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StarKid Productions
What If Tomorrow Comes
171 bpm • C# Maj • 03:26 • -11.66db
38% Popularity • 51% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
38% Popularity • 51% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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Paul Whitty
The Pants Song
172 bpm • C# Maj • 03:16 • -6db
27% Popularity • 48% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
27% Popularity • 48% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
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Kerry Butler
Barbara 2.0
149 bpm • G# Maj • 03:25 • -5.54db
47% Popularity • 56% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
47% Popularity • 56% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
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Lin-Manuel Miranda
Hurricane
171 bpm • C Maj • 02:23 • -7.95db
60% Popularity • 45% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
60% Popularity • 45% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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'In The Heights' Original Broadway Company
Breathe
172 bpm • A# Maj • 04:04 • -10.75db
49% Popularity • 40% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
49% Popularity • 40% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Kara Lindsay
Watch What Happens
172 bpm • A Maj • 03:06 • -11.3db
51% Popularity • 64% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
51% Popularity • 64% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Andrew Rannells
Four Jews in a Room Bitching
172 bpm • B Maj • 03:23 • -4.79db
45% Popularity • 66% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 78% Positiveness
45% Popularity • 66% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 78% Positiveness
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Rachel House
I Am Moana (Song of the Ancestors)
149 bpm • A# Maj • 02:42 • -11.58db
64% Popularity • 36% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
64% Popularity • 36% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Central Park Cast
What Do We Want?
172 bpm • F# min • 02:04 • -5.52db
9% Popularity • 62% Danceability • 59% Energy • 31% Liveness
0% Instrumentalness • 64% Positiveness
9% Popularity • 62% Danceability • 59% Energy • 31% Liveness
0% Instrumentalness • 64% Positiveness
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Corey Hawkins
96,000
172 bpm • G Maj • 05:45 • -7db
49% Popularity • 48% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 41% Positiveness
49% Popularity • 48% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 41% Positiveness
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Carrie Hope Fletcher
I Say No
173 bpm • E Maj • 03:13 • -5db
51% Popularity • 40% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
51% Popularity • 40% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Katie Ladner
The Smartphone Hour (Rich Set a Fire)
173 bpm • A# Maj • 05:38 • -6db
38% Popularity • 51% Danceability • 74% Energy • 56% Liveness
0% Instrumentalness • 73% Positiveness
38% Popularity • 51% Danceability • 74% Energy • 56% Liveness
0% Instrumentalness • 73% Positiveness
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Andrew Garfield
Therapy
148 bpm • C Maj • 02:44 • -5.49db
57% Popularity • 55% Danceability • 59% Energy • 5% Liveness
0% Instrumentalness • 62% Positiveness
57% Popularity • 55% Danceability • 59% Energy • 5% Liveness
0% Instrumentalness • 62% Positiveness
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Mary Kate Wiles
Spies Are Forever
148 bpm • B min • 03:20 • -10.75db
36% Popularity • 61% Danceability • 55% Energy • 23% Liveness
0% Instrumentalness • 45% Positiveness
36% Popularity • 61% Danceability • 55% Energy • 23% Liveness
0% Instrumentalness • 45% Positiveness
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Alex Brightman
The Whole "Being Dead" Thing, Pt. 2
148 bpm • G min • 01:40 • -5.61db
53% Popularity • 64% Danceability • 73% Energy • 41% Liveness
0% Instrumentalness • 90% Positiveness
53% Popularity • 64% Danceability • 73% Energy • 41% Liveness
0% Instrumentalness • 90% Positiveness
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Leslie Grace
Breathe
172 bpm • A Maj • 04:06 • -9.02db
48% Popularity • 33% Danceability • 36% Energy • 33% Liveness
0% Instrumentalness • 20% Positiveness
48% Popularity • 33% Danceability • 36% Energy • 33% Liveness
0% Instrumentalness • 20% Positiveness
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Leslie Odom Jr.
The Room Where It Happens
174 bpm • E min • 05:18 • -9.38db
67% Popularity • 64% Danceability • 49% Energy • 66% Liveness
0% Instrumentalness • 51% Positiveness
67% Popularity • 64% Danceability • 49% Energy • 66% Liveness
0% Instrumentalness • 51% Positiveness
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Original Cast of Firebringer
We Got Work to Do
174 bpm • F Maj • 03:52 • -8.86db
36% Popularity • 54% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
36% Popularity • 54% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Heidi Blickenstaff
Right Hand Man
147 bpm • C# Maj • 02:43 • -8db
47% Popularity • 64% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
47% Popularity • 64% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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Christopher Fitzgerald
Never Ever Getting Rid of Me
174 bpm • G min • 02:16 • -6.22db
65% Popularity • 62% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
65% Popularity • 62% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
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Idina Menzel
Take Me or Leave Me
175 bpm • G min • 03:51 • -3.46db
55% Popularity • 46% Danceability • 76% Energy • 3% Liveness
0% Instrumentalness • 87% Positiveness
55% Popularity • 46% Danceability • 76% Energy • 3% Liveness
0% Instrumentalness • 87% Positiveness
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Erika Henningsen
I See Stars
146 bpm • A Maj • 03:48 • -4db
48% Popularity • 36% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
48% Popularity • 36% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Central Park Cast
No One's Home
175 bpm • B Maj • 02:26 • -5.94db
30% Popularity • 61% Danceability • 65% Energy • 23% Liveness
0% Instrumentalness • 85% Positiveness
30% Popularity • 61% Danceability • 65% Energy • 23% Liveness
0% Instrumentalness • 85% Positiveness
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Jemaine Clement
Shiny
146 bpm • C Maj • 03:05 • -8db
58% Popularity • 64% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
58% Popularity • 64% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Rob McClure
Ready Set, Not Yet
146 bpm • G Maj • 03:42 • -7.05db
50% Popularity • 66% Danceability • 65% Energy • 18% Liveness
0% Instrumentalness • 69% Positiveness
50% Popularity • 66% Danceability • 65% Energy • 18% Liveness
0% Instrumentalness • 69% Positiveness
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The Guy Who Didn't Like Musicals Cast
What Do You Want, Paul?
146 bpm • C# Maj • 03:11 • -9.35db
37% Popularity • 63% Danceability • 47% Energy • 26% Liveness
0% Instrumentalness • 47% Positiveness
37% Popularity • 63% Danceability • 47% Energy • 26% Liveness
0% Instrumentalness • 47% Positiveness
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Will Connolly
More Than Survive
146 bpm • C Maj • 08:00 • -7.61db
40% Popularity • 51% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
40% Popularity • 51% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
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Barrett Wilbert Weed
Someone Gets Hurt (Reprise)
146 bpm • F# Maj • 00:49 • -5.5db
57% Popularity • 50% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
57% Popularity • 50% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Andrew Garfield
30/90
176 bpm • C Maj • 04:22 • -5.96db
61% Popularity • 47% Danceability • 79% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
61% Popularity • 47% Danceability • 79% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
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Central Park Cast
If There's a Will
175 bpm • A Maj • 02:12 • -9.91db
29% Popularity • 75% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 81% Positiveness
29% Popularity • 75% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 81% Positiveness
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Sophia Anne Caruso
Home
146 bpm • D Maj • 03:47 • -6.51db
50% Popularity • 41% Danceability • 62% Energy • 28% Liveness
0% Instrumentalness • 19% Positiveness
50% Popularity • 41% Danceability • 62% Energy • 28% Liveness
0% Instrumentalness • 19% Positiveness
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John Kander
Cheering For Me Now
145 bpm • G Maj • 02:53 • -7.25db
36% Popularity • 42% Danceability • 41% Energy • 33% Liveness
0% Instrumentalness • 37% Positiveness
36% Popularity • 42% Danceability • 41% Energy • 33% Liveness
0% Instrumentalness • 37% Positiveness
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Ben Platt
Waving Through A Window
145 bpm • A Maj • 03:56 • -5.54db
59% Popularity • 55% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
59% Popularity • 55% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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The Original Broadway Cast Of School Of Rock
You're in the Band
145 bpm • G Maj • 04:54 • -3.69db
35% Popularity • 65% Danceability • 82% Energy • 26% Liveness
0% Instrumentalness • 73% Positiveness
35% Popularity • 65% Danceability • 82% Energy • 26% Liveness
0% Instrumentalness • 73% Positiveness
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Christopher Jackson
One Last Time
177 bpm • G# Maj • 04:56 • -9.62db
62% Popularity • 45% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
62% Popularity • 45% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
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SIX
All You Wanna Do
144 bpm • B min • 07:42 • -9db
53% Popularity • 60% Danceability • 56% Energy • 69% Liveness
0% Instrumentalness • 26% Positiveness
53% Popularity • 60% Danceability • 56% Energy • 69% Liveness
0% Instrumentalness • 26% Positiveness
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Alex Brightman
Fright of Their Lives
144 bpm • A Maj • 03:44 • -5.49db
49% Popularity • 66% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
49% Popularity • 66% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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Keala Settle
The Negative
144 bpm • C# Maj • 02:27 • -7.25db
48% Popularity • 58% Danceability • 60% Energy • 29% Liveness
0% Instrumentalness • 63% Positiveness
48% Popularity • 58% Danceability • 60% Energy • 29% Liveness
0% Instrumentalness • 63% Positiveness
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Sarah Stiles
What's Gonna Happen
178 bpm • B Maj • 03:07 • -8.31db
34% Popularity • 69% Danceability • 68% Energy • 5% Liveness
0% Instrumentalness • 86% Positiveness
34% Popularity • 69% Danceability • 68% Energy • 5% Liveness
0% Instrumentalness • 86% Positiveness
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Anna Kendrick
On the Steps of the Palace
178 bpm • D# Maj • 03:14 • -13.95db
42% Popularity • 44% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
42% Popularity • 44% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Daveed Diggs
What'd I Miss
178 bpm • G Maj • 03:56 • -8db
64% Popularity • 54% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
64% Popularity • 54% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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SIX
All You Wanna Do
144 bpm • B min • 06:50 • -7.97db
64% Popularity • 74% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
64% Popularity • 74% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Ethan Slater
BFF
178 bpm • G Maj • 02:41 • -7.49db
38% Popularity • 66% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 65% Positiveness
38% Popularity • 66% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 65% Positiveness
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Grey Henson
Where Do You Belong?
144 bpm • A# Maj • 04:53 • -5.41db
52% Popularity • 46% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
52% Popularity • 46% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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The Lightning Thief Company
Bring on the Monsters
144 bpm • C min • 02:44 • -6.46db
41% Popularity • 48% Danceability • 71% Energy • 53% Liveness
0% Instrumentalness • 30% Positiveness
41% Popularity • 48% Danceability • 71% Energy • 53% Liveness
0% Instrumentalness • 30% Positiveness
