Songs like Abide With Me - Arr. for Saxophone and Vocal Ensemble by Christian Forshaw by Christian Forshaw
Based on a tempo of (+/- 10%) and a similar genre
► Preview
Johann Sebastian Bach
Wenn ich einmal soll scheiden, BWV 244
136 bpm • F Maj • 01:22 • -28.87db
17% Popularity • 19% Danceability • 3% Energy • 8% Liveness
57% Instrumentalness • 7% Positiveness
17% Popularity • 19% Danceability • 3% Energy • 8% Liveness
57% Instrumentalness • 7% Positiveness
► Preview
William Henry Harris
Faire is the Heaven
136 bpm • C# Maj • 05:23 • -24db
17% Popularity • 17% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
17% Popularity • 17% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Unknown
Randall Thompson : Alleluia
136 bpm • D Maj • 05:03 • -18.81db
7% Popularity • 19% Danceability • 23% Energy • 9% Liveness
49% Instrumentalness • 4% Positiveness
7% Popularity • 19% Danceability • 23% Energy • 9% Liveness
49% Instrumentalness • 4% Positiveness
► Preview
The Russian State Symphony Cappella
Hymn of the Cherubim (Excerpt 1)
136 bpm • B min • 04:43 • -17.84db
23% Popularity • 15% Danceability • 30% Energy • 9% Liveness
97% Instrumentalness • 3% Positiveness
23% Popularity • 15% Danceability • 30% Energy • 9% Liveness
97% Instrumentalness • 3% Positiveness
► Preview
Jacobus Gallus
Domine ad adjuvandum
136 bpm • D# Maj • 02:24 • -19db
31% Popularity • 23% Danceability • 14% Energy • 12% Liveness
70% Instrumentalness • 9% Positiveness
31% Popularity • 23% Danceability • 14% Energy • 12% Liveness
70% Instrumentalness • 9% Positiveness
► Preview
Christian Forshaw
Abide With Me - Arr. for Saxophone and V...
136 bpm • D# Maj • 04:07 • -25.99db
21% Popularity • 17% Danceability • 6% Energy • 14% Liveness
72% Instrumentalness • 4% Positiveness
21% Popularity • 17% Danceability • 6% Energy • 14% Liveness
72% Instrumentalness • 4% Positiveness
► Preview
Josef Rheinberger
Geistliche Chöre, Op. 69: III. Abendlie...
136 bpm • F Maj • 03:21 • -27db
15% Popularity • 18% Danceability • 5% Energy • 7% Liveness
51% Instrumentalness • 4% Positiveness
15% Popularity • 18% Danceability • 5% Energy • 7% Liveness
51% Instrumentalness • 4% Positiveness
► Preview
Franz Schubert
Lacrimosa son io, D. 131b
136 bpm • D min • 04:20 • -26.94db
8% Popularity • 22% Danceability • 5% Energy • 6% Liveness
78% Instrumentalness • 3% Positiveness
8% Popularity • 22% Danceability • 5% Energy • 6% Liveness
78% Instrumentalness • 3% Positiveness
► Preview
Will Todd
Stay With Me, Lord
136 bpm • F Maj • 07:44 • -19.55db
9% Popularity • 17% Danceability • 17% Energy • 10% Liveness
67% Instrumentalness • 3% Positiveness
9% Popularity • 17% Danceability • 17% Energy • 10% Liveness
67% Instrumentalness • 3% Positiveness
► Preview
USSR Ministry of Culture Chamber Choir
Amen, And with thy spirit
136 bpm • C Maj • 01:16 • -28db
30% Popularity • 22% Danceability • 6% Energy • 18% Liveness
58% Instrumentalness • 3% Positiveness
30% Popularity • 22% Danceability • 6% Energy • 18% Liveness
58% Instrumentalness • 3% Positiveness
► Preview
Alonso Lobo
Lamentations Ieremiae Prophetae: De lame...
137 bpm • B min • 01:10 • -25.21db
16% Popularity • 16% Danceability • 8% Energy • 22% Liveness
98% Instrumentalness • 4% Positiveness
16% Popularity • 16% Danceability • 8% Energy • 22% Liveness
98% Instrumentalness • 4% Positiveness
► Preview
Anton Bruckner
Christus factus est, WAB 11
137 bpm • C min • 05:54 • -21.38db
20% Popularity • 16% Danceability • 7% Energy • 9% Liveness
12% Instrumentalness • 3% Positiveness
20% Popularity • 16% Danceability • 7% Energy • 9% Liveness
12% Instrumentalness • 3% Positiveness
► Preview
Sergei Rachmaninoff
Sergei Rachmaninoff: Bogoróditse Dévo
135 bpm • F Maj • 02:49 • -24db
23% Popularity • 18% Danceability • 11% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
23% Popularity • 18% Danceability • 11% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Richard Burchard
Sitivit anima mea (Live)
135 bpm • D# Maj • 06:08 • -29.73db
22% Popularity • 16% Danceability • 3% Energy • 69% Liveness
17% Instrumentalness • 3% Positiveness
22% Popularity • 16% Danceability • 3% Energy • 69% Liveness
17% Instrumentalness • 3% Positiveness
► Preview
Stephen Paulus
The Day Is Done (2006)
135 bpm • D Maj • 05:20 • -27.97db
31% Popularity • 16% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
31% Popularity • 16% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
William Henry Monk
Abide with me
137 bpm • E Maj • 03:27 • -14.15db
18% Popularity • 19% Danceability • 20% Energy • 10% Liveness
11% Instrumentalness • 4% Positiveness
18% Popularity • 19% Danceability • 20% Energy • 10% Liveness
11% Instrumentalness • 4% Positiveness
► Preview
Alonso Lobo
Versa est in luctum
135 bpm • G min • 05:32 • -22.04db
37% Popularity • 16% Danceability • 12% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
37% Popularity • 16% Danceability • 12% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
► Preview
The Tallis Scholars
Allegri: Miserere - 01. Miserere Mei, De...
135 bpm • A# Maj • 01:12 • -27db
42% Popularity • 19% Danceability • 10% Energy • 16% Liveness
39% Instrumentalness • 3% Positiveness
42% Popularity • 19% Danceability • 10% Energy • 16% Liveness
39% Instrumentalness • 3% Positiveness
► Preview
Sergei Rachmaninoff
Vespers, Op. 37: V. "Nyne otpushchayeshi...
135 bpm • F# Maj • 03:43 • -35db
34% Popularity • 16% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
34% Popularity • 16% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
► Preview
Wolfgang Amadeus Mozart
Laudate Dominum
135 bpm • F Maj • 05:12 • -24.9db
28% Popularity • 20% Danceability • 8% Energy • 16% Liveness
3% Instrumentalness • 4% Positiveness
28% Popularity • 20% Danceability • 8% Energy • 16% Liveness
3% Instrumentalness • 4% Positiveness
► Preview
Robert Lucas Pearsall
Tu es Petrus
137 bpm • D# Maj • 02:48 • -29db
17% Popularity • 15% Danceability • 6% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
17% Popularity • 15% Danceability • 6% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
► Preview
Gregorio Allegri
Miserere: X. Benigne fac Domine in bona ...
137 bpm • B min • 01:08 • -31.28db
38% Popularity • 22% Danceability • 2% Energy • 9% Liveness
55% Instrumentalness • 4% Positiveness
38% Popularity • 22% Danceability • 2% Energy • 9% Liveness
55% Instrumentalness • 4% Positiveness
► Preview
Johannes Brahms
Geistliches Lied, Op. 30
137 bpm • D# Maj • 05:54 • -22.77db
16% Popularity • 16% Danceability • 11% Energy • 30% Liveness
94% Instrumentalness • 3% Positiveness
16% Popularity • 16% Danceability • 11% Energy • 30% Liveness
94% Instrumentalness • 3% Positiveness
► Preview
The Tallis Scholars
Tallis: Sancte Deus - 4. Quia Per Crucem...
137 bpm • A min • 01:26 • -23.78db
40% Popularity • 17% Danceability • 11% Energy • 11% Liveness
11% Instrumentalness • 4% Positiveness
40% Popularity • 17% Danceability • 11% Energy • 11% Liveness
11% Instrumentalness • 4% Positiveness
► Preview
Juan de Anchieta
Con amores, la mi madre (arr. Bob Chilco...
137 bpm • F Maj • 02:19 • -25.4db
9% Popularity • 20% Danceability • 4% Energy • 10% Liveness
14% Instrumentalness • 7% Positiveness
9% Popularity • 20% Danceability • 4% Energy • 10% Liveness
14% Instrumentalness • 7% Positiveness
► Preview
Paul Mealor
Locus Iste
137 bpm • D# Maj • 06:28 • -23.9db
19% Popularity • 15% Danceability • 4% Energy • 9% Liveness
70% Instrumentalness • 4% Positiveness
19% Popularity • 15% Danceability • 4% Energy • 9% Liveness
70% Instrumentalness • 4% Positiveness
► Preview
Benedict Sheehan
Liturgy of St. John Chrysostom: No. 4, O...
138 bpm • F min • 02:53 • -24db
18% Popularity • 17% Danceability • 11% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
18% Popularity • 17% Danceability • 11% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
► Preview
Salt Lake Vocal Artists
O Filii Et Filiae
134 bpm • G# Maj • 03:46 • -18.09db
10% Popularity • 20% Danceability • 15% Energy • 8% Liveness
49% Instrumentalness • 7% Positiveness
10% Popularity • 20% Danceability • 15% Energy • 8% Liveness
49% Instrumentalness • 7% Positiveness
► Preview
Jacobus Gallus
Repleti sunt
134 bpm • F min • 01:58 • -20.77db
34% Popularity • 20% Danceability • 13% Energy • 7% Liveness
64% Instrumentalness • 9% Positiveness
34% Popularity • 20% Danceability • 13% Energy • 7% Liveness
64% Instrumentalness • 9% Positiveness
► Preview
The Tallis Scholars
Tallis: Spem in Alium - 1. Spem in Alium
138 bpm • D Maj • 05:04 • -20db
34% Popularity • 15% Danceability • 14% Energy • 24% Liveness
0% Instrumentalness • 3% Positiveness
34% Popularity • 15% Danceability • 14% Energy • 24% Liveness
0% Instrumentalness • 3% Positiveness
► Preview
Gustav Holst
Psalm 148, Lord who has made us for Thin...
138 bpm • C Maj • 04:53 • -17.74db
18% Popularity • 22% Danceability • 21% Energy • 13% Liveness
2% Instrumentalness • 4% Positiveness
18% Popularity • 22% Danceability • 21% Energy • 13% Liveness
2% Instrumentalness • 4% Positiveness
► Preview
Josef Rheinberger
3 Sacred Songs, Op. 69: No. 3, Abendlied...
134 bpm • F Maj • 03:24 • -22db
16% Popularity • 17% Danceability • 20% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
16% Popularity • 17% Danceability • 20% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
► Preview
Dan Forrest
Jubilate Deo: I. Jubilate Deo (Oh Be Joy...
138 bpm • D Maj • 08:56 • -13db
12% Popularity • 28% Danceability • 36% Energy • 36% Liveness
0% Instrumentalness • 14% Positiveness
12% Popularity • 28% Danceability • 36% Energy • 36% Liveness
0% Instrumentalness • 14% Positiveness
► Preview
Anna Thorvaldsdottir
Heyr þú oss himnum á
138 bpm • D min • 04:22 • -27.71db
13% Popularity • 15% Danceability • 4% Energy • 10% Liveness
11% Instrumentalness • 3% Positiveness
13% Popularity • 15% Danceability • 4% Energy • 10% Liveness
11% Instrumentalness • 3% Positiveness
► Preview
Sjaella
Christ fuhr gen Himmel
134 bpm • E min • 02:17 • -24.65db
30% Popularity • 26% Danceability • 7% Energy • 16% Liveness
92% Instrumentalness • 4% Positiveness
30% Popularity • 26% Danceability • 7% Energy • 16% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
James Whitbourn
Son of God Mass: Gloria
138 bpm • D Maj • 03:45 • -20db
16% Popularity • 16% Danceability • 11% Energy • 15% Liveness
56% Instrumentalness • 4% Positiveness
16% Popularity • 16% Danceability • 11% Energy • 15% Liveness
56% Instrumentalness • 4% Positiveness
► Preview
Henry Francis Lyte
Abide With Me
138 bpm • D# Maj • 04:09 • -17.43db
7% Popularity • 18% Danceability • 24% Energy • 17% Liveness
3% Instrumentalness • 7% Positiveness
7% Popularity • 18% Danceability • 24% Energy • 17% Liveness
3% Instrumentalness • 7% Positiveness
► Preview
Sven-David Sandström
4 Songs of Love: No. 4, His Left Hand
138 bpm • A min • 01:55 • -40db
18% Popularity • 14% Danceability • 1% Energy • 8% Liveness
53% Instrumentalness • 3% Positiveness
18% Popularity • 14% Danceability • 1% Energy • 8% Liveness
53% Instrumentalness • 3% Positiveness
► Preview
Christian Forshaw
In Paradisum
138 bpm • C Maj • 03:59 • -22.95db
17% Popularity • 15% Danceability • 5% Energy • 11% Liveness
82% Instrumentalness • 3% Positiveness
17% Popularity • 15% Danceability • 5% Energy • 11% Liveness
82% Instrumentalness • 3% Positiveness
► Preview
Stephen Paulus
The Three Hermits: Pilgrims' Hymn
134 bpm • G Maj • 03:35 • -27.76db
21% Popularity • 18% Danceability • 4% Energy • 6% Liveness
31% Instrumentalness • 4% Positiveness
21% Popularity • 18% Danceability • 4% Energy • 6% Liveness
31% Instrumentalness • 4% Positiveness
► Preview
St. Petersburg Optina Pustyn Male Choir
The Waves are Sleepy
138 bpm • G# Maj • 01:26 • -22db
30% Popularity • 23% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
30% Popularity • 23% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
► Preview
Nikolay Kedrov
Otche nash (Our Father)
138 bpm • A# Maj • 03:14 • -34.01db
15% Popularity • 15% Danceability • 3% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
15% Popularity • 15% Danceability • 3% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Nathan James Dearden
i breathe
134 bpm • G min • 05:40 • -27.45db
21% Popularity • 16% Danceability • 8% Energy • 21% Liveness
36% Instrumentalness • 3% Positiveness
21% Popularity • 16% Danceability • 8% Energy • 21% Liveness
36% Instrumentalness • 3% Positiveness
► Preview
Paul Mealor
Crucifixus: 2. Your Silence Is Stillness
139 bpm • A min • 05:22 • -23db
12% Popularity • 17% Danceability • 8% Energy • 14% Liveness
1% Instrumentalness • 5% Positiveness
12% Popularity • 17% Danceability • 8% Energy • 14% Liveness
1% Instrumentalness • 5% Positiveness
► Preview
Anton Bruckner
Locus iste, WAB 23
139 bpm • C Maj • 03:30 • -23.34db
19% Popularity • 15% Danceability • 5% Energy • 8% Liveness
57% Instrumentalness • 3% Positiveness
19% Popularity • 15% Danceability • 5% Energy • 8% Liveness
57% Instrumentalness • 3% Positiveness
► Preview
Kiev Chamber Choir
Lord's Prayer
133 bpm • F Maj • 02:23 • -19.42db
29% Popularity • 19% Danceability • 20% Energy • 10% Liveness
94% Instrumentalness • 9% Positiveness
29% Popularity • 19% Danceability • 20% Energy • 10% Liveness
94% Instrumentalness • 9% Positiveness
► Preview
Johann Sebastian Bach
St. Matthew Passion, BWV 244 / Part Two:...
139 bpm • D Maj • 01:03 • -27.5db
41% Popularity • 19% Danceability • 5% Energy • 12% Liveness
92% Instrumentalness • 23% Positiveness
41% Popularity • 19% Danceability • 5% Energy • 12% Liveness
92% Instrumentalness • 23% Positiveness
► Preview
Thomas Morley
The Third Dirge Anthem: I Heard a Voice ...
133 bpm • G# min • 01:56 • -27.88db
34% Popularity • 16% Danceability • 3% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
34% Popularity • 16% Danceability • 3% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
► Preview
Henry Purcell
Remember Not, Lord, Our Offences, Z. 50
133 bpm • A min • 03:16 • -24.9db
17% Popularity • 17% Danceability • 11% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
17% Popularity • 17% Danceability • 11% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
► Preview
Ola Gjeilo
Evening Prayer
133 bpm • A Maj • 05:54 • -28.41db
23% Popularity • 16% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
23% Popularity • 16% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Alonso Lobo
Lamentations Ieremiae Prophetae: Bonus e...
133 bpm • B min • 01:19 • -25.15db
13% Popularity • 17% Danceability • 7% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
13% Popularity • 17% Danceability • 7% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
► Preview
Patrick Hawes
Quanta Qualia
139 bpm • D# Maj • 05:00 • -21.7db
11% Popularity • 14% Danceability • 5% Energy • 22% Liveness
43% Instrumentalness • 4% Positiveness
11% Popularity • 14% Danceability • 5% Energy • 22% Liveness
43% Instrumentalness • 4% Positiveness
► Preview
Pavel Chesnokov
Spaseniye sodelal yesi posrede zemli (Sa...
133 bpm • D Maj • 03:35 • -27db
32% Popularity • 16% Danceability • 2% Energy • 6% Liveness
61% Instrumentalness • 4% Positiveness
32% Popularity • 16% Danceability • 2% Energy • 6% Liveness
61% Instrumentalness • 4% Positiveness
► Preview
Giovanni Battista Martini
In monte Oliveti, IGM 4
133 bpm • G min • 01:34 • -27.54db
47% Popularity • 23% Danceability • 3% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
47% Popularity • 23% Danceability • 3% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
► Preview
Stephen Paulus
The Road Home
133 bpm • F Maj • 03:56 • -28.22db
43% Popularity • 20% Danceability • 5% Energy • 12% Liveness
3% Instrumentalness • 5% Positiveness
43% Popularity • 20% Danceability • 5% Energy • 12% Liveness
3% Instrumentalness • 5% Positiveness
► Preview
Ola Gjeilo
Ave Generosa
139 bpm • G min • 04:32 • -19.72db
30% Popularity • 17% Danceability • 17% Energy • 14% Liveness
3% Instrumentalness • 4% Positiveness
30% Popularity • 17% Danceability • 17% Energy • 14% Liveness
3% Instrumentalness • 4% Positiveness
► Preview
Wolfgang Amadeus Mozart
Exsultate jubilate, K. 165: Alleluia
139 bpm • E Maj • 02:26 • -19db
10% Popularity • 43% Danceability • 11% Energy • 15% Liveness
0% Instrumentalness • 47% Positiveness
10% Popularity • 43% Danceability • 11% Energy • 15% Liveness
0% Instrumentalness • 47% Positiveness
► Preview
Anna Lapwood
O Nata Lux
139 bpm • C Maj • 04:02 • -29.84db
14% Popularity • 15% Danceability • 2% Energy • 7% Liveness
95% Instrumentalness • 3% Positiveness
14% Popularity • 15% Danceability • 2% Energy • 7% Liveness
95% Instrumentalness • 3% Positiveness
► Preview
Paweł Łukaszewski
Responsoria Tenebrae: III. Recessit past...
133 bpm • D min • 03:46 • -26.86db
3% Popularity • 16% Danceability • 3% Energy • 14% Liveness
1% Instrumentalness • 4% Positiveness
3% Popularity • 16% Danceability • 3% Energy • 14% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Will Todd
Softly
133 bpm • D# Maj • 03:30 • -29.39db
19% Popularity • 17% Danceability • 1% Energy • 10% Liveness
29% Instrumentalness • 4% Positiveness
19% Popularity • 17% Danceability • 1% Energy • 10% Liveness
29% Instrumentalness • 4% Positiveness
► Preview
Vicente Lusitano
Regina caeli
139 bpm • G# Maj • 04:11 • -22.47db
30% Popularity • 18% Danceability • 13% Energy • 6% Liveness
0% Instrumentalness • 10% Positiveness
30% Popularity • 18% Danceability • 13% Energy • 6% Liveness
0% Instrumentalness • 10% Positiveness
► Preview
Ola Gjeilo
Phoenix
139 bpm • A Maj • 04:25 • -30db
16% Popularity • 15% Danceability • 3% Energy • 7% Liveness
48% Instrumentalness • 3% Positiveness
16% Popularity • 15% Danceability • 3% Energy • 7% Liveness
48% Instrumentalness • 3% Positiveness
► Preview
The Tallis Scholars
Tallis: Spem in Alium - 3. Respice
140 bpm • B min • 00:59 • -22db
40% Popularity • 14% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
40% Popularity • 14% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
► Preview
Alonso Lobo
Lamentations Ieremiae Prophetae: Ponet i...
132 bpm • B min • 01:10 • -23db
18% Popularity • 16% Danceability • 9% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
18% Popularity • 16% Danceability • 9% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
► Preview
Kiev Chamber Choir
To Thee We Sing - S.Rachmaninoff Version
132 bpm • D# Maj • 03:21 • -21.33db
17% Popularity • 16% Danceability • 13% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
17% Popularity • 16% Danceability • 13% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
► Preview
Sergei Rachmaninoff
Hymn to the Cherubim
140 bpm • G Maj • 04:38 • -23.56db
17% Popularity • 15% Danceability • 8% Energy • 6% Liveness
6% Instrumentalness • 4% Positiveness
17% Popularity • 15% Danceability • 8% Energy • 6% Liveness
6% Instrumentalness • 4% Positiveness
► Preview
Rebecca Clarke
Ave Maria
140 bpm • A min • 02:28 • -24.77db
12% Popularity • 23% Danceability • 6% Energy • 6% Liveness
91% Instrumentalness • 4% Positiveness
12% Popularity • 23% Danceability • 6% Energy • 6% Liveness
91% Instrumentalness • 4% Positiveness
► Preview
Ola Gjeilo
The Spheres
133 bpm • C# min • 04:51 • -35db
27% Popularity • 16% Danceability • 2% Energy • 6% Liveness
53% Instrumentalness • 3% Positiveness
27% Popularity • 16% Danceability • 2% Energy • 6% Liveness
53% Instrumentalness • 3% Positiveness
► Preview
Christian Forshaw
Psalm 121 - Arr. for Saxophone and Vocal...
132 bpm • D Maj • 03:20 • -26.35db
12% Popularity • 22% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
12% Popularity • 22% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Alonso Lobo
Lamentations Ieremiae Prophetae: Bonum e...
140 bpm • B min • 01:31 • -26.51db
15% Popularity • 15% Danceability • 5% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
15% Popularity • 15% Danceability • 5% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
► Preview
Michael John Trotta
Surge Illuminare - Live
132 bpm • D Maj • 03:04 • -23.85db
16% Popularity • 19% Danceability • 7% Energy • 17% Liveness
21% Instrumentalness • 4% Positiveness
16% Popularity • 19% Danceability • 7% Energy • 17% Liveness
21% Instrumentalness • 4% Positiveness
► Preview
John Tavener
Song for Athene
140 bpm • A# Maj • 06:10 • -25.5db
28% Popularity • 14% Danceability • 2% Energy • 10% Liveness
28% Instrumentalness • 3% Positiveness
28% Popularity • 14% Danceability • 2% Energy • 10% Liveness
28% Instrumentalness • 3% Positiveness
► Preview
Kammerkoor Head Ööd Vend
Õhtul
141 bpm • D# Maj • 03:41 • -27db
32% Popularity • 14% Danceability • 1% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
32% Popularity • 14% Danceability • 1% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
► Preview
Hildegard von Bingen
O Viridissima virga
131 bpm • C Maj • 03:48 • -26.4db
13% Popularity • 34% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
13% Popularity • 34% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
► Preview
Thomas Tallis
Sancte Deus
132 bpm • A min • 05:50 • -26.28db
12% Popularity • 16% Danceability • 6% Energy • 7% Liveness
3% Instrumentalness • 4% Positiveness
12% Popularity • 16% Danceability • 6% Energy • 7% Liveness
3% Instrumentalness • 4% Positiveness
► Preview
Henry Purcell
Burial service: Thou knowest, Lord (Henr...
131 bpm • B Maj • 01:53 • -17db
16% Popularity • 25% Danceability • 14% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
16% Popularity • 25% Danceability • 14% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
► Preview
Chamber Choir Versija
O Weisheit
131 bpm • A Maj • 02:17 • -19.36db
21% Popularity • 22% Danceability • 16% Energy • 15% Liveness
84% Instrumentalness • 4% Positiveness
21% Popularity • 22% Danceability • 16% Energy • 15% Liveness
84% Instrumentalness • 4% Positiveness
► Preview
Anton Bruckner
Ecce sacerdos magnus, WAB 13
131 bpm • A Maj • 06:33 • -18.17db
10% Popularity • 23% Danceability • 15% Energy • 35% Liveness
73% Instrumentalness • 3% Positiveness
10% Popularity • 23% Danceability • 15% Energy • 35% Liveness
73% Instrumentalness • 3% Positiveness
► Preview
Sergei Rachmaninoff
Lord, Now Lettest Thou
131 bpm • F# Maj • 03:33 • -28.22db
13% Popularity • 16% Danceability • 4% Energy • 8% Liveness
67% Instrumentalness • 4% Positiveness
13% Popularity • 16% Danceability • 4% Energy • 8% Liveness
67% Instrumentalness • 4% Positiveness
► Preview
Ralph Vaughan Williams
Rest
141 bpm • D# Maj • 03:51 • -32db
13% Popularity • 14% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 3% Positiveness
13% Popularity • 14% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 3% Positiveness
► Preview
St. Petersburg Optina Pustyn Male Choir
Steppe, Endless Steppe
131 bpm • A# Maj • 02:48 • -21.5db
24% Popularity • 18% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
24% Popularity • 18% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
James Whitbourn
Son of God Mass: Sanctus and Benedictus
131 bpm • F Maj • 03:00 • -21.5db
26% Popularity • 19% Danceability • 12% Energy • 6% Liveness
90% Instrumentalness • 4% Positiveness
26% Popularity • 19% Danceability • 12% Energy • 6% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Niels Gade
Morgensang af Elverskud
131 bpm • G Maj • 02:12 • -20.41db
13% Popularity • 21% Danceability • 18% Energy • 11% Liveness
17% Instrumentalness • 4% Positiveness
13% Popularity • 21% Danceability • 18% Energy • 11% Liveness
17% Instrumentalness • 4% Positiveness
► Preview
Thomas Atwood
Turn Thy face from my sins
142 bpm • E Maj • 04:04 • -26.13db
8% Popularity • 22% Danceability • 6% Energy • 10% Liveness
3% Instrumentalness • 4% Positiveness
8% Popularity • 22% Danceability • 6% Energy • 10% Liveness
3% Instrumentalness • 4% Positiveness
► Preview
Michael John Trotta
Ave Verum Corpus - Live
131 bpm • C# min • 03:47 • -25.17db
13% Popularity • 17% Danceability • 6% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
13% Popularity • 17% Danceability • 6% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Max Reger
Nachtlied
130 bpm • B min • 03:02 • -27db
14% Popularity • 19% Danceability • 4% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
14% Popularity • 19% Danceability • 4% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Rebecca Dale
I Wandered Lonely As A Cloud
130 bpm • E min • 04:45 • -24.2db
13% Popularity • 19% Danceability • 8% Energy • 10% Liveness
72% Instrumentalness • 4% Positiveness
13% Popularity • 19% Danceability • 8% Energy • 10% Liveness
72% Instrumentalness • 4% Positiveness
► Preview
Philip Stopford
Ave verum
142 bpm • F# min • 03:35 • -27.27db
28% Popularity • 14% Danceability • 9% Energy • 13% Liveness
2% Instrumentalness • 4% Positiveness
28% Popularity • 14% Danceability • 9% Energy • 13% Liveness
2% Instrumentalness • 4% Positiveness
► Preview
Judith Bingham
The Drowned Lovers
142 bpm • D# min • 05:43 • -27.58db
8% Popularity • 18% Danceability • 5% Energy • 12% Liveness
2% Instrumentalness • 3% Positiveness
8% Popularity • 18% Danceability • 5% Energy • 12% Liveness
2% Instrumentalness • 3% Positiveness
► Preview
Herbert Howells
Requiem: Salvator Mundi
130 bpm • G Maj • 02:19 • -30.35db
24% Popularity • 17% Danceability • 2% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
24% Popularity • 17% Danceability • 2% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
► Preview
St. Petersburg Optina Pustyn Male Choir
Song of Cherubs: Izhe Kheruvimi (Cherubi...
130 bpm • A Maj • 04:43 • -20db
22% Popularity • 16% Danceability • 15% Energy • 11% Liveness
4% Instrumentalness • 4% Positiveness
22% Popularity • 16% Danceability • 15% Energy • 11% Liveness
4% Instrumentalness • 4% Positiveness
► Preview
Alexander Gretchaninov
Passion Week, Op. 58: I. Behold, the Bri...
130 bpm • C# min • 05:52 • -28db
13% Popularity • 16% Danceability • 9% Energy • 10% Liveness
80% Instrumentalness • 3% Positiveness
13% Popularity • 16% Danceability • 9% Energy • 10% Liveness
80% Instrumentalness • 3% Positiveness
► Preview
Hubert Parry
Songs of Farewell: I Know My Soul Hath P...
130 bpm • F Maj • 02:03 • -30db
14% Popularity • 16% Danceability • 2% Energy • 13% Liveness
14% Instrumentalness • 3% Positiveness
14% Popularity • 16% Danceability • 2% Energy • 13% Liveness
14% Instrumentalness • 3% Positiveness
► Preview
Philip Stopford
There Is No Rose
130 bpm • A# Maj • 03:27 • -27db
14% Popularity • 22% Danceability • 5% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
14% Popularity • 22% Danceability • 5% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Arnold Schoenberg
Friede auf Erden, Op. 13
130 bpm • D Maj • 10:30 • -21.16db
11% Popularity • 18% Danceability • 10% Energy • 6% Liveness
51% Instrumentalness • 3% Positiveness
11% Popularity • 18% Danceability • 10% Energy • 6% Liveness
51% Instrumentalness • 3% Positiveness
► Preview
Ola Gjeilo
Sacred Heart (Ubi Caritas III)
129 bpm • G# Maj • 05:09 • -26.68db
16% Popularity • 17% Danceability • 9% Energy • 17% Liveness
79% Instrumentalness • 4% Positiveness
16% Popularity • 17% Danceability • 9% Energy • 17% Liveness
79% Instrumentalness • 4% Positiveness
► Preview
Kerensa Briggs
Media Vita
143 bpm • B min • 03:00 • -25.74db
37% Popularity • 14% Danceability • 8% Energy • 10% Liveness
26% Instrumentalness • 4% Positiveness
37% Popularity • 14% Danceability • 8% Energy • 10% Liveness
26% Instrumentalness • 4% Positiveness
► Preview
Will Todd
In This Place
129 bpm • E Maj • 04:30 • -24.43db
8% Popularity • 18% Danceability • 3% Energy • 9% Liveness
27% Instrumentalness • 4% Positiveness
8% Popularity • 18% Danceability • 3% Energy • 9% Liveness
27% Instrumentalness • 4% Positiveness
