Songs like Absolutely (Story of a Girl) - Radio Mix by Nine Days
Based on a tempo of (+/- 10%) and a similar genre
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3 Doors Down
Be Like That
96 bpm • G Maj • 04:25 • -6db
60% Popularity • 49% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
60% Popularity • 49% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
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Stroke 9
Kick Some Ass
96 bpm • D Maj • 04:00 • -5db
36% Popularity • 49% Danceability • 89% Energy • 33% Liveness
0% Instrumentalness • 55% Positiveness
36% Popularity • 49% Danceability • 89% Energy • 33% Liveness
0% Instrumentalness • 55% Positiveness
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Michelle Branch
All You Wanted
96 bpm • G# Maj • 03:37 • -9.1db
60% Popularity • 50% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
60% Popularity • 50% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Nine Days
End Up Alone
96 bpm • D Maj • 03:57 • -5.13db
19% Popularity • 63% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
19% Popularity • 63% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Sublime
What I Got
96 bpm • G Maj • 02:50 • -7.47db
74% Popularity • 80% Danceability • 70% Energy • 31% Liveness
0% Instrumentalness • 66% Positiveness
74% Popularity • 80% Danceability • 70% Energy • 31% Liveness
0% Instrumentalness • 66% Positiveness
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Sugar Ray
Words To Me
96 bpm • C# Maj • 04:00 • -5db
47% Popularity • 66% Danceability • 92% Energy • 4% Liveness
0% Instrumentalness • 90% Positiveness
47% Popularity • 66% Danceability • 92% Energy • 4% Liveness
0% Instrumentalness • 90% Positiveness
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Melting Oak
Story of a Girl
97 bpm • G Maj • 03:07 • -4.19db
34% Popularity • 56% Danceability • 96% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
34% Popularity • 56% Danceability • 96% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
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Matchbox Twenty
Bent
95 bpm • F# min • 04:16 • -6.81db
55% Popularity • 52% Danceability • 83% Energy • 38% Liveness
0% Instrumentalness • 53% Positiveness
55% Popularity • 52% Danceability • 83% Energy • 38% Liveness
0% Instrumentalness • 53% Positiveness
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Ryan Cabrera
On the Way Down
95 bpm • C# Maj • 03:33 • -5.02db
48% Popularity • 50% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
48% Popularity • 50% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Nine Days
Absolutely (Story of a Girl) - Radio Mix
96 bpm • G Maj • 03:09 • -5.2db
65% Popularity • 48% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
65% Popularity • 48% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Barenaked Ladies
Pinch Me
95 bpm • G Maj • 04:45 • -4db
56% Popularity • 68% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
56% Popularity • 68% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
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Fall Out Boy
I'm Like A Lawyer With The Way I'm Alway...
97 bpm • C# Maj • 03:31 • -3.79db
59% Popularity • 53% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
59% Popularity • 53% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Tonic
If You Could Only See
95 bpm • A# min • 04:21 • -5.14db
68% Popularity • 43% Danceability • 95% Energy • 20% Liveness
0% Instrumentalness • 58% Positiveness
68% Popularity • 43% Danceability • 95% Energy • 20% Liveness
0% Instrumentalness • 58% Positiveness
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Taking Back Sunday
Cute Without The 'E' (Cut From The Team)...
95 bpm • C# min • 03:32 • -2.25db
66% Popularity • 40% Danceability • 89% Energy • 5% Liveness
0% Instrumentalness • 57% Positiveness
66% Popularity • 40% Danceability • 89% Energy • 5% Liveness
0% Instrumentalness • 57% Positiveness
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My Chemical Romance
Welcome to the Black Parade
97 bpm • D Maj • 05:11 • -4.1db
78% Popularity • 22% Danceability • 90% Energy • 22% Liveness
0% Instrumentalness • 24% Positiveness
78% Popularity • 22% Danceability • 90% Energy • 22% Liveness
0% Instrumentalness • 24% Positiveness
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Michelle Branch
Everywhere
97 bpm • C# Maj • 03:34 • -4.7db
66% Popularity • 52% Danceability • 83% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
66% Popularity • 52% Danceability • 83% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
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Nine Days
Absolutely (Story of a Girl)
97 bpm • G Maj • 03:10 • -3.29db
52% Popularity • 50% Danceability • 95% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
52% Popularity • 50% Danceability • 95% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
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Train
If It's Love
95 bpm • F# Maj • 03:59 • -3db
48% Popularity • 63% Danceability • 92% Energy • 31% Liveness
0% Instrumentalness • 64% Positiveness
48% Popularity • 63% Danceability • 92% Energy • 31% Liveness
0% Instrumentalness • 64% Positiveness
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Goldfinger
99 Red Balloons
97 bpm • E Maj • 03:49 • -7.32db
61% Popularity • 28% Danceability • 84% Energy • 33% Liveness
0% Instrumentalness • 28% Positiveness
61% Popularity • 28% Danceability • 84% Energy • 33% Liveness
0% Instrumentalness • 28% Positiveness
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Citizen King
Better Days (And the Bottom Drops Out)
95 bpm • A Maj • 03:27 • -3.31db
57% Popularity • 76% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
57% Popularity • 76% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
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Wheatus
Teenage Dirtbag
95 bpm • E Maj • 04:01 • -3.9db
78% Popularity • 62% Danceability • 85% Energy • 17% Liveness
0% Instrumentalness • 63% Positiveness
78% Popularity • 62% Danceability • 85% Energy • 17% Liveness
0% Instrumentalness • 63% Positiveness
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Green Day
Good Riddance (Time of Your Life)
95 bpm • G Maj • 02:33 • -7.84db
79% Popularity • 48% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
79% Popularity • 48% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
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Ben Folds
Rockin' the Suburbs
95 bpm • C Maj • 04:58 • -5db
40% Popularity • 61% Danceability • 90% Energy • 26% Liveness
0% Instrumentalness • 64% Positiveness
40% Popularity • 61% Danceability • 90% Energy • 26% Liveness
0% Instrumentalness • 64% Positiveness
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Jason Mraz
The Remedy (I Won't Worry)
95 bpm • A# Maj • 04:16 • -4.52db
58% Popularity • 59% Danceability • 87% Energy • 31% Liveness
0% Instrumentalness • 80% Positiveness
58% Popularity • 59% Danceability • 87% Energy • 31% Liveness
0% Instrumentalness • 80% Positiveness
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Splender
Yeah, Whatever
94 bpm • C min • 03:42 • -3.72db
34% Popularity • 46% Danceability • 96% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
34% Popularity • 46% Danceability • 96% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
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Fountains Of Wayne
Mexican Wine
98 bpm • C# Maj • 03:22 • -6db
41% Popularity • 50% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
41% Popularity • 50% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Dashboard Confessional
Hands Down
94 bpm • D# Maj • 03:06 • -4.09db
62% Popularity • 46% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
62% Popularity • 46% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Green Day
When I Come Around
98 bpm • B Maj • 02:58 • -4.24db
78% Popularity • 53% Danceability • 91% Energy • 23% Liveness
0% Instrumentalness • 81% Positiveness
78% Popularity • 53% Danceability • 91% Energy • 23% Liveness
0% Instrumentalness • 81% Positiveness
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Nine Days
If I Am
98 bpm • B Maj • 04:18 • -5.96db
38% Popularity • 22% Danceability • 90% Energy • 34% Liveness
0% Instrumentalness • 54% Positiveness
38% Popularity • 22% Danceability • 90% Energy • 34% Liveness
0% Instrumentalness • 54% Positiveness
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Anberlin
Feel Good Drag
94 bpm • F min • 03:07 • -4.37db
59% Popularity • 49% Danceability • 88% Energy • 30% Liveness
0% Instrumentalness • 55% Positiveness
59% Popularity • 49% Danceability • 88% Energy • 30% Liveness
0% Instrumentalness • 55% Positiveness
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Howie Day
Collide
94 bpm • B Maj • 04:09 • -8db
51% Popularity • 64% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
51% Popularity • 64% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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The Used
The Taste of Ink
98 bpm • G Maj • 03:28 • -3db
65% Popularity • 54% Danceability • 90% Energy • 19% Liveness
0% Instrumentalness • 54% Positiveness
65% Popularity • 54% Danceability • 90% Energy • 19% Liveness
0% Instrumentalness • 54% Positiveness
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The Presidents Of The United States Of America
Peaches
94 bpm • B Maj • 02:51 • -4db
66% Popularity • 41% Danceability • 85% Energy • 5% Liveness
0% Instrumentalness • 62% Positiveness
66% Popularity • 41% Danceability • 85% Energy • 5% Liveness
0% Instrumentalness • 62% Positiveness
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Taking Back Sunday
Liar (It Takes One To Know One)
94 bpm • G# min • 03:11 • -5db
59% Popularity • 44% Danceability • 95% Energy • 22% Liveness
0% Instrumentalness • 60% Positiveness
59% Popularity • 44% Danceability • 95% Energy • 22% Liveness
0% Instrumentalness • 60% Positiveness
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Filter
Take A Picture
99 bpm • D Maj • 06:03 • -8.04db
63% Popularity • 54% Danceability • 78% Energy • 18% Liveness
0% Instrumentalness • 28% Positiveness
63% Popularity • 54% Danceability • 78% Energy • 18% Liveness
0% Instrumentalness • 28% Positiveness
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3 Doors Down
Kryptonite
99 bpm • B min • 03:53 • -5.71db
82% Popularity • 55% Danceability • 86% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
82% Popularity • 55% Danceability • 86% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
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The Red Jumpsuit Apparatus
Face Down
93 bpm • G min • 03:12 • -2.19db
77% Popularity • 55% Danceability • 93% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
77% Popularity • 55% Danceability • 93% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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LMNT
Juliet - Single Edit
99 bpm • A Maj • 03:39 • -1.58db
48% Popularity • 60% Danceability • 96% Energy • 19% Liveness
0% Instrumentalness • 81% Positiveness
48% Popularity • 60% Danceability • 96% Energy • 19% Liveness
0% Instrumentalness • 81% Positiveness
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The Verve Pipe
The Freshmen
100 bpm • C# min • 04:29 • -9db
42% Popularity • 58% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
42% Popularity • 58% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Better Than Ezra
Extra Ordinary
93 bpm • G Maj • 03:40 • -4.71db
32% Popularity • 68% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
32% Popularity • 68% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Sugar Ray
Fly
100 bpm • C# Maj • 04:04 • -8.15db
67% Popularity • 84% Danceability • 65% Energy • 31% Liveness
22% Instrumentalness • 67% Positiveness
67% Popularity • 84% Danceability • 65% Energy • 31% Liveness
22% Instrumentalness • 67% Positiveness
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LFO
Summer Girls
100 bpm • G Maj • 04:17 • -5.03db
55% Popularity • 81% Danceability • 81% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
55% Popularity • 81% Danceability • 81% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
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Alanis Morissette
Hand in My Pocket - 2015 Remaster
92 bpm • C Maj • 03:42 • -8.3db
68% Popularity • 66% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
68% Popularity • 66% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Nine Days
Regrets
100 bpm • E Maj • 04:16 • -8.35db
2% Popularity • 25% Danceability • 95% Energy • 15% Liveness
65% Instrumentalness • 84% Positiveness
2% Popularity • 25% Danceability • 95% Energy • 15% Liveness
65% Instrumentalness • 84% Positiveness
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The Goo Goo Dolls
Come to Me
92 bpm • C Maj • 03:45 • -5db
53% Popularity • 59% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
53% Popularity • 59% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Better Than Ezra
Desperately Wanting
100 bpm • C Maj • 04:37 • -5.29db
54% Popularity • 49% Danceability • 91% Energy • 25% Liveness
1% Instrumentalness • 48% Positiveness
54% Popularity • 49% Danceability • 91% Energy • 25% Liveness
1% Instrumentalness • 48% Positiveness
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Sugar Ray
When It's Over - David Kahne Main
100 bpm • E Maj • 03:37 • -5.77db
57% Popularity • 68% Danceability • 78% Energy • 38% Liveness
0% Instrumentalness • 93% Positiveness
57% Popularity • 68% Danceability • 78% Energy • 38% Liveness
0% Instrumentalness • 93% Positiveness
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The Used
I Caught Fire
100 bpm • E Maj • 03:24 • -5.47db
44% Popularity • 48% Danceability • 89% Energy • 22% Liveness
0% Instrumentalness • 55% Positiveness
44% Popularity • 48% Danceability • 89% Energy • 22% Liveness
0% Instrumentalness • 55% Positiveness
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Story Of The Year
Until the Day I Die
92 bpm • B min • 03:55 • -4.59db
64% Popularity • 60% Danceability • 93% Energy • 5% Liveness
0% Instrumentalness • 53% Positiveness
64% Popularity • 60% Danceability • 93% Energy • 5% Liveness
0% Instrumentalness • 53% Positiveness
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Nine Days
257 Weeks
100 bpm • B min • 04:04 • -4.12db
24% Popularity • 64% Danceability • 87% Energy • 29% Liveness
0% Instrumentalness • 83% Positiveness
24% Popularity • 64% Danceability • 87% Energy • 29% Liveness
0% Instrumentalness • 83% Positiveness
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Matt Nathanson
Come On Get Higher
92 bpm • A Maj • 03:35 • -5.7db
66% Popularity • 67% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
66% Popularity • 67% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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Semisonic
Closing Time
92 bpm • G Maj • 04:34 • -5.45db
74% Popularity • 48% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
74% Popularity • 48% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Dishwalla
Counting Blue Cars (Tell Me Your Thought...
100 bpm • B min • 04:51 • -4.36db
57% Popularity • 45% Danceability • 79% Energy • 22% Liveness
0% Instrumentalness • 36% Positiveness
57% Popularity • 45% Danceability • 79% Energy • 22% Liveness
0% Instrumentalness • 36% Positiveness
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Counting Crows
Hanginaround
91 bpm • C Maj • 04:07 • -7db
58% Popularity • 50% Danceability • 78% Energy • 74% Liveness
0% Instrumentalness • 73% Positiveness
58% Popularity • 50% Danceability • 78% Energy • 74% Liveness
0% Instrumentalness • 73% Positiveness
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Fall Out Boy
Dead on Arrival
101 bpm • C Maj • 03:14 • -4.03db
56% Popularity • 54% Danceability • 97% Energy • 54% Liveness
0% Instrumentalness • 49% Positiveness
56% Popularity • 54% Danceability • 97% Energy • 54% Liveness
0% Instrumentalness • 49% Positiveness
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Nine Days
Back To Me
101 bpm • G Maj • 04:00 • -2.61db
16% Popularity • 52% Danceability • 94% Energy • 21% Liveness
0% Instrumentalness • 91% Positiveness
16% Popularity • 52% Danceability • 94% Energy • 21% Liveness
0% Instrumentalness • 91% Positiveness
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Jack's Mannequin
The Mixed Tape - 2015 Remastered
101 bpm • C# Maj • 03:14 • -4db
50% Popularity • 41% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
50% Popularity • 41% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Forever The Sickest Kids
What Do You Want From Me
101 bpm • G# Maj • 02:37 • -2.76db
42% Popularity • 57% Danceability • 96% Energy • 30% Liveness
0% Instrumentalness • 66% Positiveness
42% Popularity • 57% Danceability • 96% Energy • 30% Liveness
0% Instrumentalness • 66% Positiveness
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Unwritten Law
Cailin
101 bpm • G Maj • 03:56 • -5.56db
36% Popularity • 56% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
36% Popularity • 56% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
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The Mighty Mighty Bosstones
The Impression That I Get
91 bpm • E Maj • 03:15 • -17.18db
66% Popularity • 55% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
66% Popularity • 55% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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Sublime
Santeria
91 bpm • C# min • 03:02 • -5.02db
79% Popularity • 68% Danceability • 76% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
79% Popularity • 68% Danceability • 76% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
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Incubus
Drive
91 bpm • E min • 03:52 • -7.34db
79% Popularity • 64% Danceability • 79% Energy • 12% Liveness
1% Instrumentalness • 67% Positiveness
79% Popularity • 64% Danceability • 79% Energy • 12% Liveness
1% Instrumentalness • 67% Positiveness
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Nine Days
Things We Said
102 bpm • G Maj • 04:23 • -8.18db
3% Popularity • 48% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
3% Popularity • 48% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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Third Eye Blind
Semi-Charmed Life
102 bpm • G Maj • 04:28 • -6.58db
76% Popularity • 64% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
76% Popularity • 64% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Five For Fighting
Superman (It's Not Easy)
102 bpm • C Maj • 03:41 • -9.3db
67% Popularity • 38% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
67% Popularity • 38% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
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The Goo Goo Dolls
Here Is Gone
102 bpm • C# Maj • 03:58 • -5.18db
57% Popularity • 34% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
57% Popularity • 34% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Train
Meet Virginia
90 bpm • G Maj • 03:59 • -7.78db
61% Popularity • 68% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
61% Popularity • 68% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Yellowcard
One Year, Six Months
90 bpm • G Maj • 03:28 • -7db
41% Popularity • 50% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
41% Popularity • 50% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
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Nine Days
So Far Away
102 bpm • A# Maj • 03:56 • -4.71db
22% Popularity • 45% Danceability • 91% Energy • 17% Liveness
0% Instrumentalness • 47% Positiveness
22% Popularity • 45% Danceability • 91% Energy • 17% Liveness
0% Instrumentalness • 47% Positiveness
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Live
Lightning Crashes
90 bpm • B Maj • 05:25 • -9.26db
69% Popularity • 38% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
69% Popularity • 38% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Hootie & The Blowfish
Only Wanna Be With You
103 bpm • F# Maj • 03:49 • -5.86db
69% Popularity • 49% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
69% Popularity • 49% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Matchbox Twenty
Back 2 Good
89 bpm • G Maj • 05:40 • -9.46db
57% Popularity • 56% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
57% Popularity • 56% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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Lit
My Own Worst Enemy
103 bpm • E Maj • 02:49 • -2.76db
74% Popularity • 49% Danceability • 95% Energy • 40% Liveness
0% Instrumentalness • 74% Positiveness
74% Popularity • 49% Danceability • 95% Energy • 40% Liveness
0% Instrumentalness • 74% Positiveness
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Paramore
Ain't It Fun
104 bpm • A Maj • 04:56 • -3.68db
74% Popularity • 61% Danceability • 89% Energy • 2% Liveness
0% Instrumentalness • 67% Positiveness
74% Popularity • 61% Danceability • 89% Energy • 2% Liveness
0% Instrumentalness • 67% Positiveness
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Nine Days
2 Straws
90 bpm • D Maj • 02:56 • -4.77db
5% Popularity • 57% Danceability • 80% Energy • 21% Liveness
0% Instrumentalness • 60% Positiveness
5% Popularity • 57% Danceability • 80% Energy • 21% Liveness
0% Instrumentalness • 60% Positiveness
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Smash Mouth
All Star
104 bpm • B Maj • 03:20 • -5.88db
81% Popularity • 73% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
81% Popularity • 73% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Dexter Freebish
Leaving Town
104 bpm • F Maj • 03:56 • -5.17db
36% Popularity • 57% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
36% Popularity • 57% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
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Matchbox Twenty
Long Day
104 bpm • G# min • 03:45 • -6.61db
58% Popularity • 46% Danceability • 82% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
58% Popularity • 46% Danceability • 82% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
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The Goo Goo Dolls
Black Balloon
105 bpm • C# Maj • 04:09 • -8.57db
61% Popularity • 34% Danceability • 62% Energy • 23% Liveness
0% Instrumentalness • 33% Positiveness
61% Popularity • 34% Danceability • 62% Energy • 23% Liveness
0% Instrumentalness • 33% Positiveness
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Counting Crows
Big Yellow Taxi
88 bpm • C# Maj • 03:46 • -4.33db
61% Popularity • 67% Danceability • 87% Energy • 21% Liveness
0% Instrumentalness • 82% Positiveness
61% Popularity • 67% Danceability • 87% Energy • 21% Liveness
0% Instrumentalness • 82% Positiveness
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Nine Days
Mona Lisa Smile
89 bpm • B Maj • 03:21 • -4.67db
9% Popularity • 43% Danceability • 95% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
9% Popularity • 43% Danceability • 95% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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Jack's Mannequin
Holiday from Real - 2015 Remastered
105 bpm • C Maj • 02:58 • -4db
38% Popularity • 37% Danceability • 86% Energy • 38% Liveness
0% Instrumentalness • 37% Positiveness
38% Popularity • 37% Danceability • 86% Energy • 38% Liveness
0% Instrumentalness • 37% Positiveness
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Green Day
Wake Me up When September Ends
105 bpm • G Maj • 04:45 • -5.15db
77% Popularity • 55% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
77% Popularity • 55% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Rob Thomas
Her Diamonds
88 bpm • G Maj • 04:40 • -4.93db
54% Popularity • 56% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
54% Popularity • 56% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Uncle Kracker
Follow Me
105 bpm • F Maj • 03:38 • -4.69db
71% Popularity • 82% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 92% Positiveness
71% Popularity • 82% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 92% Positiveness
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Alanis Morissette
You Oughta Know - 2015 Remaster
105 bpm • E Maj • 04:09 • -7.74db
68% Popularity • 66% Danceability • 83% Energy • 45% Liveness
0% Instrumentalness • 41% Positiveness
68% Popularity • 66% Danceability • 83% Energy • 45% Liveness
0% Instrumentalness • 41% Positiveness
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The Offspring
Want You Bad
106 bpm • E Maj • 03:22 • -4.28db
74% Popularity • 49% Danceability • 97% Energy • 31% Liveness
0% Instrumentalness • 61% Positiveness
74% Popularity • 49% Danceability • 97% Energy • 31% Liveness
0% Instrumentalness • 61% Positiveness
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O.A.R.
Shattered (Turn The Car Around)
106 bpm • B Maj • 04:15 • -6db
58% Popularity • 57% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 46% Positiveness
58% Popularity • 57% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 46% Positiveness
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The Verve Pipe
Never Let You Down
106 bpm • G Maj • 03:34 • -3.45db
32% Popularity • 59% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
32% Popularity • 59% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Finger Eleven
Paralyzer
106 bpm • B min • 03:28 • -3.49db
77% Popularity • 64% Danceability • 94% Energy • 23% Liveness
0% Instrumentalness • 86% Positiveness
77% Popularity • 64% Danceability • 94% Energy • 23% Liveness
0% Instrumentalness • 86% Positiveness
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New Radicals
Mother We Just Can't Get Enough
106 bpm • A Maj • 05:46 • -5.62db
48% Popularity • 64% Danceability • 93% Energy • 20% Liveness
0% Instrumentalness • 80% Positiveness
48% Popularity • 64% Danceability • 93% Energy • 20% Liveness
0% Instrumentalness • 80% Positiveness
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The Goo Goo Dolls
Before It's Too Late - Sam and Mikaela's...
87 bpm • C Maj • 03:05 • -4.02db
36% Popularity • 23% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 42% Positiveness
36% Popularity • 23% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 42% Positiveness
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Yellowcard
Everywhere
107 bpm • A Maj • 03:34 • -4db
48% Popularity • 49% Danceability • 95% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
48% Popularity • 49% Danceability • 95% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
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The Starting Line
The Best Of Me
107 bpm • E Maj • 04:18 • -4.21db
58% Popularity • 53% Danceability • 80% Energy • 31% Liveness
0% Instrumentalness • 29% Positiveness
58% Popularity • 53% Danceability • 80% Energy • 31% Liveness
0% Instrumentalness • 29% Positiveness
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Sugar Ray
Under The Sun
86 bpm • C# Maj • 03:21 • -6.34db
35% Popularity • 53% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
35% Popularity • 53% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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The Wallflowers
One Headlight
108 bpm • D Maj • 05:12 • -8.97db
71% Popularity • 70% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
71% Popularity • 70% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
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Something Corporate
I Woke Up In A Car
107 bpm • C# Maj • 04:12 • -6.07db
52% Popularity • 55% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
52% Popularity • 55% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Matchbox Twenty
3AM
108 bpm • G# Maj • 03:45 • -8.69db
72% Popularity • 52% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
72% Popularity • 52% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness