Songs like Abdul and Cleopatra by Jonathan Richman & The Modern Lovers
Based on a tempo of (+/- 10%) and a similar genre
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Fred Neil
Bleecker & MacDougal
133 bpm • E Maj • 02:14 • -8.56db
22% Popularity • 62% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
22% Popularity • 62% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
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Dennis Wilson
River Song
133 bpm • A# Maj • 03:44 • -11.08db
33% Popularity • 43% Danceability • 56% Energy • 40% Liveness
0% Instrumentalness • 21% Positiveness
33% Popularity • 43% Danceability • 56% Energy • 40% Liveness
0% Instrumentalness • 21% Positiveness
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Karen Dalton
How Sweet It Is
133 bpm • A# Maj • 03:43 • -6db
11% Popularity • 67% Danceability • 83% Energy • 32% Liveness
0% Instrumentalness • 85% Positiveness
11% Popularity • 67% Danceability • 83% Energy • 32% Liveness
0% Instrumentalness • 85% Positiveness
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The Ruby Suns
Oh, Mojave
133 bpm • A Maj • 02:31 • -8.58db
21% Popularity • 56% Danceability • 89% Energy • 66% Liveness
0% Instrumentalness • 38% Positiveness
21% Popularity • 56% Danceability • 89% Energy • 66% Liveness
0% Instrumentalness • 38% Positiveness
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Jonathan Richman & The Modern Lovers
Abdul and Cleopatra
133 bpm • F min • 03:16 • -8.24db
23% Popularity • 60% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
23% Popularity • 60% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Arthur Russell
Nobody Wants A Lonely Heart
133 bpm • D Maj • 02:26 • -9.6db
32% Popularity • 53% Danceability • 48% Energy • 32% Liveness
0% Instrumentalness • 50% Positiveness
32% Popularity • 53% Danceability • 48% Energy • 32% Liveness
0% Instrumentalness • 50% Positiveness
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Elvis Costello & The Attractions
The Beat - 2021 Remaster
134 bpm • B min • 03:48 • -5db
39% Popularity • 72% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
39% Popularity • 72% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
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Marc Bolan
The Wizard - Unused stereo mix
133 bpm • C Maj • 01:45 • -7.05db
22% Popularity • 59% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
22% Popularity • 59% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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The Bonzo Dog Band
I Want to Be with You - 2007 Remaster
132 bpm • G Maj • 02:16 • -10.08db
25% Popularity • 58% Danceability • 46% Energy • 29% Liveness
0% Instrumentalness • 74% Positiveness
25% Popularity • 58% Danceability • 46% Energy • 29% Liveness
0% Instrumentalness • 74% Positiveness
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The Only Ones
Breaking Down - 2008 re-mastered version
132 bpm • F Maj • 04:49 • -8.94db
16% Popularity • 43% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
16% Popularity • 43% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
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Tom Verlaine
Breakin' My Heart
134 bpm • D Maj • 06:06 • -11db
22% Popularity • 55% Danceability • 84% Energy • 10% Liveness
42% Instrumentalness • 91% Positiveness
22% Popularity • 55% Danceability • 84% Energy • 10% Liveness
42% Instrumentalness • 91% Positiveness
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Brian Eno
Needles In The Camel's Eye - 2004 Digita...
132 bpm • C# min • 03:11 • -9.01db
40% Popularity • 30% Danceability • 64% Energy • 76% Liveness
4% Instrumentalness • 20% Positiveness
40% Popularity • 30% Danceability • 64% Energy • 76% Liveness
4% Instrumentalness • 20% Positiveness
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Alan Price
O Lucky Man!
134 bpm • D Maj • 02:20 • -10db
25% Popularity • 51% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
25% Popularity • 51% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Leonard Cohen
Is This What You Wanted
132 bpm • D Maj • 04:13 • -14.77db
40% Popularity • 57% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
40% Popularity • 57% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
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Orange Juice
Moscow
134 bpm • G Maj • 02:01 • -11.6db
23% Popularity • 38% Danceability • 74% Energy • 33% Liveness
46% Instrumentalness • 50% Positiveness
23% Popularity • 38% Danceability • 74% Energy • 33% Liveness
46% Instrumentalness • 50% Positiveness
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The Only Ones
Out There In The Night
134 bpm • G Maj • 03:01 • -12db
19% Popularity • 50% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
19% Popularity • 50% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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The Fugs
Nothing
132 bpm • E min • 03:12 • -15.84db
17% Popularity • 61% Danceability • 22% Energy • 37% Liveness
0% Instrumentalness • 51% Positiveness
17% Popularity • 61% Danceability • 22% Energy • 37% Liveness
0% Instrumentalness • 51% Positiveness
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Dennis Wilson
Rainbows
131 bpm • G Maj • 02:47 • -10.81db
25% Popularity • 50% Danceability • 56% Energy • 63% Liveness
0% Instrumentalness • 29% Positiveness
25% Popularity • 50% Danceability • 56% Energy • 63% Liveness
0% Instrumentalness • 29% Positiveness
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The Left Banke
She May Call You Up Tonight
135 bpm • D# Maj • 02:21 • -7db
31% Popularity • 55% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
31% Popularity • 55% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Nick Lowe
Marie Provost
135 bpm • G Maj • 02:51 • -10.24db
24% Popularity • 46% Danceability • 60% Energy • 5% Liveness
0% Instrumentalness • 86% Positiveness
24% Popularity • 46% Danceability • 60% Energy • 5% Liveness
0% Instrumentalness • 86% Positiveness
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Kim Fowley
California summertime
135 bpm • D Maj • 02:34 • -6.66db
28% Popularity • 65% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
28% Popularity • 65% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
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Chris Stamey
The Summer Sun
131 bpm • C Maj • 03:06 • -3.93db
15% Popularity • 60% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
15% Popularity • 60% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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Jonathan Richman & The Modern Lovers
Party In the Woods Tonight
131 bpm • D Maj • 03:00 • -10.11db
10% Popularity • 67% Danceability • 44% Energy • 21% Liveness
0% Instrumentalness • 80% Positiveness
10% Popularity • 67% Danceability • 44% Energy • 21% Liveness
0% Instrumentalness • 80% Positiveness
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Billy Bragg
Levi Stubbs' Tears
135 bpm • B min • 03:31 • -6db
41% Popularity • 44% Danceability • 56% Energy • 42% Liveness
0% Instrumentalness • 52% Positiveness
41% Popularity • 44% Danceability • 56% Energy • 42% Liveness
0% Instrumentalness • 52% Positiveness
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Daniel Johnston
Don't Let the Sun Go Down on Your Grieva...
131 bpm • C Maj • 03:20 • -10db
19% Popularity • 51% Danceability • 23% Energy • 11% Liveness
1% Instrumentalness • 86% Positiveness
19% Popularity • 51% Danceability • 23% Energy • 11% Liveness
1% Instrumentalness • 86% Positiveness
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Sonny & The Sunsets
Green Blood
131 bpm • D# Maj • 04:21 • -5.33db
32% Popularity • 35% Danceability • 83% Energy • 16% Liveness
13% Instrumentalness • 44% Positiveness
32% Popularity • 35% Danceability • 83% Energy • 16% Liveness
13% Instrumentalness • 44% Positiveness
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The Roches
Mr. Sellack
131 bpm • D Maj • 04:03 • -19db
30% Popularity • 69% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
30% Popularity • 69% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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Reigning Sound
Never Coming Home
131 bpm • A Maj • 03:27 • -5.27db
27% Popularity • 60% Danceability • 72% Energy • 27% Liveness
0% Instrumentalness • 71% Positiveness
27% Popularity • 60% Danceability • 72% Energy • 27% Liveness
0% Instrumentalness • 71% Positiveness
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Jonathan Richman & The Modern Lovers
The New Teller
135 bpm • E Maj • 01:40 • -9.07db
18% Popularity • 67% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
18% Popularity • 67% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Dory Previn
The Lady With The Braid
136 bpm • G# Maj • 03:58 • -15db
31% Popularity • 49% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
31% Popularity • 49% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Silver Apples
Ruby
130 bpm • D Maj • 02:34 • -8db
35% Popularity • 52% Danceability • 93% Energy • 9% Liveness
90% Instrumentalness • 59% Positiveness
35% Popularity • 52% Danceability • 93% Energy • 9% Liveness
90% Instrumentalness • 59% Positiveness
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The Soft Boys
Kingdom of Love
136 bpm • A Maj • 04:11 • -6.42db
24% Popularity • 57% Danceability • 78% Energy • 14% Liveness
1% Instrumentalness • 49% Positiveness
24% Popularity • 57% Danceability • 78% Energy • 14% Liveness
1% Instrumentalness • 49% Positiveness
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Kevin Ayers
Lay Lady Lay
130 bpm • A min • 04:37 • -7.07db
18% Popularity • 54% Danceability • 69% Energy • 26% Liveness
0% Instrumentalness • 60% Positiveness
18% Popularity • 54% Danceability • 69% Energy • 26% Liveness
0% Instrumentalness • 60% Positiveness
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The Essex Green
Mrs. Bean
136 bpm • F# min • 03:21 • -12.46db
30% Popularity • 62% Danceability • 40% Energy • 10% Liveness
9% Instrumentalness • 66% Positiveness
30% Popularity • 62% Danceability • 40% Energy • 10% Liveness
9% Instrumentalness • 66% Positiveness
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Jonathan Richman & The Modern Lovers
(She's Gonna) Respect Me
130 bpm • F Maj • 02:49 • -11.66db
9% Popularity • 65% Danceability • 30% Energy • 21% Liveness
0% Instrumentalness • 59% Positiveness
9% Popularity • 65% Danceability • 30% Energy • 21% Liveness
0% Instrumentalness • 59% Positiveness
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Joe Strummer & The Mescaleros
X-Ray Style
136 bpm • E Maj • 04:34 • -12.88db
22% Popularity • 74% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
22% Popularity • 74% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
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Leonard Cohen
Diamonds in the Mine
137 bpm • A Maj • 03:50 • -11.47db
35% Popularity • 57% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
35% Popularity • 57% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Jackson C. Frank
China Blue
137 bpm • D Maj • 04:19 • -16db
26% Popularity • 53% Danceability • 24% Energy • 10% Liveness
1% Instrumentalness • 69% Positiveness
26% Popularity • 53% Danceability • 24% Energy • 10% Liveness
1% Instrumentalness • 69% Positiveness
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Kevin Ayers
Singing a Song in the Morning - 2003 Rem...
130 bpm • F# Maj • 02:55 • -9.93db
14% Popularity • 54% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
14% Popularity • 54% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
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The Legendary Stardust Cowboy
Kiss And Run
129 bpm • C Maj • 01:57 • -5.2db
14% Popularity • 52% Danceability • 54% Energy • 20% Liveness
1% Instrumentalness • 64% Positiveness
14% Popularity • 52% Danceability • 54% Energy • 20% Liveness
1% Instrumentalness • 64% Positiveness
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Jonathan Richman & The Modern Lovers
It Will Stand
137 bpm • E Maj • 02:35 • -8.11db
9% Popularity • 60% Danceability • 54% Energy • 33% Liveness
0% Instrumentalness • 45% Positiveness
9% Popularity • 60% Danceability • 54% Energy • 33% Liveness
0% Instrumentalness • 45% Positiveness
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Orange Juice
Wan Light
129 bpm • C Maj • 02:24 • -6.06db
27% Popularity • 50% Danceability • 75% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
27% Popularity • 50% Danceability • 75% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
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Smog
The Well
129 bpm • F# Maj • 07:00 • -13.29db
29% Popularity • 62% Danceability • 40% Energy • 11% Liveness
3% Instrumentalness • 30% Positiveness
29% Popularity • 62% Danceability • 40% Energy • 11% Liveness
3% Instrumentalness • 30% Positiveness
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The Colorblind James Experience
Considering a Move to Memphis
129 bpm • B min • 06:45 • -14db
20% Popularity • 69% Danceability • 60% Energy • 31% Liveness
0% Instrumentalness • 63% Positiveness
20% Popularity • 69% Danceability • 60% Energy • 31% Liveness
0% Instrumentalness • 63% Positiveness
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Kevin Ayers
Religious Experience (Singing a Song in...
130 bpm • F# Maj • 04:46 • -11.17db
26% Popularity • 58% Danceability • 73% Energy • 35% Liveness
0% Instrumentalness • 93% Positiveness
26% Popularity • 58% Danceability • 73% Energy • 35% Liveness
0% Instrumentalness • 93% Positiveness
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Robert Lester Folsom
Biding My Time
138 bpm • A Maj • 03:28 • -12.6db
21% Popularity • 50% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
21% Popularity • 50% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
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Jonathan Richman & The Modern Lovers
Dodge Veg-O-Matic
137 bpm • D Maj • 03:49 • -9.74db
15% Popularity • 52% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
15% Popularity • 52% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
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Warren Zevon
Steady Rain
138 bpm • G Maj • 04:19 • -10.14db
37% Popularity • 52% Danceability • 42% Energy • 21% Liveness
23% Instrumentalness • 41% Positiveness
37% Popularity • 52% Danceability • 42% Energy • 21% Liveness
23% Instrumentalness • 41% Positiveness
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The Soft Boys
Tonight
129 bpm • C Maj • 03:44 • -7.83db
19% Popularity • 68% Danceability • 70% Energy • 26% Liveness
20% Instrumentalness • 60% Positiveness
19% Popularity • 68% Danceability • 70% Energy • 26% Liveness
20% Instrumentalness • 60% Positiveness
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Flamin' Groovies
Don't Put Me On
128 bpm • F Maj • 04:12 • -11db
18% Popularity • 63% Danceability • 59% Energy • 37% Liveness
12% Instrumentalness • 58% Positiveness
18% Popularity • 63% Danceability • 59% Energy • 37% Liveness
12% Instrumentalness • 58% Positiveness
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Kevin Ayers
The Oyster and the Flying Fish - 2003 Re...
137 bpm • C Maj • 02:37 • -13.64db
21% Popularity • 62% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
21% Popularity • 62% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
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John Cooper Clarke
Valley of the Lost Women
138 bpm • C Maj • 04:19 • -16.09db
10% Popularity • 49% Danceability • 46% Energy • 8% Liveness
22% Instrumentalness • 56% Positiveness
10% Popularity • 49% Danceability • 46% Energy • 8% Liveness
22% Instrumentalness • 56% Positiveness
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Jonathan Richman & The Modern Lovers
Dodge Veg-O-Matic
138 bpm • D Maj • 05:40 • -12.17db
10% Popularity • 56% Danceability • 32% Energy • 27% Liveness
0% Instrumentalness • 53% Positiveness
10% Popularity • 56% Danceability • 32% Energy • 27% Liveness
0% Instrumentalness • 53% Positiveness
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The Incredible String Band
The Hedgehog's Song - 2010 Remaster
138 bpm • F# Maj • 03:27 • -12db
33% Popularity • 68% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
33% Popularity • 68% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
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The Modern Lovers
I'm Straight
138 bpm • A Maj • 04:18 • -9.66db
35% Popularity • 56% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
35% Popularity • 56% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
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Silver Jews
Suffering Jukebox
128 bpm • G Maj • 04:21 • -10.86db
42% Popularity • 48% Danceability • 50% Energy • 9% Liveness
48% Instrumentalness • 31% Positiveness
42% Popularity • 48% Danceability • 50% Energy • 9% Liveness
48% Instrumentalness • 31% Positiveness
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Kevin Ayers
Shouting in a Bucket Blues - 2003 Remast...
129 bpm • C Maj • 03:44 • -11db
29% Popularity • 68% Danceability • 50% Energy • 4% Liveness
0% Instrumentalness • 89% Positiveness
29% Popularity • 68% Danceability • 50% Energy • 4% Liveness
0% Instrumentalness • 89% Positiveness
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Brian Eno
The True Wheel - 2004 Digital Remaster
128 bpm • B Maj • 05:11 • -10.21db
27% Popularity • 56% Danceability • 75% Energy • 44% Liveness
2% Instrumentalness • 70% Positiveness
27% Popularity • 56% Danceability • 75% Energy • 44% Liveness
2% Instrumentalness • 70% Positiveness
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Scott Walker
Duchess
128 bpm • B Maj • 02:48 • -20db
41% Popularity • 31% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
41% Popularity • 31% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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The Magnetic Fields
A Chicken With Its Head Cut Off
138 bpm • C Maj • 02:41 • -8db
48% Popularity • 74% Danceability • 85% Energy • 11% Liveness
79% Instrumentalness • 87% Positiveness
48% Popularity • 74% Danceability • 85% Energy • 11% Liveness
79% Instrumentalness • 87% Positiveness
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Michael Hurley
Sweet Lucy
128 bpm • D Maj • 04:06 • -13.05db
33% Popularity • 73% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
33% Popularity • 73% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
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Television Personalities
I Know Where Syd Barrett Lives
139 bpm • D Maj • 02:31 • -11db
23% Popularity • 46% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
23% Popularity • 46% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Wire
Outdoor Miner
127 bpm • B min • 02:54 • -7.82db
38% Popularity • 56% Danceability • 76% Energy • 43% Liveness
1% Instrumentalness • 71% Positiveness
38% Popularity • 56% Danceability • 76% Energy • 43% Liveness
1% Instrumentalness • 71% Positiveness
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Norma Tanega
Treat Me Right
127 bpm • C Maj • 02:17 • -6.98db
32% Popularity • 47% Danceability • 68% Energy • 20% Liveness
0% Instrumentalness • 90% Positiveness
32% Popularity • 47% Danceability • 68% Energy • 20% Liveness
0% Instrumentalness • 90% Positiveness
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Scott Walker
Black Sheep Boy
128 bpm • C# Maj • 02:36 • -16.01db
31% Popularity • 52% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
31% Popularity • 52% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Bob Lind
Go Ask Your Man
127 bpm • G Maj • 02:33 • -8db
20% Popularity • 58% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
20% Popularity • 58% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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The Nerves
Many Roads to Follow - Demo
127 bpm • E Maj • 02:14 • -11db
34% Popularity • 55% Danceability • 37% Energy • 11% Liveness
1% Instrumentalness • 60% Positiveness
34% Popularity • 55% Danceability • 37% Energy • 11% Liveness
1% Instrumentalness • 60% Positiveness
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Marc Bolan
The Lilac Hand Of Menthol Dan (Dan The S...
139 bpm • D Maj • 01:52 • -5.71db
16% Popularity • 55% Danceability • 84% Energy • 11% Liveness
2% Instrumentalness • 52% Positiveness
16% Popularity • 55% Danceability • 84% Energy • 11% Liveness
2% Instrumentalness • 52% Positiveness
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Mimi And Richard Farina
Reno Nevada
127 bpm • F min • 03:12 • -9.48db
21% Popularity • 64% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 95% Positiveness
21% Popularity • 64% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 95% Positiveness
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Richard & Linda Thompson
I Want To See The Bright Lights Tonight
140 bpm • C Maj • 03:09 • -10db
44% Popularity • 66% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
44% Popularity • 66% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
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Robert Wyatt
I'm A Believer - Previously Unreleased E...
140 bpm • C Maj • 04:58 • -9.32db
19% Popularity • 37% Danceability • 72% Energy • 64% Liveness
0% Instrumentalness • 60% Positiveness
19% Popularity • 37% Danceability • 72% Energy • 64% Liveness
0% Instrumentalness • 60% Positiveness
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Kevin Ayers
Hymn - 2003 Remaster
127 bpm • C Maj • 04:35 • -16.42db
17% Popularity • 64% Danceability • 28% Energy • 9% Liveness
63% Instrumentalness • 45% Positiveness
17% Popularity • 64% Danceability • 28% Energy • 9% Liveness
63% Instrumentalness • 45% Positiveness
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Amanaz
I Am Very Far
127 bpm • G# Maj • 03:21 • -9.64db
31% Popularity • 71% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
31% Popularity • 71% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Link Wray
God Out West
127 bpm • C# Maj • 03:53 • -10.92db
26% Popularity • 72% Danceability • 47% Energy • 26% Liveness
0% Instrumentalness • 75% Positiveness
26% Popularity • 72% Danceability • 47% Energy • 26% Liveness
0% Instrumentalness • 75% Positiveness
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Beat Happening
Indian Summer
140 bpm • A Maj • 03:05 • -10db
34% Popularity • 45% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
34% Popularity • 45% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
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Silver Jews
I'm Gonna Love The Hell Out Of You
126 bpm • G Maj • 02:57 • -12.15db
30% Popularity • 64% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 32% Positiveness
30% Popularity • 64% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 32% Positiveness
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Ghetto Brothers
There Is Something in My Heart
126 bpm • G# Maj • 03:26 • -8.11db
28% Popularity • 61% Danceability • 68% Energy • 52% Liveness
0% Instrumentalness • 88% Positiveness
28% Popularity • 61% Danceability • 68% Energy • 52% Liveness
0% Instrumentalness • 88% Positiveness
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The Left Banke
I've Got Something On My Mind
126 bpm • A Maj • 02:49 • -9db
31% Popularity • 60% Danceability • 85% Energy • 26% Liveness
0% Instrumentalness • 93% Positiveness
31% Popularity • 60% Danceability • 85% Energy • 26% Liveness
0% Instrumentalness • 93% Positiveness
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WITCH
Like a Chicken
126 bpm • D Maj • 03:10 • -5.33db
30% Popularity • 70% Danceability • 65% Energy • 32% Liveness
1% Instrumentalness • 70% Positiveness
30% Popularity • 70% Danceability • 65% Energy • 32% Liveness
1% Instrumentalness • 70% Positiveness
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Lee Hazlewood
The House Song - 2007 Remaster
126 bpm • F Maj • 04:29 • -13.84db
5% Popularity • 58% Danceability • 37% Energy • 20% Liveness
2% Instrumentalness • 54% Positiveness
5% Popularity • 58% Danceability • 37% Energy • 20% Liveness
2% Instrumentalness • 54% Positiveness
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Michael Chapman
Aviator - 2011 Remaster
141 bpm • G Maj • 09:30 • -10.25db
24% Popularity • 40% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
24% Popularity • 40% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
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Young Marble Giants
Colossal Youth
141 bpm • G Maj • 01:54 • -11.69db
27% Popularity • 91% Danceability • 62% Energy • 7% Liveness
66% Instrumentalness • 91% Positiveness
27% Popularity • 91% Danceability • 62% Energy • 7% Liveness
66% Instrumentalness • 91% Positiveness
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Nick Lowe
So It Goes
141 bpm • A Maj • 02:34 • -9.64db
37% Popularity • 53% Danceability • 69% Energy • 30% Liveness
0% Instrumentalness • 44% Positiveness
37% Popularity • 53% Danceability • 69% Energy • 30% Liveness
0% Instrumentalness • 44% Positiveness
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The Bonzo Dog Band
The Intro and the Outro - 2007 Remaster
126 bpm • D# Maj • 03:03 • -11.2db
25% Popularity • 63% Danceability • 77% Energy • 28% Liveness
0% Instrumentalness • 64% Positiveness
25% Popularity • 63% Danceability • 77% Energy • 28% Liveness
0% Instrumentalness • 64% Positiveness
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Silver Apples
I Have Known Love
126 bpm • F# min • 03:54 • -7.09db
31% Popularity • 34% Danceability • 72% Energy • 10% Liveness
5% Instrumentalness • 84% Positiveness
31% Popularity • 34% Danceability • 72% Energy • 10% Liveness
5% Instrumentalness • 84% Positiveness
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Jonathan Richman & The Modern Lovers
Lydia
126 bpm • G Maj • 03:08 • -11.22db
10% Popularity • 56% Danceability • 59% Energy • 24% Liveness
0% Instrumentalness • 64% Positiveness
10% Popularity • 56% Danceability • 59% Energy • 24% Liveness
0% Instrumentalness • 64% Positiveness
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Michael Chapman
Postcards Of Scarborough - 2011 Remaster
141 bpm • F# min • 05:19 • -10.3db
18% Popularity • 39% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 12% Positiveness
18% Popularity • 39% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 12% Positiveness
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Flamin' Groovies
You Tore Me Down
126 bpm • D Maj • 02:52 • -11.53db
21% Popularity • 48% Danceability • 67% Energy • 29% Liveness
0% Instrumentalness • 37% Positiveness
21% Popularity • 48% Danceability • 67% Energy • 29% Liveness
0% Instrumentalness • 37% Positiveness
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Canned Heat
Poor Moon - Bonus Track
141 bpm • C# Maj • 03:25 • -17db
42% Popularity • 53% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
42% Popularity • 53% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Jeff Cowell
Lucky Strikes and Liquid Gold
125 bpm • G Maj • 03:38 • -8.56db
28% Popularity • 52% Danceability • 43% Energy • 14% Liveness
92% Instrumentalness • 48% Positiveness
28% Popularity • 52% Danceability • 43% Energy • 14% Liveness
92% Instrumentalness • 48% Positiveness
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Daniel Johnston
Speeding Motorcycle
125 bpm • C Maj • 03:23 • -11.83db
22% Popularity • 80% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 95% Positiveness
22% Popularity • 80% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 95% Positiveness
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Jonathan Richman & The Modern Lovers
Give Paris One More Chance
141 bpm • F Maj • 02:55 • -12.6db
12% Popularity • 68% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
12% Popularity • 68% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
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The Clean
Slug Song
141 bpm • C Maj • 03:18 • -11.79db
37% Popularity • 51% Danceability • 61% Energy • 6% Liveness
8% Instrumentalness • 78% Positiveness
37% Popularity • 51% Danceability • 61% Energy • 6% Liveness
8% Instrumentalness • 78% Positiveness
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Orange Juice
Consolation Prize
125 bpm • A Maj • 02:52 • -7db
21% Popularity • 32% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
21% Popularity • 32% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Kevin Ayers
When Your Parents Go to Sleep - 2003 Rem...
142 bpm • C Maj • 05:47 • -9db
33% Popularity • 53% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
33% Popularity • 53% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Half Japanese
One Million Kisses
142 bpm • D Maj • 01:55 • -12.56db
39% Popularity • 61% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
39% Popularity • 61% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
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Brian Eno
I'll Come Running - 2004 Remaster
125 bpm • A Maj • 03:49 • -13.17db
42% Popularity • 59% Danceability • 49% Energy • 9% Liveness
5% Instrumentalness • 81% Positiveness
42% Popularity • 59% Danceability • 49% Energy • 9% Liveness
5% Instrumentalness • 81% Positiveness
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Kelley Stoltz
Ever Thought Of Coming Back
125 bpm • F Maj • 02:58 • -4.93db
17% Popularity • 61% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
17% Popularity • 61% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
