Songs like Abide With Me by London Regency Choir
Based on a tempo of (+/- 10%) and a similar genre
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Worcester Cathedral Choir
Away in a Manger
73 bpm • G# Maj • 03:14 • -30db
18% Popularity • 14% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
18% Popularity • 14% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
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The National Lutheran Choir
Lord of the Dance
73 bpm • G Maj • 02:15 • -22.96db
10% Popularity • 32% Danceability • 5% Energy • 32% Liveness
0% Instrumentalness • 36% Positiveness
10% Popularity • 32% Danceability • 5% Energy • 32% Liveness
0% Instrumentalness • 36% Positiveness
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Choir of King's College, Cambridge
O Come All Ye Faithful (Adeste fideles)
73 bpm • G Maj • 04:01 • -17.09db
12% Popularity • 19% Danceability • 27% Energy • 19% Liveness
93% Instrumentalness • 10% Positiveness
12% Popularity • 19% Danceability • 27% Energy • 19% Liveness
93% Instrumentalness • 10% Positiveness
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Adolphe Adam
Adam / Arr Prizeman: O Holy Night
73 bpm • C Maj • 04:42 • -13db
9% Popularity • 14% Danceability • 24% Energy • 14% Liveness
81% Instrumentalness • 4% Positiveness
9% Popularity • 14% Danceability • 24% Energy • 14% Liveness
81% Instrumentalness • 4% Positiveness
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London Regency Choir
Abide With Me
73 bpm • D# Maj • 05:48 • -20.04db
2% Popularity • 8% Danceability • 14% Energy • 10% Liveness
81% Instrumentalness • 9% Positiveness
2% Popularity • 8% Danceability • 14% Energy • 10% Liveness
81% Instrumentalness • 9% Positiveness
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Robert Lowry
How Can I Keep from Singing?
72 bpm • C# Maj • 02:13 • -13.49db
15% Popularity • 14% Danceability • 20% Energy • 8% Liveness
2% Instrumentalness • 4% Positiveness
15% Popularity • 14% Danceability • 20% Energy • 8% Liveness
2% Instrumentalness • 4% Positiveness
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Worcester Cathedral Choir
Coventry Carol
73 bpm • G Maj • 03:59 • -32.77db
14% Popularity • 14% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
14% Popularity • 14% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
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Harold Darke
In the Bleak Midwinter
72 bpm • G# Maj • 04:57 • -26.24db
24% Popularity • 17% Danceability • 13% Energy • 11% Liveness
35% Instrumentalness • 4% Positiveness
24% Popularity • 17% Danceability • 13% Energy • 11% Liveness
35% Instrumentalness • 4% Positiveness
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Ola Gjeilo
Det hev ei rose sprunge
72 bpm • G Maj • 02:51 • -20.49db
8% Popularity • 15% Danceability • 15% Energy • 24% Liveness
9% Instrumentalness • 20% Positiveness
8% Popularity • 15% Danceability • 15% Energy • 24% Liveness
9% Instrumentalness • 20% Positiveness
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Lowell Mason
When I Survey the Wondrous Cross
72 bpm • D Maj • 04:00 • -15.08db
0% Popularity • 19% Danceability • 36% Energy • 11% Liveness
89% Instrumentalness • 9% Positiveness
0% Popularity • 19% Danceability • 36% Energy • 11% Liveness
89% Instrumentalness • 9% Positiveness
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The Choir Of Westminster Abbey
Let All the World in Every Corner Sing (...
74 bpm • D Maj • 01:45 • -15db
12% Popularity • 25% Danceability • 26% Energy • 10% Liveness
6% Instrumentalness • 33% Positiveness
12% Popularity • 25% Danceability • 26% Energy • 10% Liveness
6% Instrumentalness • 33% Positiveness
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Robert Parsons
Ave Maria
72 bpm • G# Maj • 04:38 • -29.43db
12% Popularity • 7% Danceability • 6% Energy • 7% Liveness
53% Instrumentalness • 4% Positiveness
12% Popularity • 7% Danceability • 6% Energy • 7% Liveness
53% Instrumentalness • 4% Positiveness
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Worcester Cathedral Choir
O Little Town Of Bethlehem
73 bpm • G Maj • 04:28 • -35.66db
9% Popularity • 7% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 7% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Harold Darke
In the Bleak Midwinter
72 bpm • G Maj • 04:58 • -30.13db
8% Popularity • 18% Danceability • 6% Energy • 10% Liveness
24% Instrumentalness • 3% Positiveness
8% Popularity • 18% Danceability • 6% Energy • 10% Liveness
24% Instrumentalness • 3% Positiveness
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Royal Philharmonic Orchestra
Good King Wenceslas
72 bpm • G# Maj • 02:53 • -18db
9% Popularity • 14% Danceability • 14% Energy • 10% Liveness
10% Instrumentalness • 42% Positiveness
9% Popularity • 14% Danceability • 14% Energy • 10% Liveness
10% Instrumentalness • 42% Positiveness
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London Regency Choir
Silent Night
74 bpm • C Maj • 03:02 • -21.51db
0% Popularity • 17% Danceability • 12% Energy • 7% Liveness
97% Instrumentalness • 4% Positiveness
0% Popularity • 17% Danceability • 12% Energy • 7% Liveness
97% Instrumentalness • 4% Positiveness
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Josh Groban
Panis Angelicus
72 bpm • G Maj • 04:17 • -15.01db
20% Popularity • 11% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
20% Popularity • 11% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Boris Ord
Adam lay y-bounden
71 bpm • B min • 01:16 • -19.48db
10% Popularity • 28% Danceability • 17% Energy • 25% Liveness
46% Instrumentalness • 16% Positiveness
10% Popularity • 28% Danceability • 17% Energy • 25% Liveness
46% Instrumentalness • 16% Positiveness
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Choir of King's College, Cambridge
Hark! The Herald Angels Sing
75 bpm • G Maj • 03:31 • -15.61db
14% Popularity • 17% Danceability • 34% Energy • 12% Liveness
84% Instrumentalness • 18% Positiveness
14% Popularity • 17% Danceability • 34% Energy • 12% Liveness
84% Instrumentalness • 18% Positiveness
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The Choir Of Westminster Abbey
Psalm 23: The Lord is My Shepherd ("Crim...
74 bpm • F Maj • 03:06 • -18.35db
24% Popularity • 19% Danceability • 19% Energy • 12% Liveness
1% Instrumentalness • 14% Positiveness
24% Popularity • 19% Danceability • 19% Energy • 12% Liveness
1% Instrumentalness • 14% Positiveness
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Robert Shaw
O Come, Emmanuel
75 bpm • E min • 02:49 • -30.22db
9% Popularity • 21% Danceability • 4% Energy • 26% Liveness
23% Instrumentalness • 5% Positiveness
9% Popularity • 21% Danceability • 4% Energy • 26% Liveness
23% Instrumentalness • 5% Positiveness
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John Rutter
Candlelight Carol
75 bpm • F# Maj • 04:10 • -25.41db
14% Popularity • 13% Danceability • 8% Energy • 9% Liveness
37% Instrumentalness • 5% Positiveness
14% Popularity • 13% Danceability • 8% Energy • 9% Liveness
37% Instrumentalness • 5% Positiveness
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Worcester Cathedral Choir
Sing Aloud - Arr. Gustav Holst
75 bpm • D# Maj • 02:18 • -21.91db
18% Popularity • 44% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
18% Popularity • 44% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Sir David Willcocks
While Shepherds Watched Their Flocks (ar...
75 bpm • F Maj • 02:29 • -28db
20% Popularity • 15% Danceability • 8% Energy • 11% Liveness
28% Instrumentalness • 26% Positiveness
20% Popularity • 15% Danceability • 8% Energy • 11% Liveness
28% Instrumentalness • 26% Positiveness
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![Quem pastores laudavere [unaccomp. version] - 2004 Remastered Version cover art](https://i.scdn.co/image/ab67616d00001e0280089b7e48cbd40ff2799281)
Choir of King's College, Cambridge
Quem pastores laudavere [unaccomp. versi...
71 bpm • F# Maj • 01:59 • -23.73db
17% Popularity • 25% Danceability • 13% Energy • 12% Liveness
21% Instrumentalness • 8% Positiveness
17% Popularity • 25% Danceability • 13% Energy • 12% Liveness
21% Instrumentalness • 8% Positiveness
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Henry John Gauntlett
Once In Royal David’s City (Desc. by P...
75 bpm • G Maj • 04:38 • -22db
17% Popularity • 11% Danceability • 14% Energy • 39% Liveness
41% Instrumentalness • 5% Positiveness
17% Popularity • 11% Danceability • 14% Energy • 39% Liveness
41% Instrumentalness • 5% Positiveness
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The St Philips Boy's Choir
Pie Jesu - Requiem
75 bpm • F# Maj • 03:31 • -20db
20% Popularity • 14% Danceability • 10% Energy • 10% Liveness
62% Instrumentalness • 4% Positiveness
20% Popularity • 14% Danceability • 10% Energy • 10% Liveness
62% Instrumentalness • 4% Positiveness
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The Choir Of Westminster Abbey
Christ is Made Sure the Foundation ("Wes...
71 bpm • G# Maj • 03:48 • -19.3db
14% Popularity • 10% Danceability • 18% Energy • 24% Liveness
71% Instrumentalness • 8% Positiveness
14% Popularity • 10% Danceability • 18% Energy • 24% Liveness
71% Instrumentalness • 8% Positiveness
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Chanticleer
Ave Maria
71 bpm • C# Maj • 06:58 • -22.14db
10% Popularity • 6% Danceability • 6% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 6% Danceability • 6% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Traditional
Personent Hodie
71 bpm • D Maj • 02:32 • -23.48db
12% Popularity • 37% Danceability • 12% Energy • 15% Liveness
11% Instrumentalness • 34% Positiveness
12% Popularity • 37% Danceability • 12% Energy • 15% Liveness
11% Instrumentalness • 34% Positiveness
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Choir of King's College, Cambridge
Hark! The Herald Angels Sing
75 bpm • G Maj • 03:04 • -23.71db
29% Popularity • 21% Danceability • 9% Energy • 18% Liveness
14% Instrumentalness • 10% Positiveness
29% Popularity • 21% Danceability • 9% Energy • 18% Liveness
14% Instrumentalness • 10% Positiveness
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Loys Bourgeois
Old 100th / All People that on Earth do ...
75 bpm • G Maj • 04:40 • -11.41db
0% Popularity • 18% Danceability • 33% Energy • 10% Liveness
73% Instrumentalness • 12% Positiveness
0% Popularity • 18% Danceability • 33% Energy • 10% Liveness
73% Instrumentalness • 12% Positiveness
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John Stainer
Cross of Jesus
71 bpm • G Maj • 02:10 • -29.13db
10% Popularity • 9% Danceability • 13% Energy • 12% Liveness
5% Instrumentalness • 10% Positiveness
10% Popularity • 9% Danceability • 13% Energy • 12% Liveness
5% Instrumentalness • 10% Positiveness
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Felix Mendelssohn
Cummings & Mendelssohn: Hark! the Herald...
75 bpm • G Maj • 04:10 • -10.61db
9% Popularity • 12% Danceability • 34% Energy • 22% Liveness
70% Instrumentalness • 15% Positiveness
9% Popularity • 12% Danceability • 34% Energy • 22% Liveness
70% Instrumentalness • 15% Positiveness
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Anonymous
Gabriel's Message
75 bpm • A# min • 02:57 • -30.17db
10% Popularity • 15% Danceability • 7% Energy • 12% Liveness
85% Instrumentalness • 6% Positiveness
10% Popularity • 15% Danceability • 7% Energy • 12% Liveness
85% Instrumentalness • 6% Positiveness
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Pyotr Ilyich Tchaikovsky
The Crown of Roses
75 bpm • E min • 02:37 • -25.22db
8% Popularity • 16% Danceability • 7% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
8% Popularity • 16% Danceability • 7% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
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All Angels
Silent Night
70 bpm • D Maj • 03:14 • -11.29db
16% Popularity • 25% Danceability • 25% Energy • 13% Liveness
1% Instrumentalness • 8% Positiveness
16% Popularity • 25% Danceability • 25% Energy • 13% Liveness
1% Instrumentalness • 8% Positiveness
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Hans Leo Hassler
O Sacred Head
76 bpm • A min • 03:26 • -13.63db
0% Popularity • 22% Danceability • 39% Energy • 11% Liveness
20% Instrumentalness • 10% Positiveness
0% Popularity • 22% Danceability • 39% Energy • 11% Liveness
20% Instrumentalness • 10% Positiveness
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The Oxford Trinity Choir
Jerusalem
76 bpm • D Maj • 03:02 • -17.82db
23% Popularity • 16% Danceability • 20% Energy • 20% Liveness
89% Instrumentalness • 9% Positiveness
23% Popularity • 16% Danceability • 20% Energy • 20% Liveness
89% Instrumentalness • 9% Positiveness
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Traditional
What Child Is This?
76 bpm • D Maj • 01:20 • -33.76db
18% Popularity • 22% Danceability • 2% Energy • 10% Liveness
11% Instrumentalness • 6% Positiveness
18% Popularity • 22% Danceability • 2% Energy • 10% Liveness
11% Instrumentalness • 6% Positiveness
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William J. Kirkpatrick
Kirkpatrick: Away in a Manger (Arr. Ledg...
76 bpm • F# Maj • 02:09 • -29.78db
8% Popularity • 20% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
8% Popularity • 20% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
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Libera
In Dulci Jubilo
70 bpm • G Maj • 03:14 • -13.14db
8% Popularity • 41% Danceability • 23% Energy • 6% Liveness
98% Instrumentalness • 26% Positiveness
8% Popularity • 41% Danceability • 23% Energy • 6% Liveness
98% Instrumentalness • 26% Positiveness
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John Henry Hopkins
We Three Kings of Orient Are
76 bpm • G Maj • 02:09 • -25.08db
7% Popularity • 16% Danceability • 14% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
7% Popularity • 16% Danceability • 14% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
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Hubert Parry
Dear Lord and Father of Mankind
76 bpm • D# Maj • 03:58 • -13.15db
0% Popularity • 21% Danceability • 35% Energy • 12% Liveness
92% Instrumentalness • 9% Positiveness
0% Popularity • 21% Danceability • 35% Energy • 12% Liveness
92% Instrumentalness • 9% Positiveness
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The Oxford Trinity Choir
Hark! The Herald Angels Sing
76 bpm • G Maj • 03:27 • -13.47db
7% Popularity • 13% Danceability • 22% Energy • 58% Liveness
0% Instrumentalness • 20% Positiveness
7% Popularity • 13% Danceability • 22% Energy • 58% Liveness
0% Instrumentalness • 20% Positiveness
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The Tabernacle Choir at Temple Square
O Holy Night (Cantique De Noel)
76 bpm • D Maj • 05:06 • -19.37db
10% Popularity • 30% Danceability • 14% Energy • 10% Liveness
3% Instrumentalness • 4% Positiveness
10% Popularity • 30% Danceability • 14% Energy • 10% Liveness
3% Instrumentalness • 4% Positiveness
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Worcester Cathedral Choir
Ding Dong, Merrily on High
77 bpm • A# Maj • 02:06 • -18.8db
10% Popularity • 39% Danceability • 28% Energy • 36% Liveness
0% Instrumentalness • 54% Positiveness
10% Popularity • 39% Danceability • 28% Energy • 36% Liveness
0% Instrumentalness • 54% Positiveness
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Johann Sebastian Bach
Break forth, O beauteous heavenly light
76 bpm • G Maj • 01:15 • -22.93db
16% Popularity • 23% Danceability • 20% Energy • 13% Liveness
1% Instrumentalness • 13% Positiveness
16% Popularity • 23% Danceability • 20% Energy • 13% Liveness
1% Instrumentalness • 13% Positiveness
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Traditional
Coventry Carol
76 bpm • G Maj • 02:54 • -35.55db
19% Popularity • 23% Danceability • 2% Energy • 8% Liveness
2% Instrumentalness • 9% Positiveness
19% Popularity • 23% Danceability • 2% Energy • 8% Liveness
2% Instrumentalness • 9% Positiveness
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Joseph Mannheim
Lead Us, Heavenly Father, Lead Us
77 bpm • E Maj • 02:21 • -12.72db
0% Popularity • 20% Danceability • 40% Energy • 12% Liveness
67% Instrumentalness • 14% Positiveness
0% Popularity • 20% Danceability • 40% Energy • 12% Liveness
67% Instrumentalness • 14% Positiveness
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John Rutter
What Sweeter Music
77 bpm • F# Maj • 04:18 • -30.09db
14% Popularity • 10% Danceability • 7% Energy • 12% Liveness
61% Instrumentalness • 5% Positiveness
14% Popularity • 10% Danceability • 7% Energy • 12% Liveness
61% Instrumentalness • 5% Positiveness
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Marc-Antoine Charpentier
Charpentier: Messe de minuit pour Noël,...
70 bpm • C min • 01:27 • -21.41db
19% Popularity • 14% Danceability • 11% Energy • 40% Liveness
62% Instrumentalness • 35% Positiveness
19% Popularity • 14% Danceability • 11% Energy • 40% Liveness
62% Instrumentalness • 35% Positiveness
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Bob Chilcott
The Shepherd's Carol
70 bpm • D Maj • 02:49 • -27.33db
15% Popularity • 21% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
15% Popularity • 21% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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London Philharmonic Orchestra
I Know That My Redeemer Liveth
77 bpm • E Maj • 07:29 • -20.6db
18% Popularity • 14% Danceability • 11% Energy • 12% Liveness
4% Instrumentalness • 4% Positiveness
18% Popularity • 14% Danceability • 11% Energy • 12% Liveness
4% Instrumentalness • 4% Positiveness
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Libera
Still, Still, Still
77 bpm • D# Maj • 03:53 • -17.76db
10% Popularity • 10% Danceability • 18% Energy • 12% Liveness
64% Instrumentalness • 5% Positiveness
10% Popularity • 10% Danceability • 18% Energy • 12% Liveness
64% Instrumentalness • 5% Positiveness
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Gustav Holst
Holst: I Vow to Thee, My Country
77 bpm • C Maj • 02:33 • -21.19db
21% Popularity • 10% Danceability • 24% Energy • 10% Liveness
99% Instrumentalness • 8% Positiveness
21% Popularity • 10% Danceability • 24% Energy • 10% Liveness
99% Instrumentalness • 8% Positiveness
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Schola Cantorum Cantate Domino
Alta Trinita Beata
77 bpm • F Maj • 02:08 • -26.43db
13% Popularity • 19% Danceability • 9% Energy • 9% Liveness
23% Instrumentalness • 17% Positiveness
13% Popularity • 19% Danceability • 9% Energy • 9% Liveness
23% Instrumentalness • 17% Positiveness
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Adolphe Adam
O, Holy Night
77 bpm • D# Maj • 02:34 • -15.71db
8% Popularity • 16% Danceability • 25% Energy • 11% Liveness
40% Instrumentalness • 8% Positiveness
8% Popularity • 16% Danceability • 25% Energy • 11% Liveness
40% Instrumentalness • 8% Positiveness
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John Bacchus Dykes
The King of love my shepherd is
77 bpm • G Maj • 02:59 • -25.04db
9% Popularity • 22% Danceability • 12% Energy • 25% Liveness
49% Instrumentalness • 12% Positiveness
9% Popularity • 22% Danceability • 12% Energy • 25% Liveness
49% Instrumentalness • 12% Positiveness
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Trad
Eventide: Abide with me
77 bpm • D# Maj • 04:29 • -23.2db
12% Popularity • 13% Danceability • 14% Energy • 23% Liveness
31% Instrumentalness • 5% Positiveness
12% Popularity • 13% Danceability • 14% Energy • 23% Liveness
31% Instrumentalness • 5% Positiveness
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The Oxford Trinity Choir
The Lord's My Shepherd
69 bpm • G Maj • 02:57 • -21.36db
14% Popularity • 16% Danceability • 21% Energy • 44% Liveness
40% Instrumentalness • 5% Positiveness
14% Popularity • 16% Danceability • 21% Energy • 44% Liveness
40% Instrumentalness • 5% Positiveness
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John Zundel
Love Divine, All Loves Excelling
77 bpm • G Maj • 03:08 • -14.1db
0% Popularity • 20% Danceability • 28% Energy • 15% Liveness
76% Instrumentalness • 11% Positiveness
0% Popularity • 20% Danceability • 28% Energy • 15% Liveness
76% Instrumentalness • 11% Positiveness
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Choir of St Mary's Cathedral, Edinburgh
The Day Thou Gavest
77 bpm • G# Maj • 03:19 • -25.95db
12% Popularity • 16% Danceability • 5% Energy • 19% Liveness
0% Instrumentalness • 17% Positiveness
12% Popularity • 16% Danceability • 5% Energy • 19% Liveness
0% Instrumentalness • 17% Positiveness
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Cathedral Choir
Joy to the World
77 bpm • D Maj • 01:56 • -14.64db
7% Popularity • 29% Danceability • 19% Energy • 10% Liveness
84% Instrumentalness • 26% Positiveness
7% Popularity • 29% Danceability • 19% Energy • 10% Liveness
84% Instrumentalness • 26% Positiveness
► Preview
Jean Sibelius
Be Still My Soul
78 bpm • F Maj • 02:41 • -10.83db
19% Popularity • 17% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
19% Popularity • 17% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Stephen Cleobury
King Jesus Hath A Garden
78 bpm • A Maj • 03:24 • -30.16db
6% Popularity • 32% Danceability • 8% Energy • 10% Liveness
73% Instrumentalness • 32% Positiveness
6% Popularity • 32% Danceability • 8% Energy • 10% Liveness
73% Instrumentalness • 32% Positiveness
► Preview
Robert Philip Goodenough
Goodenough: Psalm CL: O Praise God in Hi...
78 bpm • G Maj • 01:46 • -12.66db
13% Popularity • 22% Danceability • 18% Energy • 9% Liveness
14% Instrumentalness • 22% Positiveness
13% Popularity • 22% Danceability • 18% Energy • 9% Liveness
14% Instrumentalness • 22% Positiveness
► Preview
John Joubert
There is no rose
78 bpm • G# Maj • 02:12 • -31.6db
6% Popularity • 16% Danceability • 3% Energy • 12% Liveness
7% Instrumentalness • 12% Positiveness
6% Popularity • 16% Danceability • 3% Energy • 12% Liveness
7% Instrumentalness • 12% Positiveness
► Preview
Celtic Woman
Panis Angelicus
69 bpm • G Maj • 03:56 • -16.97db
17% Popularity • 10% Danceability • 12% Energy • 12% Liveness
92% Instrumentalness • 5% Positiveness
17% Popularity • 10% Danceability • 12% Energy • 12% Liveness
92% Instrumentalness • 5% Positiveness
► Preview
Huddersfield Choral Society
O for a thousand tongues
68 bpm • G Maj • 03:21 • -18.01db
14% Popularity • 38% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
14% Popularity • 38% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
► Preview
Josh Groban
O Come All Ye Faithful
68 bpm • A# Maj • 04:38 • -10db
25% Popularity • 19% Danceability • 28% Energy • 18% Liveness
0% Instrumentalness • 7% Positiveness
25% Popularity • 19% Danceability • 28% Energy • 18% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
Benjamin Britten
A Ceremony of Carols, Op. 28: X. Deo gra...
78 bpm • E min • 01:07 • -22.87db
8% Popularity • 38% Danceability • 7% Energy • 9% Liveness
2% Instrumentalness • 29% Positiveness
8% Popularity • 38% Danceability • 7% Energy • 9% Liveness
2% Instrumentalness • 29% Positiveness
► Preview
Anonymous
Trad: In Dulci Jubilo
68 bpm • G Maj • 03:40 • -12.01db
7% Popularity • 26% Danceability • 38% Energy • 30% Liveness
85% Instrumentalness • 34% Positiveness
7% Popularity • 26% Danceability • 38% Energy • 30% Liveness
85% Instrumentalness • 34% Positiveness
► Preview
Johann Sebastian Bach
How shall I fitly meet thee?
68 bpm • C min • 01:20 • -26db
24% Popularity • 19% Danceability • 10% Energy • 10% Liveness
9% Instrumentalness • 4% Positiveness
24% Popularity • 19% Danceability • 10% Energy • 10% Liveness
9% Instrumentalness • 4% Positiveness
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William Gardiner
The Lord's My Shepherd
78 bpm • G Maj • 03:04 • -14.44db
0% Popularity • 13% Danceability • 31% Energy • 17% Liveness
84% Instrumentalness • 5% Positiveness
0% Popularity • 13% Danceability • 31% Energy • 17% Liveness
84% Instrumentalness • 5% Positiveness
► Preview
Sir David Willcocks
Gabriel's Message (arr. David Willcocks)
78 bpm • A min • 02:49 • -32db
25% Popularity • 24% Danceability • 2% Energy • 12% Liveness
68% Instrumentalness • 9% Positiveness
25% Popularity • 24% Danceability • 2% Energy • 12% Liveness
68% Instrumentalness • 9% Positiveness
► Preview
Choir of King's College, Cambridge
As With Gladness Men Of Old
78 bpm • G# Maj • 03:23 • -21.59db
11% Popularity • 20% Danceability • 16% Energy • 28% Liveness
0% Instrumentalness • 22% Positiveness
11% Popularity • 20% Danceability • 16% Energy • 28% Liveness
0% Instrumentalness • 22% Positiveness
► Preview
The Cathedral Singers
Night of Silence / Silent Night
78 bpm • A Maj • 04:17 • -14.37db
22% Popularity • 15% Danceability • 23% Energy • 9% Liveness
44% Instrumentalness • 12% Positiveness
22% Popularity • 15% Danceability • 23% Energy • 9% Liveness
44% Instrumentalness • 12% Positiveness
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Guildford Cathedral Choir
O Little Town Of Bethlehem
79 bpm • F Maj • 03:13 • -19.62db
11% Popularity • 14% Danceability • 19% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
11% Popularity • 14% Danceability • 19% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
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London Regency Choir
There Is a Green Hill Far Away
68 bpm • D# Maj • 02:55 • -17.02db
0% Popularity • 18% Danceability • 29% Energy • 12% Liveness
5% Instrumentalness • 7% Positiveness
0% Popularity • 18% Danceability • 29% Energy • 12% Liveness
5% Instrumentalness • 7% Positiveness
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Gustav Holst
In the Bleak Midwinter, H. 73
68 bpm • F Maj • 05:36 • -29.49db
7% Popularity • 10% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
7% Popularity • 10% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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John Hughes
Guide Me, oh Thou Great Redeemer
68 bpm • G# Maj • 03:06 • -14.44db
1% Popularity • 10% Danceability • 36% Energy • 11% Liveness
5% Instrumentalness • 15% Positiveness
1% Popularity • 10% Danceability • 36% Energy • 11% Liveness
5% Instrumentalness • 15% Positiveness
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Choir of King's College, Cambridge
Traditional: While Shepherds Watched The...
78 bpm • F Maj • 02:51 • -18.11db
4% Popularity • 11% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
4% Popularity • 11% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Henry Gauntlet
Once in Royal David's City
79 bpm • G Maj • 04:41 • -25.51db
26% Popularity • 10% Danceability • 11% Energy • 23% Liveness
26% Instrumentalness • 8% Positiveness
26% Popularity • 10% Danceability • 11% Energy • 23% Liveness
26% Instrumentalness • 8% Positiveness
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Vienna Boys' Choir
Stille Nacht / Silent Night
68 bpm • D Maj • 02:43 • -21.22db
11% Popularity • 24% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 8% Positiveness
11% Popularity • 24% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 8% Positiveness
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The Oxford Trinity Choir
I Vow to Thee My Country
68 bpm • C Maj • 02:37 • -17.77db
21% Popularity • 27% Danceability • 24% Energy • 13% Liveness
77% Instrumentalness • 8% Positiveness
21% Popularity • 27% Danceability • 24% Energy • 13% Liveness
77% Instrumentalness • 8% Positiveness
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Traditional
I Wonder as I Wander (arr. S. Pilkington...
79 bpm • F min • 03:58 • -26db
18% Popularity • 13% Danceability • 8% Energy • 14% Liveness
3% Instrumentalness • 4% Positiveness
18% Popularity • 13% Danceability • 8% Energy • 14% Liveness
3% Instrumentalness • 4% Positiveness
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Wayne Kirkpatrick
Away In a Manger (Arr. David Willcocks)
67 bpm • F Maj • 02:29 • -35.63db
5% Popularity • 23% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
5% Popularity • 23% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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Choir of King's College, Cambridge
Away In A Manager
68 bpm • F# Maj • 02:27 • -33.88db
23% Popularity • 9% Danceability • 5% Energy • 12% Liveness
97% Instrumentalness • 20% Positiveness
23% Popularity • 9% Danceability • 5% Energy • 12% Liveness
97% Instrumentalness • 20% Positiveness
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anon. 19th-century American
Amazing Grace
67 bpm • G# Maj • 04:01 • -20.83db
10% Popularity • 12% Danceability • 18% Energy • 32% Liveness
0% Instrumentalness • 6% Positiveness
10% Popularity • 12% Danceability • 18% Energy • 32% Liveness
0% Instrumentalness • 6% Positiveness
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Thomas Tallis
Glory to thee, my God, this night
79 bpm • G# Maj • 02:44 • -30.38db
21% Popularity • 17% Danceability • 7% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
21% Popularity • 17% Danceability • 7% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
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Anonymous
Trad / Arr Prizeman: Danny Boy
79 bpm • C# Maj • 02:42 • -16.96db
10% Popularity • 21% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
10% Popularity • 21% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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Johann Sebastian Bach
Herz und Mund und Tat und Leben, BWV 147...
79 bpm • G Maj • 02:49 • -29.76db
10% Popularity • 19% Danceability • 6% Energy • 27% Liveness
57% Instrumentalness • 28% Positiveness
10% Popularity • 19% Danceability • 6% Energy • 27% Liveness
57% Instrumentalness • 28% Positiveness
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Traditional
The First Noel
79 bpm • D Maj • 02:14 • -21.35db
15% Popularity • 15% Danceability • 13% Energy • 18% Liveness
42% Instrumentalness • 16% Positiveness
15% Popularity • 15% Danceability • 13% Energy • 18% Liveness
42% Instrumentalness • 16% Positiveness
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The Cathedral Singers
Bring a Torch, Jeanette, Isabella
79 bpm • G Maj • 02:44 • -17.67db
10% Popularity • 24% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
10% Popularity • 24% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Hubert Parry
O praise ye the Lord
79 bpm • A# Maj • 02:48 • -17.87db
10% Popularity • 11% Danceability • 29% Energy • 27% Liveness
59% Instrumentalness • 19% Positiveness
10% Popularity • 11% Danceability • 29% Energy • 27% Liveness
59% Instrumentalness • 19% Positiveness
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Benjamin Britten
A Ceremony of Carols, Op. 28: II. Wolcum...
67 bpm • D Maj • 01:18 • -24.37db
13% Popularity • 38% Danceability • 2% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
13% Popularity • 38% Danceability • 2% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
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The Oxford Trinity Choir
Hark! The Herald Angels Sing
79 bpm • G Maj • 03:49 • -14.06db
13% Popularity • 12% Danceability • 21% Energy • 63% Liveness
0% Instrumentalness • 10% Positiveness
13% Popularity • 12% Danceability • 21% Energy • 63% Liveness
0% Instrumentalness • 10% Positiveness
