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Aarti Sai Baba Dhoop
Songs like
Aarti Sai Baba Dhoop
by
Pramod Medhi
Based on a tempo of (+/- 10%) and a similar genre
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Susmirata Dawalkar
Bhavani Ashtakam
139 bpm • F# min • 03:59 • -9db
46% Popularity • 54% Danceability • 22% Energy • 33% Liveness
0% Instrumentalness • 39% Positiveness
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Morari Bapu
Shiv Stuti
138 bpm • C# Maj • 02:02 • -15db
35% Popularity • 38% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
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Pramod Medhi
Sai Naamawali
139 bpm • B Maj • 06:55 • -13.18db
19% Popularity • 42% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Sheshagiridas Raichur
Shuddha Brahma Parathpara Rama
140 bpm • D Maj • 10:25 • -3.01db
10% Popularity • 76% Danceability • 81% Energy • 66% Liveness
0% Instrumentalness • 94% Positiveness
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Vighnesh Ghanapaathi
Shri Suktam
138 bpm • A Maj • 05:10 • -6.07db
49% Popularity • 58% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
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Manjeera Ganguly
Lakshmi Chalisa (Superfast)
140 bpm • G# min • 03:57 • -4db
27% Popularity • 66% Danceability • 98% Energy • 10% Liveness
1% Instrumentalness • 58% Positiveness
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Kedar Pandit
Ram Raksha Stotra
140 bpm • D Maj • 11:44 • -9.24db
32% Popularity • 76% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Nitya Santoshini
Hari Stothram
140 bpm • F# Maj • 06:28 • -8.56db
17% Popularity • 58% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Sharma Bandhu
Namami Shamishaan
138 bpm • F# Maj • 05:43 • -8.22db
37% Popularity • 66% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Susmirata Dawalkar
Ganesh Ashtakam
140 bpm • F# min • 04:01 • -10db
33% Popularity • 69% Danceability • 21% Energy • 34% Liveness
0% Instrumentalness • 40% Positiveness
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Pramod Medhi
Ananta Tula Te
140 bpm • D# Maj • 02:13 • -6.25db
28% Popularity • 68% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
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Manjeera Ganguly
Durga Chalisa (Superfast)
140 bpm • D# min • 04:08 • -3db
36% Popularity • 67% Danceability • 98% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
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Kirti Dokrimare
Gauri Nandana He Gajanana
140 bpm • C# Maj • 04:02 • -6.08db
8% Popularity • 44% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Ajay-Atul
Pranamya Shrirasa Devam
140 bpm • E Maj • 03:51 • -18.24db
23% Popularity • 47% Danceability • 11% Energy • 25% Liveness
0% Instrumentalness • 18% Positiveness
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Swapnil Bandodkar
Bramhanandam
141 bpm • B Maj • 01:15 • -8.63db
22% Popularity • 38% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Hari Bharwad
Om Paramatma Tamare Sharane
137 bpm • F Maj • 05:19 • -7.59db
21% Popularity • 68% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Ashwin Trivedi
Vindeshwari Stotram
137 bpm • G min • 03:23 • -10.19db
35% Popularity • 66% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Manjeera Ganguly
Shani Chalisa (Superfast)
140 bpm • G# Maj • 03:55 • -5.89db
23% Popularity • 75% Danceability • 95% Energy • 28% Liveness
0% Instrumentalness • 80% Positiveness
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DVP Music World
Dada Guru Ektisa
141 bpm • F min • 08:53 • -10.07db
21% Popularity • 52% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
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Sharda Sinha
Baba Lene Chaliyou - Maithili
141 bpm • D# min • 06:51 • -3.88db
16% Popularity • 32% Danceability • 82% Energy • 43% Liveness
0% Instrumentalness • 81% Positiveness
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Siddharth Mohan
Tumre Bhawan Mein Maa
142 bpm • E min • 04:10 • -8.91db
16% Popularity • 31% Danceability • 41% Energy • 26% Liveness
0% Instrumentalness • 22% Positiveness
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Indresh Upadhyay
Nache Nandlal - Hindi Song
136 bpm • D# Maj • 04:02 • -9db
29% Popularity • 31% Danceability • 56% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
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Shrirang Bhave
Bhagavad Gita - Adhyay 15
137 bpm • D# Maj • 06:45 • -15db
21% Popularity • 69% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Manjeera Ganguly
Ganesh Chalisa (Superfast)
140 bpm • G# Maj • 03:48 • -5.59db
28% Popularity • 75% Danceability • 98% Energy • 10% Liveness
5% Instrumentalness • 61% Positiveness
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Devaki Pandit
He Ishwara Sarvana
142 bpm • C# Maj • 02:01 • -6.12db
34% Popularity • 71% Danceability • 34% Energy • 57% Liveness
0% Instrumentalness • 47% Positiveness
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Shri Anil Hanslas Bhaiya Ji
Meri Ram Ji Se Ram Ram Kahiyo
136 bpm • C min • 09:40 • -6.71db
21% Popularity • 47% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
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Falguni Pathak
Yamuna Jal Ma Kesar ( Mansi Seva )
142 bpm • A# Maj • 06:00 • -11.3db
21% Popularity • 60% Danceability • 40% Energy • 36% Liveness
0% Instrumentalness • 87% Positiveness
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Vipin Porwal
Sidhigiri Na Shikoro Bole
136 bpm • C# Maj • 06:07 • -5.78db
19% Popularity • 52% Danceability • 70% Energy • 33% Liveness
0% Instrumentalness • 37% Positiveness
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Seven
Mahalkshmi Ashtakam
136 bpm • A Maj • 04:24 • -11db
39% Popularity • 59% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Manjeera Ganguly
Shiv Chalisa (Superfast)
140 bpm • G# Maj • 04:00 • -4.74db
34% Popularity • 72% Danceability • 99% Energy • 5% Liveness
52% Instrumentalness • 59% Positiveness
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Pramod Medhi
Saibaba Ki Jaykara
142 bpm • C Maj • 04:16 • -5.02db
7% Popularity • 57% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
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Anup Jalota, Anuradha Paudwal, Lalitya Munshaw, Suresh Wadkar, Shyama Kabasi
Shayam Shayam Ratati Mira
143 bpm • F# min • 07:36 • -9db
18% Popularity • 46% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 67% Positiveness
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Narsimha Nayak
Hanuman Kavacham
143 bpm • C# Maj • 07:58 • -4db
27% Popularity • 47% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
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Shraddha Jain
Maa Durga Chalisa
135 bpm • D Maj • 04:58 • -6.35db
28% Popularity • 70% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 86% Positiveness
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BK Asmita
Jhalak Tumhari Brahmakumaris
135 bpm • D min • 05:45 • -7.3db
29% Popularity • 66% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Radha Krishna Maharajji
Mere Sir Pe Rakh De
135 bpm • F# Maj • 07:44 • -10.89db
10% Popularity • 53% Danceability • 49% Energy • 5% Liveness
0% Instrumentalness • 71% Positiveness
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Pramod Medhi
Aaisa Yeyi Ba Sai
135 bpm • D# Maj • 03:50 • -6.5db
16% Popularity • 75% Danceability • 65% Energy • 26% Liveness
0% Instrumentalness • 92% Positiveness
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Swaminarayan Aksharpith
Shri Sahajanand Namavali Stotram
135 bpm • G min • 08:24 • -9.87db
14% Popularity • 46% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Prem Bhushan Maharaj
Hum Ram Ji Ke Ram Ji Hamare Hai
144 bpm • G Maj • 06:42 • -11.41db
39% Popularity • 27% Danceability • 45% Energy • 36% Liveness
0% Instrumentalness • 63% Positiveness
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Indresh Upadhyay
Gobardhan girdhari - Hindi Song
143 bpm • A# min • 07:07 • -9db
39% Popularity • 28% Danceability • 67% Energy • 33% Liveness
0% Instrumentalness • 66% Positiveness
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Gaurav Kumar
Shri Radha Naam Dhun
144 bpm • B Maj • 07:01 • -8.07db
27% Popularity • 56% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Shalini Sharma
Shyam Stuti
144 bpm • G Maj • 04:17 • -4.01db
22% Popularity • 71% Danceability • 76% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
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Pramod Medhi
Om Shri Sai Nathai Namah
135 bpm • G# Maj • 01:38 • -7db
27% Popularity • 18% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Bangalore Sisters
Rama Raksha Stotram
134 bpm • E min • 10:35 • -15.86db
20% Popularity • 63% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Participants Of South India Female Choir
Lakshmi Ashtakam
144 bpm • C Maj • 01:01 • -10.75db
49% Popularity • 60% Danceability • 46% Energy • 46% Liveness
0% Instrumentalness • 51% Positiveness
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Chetna
Maa Kali Mantra
134 bpm • D Maj • 04:01 • -9.37db
25% Popularity • 66% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
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Religious India
Namami Shamishan
134 bpm • G# Maj • 05:24 • -11.8db
43% Popularity • 83% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
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Tirpti Shakya
Bhaye Pragat Kripala
134 bpm • D# Maj • 10:39 • -3.97db
37% Popularity • 70% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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Pramod Medhi
Om Sai Namonamah
144 bpm • A Maj • 06:51 • -7.42db
14% Popularity • 74% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
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Deepali Somaiya
Shri Siddhachal Giri
134 bpm • B Maj • 04:34 • -7.55db
20% Popularity • 82% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 86% Positiveness
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Sohini Mishra
Hari Sundar Nand Mukunda
134 bpm • D Maj • 07:17 • -4.56db
35% Popularity • 77% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
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Morari Bapu
Kakbhusundi Path
134 bpm • C# min • 06:39 • -10db
30% Popularity • 53% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
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Nitya Santoshini
Sri Venkateswara Kavacham Stothram
145 bpm • C# Maj • 02:14 • -9.91db
29% Popularity • 43% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Baba Maharaj Satarkar
Vithoba Rakhumai
144 bpm • D Maj • 03:05 • -8.82db
23% Popularity • 36% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Ajay-Atul
Shree Ganapati Atharvashirsha
145 bpm • G Maj • 06:28 • -14.75db
43% Popularity • 63% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
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Bombay Saradha
Varahi Moola Mantra
133 bpm • A Maj • 05:18 • -4.2db
19% Popularity • 59% Danceability • 25% Energy • 58% Liveness
0% Instrumentalness • 53% Positiveness
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Nilesh Patil
Ghotabahar Pani
146 bpm • G# Maj • 03:15 • -10.29db
8% Popularity • 58% Danceability • 60% Energy • 36% Liveness
0% Instrumentalness • 41% Positiveness
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Deepali Somaiya
Chattari Mangalam
133 bpm • F min • 01:34 • -12.64db
41% Popularity • 48% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Dr. Manikantan Menon
Sundaranana
146 bpm • G# min • 10:23 • -6.42db
11% Popularity • 63% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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Sarvesh Kumar
Sai Hai Mata Sai Pita Hai
146 bpm • D# Maj • 07:26 • -10.56db
9% Popularity • 52% Danceability • 46% Energy • 26% Liveness
0% Instrumentalness • 38% Positiveness
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ISKCON Bangalore
Ugram Veeram Maha Vishnum
146 bpm • F min • 09:03 • -8.42db
44% Popularity • 75% Danceability • 58% Energy • 37% Liveness
0% Instrumentalness • 61% Positiveness
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BK Asmita
Chalo Kare Hum Brahmakumaris
146 bpm • C Maj • 05:51 • -5.72db
25% Popularity • 69% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
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Anirban Bhattacharyya
Aditya Hridayam Stotram
132 bpm • D# Maj • 08:56 • -9.82db
22% Popularity • 64% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
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Arpita Thakkar
Vasudeva Sutam (Shlok)
132 bpm • F Maj • 00:54 • -17.8db
24% Popularity • 40% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Yashasvi Ramakrishna Sharma
Ganesha Adharvashirshopanishad
147 bpm • G Maj • 01:17 • -6.73db
48% Popularity • 61% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Aditya G Nair
Jhoom Ke Nache Bajrang Bali
132 bpm • A# Maj • 04:43 • -7.88db
27% Popularity • 71% Danceability • 70% Energy • 24% Liveness
0% Instrumentalness • 83% Positiveness
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ISKCON Bangalore
Narasimha Gayathri Mantra
146 bpm • F Maj • 02:59 • -7.9db
29% Popularity • 63% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Pramod Medhi
Mahanaivedya Mantr
131 bpm • B Maj • 02:34 • -9.83db
6% Popularity • 51% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Ved Vrind
Purush Sukta
131 bpm • A# Maj • 06:40 • -11db
27% Popularity • 48% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Sri Sathya Sai Bhajans
Mahadeva Maheshwara Sai Narayana
131 bpm • D# Maj • 06:18 • -6db
29% Popularity • 24% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Shri Ram Mantra
Ram Dhun
148 bpm • C# Maj • 03:47 • -8.92db
42% Popularity • 60% Danceability • 57% Energy • 5% Liveness
0% Instrumentalness • 66% Positiveness
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Arati Ankalikar Tikekar
Ghire Ghir Aayi Badariyaa
130 bpm • A# min • 03:22 • -9db
10% Popularity • 51% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Shradha Karkare
Sai Raham Nazar Karna
130 bpm • D# Maj • 01:52 • -4.66db
24% Popularity • 73% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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SRMD Bhakti
Aho Gurudev
130 bpm • F# Maj • 05:44 • -10.71db
15% Popularity • 55% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
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Armonian
Shantakaram Vishnu Mantra
130 bpm • G# min • 02:54 • -12.25db
28% Popularity • 67% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
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Arohi Anil Agarkar
Barah Bhavna
130 bpm • B Maj • 06:46 • -7db
30% Popularity • 70% Danceability • 52% Energy • 36% Liveness
0% Instrumentalness • 39% Positiveness
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Vivek Naik
Morya Morya Mayureshwara Morya
130 bpm • E Maj • 02:17 • -6.5db
19% Popularity • 57% Danceability • 72% Energy • 31% Liveness
0% Instrumentalness • 50% Positiveness
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Susmirata Dawalkar
Achyutashtakam
130 bpm • A# Maj • 03:11 • -4db
50% Popularity • 76% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Raju Rao
Lokabhiramam Ranrangdhiram
130 bpm • D# Maj • 04:56 • -6.18db
15% Popularity • 74% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Prabhanjan Marathe
Utha Utha Shree Sainatha
149 bpm • F Maj • 02:42 • -7.55db
9% Popularity • 48% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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Salil Kulkarni
Sandhiprakashat
130 bpm • D# Maj • 06:07 • -9.53db
9% Popularity • 48% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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T. S. Ranganathan
Dwadasa Jyotri Linga Stotram
149 bpm • A# Maj • 01:04 • -6.54db
36% Popularity • 57% Danceability • 37% Energy • 30% Liveness
0% Instrumentalness • 45% Positiveness
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Vighnesh Ghanapaathi
Durga Suktam
129 bpm • A Maj • 03:03 • -5.12db
47% Popularity • 64% Danceability • 48% Energy • 28% Liveness
0% Instrumentalness • 43% Positiveness
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Dattatreya Stotram
Dattatreya Stotram
149 bpm • D Maj • 05:03 • -14db
21% Popularity • 64% Danceability • 26% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
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G. Gayathri Devi
Suvarnamaala Sthuthi
149 bpm • D Maj • 07:26 • -8.11db
37% Popularity • 59% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Mugdha Vaishampayan
Gajanan Maharaj Ashtak
150 bpm • D Maj • 03:47 • -10.02db
20% Popularity • 54% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Susmirata Dawalkar
Ghorkashtodharan Stotram
129 bpm • F min • 02:53 • -13db
41% Popularity • 66% Danceability • 7% Energy • 6% Liveness
0% Instrumentalness • 18% Positiveness
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Shraddha Jain
Shendur Laal Chadhaayo Achchha Gajamukha...
150 bpm • A# Maj • 01:50 • -5db
33% Popularity • 67% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Daasoham
Preenayamo Vasudevam
150 bpm • C Maj • 07:04 • -7.94db
18% Popularity • 63% Danceability • 45% Energy • 48% Liveness
0% Instrumentalness • 82% Positiveness
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Paras Borkhatria
Shree Nath Ji Karu Prathna
150 bpm • F Maj • 06:08 • -10.63db
20% Popularity • 55% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Shazi Ahmad
Jaya Janardhana Krishna
150 bpm • G# Maj • 03:48 • -7.23db
17% Popularity • 54% Danceability • 54% Energy • 19% Liveness
0% Instrumentalness • 49% Positiveness
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Pujya Prembhushanji Maharaj
Mere Malik Ke Darbar Mein
129 bpm • D# Maj • 06:45 • -7.46db
33% Popularity • 54% Danceability • 66% Energy • 30% Liveness
0% Instrumentalness • 90% Positiveness
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Susmirata Dawalkar
Rinamochaka Mangal Stotra
150 bpm • F min • 03:28 • -10.53db
27% Popularity • 77% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Chitra Roy
Guru Matra Pita
150 bpm • C# Maj • 06:54 • -12.52db
16% Popularity • 39% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Pramod Medhi
Sadsasvarupam
151 bpm • D# Maj • 02:33 • -10.44db
14% Popularity • 71% Danceability • 43% Energy • 26% Liveness
0% Instrumentalness • 82% Positiveness
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Pushpalata Borekar
Shri Hari Stotram - Jagajjalapalam Kacha...
128 bpm • D# min • 04:38 • -12.81db
19% Popularity • 71% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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G. Gayathri Devi
Vedasarashivastotram
128 bpm • F Maj • 04:35 • -10.18db
24% Popularity • 81% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
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Morari Bapu
Hanuman Chalisa (Old Rag)
151 bpm • C# min • 05:19 • -7.27db
24% Popularity • 44% Danceability • 76% Energy • 26% Liveness
0% Instrumentalness • 79% Positiveness
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Somesh Narvekar
Shri Ram Ashtakam
151 bpm • G# Maj • 03:46 • -12.59db
16% Popularity • 48% Danceability • 37% Energy • 7% Liveness
1% Instrumentalness • 72% Positiveness
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ISKCON Bangalore
Sri Damodarashtakam
128 bpm • F# min • 04:52 • -6.67db
24% Popularity • 64% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
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Aarti Sai Baba Dhoop