Songs like Acantilado by Juan Carlos Gómez
Based on a tempo of (+/- 10%) and a similar genre
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Juan Carlos Gómez
Acantilado
152 bpm • E min • 02:59 • -6.89db
0% Popularity • 36% Danceability • 56% Energy • 9% Liveness
91% Instrumentalness • 46% Positiveness
0% Popularity • 36% Danceability • 56% Energy • 9% Liveness
91% Instrumentalness • 46% Positiveness
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Luigi Legnani
36 Caprices, Op. 20: XXIV. Allegro molto
151 bpm • E Maj • 01:11 • -25.63db
14% Popularity • 40% Danceability • 6% Energy • 11% Liveness
95% Instrumentalness • 15% Positiveness
14% Popularity • 40% Danceability • 6% Energy • 11% Liveness
95% Instrumentalness • 15% Positiveness
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Thu Le
Eastern Etude - Thu Le
151 bpm • G min • 01:18 • -22.35db
11% Popularity • 27% Danceability • 13% Energy • 13% Liveness
94% Instrumentalness • 72% Positiveness
11% Popularity • 27% Danceability • 13% Energy • 13% Liveness
94% Instrumentalness • 72% Positiveness
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アンリ・ヴュータン
アメリカの思い出(ヤンキー・...
153 bpm • A Maj • 05:17 • -18.43db
8% Popularity • 42% Danceability • 17% Energy • 8% Liveness
4% Instrumentalness • 55% Positiveness
8% Popularity • 42% Danceability • 17% Energy • 8% Liveness
4% Instrumentalness • 55% Positiveness
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Juan Carlos Gómez Pastor
La Voz del Alma
150 bpm • C Maj • 03:57 • -12.65db
0% Popularity • 41% Danceability • 42% Energy • 10% Liveness
89% Instrumentalness • 65% Positiveness
0% Popularity • 41% Danceability • 42% Energy • 10% Liveness
89% Instrumentalness • 65% Positiveness
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Paola Requena
Requena
149 bpm • D min • 05:22 • -16.42db
8% Popularity • 24% Danceability • 32% Energy • 10% Liveness
91% Instrumentalness • 38% Positiveness
8% Popularity • 24% Danceability • 32% Energy • 10% Liveness
91% Instrumentalness • 38% Positiveness
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Juan Carlos Gómez
Eremita (Soleá por Bulería)
153 bpm • G min • 02:35 • -8.88db
0% Popularity • 64% Danceability • 53% Energy • 4% Liveness
87% Instrumentalness • 90% Positiveness
0% Popularity • 64% Danceability • 53% Energy • 4% Liveness
87% Instrumentalness • 90% Positiveness
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Anon
Spanish Romance Full
155 bpm • E min • 02:01 • -16.54db
32% Popularity • 54% Danceability • 15% Energy • 18% Liveness
83% Instrumentalness • 18% Positiveness
32% Popularity • 54% Danceability • 15% Energy • 18% Liveness
83% Instrumentalness • 18% Positiveness
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Cengiz Kılıç
Mazurka in D Major for Two Mandolins & G...
155 bpm • D Maj • 01:59 • -13.72db
9% Popularity • 57% Danceability • 41% Energy • 17% Liveness
94% Instrumentalness • 94% Positiveness
9% Popularity • 57% Danceability • 41% Energy • 17% Liveness
94% Instrumentalness • 94% Positiveness
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Béla Bartók
Romanian Folk Dances, Sz. 56 (Arr. A. Le...
149 bpm • G Maj • 00:59 • -17.96db
11% Popularity • 48% Danceability • 16% Energy • 7% Liveness
95% Instrumentalness • 70% Positiveness
11% Popularity • 48% Danceability • 16% Energy • 7% Liveness
95% Instrumentalness • 70% Positiveness
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Marco Pereira
Marta
148 bpm • A min • 02:01 • -17.63db
16% Popularity • 39% Danceability • 18% Energy • 11% Liveness
95% Instrumentalness • 37% Positiveness
16% Popularity • 39% Danceability • 18% Energy • 11% Liveness
95% Instrumentalness • 37% Positiveness
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Matteo Carcassi
25 Etudes Mèlodiques, Op. 60: No. 2, Mo...
148 bpm • A min • 02:11 • -14.11db
12% Popularity • 42% Danceability • 46% Energy • 12% Liveness
90% Instrumentalness • 38% Positiveness
12% Popularity • 42% Danceability • 46% Energy • 12% Liveness
90% Instrumentalness • 38% Positiveness
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Juan Carlos Gómez
Las ánforas (soleá por buleria)
155 bpm • D min • 02:42 • -4.53db
0% Popularity • 57% Danceability • 67% Energy • 11% Liveness
76% Instrumentalness • 69% Positiveness
0% Popularity • 57% Danceability • 67% Energy • 11% Liveness
76% Instrumentalness • 69% Positiveness
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Sacha Barrio Healey
El Baile de las Lagartijas Taciturnas
156 bpm • F Maj • 03:14 • -18.02db
17% Popularity • 27% Danceability • 14% Energy • 11% Liveness
91% Instrumentalness • 39% Positiveness
17% Popularity • 27% Danceability • 14% Energy • 11% Liveness
91% Instrumentalness • 39% Positiveness
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Marko Dumančić
Sevdah III
148 bpm • F Maj • 01:58 • -25.63db
13% Popularity • 31% Danceability • 10% Energy • 19% Liveness
92% Instrumentalness • 6% Positiveness
13% Popularity • 31% Danceability • 10% Energy • 19% Liveness
92% Instrumentalness • 6% Positiveness
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Matthias Well
Csardas
157 bpm • A Maj • 04:57 • -9.98db
7% Popularity • 39% Danceability • 29% Energy • 9% Liveness
28% Instrumentalness • 36% Positiveness
7% Popularity • 39% Danceability • 29% Energy • 9% Liveness
28% Instrumentalness • 36% Positiveness
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Alejandro Pablo-Álvaro Sanches-García
Mujeres del mercado bailando (corto)
147 bpm • F Maj • 01:11 • -11.52db
29% Popularity • 56% Danceability • 56% Energy • 12% Liveness
76% Instrumentalness • 84% Positiveness
29% Popularity • 56% Danceability • 56% Energy • 12% Liveness
76% Instrumentalness • 84% Positiveness
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Raffaele Calace
Serenata Gaia, Op. 75
147 bpm • D Maj • 03:46 • -15.71db
12% Popularity • 42% Danceability • 24% Energy • 13% Liveness
86% Instrumentalness • 82% Positiveness
12% Popularity • 42% Danceability • 24% Energy • 13% Liveness
86% Instrumentalness • 82% Positiveness
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Luigi Legnani
36 Caprices, Op. 20: No. 5 in D Major
158 bpm • D Maj • 01:22 • -15db
17% Popularity • 50% Danceability • 44% Energy • 21% Liveness
93% Instrumentalness • 63% Positiveness
17% Popularity • 50% Danceability • 44% Energy • 21% Liveness
93% Instrumentalness • 63% Positiveness
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Joseph Haydn
String Quartet No. 37 B Minor, Op. 33 No...
158 bpm • B min • 03:31 • -14.02db
22% Popularity • 59% Danceability • 29% Energy • 13% Liveness
93% Instrumentalness • 50% Positiveness
22% Popularity • 59% Danceability • 29% Energy • 13% Liveness
93% Instrumentalness • 50% Positiveness
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Francesco Lecce
Sonate e Partite: No. 13, Allegro spirit...
146 bpm • G Maj • 02:15 • -11.19db
22% Popularity • 46% Danceability • 18% Energy • 8% Liveness
94% Instrumentalness • 98% Positiveness
22% Popularity • 46% Danceability • 18% Energy • 8% Liveness
94% Instrumentalness • 98% Positiveness
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Hermann Ambrosius
Concerto for 2 Guitars & Orchestra: I. A...
145 bpm • E min • 02:39 • -10.74db
17% Popularity • 70% Danceability • 33% Energy • 24% Liveness
76% Instrumentalness • 55% Positiveness
17% Popularity • 70% Danceability • 33% Energy • 24% Liveness
76% Instrumentalness • 55% Positiveness
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Billy Arcila
Just Passing By
145 bpm • A Maj • 02:35 • -24.61db
9% Popularity • 20% Danceability • 15% Energy • 11% Liveness
94% Instrumentalness • 86% Positiveness
9% Popularity • 20% Danceability • 15% Energy • 11% Liveness
94% Instrumentalness • 86% Positiveness
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Juan Carlos Gómez
El faro
159 bpm • D min • 03:05 • -6.21db
0% Popularity • 36% Danceability • 68% Energy • 10% Liveness
87% Instrumentalness • 61% Positiveness
0% Popularity • 36% Danceability • 68% Energy • 10% Liveness
87% Instrumentalness • 61% Positiveness
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Matteo Carcassi
25 études
145 bpm • F Maj • 01:13 • -19.99db
22% Popularity • 48% Danceability • 2% Energy • 8% Liveness
82% Instrumentalness • 46% Positiveness
22% Popularity • 48% Danceability • 2% Energy • 8% Liveness
82% Instrumentalness • 46% Positiveness
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Andreas Heuser
Notturno No. 6
160 bpm • E min • 02:40 • -19.49db
8% Popularity • 15% Danceability • 27% Energy • 12% Liveness
93% Instrumentalness • 38% Positiveness
8% Popularity • 15% Danceability • 27% Energy • 12% Liveness
93% Instrumentalness • 38% Positiveness
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Marek Pasieczny
Przyjechal Jasiu (Johnny Arrived, Poland...
144 bpm • A min • 01:16 • -21.86db
12% Popularity • 48% Danceability • 5% Energy • 10% Liveness
83% Instrumentalness • 27% Positiveness
12% Popularity • 48% Danceability • 5% Energy • 10% Liveness
83% Instrumentalness • 27% Positiveness
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Michael Raven
Piano Etude A Minor
144 bpm • F min • 02:19 • -32.63db
11% Popularity • 64% Danceability • 4% Energy • 11% Liveness
78% Instrumentalness • 16% Positiveness
11% Popularity • 64% Danceability • 4% Energy • 11% Liveness
78% Instrumentalness • 16% Positiveness
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Antonio Chover Salom
I – Bahía (de la suite Cádiz)
144 bpm • A min • 03:19 • -19.97db
13% Popularity • 41% Danceability • 14% Energy • 9% Liveness
94% Instrumentalness • 31% Positiveness
13% Popularity • 41% Danceability • 14% Energy • 9% Liveness
94% Instrumentalness • 31% Positiveness
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Mateusz Smoczynski
String Quartet No. 1 "Pictures from Wars...
144 bpm • C min • 01:21 • -18.17db
16% Popularity • 43% Danceability • 12% Energy • 17% Liveness
69% Instrumentalness • 27% Positiveness
16% Popularity • 43% Danceability • 12% Energy • 17% Liveness
69% Instrumentalness • 27% Positiveness
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José Maria Gallardo del Rey
California Suite: I. Preludio
144 bpm • D Maj • 01:57 • -22.15db
20% Popularity • 24% Danceability • 7% Energy • 12% Liveness
93% Instrumentalness • 11% Positiveness
20% Popularity • 24% Danceability • 7% Energy • 12% Liveness
93% Instrumentalness • 11% Positiveness
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Juan Carlos Gómez
Montes de Toledo
144 bpm • E Maj • 04:02 • -11.11db
0% Popularity • 53% Danceability • 43% Energy • 27% Liveness
70% Instrumentalness • 83% Positiveness
0% Popularity • 53% Danceability • 43% Energy • 27% Liveness
70% Instrumentalness • 83% Positiveness
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Francesco Lecce
Sonate e Partite: No. 22, Bourrè (Recom...
144 bpm • C Maj • 03:41 • -11.6db
22% Popularity • 47% Danceability • 18% Energy • 8% Liveness
89% Instrumentalness • 97% Positiveness
22% Popularity • 47% Danceability • 18% Energy • 8% Liveness
89% Instrumentalness • 97% Positiveness
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Favos
SDE
161 bpm • D min • 01:04 • -17.29db
37% Popularity • 50% Danceability • 31% Energy • 22% Liveness
96% Instrumentalness • 95% Positiveness
37% Popularity • 50% Danceability • 31% Energy • 22% Liveness
96% Instrumentalness • 95% Positiveness
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Tim Brace
Dada-ish
143 bpm • G Maj • 03:14 • -26db
8% Popularity • 18% Danceability • 8% Energy • 10% Liveness
89% Instrumentalness • 16% Positiveness
8% Popularity • 18% Danceability • 8% Energy • 10% Liveness
89% Instrumentalness • 16% Positiveness
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François Couperin
The Mysterious Barricades
161 bpm • C Maj • 02:26 • -24db
11% Popularity • 22% Danceability • 28% Energy • 12% Liveness
81% Instrumentalness • 73% Positiveness
11% Popularity • 22% Danceability • 28% Energy • 12% Liveness
81% Instrumentalness • 73% Positiveness
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CHISSI
Menuett No.1 in G-Dur
143 bpm • G Maj • 01:25 • -12.33db
16% Popularity • 69% Danceability • 39% Energy • 12% Liveness
79% Instrumentalness • 82% Positiveness
16% Popularity • 69% Danceability • 39% Energy • 12% Liveness
79% Instrumentalness • 82% Positiveness
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Juan Carlos Gómez
Sal I pebre
143 bpm • C Maj • 02:40 • -6.04db
0% Popularity • 50% Danceability • 62% Energy • 8% Liveness
85% Instrumentalness • 23% Positiveness
0% Popularity • 50% Danceability • 62% Energy • 8% Liveness
85% Instrumentalness • 23% Positiveness
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Luis Orlandini
Cristalino
143 bpm • D Maj • 04:55 • -16.36db
7% Popularity • 50% Danceability • 15% Energy • 16% Liveness
80% Instrumentalness • 10% Positiveness
7% Popularity • 50% Danceability • 15% Energy • 16% Liveness
80% Instrumentalness • 10% Positiveness
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Ellis Lamar
Study in A minor (Aguado)
142 bpm • A min • 01:02 • -24.02db
16% Popularity • 37% Danceability • 10% Energy • 11% Liveness
96% Instrumentalness • 43% Positiveness
16% Popularity • 37% Danceability • 10% Energy • 11% Liveness
96% Instrumentalness • 43% Positiveness
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Niccolò Paganini
Sonatinas for Violin and Guitar, Op. 3: ...
162 bpm • E min • 05:33 • -12.28db
9% Popularity • 32% Danceability • 25% Energy • 20% Liveness
67% Instrumentalness • 44% Positiveness
9% Popularity • 32% Danceability • 25% Energy • 20% Liveness
67% Instrumentalness • 44% Positiveness
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Johann Sebastian Bach
Violin Sonata No. 2 in A Minor, BWV 1003...
142 bpm • A min • 07:08 • -19.91db
8% Popularity • 42% Danceability • 21% Energy • 8% Liveness
91% Instrumentalness • 85% Positiveness
8% Popularity • 42% Danceability • 21% Energy • 8% Liveness
91% Instrumentalness • 85% Positiveness
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Linus Roth
Um a zero - Arr. by Ivan Zandonade
142 bpm • C Maj • 02:09 • -9.71db
9% Popularity • 50% Danceability • 73% Energy • 24% Liveness
69% Instrumentalness • 96% Positiveness
9% Popularity • 50% Danceability • 73% Energy • 24% Liveness
69% Instrumentalness • 96% Positiveness
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Juan Carlos Gómez
Costumbre
162 bpm • A min • 04:09 • -10.24db
0% Popularity • 59% Danceability • 57% Energy • 12% Liveness
88% Instrumentalness • 59% Positiveness
0% Popularity • 59% Danceability • 57% Energy • 12% Liveness
88% Instrumentalness • 59% Positiveness
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Maurizio Baudino
Sulle ottave
163 bpm • G Maj • 01:34 • -22.79db
26% Popularity • 51% Danceability • 5% Energy • 11% Liveness
80% Instrumentalness • 52% Positiveness
26% Popularity • 51% Danceability • 5% Energy • 11% Liveness
80% Instrumentalness • 52% Positiveness
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Nigel Westlake
6 Fish (Version for Guitar Quartet): No....
141 bpm • C Maj • 01:16 • -28.25db
18% Popularity • 43% Danceability • 5% Energy • 9% Liveness
95% Instrumentalness • 22% Positiveness
18% Popularity • 43% Danceability • 5% Energy • 9% Liveness
95% Instrumentalness • 22% Positiveness
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Michael Makarov
Cantabile in D
165 bpm • D Maj • 04:11 • -14.83db
10% Popularity • 19% Danceability • 21% Energy • 10% Liveness
50% Instrumentalness • 14% Positiveness
10% Popularity • 19% Danceability • 21% Energy • 10% Liveness
50% Instrumentalness • 14% Positiveness
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Tim Helmes
Cobra
140 bpm • A min • 02:00 • -27.22db
28% Popularity • 46% Danceability • 29% Energy • 68% Liveness
77% Instrumentalness • 72% Positiveness
28% Popularity • 46% Danceability • 29% Energy • 68% Liveness
77% Instrumentalness • 72% Positiveness
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Pom Guitarist
Navajo
140 bpm • C min • 02:34 • -17.38db
14% Popularity • 76% Danceability • 6% Energy • 11% Liveness
88% Instrumentalness • 56% Positiveness
14% Popularity • 76% Danceability • 6% Energy • 11% Liveness
88% Instrumentalness • 56% Positiveness
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Juan Carlos Gómez
Voces de Guitarra -Zapateado-
141 bpm • G Maj • 04:34 • -19.04db
0% Popularity • 35% Danceability • 33% Energy • 10% Liveness
85% Instrumentalness • 69% Positiveness
0% Popularity • 35% Danceability • 33% Energy • 10% Liveness
85% Instrumentalness • 69% Positiveness
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Contrastes
Aventuras
166 bpm • D Maj • 03:51 • -9.6db
0% Popularity • 51% Danceability • 73% Energy • 16% Liveness
88% Instrumentalness • 84% Positiveness
0% Popularity • 51% Danceability • 73% Energy • 16% Liveness
88% Instrumentalness • 84% Positiveness
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Giuseppe Antonio Brescianello
Colascione Partita XVI: IV. Gigue
140 bpm • E min • 01:54 • -29.68db
14% Popularity • 34% Danceability • 3% Energy • 8% Liveness
78% Instrumentalness • 31% Positiveness
14% Popularity • 34% Danceability • 3% Energy • 8% Liveness
78% Instrumentalness • 31% Positiveness
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Leo Brouwer
Estudios Sencillos: I. Movido
139 bpm • C Maj • 00:56 • -21.6db
13% Popularity • 37% Danceability • 25% Energy • 12% Liveness
95% Instrumentalness • 60% Positiveness
13% Popularity • 37% Danceability • 25% Energy • 12% Liveness
95% Instrumentalness • 60% Positiveness
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Traditional
Koralmelodi från Älvdalen (Swedish fol...
138 bpm • D min • 02:06 • -26.39db
9% Popularity • 44% Danceability • 2% Energy • 24% Liveness
92% Instrumentalness • 31% Positiveness
9% Popularity • 44% Danceability • 2% Energy • 24% Liveness
92% Instrumentalness • 31% Positiveness
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Tatiana Stachak
Parisian Waltz
138 bpm • E min • 01:28 • -21.21db
13% Popularity • 53% Danceability • 16% Energy • 11% Liveness
95% Instrumentalness • 62% Positiveness
13% Popularity • 53% Danceability • 16% Energy • 11% Liveness
95% Instrumentalness • 62% Positiveness
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Juan Carlos Gómez
Aventura
166 bpm • A Maj • 06:33 • -7.37db
0% Popularity • 32% Danceability • 76% Energy • 14% Liveness
90% Instrumentalness • 77% Positiveness
0% Popularity • 32% Danceability • 76% Energy • 14% Liveness
90% Instrumentalness • 77% Positiveness
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Neno Munitic
December Morning
138 bpm • A min • 01:32 • -17.52db
19% Popularity • 37% Danceability • 8% Energy • 11% Liveness
97% Instrumentalness • 61% Positiveness
19% Popularity • 37% Danceability • 8% Energy • 11% Liveness
97% Instrumentalness • 61% Positiveness
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Giuseppe Antonio Brescianello
Colascione Partita III: II. Adagio
139 bpm • A min • 02:38 • -31.38db
10% Popularity • 40% Danceability • 2% Energy • 11% Liveness
86% Instrumentalness • 7% Positiveness
10% Popularity • 40% Danceability • 2% Energy • 11% Liveness
86% Instrumentalness • 7% Positiveness
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Julian Arcas
Colección de Tangos: V. Tango V
138 bpm • D min • 03:13 • -20.25db
15% Popularity • 45% Danceability • 11% Energy • 9% Liveness
90% Instrumentalness • 20% Positiveness
15% Popularity • 45% Danceability • 11% Energy • 9% Liveness
90% Instrumentalness • 20% Positiveness
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Franz Schubert
4 Impromptus, Op. 90, D. 899 (Arr. I. Jo...
137 bpm • F# Maj • 05:20 • -31.16db
11% Popularity • 25% Danceability • 3% Energy • 11% Liveness
91% Instrumentalness • 14% Positiveness
11% Popularity • 25% Danceability • 3% Energy • 11% Liveness
91% Instrumentalness • 14% Positiveness
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Janco de Leeuw
Over de Velden
137 bpm • A min • 01:18 • -14.76db
9% Popularity • 52% Danceability • 30% Energy • 11% Liveness
96% Instrumentalness • 49% Positiveness
9% Popularity • 52% Danceability • 30% Energy • 11% Liveness
96% Instrumentalness • 49% Positiveness
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Juan Carlos Gómez
Entre Colinas
139 bpm • A min • 03:02 • -12.23db
0% Popularity • 50% Danceability • 33% Energy • 12% Liveness
86% Instrumentalness • 57% Positiveness
0% Popularity • 50% Danceability • 33% Energy • 12% Liveness
86% Instrumentalness • 57% Positiveness
► Preview
Maurizio Baudino
Sulle scale per terze
136 bpm • C Maj • 01:57 • -23.75db
23% Popularity • 44% Danceability • 14% Energy • 7% Liveness
94% Instrumentalness • 26% Positiveness
23% Popularity • 44% Danceability • 14% Energy • 7% Liveness
94% Instrumentalness • 26% Positiveness
► Preview
Niccolò Paganini
Ghiribizzi, Ms 43: No. 8 in C Major. And...
137 bpm • C Maj • 01:10 • -33.7db
23% Popularity • 32% Danceability • 2% Energy • 8% Liveness
93% Instrumentalness • 24% Positiveness
23% Popularity • 32% Danceability • 2% Energy • 8% Liveness
93% Instrumentalness • 24% Positiveness
► Preview
Isaac Albéniz
Iberia / Book 1: No. 1, Evocación (Arr....
136 bpm • G# min • 05:48 • -29.86db
8% Popularity • 41% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 15% Positiveness
8% Popularity • 41% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 15% Positiveness
► Preview
Dmitri Shostakovich
Spanish Songs, Op. 100 (Arr. for Cello &...
136 bpm • D# Maj • 02:15 • -26.51db
11% Popularity • 19% Danceability • 3% Energy • 11% Liveness
88% Instrumentalness • 12% Positiveness
11% Popularity • 19% Danceability • 3% Energy • 11% Liveness
88% Instrumentalness • 12% Positiveness
► Preview
Michael Raven
Dark Sonata
136 bpm • G Maj • 02:07 • -36.66db
11% Popularity • 54% Danceability • 2% Energy • 14% Liveness
85% Instrumentalness • 26% Positiveness
11% Popularity • 54% Danceability • 2% Energy • 14% Liveness
85% Instrumentalness • 26% Positiveness
► Preview
Ewa Serafin
Lacrimosa, fra Lite Rekviem
136 bpm • C Maj • 03:17 • -23.94db
15% Popularity • 56% Danceability • 1% Energy • 10% Liveness
79% Instrumentalness • 42% Positiveness
15% Popularity • 56% Danceability • 1% Energy • 10% Liveness
79% Instrumentalness • 42% Positiveness
► Preview
Michael Lucarelli
Prelude in D Minor
136 bpm • D min • 01:10 • -19.55db
12% Popularity • 33% Danceability • 44% Energy • 14% Liveness
84% Instrumentalness • 15% Positiveness
12% Popularity • 33% Danceability • 44% Energy • 14% Liveness
84% Instrumentalness • 15% Positiveness
► Preview
Kurt Møller
Alley Cat
136 bpm • C Maj • 01:06 • -27.58db
15% Popularity • 64% Danceability • 9% Energy • 9% Liveness
88% Instrumentalness • 13% Positiveness
15% Popularity • 64% Danceability • 9% Energy • 9% Liveness
88% Instrumentalness • 13% Positiveness
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最好的時光三重奏
來自依帕內瑪的女孩
136 bpm • F Maj • 04:08 • -17.6db
13% Popularity • 32% Danceability • 13% Energy • 11% Liveness
79% Instrumentalness • 18% Positiveness
13% Popularity • 32% Danceability • 13% Energy • 11% Liveness
79% Instrumentalness • 18% Positiveness
► Preview
Mattias von Wachenfeldt
Ulrik Neumann - Love Waltz - Classical G...
136 bpm • E min • 03:14 • -14.74db
13% Popularity • 38% Danceability • 25% Energy • 11% Liveness
92% Instrumentalness • 32% Positiveness
13% Popularity • 38% Danceability • 25% Energy • 11% Liveness
92% Instrumentalness • 32% Positiveness
► Preview
Lili Boulanger
2 Pieces for Violin and Piano: No. 1, No...
136 bpm • F Maj • 02:59 • -14.82db
14% Popularity • 28% Danceability • 13% Energy • 9% Liveness
53% Instrumentalness • 5% Positiveness
14% Popularity • 28% Danceability • 13% Energy • 9% Liveness
53% Instrumentalness • 5% Positiveness
► Preview
Leo Brouwer
Nuevos Estudios Sencillos: II. Omaggio a...
136 bpm • G Maj • 01:06 • -18.98db
16% Popularity • 34% Danceability • 15% Energy • 12% Liveness
93% Instrumentalness • 73% Positiveness
16% Popularity • 34% Danceability • 15% Energy • 12% Liveness
93% Instrumentalness • 73% Positiveness
► Preview
Agustín Barrios Mangoré
Canción de la Hilandera
136 bpm • D min • 03:42 • -26.83db
9% Popularity • 24% Danceability • 11% Energy • 13% Liveness
90% Instrumentalness • 24% Positiveness
9% Popularity • 24% Danceability • 11% Energy • 13% Liveness
90% Instrumentalness • 24% Positiveness
► Preview
Jim ten Boske
Musica per Menocchio "For Alberto Mesirc...
135 bpm • G# Maj • 02:04 • -24.3db
17% Popularity • 48% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 16% Positiveness
17% Popularity • 48% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 16% Positiveness
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Béla Bartók
Romanian Folk Dances, Sz. 56 (Arr. A.S. ...
136 bpm • G Maj • 01:03 • -22.56db
10% Popularity • 33% Danceability • 14% Energy • 10% Liveness
93% Instrumentalness • 27% Positiveness
10% Popularity • 33% Danceability • 14% Energy • 10% Liveness
93% Instrumentalness • 27% Positiveness
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Pedro Jóia
Três Pontas
135 bpm • A Maj • 04:38 • -9.23db
9% Popularity • 35% Danceability • 50% Energy • 10% Liveness
86% Instrumentalness • 44% Positiveness
9% Popularity • 35% Danceability • 50% Energy • 10% Liveness
86% Instrumentalness • 44% Positiveness
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Estas Tonne
Walking
135 bpm • D min • 02:51 • -12.41db
12% Popularity • 55% Danceability • 43% Energy • 9% Liveness
89% Instrumentalness • 61% Positiveness
12% Popularity • 55% Danceability • 43% Energy • 9% Liveness
89% Instrumentalness • 61% Positiveness
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Juan Carlos Gómez
Mozárabe
171 bpm • D min • 04:31 • -9.84db
1% Popularity • 67% Danceability • 56% Energy • 18% Liveness
89% Instrumentalness • 92% Positiveness
1% Popularity • 67% Danceability • 56% Energy • 18% Liveness
89% Instrumentalness • 92% Positiveness
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Bret Williams
Young and Old
171 bpm • A Maj • 04:19 • -23db
22% Popularity • 34% Danceability • 8% Energy • 8% Liveness
94% Instrumentalness • 55% Positiveness
22% Popularity • 34% Danceability • 8% Energy • 8% Liveness
94% Instrumentalness • 55% Positiveness
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Maria Luisa Anido
Lejanía. Preludio No. 1 de la Serie de ...
134 bpm • C Maj • 03:56 • -18.45db
8% Popularity • 30% Danceability • 18% Energy • 10% Liveness
95% Instrumentalness • 19% Positiveness
8% Popularity • 30% Danceability • 18% Energy • 10% Liveness
95% Instrumentalness • 19% Positiveness
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José Méndez
Caricia del Viento
172 bpm • E Maj • 01:26 • -11.56db
24% Popularity • 44% Danceability • 24% Energy • 10% Liveness
91% Instrumentalness • 14% Positiveness
24% Popularity • 44% Danceability • 24% Energy • 10% Liveness
91% Instrumentalness • 14% Positiveness
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Alejandro Pablo-Álvaro Sanches-García
Mujeres del mercado bailando no. 2
134 bpm • G min • 01:24 • -14.65db
29% Popularity • 51% Danceability • 37% Energy • 10% Liveness
94% Instrumentalness • 42% Positiveness
29% Popularity • 51% Danceability • 37% Energy • 10% Liveness
94% Instrumentalness • 42% Positiveness
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Antonio Chover Salom
Homenaje a Escocia (Variaciones sobre un...
134 bpm • D Maj • 08:50 • -21db
12% Popularity • 43% Danceability • 13% Energy • 11% Liveness
95% Instrumentalness • 16% Positiveness
12% Popularity • 43% Danceability • 13% Energy • 11% Liveness
95% Instrumentalness • 16% Positiveness
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Antonio Vivaldi
The New Four Seasons - Winter: III. Slip...
133 bpm • F min • 03:37 • -18.57db
9% Popularity • 41% Danceability • 16% Energy • 18% Liveness
16% Instrumentalness • 14% Positiveness
9% Popularity • 41% Danceability • 16% Energy • 18% Liveness
16% Instrumentalness • 14% Positiveness
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Franz Schubert
Schwanengesang, D. 957: No. 4, Ständche...
133 bpm • G# Maj • 04:02 • -27.72db
12% Popularity • 39% Danceability • 1% Energy • 12% Liveness
93% Instrumentalness • 20% Positiveness
12% Popularity • 39% Danceability • 1% Energy • 12% Liveness
93% Instrumentalness • 20% Positiveness
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Charles Koechlin
Les Confidences d'un Joueur de Clarinett...
133 bpm • C# min • 01:09 • -19.41db
8% Popularity • 32% Danceability • 2% Energy • 9% Liveness
1% Instrumentalness • 73% Positiveness
8% Popularity • 32% Danceability • 2% Energy • 9% Liveness
1% Instrumentalness • 73% Positiveness
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Komitas
Alagiaz / Khnki Tzar (Arr. by João Kouy...
133 bpm • B min • 02:47 • -17.3db
14% Popularity • 61% Danceability • 11% Energy • 12% Liveness
93% Instrumentalness • 43% Positiveness
14% Popularity • 61% Danceability • 11% Energy • 12% Liveness
93% Instrumentalness • 43% Positiveness
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Antonio Lauro
Cueca chilena
132 bpm • A Maj • 01:21 • -17.85db
12% Popularity • 40% Danceability • 16% Energy • 27% Liveness
82% Instrumentalness • 89% Positiveness
12% Popularity • 40% Danceability • 16% Energy • 27% Liveness
82% Instrumentalness • 89% Positiveness
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Thu Le
Prelude no 1 - Villa Lobos
132 bpm • A min • 04:43 • -16.75db
8% Popularity • 40% Danceability • 21% Energy • 10% Liveness
93% Instrumentalness • 24% Positiveness
8% Popularity • 40% Danceability • 21% Energy • 10% Liveness
93% Instrumentalness • 24% Positiveness
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Bjørn Bolstad Skjelbred
Lockdown Miniature #3
132 bpm • D Maj • 03:51 • -20.9db
11% Popularity • 55% Danceability • 2% Energy • 10% Liveness
88% Instrumentalness • 13% Positiveness
11% Popularity • 55% Danceability • 2% Energy • 10% Liveness
88% Instrumentalness • 13% Positiveness
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Instrumental genius
Echoes of Six Strings
132 bpm • D Maj • 01:02 • -29db
26% Popularity • 48% Danceability • 8% Energy • 10% Liveness
94% Instrumentalness • 33% Positiveness
26% Popularity • 48% Danceability • 8% Energy • 10% Liveness
94% Instrumentalness • 33% Positiveness
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Gerardo Nuñez
Las Teresitas
132 bpm • A min • 01:21 • -15.45db
36% Popularity • 59% Danceability • 15% Energy • 11% Liveness
94% Instrumentalness • 35% Positiveness
36% Popularity • 59% Danceability • 15% Energy • 11% Liveness
94% Instrumentalness • 35% Positiveness
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Ferdinando Carulli
Guitar Duo, Op. 62 No. 1: IV. Polonaise ...
132 bpm • D Maj • 03:53 • -9.39db
9% Popularity • 53% Danceability • 53% Energy • 20% Liveness
93% Instrumentalness • 80% Positiveness
9% Popularity • 53% Danceability • 53% Energy • 20% Liveness
93% Instrumentalness • 80% Positiveness
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Carlo Domeniconi
Koyunbaba: II. Mosso
131 bpm • A# Maj • 01:25 • -21.19db
11% Popularity • 30% Danceability • 14% Energy • 9% Liveness
89% Instrumentalness • 7% Positiveness
11% Popularity • 30% Danceability • 14% Energy • 9% Liveness
89% Instrumentalness • 7% Positiveness
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G. I. Gurdjieff
Danse derviche da Musiques des Sayyids e...
130 bpm • D min • 01:03 • -11.2db
9% Popularity • 61% Danceability • 15% Energy • 9% Liveness
1% Instrumentalness • 87% Positiveness
9% Popularity • 61% Danceability • 15% Energy • 9% Liveness
1% Instrumentalness • 87% Positiveness
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Alexandre Tansman
Sonatine pour basson et piano: II. Aria ...
130 bpm • A min • 02:51 • -26db
8% Popularity • 17% Danceability • 1% Energy • 6% Liveness
97% Instrumentalness • 8% Positiveness
8% Popularity • 17% Danceability • 1% Energy • 6% Liveness
97% Instrumentalness • 8% Positiveness
