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Abduction
Songs like
Abduction
by
Matthew Margeson
Based on a tempo of (+/- 10%) and a similar genre
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Matthew Margeson
Abduction
107 bpm • F min • 03:29 • -13.62db
8% Popularity • 16% Danceability • 36% Energy • 14% Liveness
94% Instrumentalness • 4% Positiveness
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Geoff Zanelli
The Dying Gull
107 bpm • G Maj • 01:01 • -9.03db
50% Popularity • 40% Danceability • 70% Energy • 12% Liveness
96% Instrumentalness • 35% Positiveness
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Rob Lane
The Call of Destiny / Titles
107 bpm • D# Maj • 01:56 • -11db
39% Popularity • 20% Danceability • 29% Energy • 14% Liveness
98% Instrumentalness • 7% Positiveness
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2Hooks
Jurassic Park: Main Theme
107 bpm • D Maj • 02:30 • -9.57db
12% Popularity • 18% Danceability • 62% Energy • 6% Liveness
95% Instrumentalness • 6% Positiveness
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Nicholas Hooper
Flight of the Order of the Phoenix
106 bpm • D Maj • 01:31 • -16db
48% Popularity • 28% Danceability • 53% Energy • 9% Liveness
88% Instrumentalness • 3% Positiveness
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Jerry Goldsmith
Assembly Line
107 bpm • D Maj • 03:35 • -20.65db
16% Popularity • 26% Danceability • 21% Energy • 11% Liveness
84% Instrumentalness • 16% Positiveness
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Andrew Lockington
Building The Raft
106 bpm • G Maj • 03:45 • -20.43db
9% Popularity • 39% Danceability • 20% Energy • 8% Liveness
64% Instrumentalness • 17% Positiveness
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Johan Söderqvist
Flight School
106 bpm • B min • 03:07 • -11.64db
33% Popularity • 51% Danceability • 57% Energy • 15% Liveness
92% Instrumentalness • 50% Positiveness
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Natalie Holt
TVA Title Card
108 bpm • C# min • 01:38 • -14.61db
33% Popularity • 54% Danceability • 33% Energy • 63% Liveness
69% Instrumentalness • 4% Positiveness
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AKIRA HONDA
Enigma's Pulse
108 bpm • E min • 05:23 • -21.26db
24% Popularity • 58% Danceability • 43% Energy • 12% Liveness
79% Instrumentalness • 62% Positiveness
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Krutikov Music
Loki TVA Theme - Epic Suite
108 bpm • C# Maj • 04:54 • -14.91db
24% Popularity • 48% Danceability • 43% Energy • 13% Liveness
79% Instrumentalness • 12% Positiveness
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Christopher Drake
Arkham Origins Main Titles
106 bpm • G min • 02:52 • -11.43db
40% Popularity • 24% Danceability • 57% Energy • 8% Liveness
83% Instrumentalness • 9% Positiveness
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Andrew Lockington
Journey Theme
106 bpm • G min • 01:14 • -19db
25% Popularity • 33% Danceability • 27% Energy • 14% Liveness
96% Instrumentalness • 22% Positiveness
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William Ross
Overcoming the Past
109 bpm • D# Maj • 04:28 • -16db
31% Popularity • 16% Danceability • 10% Energy • 13% Liveness
96% Instrumentalness • 3% Positiveness
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Natalie Holt
TVA
108 bpm • C# Maj • 02:28 • -11.58db
48% Popularity • 49% Danceability • 50% Energy • 77% Liveness
72% Instrumentalness • 11% Positiveness
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Tyler Bates
The Kyln Escape
106 bpm • G# Maj • 07:23 • -10db
25% Popularity • 32% Danceability • 64% Energy • 39% Liveness
89% Instrumentalness • 19% Positiveness
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Johan Söderqvist
Sandstone
105 bpm • D Maj • 03:05 • -11.65db
26% Popularity • 57% Danceability • 51% Energy • 13% Liveness
89% Instrumentalness • 16% Positiveness
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Ludwig Göransson
A Friend
105 bpm • C# min • 03:52 • -14.9db
37% Popularity • 32% Danceability • 19% Energy • 15% Liveness
62% Instrumentalness • 3% Positiveness
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Pinar Toprak
Captain Marvel
105 bpm • C Maj • 02:15 • -14.81db
45% Popularity • 37% Danceability • 48% Energy • 12% Liveness
94% Instrumentalness • 11% Positiveness
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Murray Gold
Words Win Wars
105 bpm • D# min • 01:48 • -10db
32% Popularity • 40% Danceability • 33% Energy • 11% Liveness
84% Instrumentalness • 26% Positiveness
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Frederik Wiedmann
Hell of a Messenger
105 bpm • D min • 03:59 • -18db
11% Popularity • 16% Danceability • 21% Energy • 11% Liveness
98% Instrumentalness • 7% Positiveness
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Craig Armstrong
Harlem Brawl
109 bpm • G Maj • 03:50 • -13.91db
20% Popularity • 46% Danceability • 42% Energy • 14% Liveness
87% Instrumentalness • 32% Positiveness
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Chris Tilton
Unity
110 bpm • A min • 03:58 • -17.59db
36% Popularity • 43% Danceability • 40% Energy • 9% Liveness
79% Instrumentalness • 8% Positiveness
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Robert Charles Corley
Time is Collapsing One Year Anniversary ...
110 bpm • G Maj • 04:24 • -19.24db
20% Popularity • 21% Danceability • 6% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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2Hooks
Star Wars: Ahsoka Tano's Theme
110 bpm • G min • 03:09 • -9.14db
22% Popularity • 33% Danceability • 48% Energy • 34% Liveness
90% Instrumentalness • 4% Positiveness
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Score
It's A Miracle
110 bpm • A min • 01:57 • -11.01db
22% Popularity • 20% Danceability • 41% Energy • 29% Liveness
53% Instrumentalness • 9% Positiveness
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Greg Edmonson
Nate's Theme
110 bpm • G Maj • 01:45 • -19db
40% Popularity • 23% Danceability • 26% Energy • 16% Liveness
95% Instrumentalness • 46% Positiveness
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Joel P West
Your Father
104 bpm • C min • 03:13 • -12db
30% Popularity • 15% Danceability • 33% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Matthew Margeson
High School Wrestling
111 bpm • G Maj • 01:23 • -27.05db
5% Popularity • 30% Danceability • 4% Energy • 8% Liveness
65% Instrumentalness • 6% Positiveness
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Robert Charles Corley
Time is Collapsing
110 bpm • G Maj • 04:25 • -18.14db
17% Popularity • 34% Danceability • 8% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Vino Veritas
Errores Graves
111 bpm • F Maj • 02:05 • -24.71db
19% Popularity • 48% Danceability • 12% Energy • 11% Liveness
86% Instrumentalness • 22% Positiveness
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Christopher Drake
A Good Life...Good Enough / End Titles
103 bpm • G min • 05:51 • -13.9db
21% Popularity • 23% Danceability • 34% Energy • 10% Liveness
89% Instrumentalness • 3% Positiveness
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David Buckley
Arkham Knight (Main Theme)
111 bpm • C min • 02:22 • -18.1db
39% Popularity • 39% Danceability • 25% Energy • 11% Liveness
90% Instrumentalness • 8% Positiveness
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Geoff Zanelli
The Power of the Sea
111 bpm • D min • 04:07 • -7.89db
30% Popularity • 21% Danceability • 61% Energy • 21% Liveness
95% Instrumentalness • 20% Positiveness
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Pinar Toprak
Boarding the Train
112 bpm • D min • 01:30 • -24db
36% Popularity • 32% Danceability • 13% Energy • 6% Liveness
90% Instrumentalness • 3% Positiveness
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Henry Jackman
Statesman
112 bpm • C Maj • 01:48 • -11.33db
20% Popularity • 20% Danceability • 37% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
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Sarah Schachner
Valor
112 bpm • B min • 02:48 • -13.06db
31% Popularity • 35% Danceability • 55% Energy • 11% Liveness
93% Instrumentalness • 13% Positiveness
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Score
Rango Suite
102 bpm • D min • 05:57 • -13.15db
36% Popularity • 68% Danceability • 41% Energy • 7% Liveness
90% Instrumentalness • 18% Positiveness
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Rob Lane
The Militia Passes By
113 bpm • E min • 02:48 • -14.58db
15% Popularity • 39% Danceability • 52% Energy • 13% Liveness
83% Instrumentalness • 14% Positiveness
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Matthew Margeson
Abandonment
101 bpm • F Maj • 02:06 • -18.7db
4% Popularity • 22% Danceability • 6% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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Stephen Barton
Cal Kestis
113 bpm • E min • 05:33 • -25db
34% Popularity • 43% Danceability • 14% Energy • 12% Liveness
65% Instrumentalness • 14% Positiveness
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Jeff Russo
Star Trek Picard Main Title
114 bpm • D Maj • 01:43 • -12.88db
30% Popularity • 22% Danceability • 28% Energy • 7% Liveness
87% Instrumentalness • 3% Positiveness
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Joe Kraemer
Havana to Vienna
114 bpm • G# Maj • 05:12 • -28db
20% Popularity • 46% Danceability • 10% Energy • 9% Liveness
92% Instrumentalness • 9% Positiveness
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Thomas Newman
Crows Klinik
100 bpm • D Maj • 01:41 • -24.7db
25% Popularity • 20% Danceability • 15% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Christopher Drake
The Dark Knight Triumphant / End Titles
101 bpm • A Maj • 05:09 • -14.41db
32% Popularity • 24% Danceability • 32% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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Johan Söderqvist
Gallipoli
100 bpm • B Maj • 01:49 • -21db
31% Popularity • 35% Danceability • 9% Energy • 12% Liveness
90% Instrumentalness • 3% Positiveness
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Natalie Holt
Catch Up
100 bpm • G min • 01:37 • -10.34db
35% Popularity • 31% Danceability • 48% Energy • 26% Liveness
31% Instrumentalness • 6% Positiveness
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Henry Jackman
Skydiving
114 bpm • D Maj • 03:37 • -11.81db
31% Popularity • 22% Danceability • 54% Energy • 9% Liveness
91% Instrumentalness • 19% Positiveness
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Joel P West
Training
100 bpm • G Maj • 01:55 • -16db
26% Popularity • 38% Danceability • 41% Energy • 21% Liveness
96% Instrumentalness • 4% Positiveness
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Gleb Boskon
Eternity
100 bpm • G Maj • 01:43 • -22.49db
18% Popularity • 35% Danceability • 28% Energy • 12% Liveness
63% Instrumentalness • 11% Positiveness
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Nicholas Hooper
Fireworks
100 bpm • D Maj • 01:45 • -14db
50% Popularity • 49% Danceability • 50% Energy • 12% Liveness
89% Instrumentalness • 7% Positiveness
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Johan Söderqvist
Knights Of The Sky
100 bpm • E min • 03:24 • -15db
32% Popularity • 44% Danceability • 55% Energy • 11% Liveness
94% Instrumentalness • 15% Positiveness
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Greg Edmonson
Uncharted, Drake's Fortune: Nate's Theme
115 bpm • F# Maj • 01:52 • -16db
42% Popularity • 20% Danceability • 16% Energy • 14% Liveness
95% Instrumentalness • 4% Positiveness
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Thomas Newman
Engländer
100 bpm • A# min • 04:29 • -22db
30% Popularity • 27% Danceability • 29% Energy • 14% Liveness
85% Instrumentalness • 4% Positiveness
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Dynamedion
Robber Baron Suite
115 bpm • E min • 04:39 • -14.38db
26% Popularity • 21% Danceability • 25% Energy • 9% Liveness
86% Instrumentalness • 10% Positiveness
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Murray Gold
Goodbye Pond
100 bpm • G# min • 02:50 • -14.64db
28% Popularity • 22% Danceability • 28% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Joseph Shirley
Stronger Together
100 bpm • D Maj • 05:00 • -13db
37% Popularity • 17% Danceability • 43% Energy • 12% Liveness
85% Instrumentalness • 4% Positiveness
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Johan Söderqvist
Battlefield Classic Theme / Mayhem View
115 bpm • C Maj • 03:15 • -14.56db
42% Popularity • 24% Danceability • 37% Energy • 40% Liveness
93% Instrumentalness • 8% Positiveness
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Joseph Trapanese
Rob Inspires the People
115 bpm • C min • 04:05 • -21.79db
7% Popularity • 17% Danceability • 29% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Graeme Revell
One Speed
100 bpm • C min • 03:08 • -12db
19% Popularity • 22% Danceability • 66% Energy • 9% Liveness
96% Instrumentalness • 19% Positiveness
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David Russo
Gotham Tragedy
115 bpm • D min • 01:29 • -18.01db
8% Popularity • 18% Danceability • 31% Energy • 22% Liveness
64% Instrumentalness • 17% Positiveness
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Joe Kraemer
The Torus
99 bpm • A# min • 07:01 • -27db
16% Popularity • 45% Danceability • 11% Energy • 18% Liveness
90% Instrumentalness • 4% Positiveness
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Henry Jackman
Finale
99 bpm • C min • 03:56 • -10.17db
26% Popularity • 14% Danceability • 49% Energy • 10% Liveness
77% Instrumentalness • 8% Positiveness
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Johan Söderqvist
Norway
115 bpm • D Maj • 03:55 • -20db
31% Popularity • 17% Danceability • 8% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
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Steven Price
April, 1945
116 bpm • A# Maj • 04:14 • -13db
34% Popularity • 43% Danceability • 42% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Ludwig Göransson
Royal Talon Fighter
116 bpm • D min • 04:00 • -16.89db
28% Popularity • 33% Danceability • 15% Energy • 8% Liveness
76% Instrumentalness • 4% Positiveness
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Matthew Margeson
Fist Of Glory
117 bpm • E Maj • 01:47 • -9.28db
5% Popularity • 59% Danceability • 83% Energy • 10% Liveness
85% Instrumentalness • 15% Positiveness
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Natalie Holt
Young Leia
97 bpm • G Maj • 01:04 • -17db
39% Popularity • 35% Danceability • 34% Energy • 18% Liveness
82% Instrumentalness • 8% Positiveness
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Henry Jackman
Poppy
117 bpm • C# min • 02:17 • -10.77db
22% Popularity • 36% Danceability • 17% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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John Ottman
Logo Mania
98 bpm • D min • 01:00 • -12.56db
31% Popularity • 45% Danceability • 59% Energy • 10% Liveness
80% Instrumentalness • 35% Positiveness
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Steven Price
The Numbers Build
117 bpm • F# min • 05:04 • -11.49db
24% Popularity • 23% Danceability • 50% Energy • 17% Liveness
98% Instrumentalness • 18% Positiveness
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Roque Baños
Essex Leaving Harbor
118 bpm • G# Maj • 03:06 • -15.56db
21% Popularity • 52% Danceability • 57% Energy • 10% Liveness
80% Instrumentalness • 16% Positiveness
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Andrew Lockington
Vernian's Believe
118 bpm • C Maj • 02:53 • -25.39db
12% Popularity • 22% Danceability • 6% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
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Pinar Toprak
I'm All Fired Up
118 bpm • A# Maj • 03:20 • -17.27db
32% Popularity • 18% Danceability • 25% Energy • 12% Liveness
85% Instrumentalness • 3% Positiveness
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Henry Jackman
Manners Maketh Man
117 bpm • B min • 01:37 • -12.15db
43% Popularity • 32% Danceability • 26% Energy • 9% Liveness
49% Instrumentalness • 17% Positiveness
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Jared Moreno Luna
Loki
118 bpm • G min • 03:20 • -11.74db
17% Popularity • 57% Danceability • 36% Energy • 12% Liveness
86% Instrumentalness • 5% Positiveness
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Jed Kurzel
Alien Covenant Theme
118 bpm • C Maj • 01:42 • -18db
29% Popularity • 25% Danceability • 12% Energy • 10% Liveness
86% Instrumentalness • 3% Positiveness
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Mark Mothersbaugh
Asgard Is a People
96 bpm • G# Maj • 04:20 • -14.58db
15% Popularity • 23% Danceability • 34% Energy • 6% Liveness
61% Instrumentalness • 4% Positiveness
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Joe Kraemer
Good Evening, Mr. Hunt
96 bpm • G min • 02:35 • -24.55db
24% Popularity • 28% Danceability • 5% Energy • 15% Liveness
94% Instrumentalness • 5% Positiveness
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Mike Higham
Go to Her
119 bpm • C min • 06:16 • -16db
28% Popularity • 21% Danceability • 15% Energy • 15% Liveness
80% Instrumentalness • 4% Positiveness
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Henry Jackman
Eggsy Is Back
118 bpm • C# Maj • 05:50 • -9.62db
32% Popularity • 21% Danceability • 61% Energy • 9% Liveness
85% Instrumentalness • 4% Positiveness
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Ludwig Göransson
Waterfall Fight
119 bpm • G Maj • 04:03 • -11.79db
33% Popularity • 48% Danceability • 74% Energy • 8% Liveness
88% Instrumentalness • 22% Positiveness
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Tyler Bates
vs. The Abilisk
96 bpm • A# Maj • 02:35 • -11db
19% Popularity • 29% Danceability • 34% Energy • 35% Liveness
86% Instrumentalness • 10% Positiveness
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Mark Mothersbaugh
Weird Things Happen
119 bpm • F# min • 01:46 • -26.99db
19% Popularity • 28% Danceability • 2% Energy • 7% Liveness
2% Instrumentalness • 4% Positiveness
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Geoff Zanelli
She Needs the Sea
96 bpm • G Maj • 02:32 • -11.76db
35% Popularity • 18% Danceability • 46% Energy • 11% Liveness
85% Instrumentalness • 6% Positiveness
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David Newman
Giving Back The Baby
119 bpm • E min • 06:26 • -14db
31% Popularity • 22% Danceability • 18% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
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Henry Jackman
Tequila
120 bpm • G Maj • 02:09 • -14.38db
19% Popularity • 23% Danceability • 25% Energy • 10% Liveness
82% Instrumentalness • 4% Positiveness
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Johan Söderqvist
Tirailleur
120 bpm • D min • 02:38 • -16.18db
35% Popularity • 29% Danceability • 26% Energy • 9% Liveness
82% Instrumentalness • 14% Positiveness
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Mike Higham
A Place Like This
120 bpm • G min • 01:43 • -17db
36% Popularity • 55% Danceability • 12% Energy • 10% Liveness
91% Instrumentalness • 5% Positiveness
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Mark Mothersbaugh
What Heroes Do
120 bpm • G min • 01:37 • -10db
34% Popularity • 52% Danceability • 72% Energy • 11% Liveness
70% Instrumentalness • 8% Positiveness
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Markus Nokio
Before the Storm
120 bpm • C min • 02:34 • -18.08db
24% Popularity • 34% Danceability • 30% Energy • 11% Liveness
90% Instrumentalness • 18% Positiveness
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Ben Foster
Countdown to Destruction
120 bpm • A min • 01:52 • -8.37db
15% Popularity • 37% Danceability • 74% Energy • 22% Liveness
92% Instrumentalness • 22% Positiveness
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Instrumental City
Star Wars Main Theme - Epic Trailer Vers...
120 bpm • A Maj • 02:22 • -11.58db
17% Popularity • 18% Danceability • 44% Energy • 12% Liveness
88% Instrumentalness • 15% Positiveness
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Murray Gold
This Is Gallifrey: Our Childhood. Our Ho...
120 bpm • F min • 03:17 • -7.88db
39% Popularity • 38% Danceability • 52% Energy • 12% Liveness
95% Instrumentalness • 15% Positiveness
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Christopher Drake
Finish What The Jester Started / Main Ti...
120 bpm • D min • 03:24 • -13db
19% Popularity • 23% Danceability • 48% Energy • 19% Liveness
91% Instrumentalness • 4% Positiveness
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Mark Mothersbaugh
Where To?
95 bpm • F Maj • 02:22 • -17db
29% Popularity • 12% Danceability • 13% Energy • 24% Liveness
89% Instrumentalness • 4% Positiveness
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Mike Higham
Projecting Dreams
120 bpm • F min • 01:44 • -21.42db
28% Popularity • 50% Danceability • 29% Energy • 10% Liveness
40% Instrumentalness • 4% Positiveness
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Hesham Nazih
The Village
120 bpm • A# min • 01:35 • -19.59db
25% Popularity • 38% Danceability • 19% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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Kara Talve
Dromaeosaurs
120 bpm • G min • 05:22 • -16.16db
17% Popularity • 21% Danceability • 36% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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Murray Gold
A Good Man? - Twelve's Theme
120 bpm • A min • 07:33 • -11db
36% Popularity • 38% Danceability • 57% Energy • 6% Liveness
82% Instrumentalness • 7% Positiveness
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Abduction