Songs like Accidentally Like A Martyr - Live by The War On Drugs
Based on a tempo of (+/- 10%) and a similar genre
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Broken Bells
October
144 bpm • F# min • 03:38 • -5.09db
52% Popularity • 55% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
52% Popularity • 55% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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My Morning Jacket
It Beats For You
144 bpm • C min • 03:46 • -6.19db
37% Popularity • 53% Danceability • 85% Energy • 27% Liveness
44% Instrumentalness • 77% Positiveness
37% Popularity • 53% Danceability • 85% Energy • 27% Liveness
44% Instrumentalness • 77% Positiveness
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Slowdive
Star Roving
144 bpm • A Maj • 05:38 • -5db
53% Popularity • 32% Danceability • 93% Energy • 29% Liveness
73% Instrumentalness • 40% Positiveness
53% Popularity • 32% Danceability • 93% Energy • 29% Liveness
73% Instrumentalness • 40% Positiveness
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Wilco
Love Is Everywhere (Beware)
144 bpm • G Maj • 03:33 • -9.44db
52% Popularity • 31% Danceability • 52% Energy • 10% Liveness
45% Instrumentalness • 51% Positiveness
52% Popularity • 31% Danceability • 52% Energy • 10% Liveness
45% Instrumentalness • 51% Positiveness
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Big Thief
Masterpiece - 2023 Remaster
144 bpm • E Maj • 03:50 • -5.54db
55% Popularity • 37% Danceability • 78% Energy • 34% Liveness
0% Instrumentalness • 41% Positiveness
55% Popularity • 37% Danceability • 78% Energy • 34% Liveness
0% Instrumentalness • 41% Positiveness
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Real Estate
Beach Comber
145 bpm • C Maj • 04:28 • -7db
50% Popularity • 39% Danceability • 84% Energy • 8% Liveness
1% Instrumentalness • 12% Positiveness
50% Popularity • 39% Danceability • 84% Energy • 8% Liveness
1% Instrumentalness • 12% Positiveness
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Midlake
Head Home
143 bpm • D min • 05:41 • -9db
36% Popularity • 42% Danceability • 79% Energy • 9% Liveness
5% Instrumentalness • 49% Positiveness
36% Popularity • 42% Danceability • 79% Energy • 9% Liveness
5% Instrumentalness • 49% Positiveness
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Woods
Hollow Home
145 bpm • F# min • 04:05 • -7db
36% Popularity • 56% Danceability • 76% Energy • 14% Liveness
63% Instrumentalness • 88% Positiveness
36% Popularity • 56% Danceability • 76% Energy • 14% Liveness
63% Instrumentalness • 88% Positiveness
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EL VY
It's a Game
145 bpm • C Maj • 04:04 • -9.64db
29% Popularity • 67% Danceability • 56% Energy • 17% Liveness
62% Instrumentalness • 53% Positiveness
29% Popularity • 67% Danceability • 56% Energy • 17% Liveness
62% Instrumentalness • 53% Positiveness
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Mercury Rev
Goddess on a Hiway
145 bpm • A Maj • 03:45 • -5.89db
51% Popularity • 47% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
51% Popularity • 47% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
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LCD Soundsystem
All My Friends
143 bpm • D Maj • 07:42 • -5.61db
60% Popularity • 70% Danceability • 79% Energy • 10% Liveness
62% Instrumentalness • 80% Positiveness
60% Popularity • 70% Danceability • 79% Energy • 10% Liveness
62% Instrumentalness • 80% Positiveness
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Elbow
Mirrorball
143 bpm • F# min • 05:50 • -9db
45% Popularity • 59% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
45% Popularity • 59% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Band of Horses
Crutch
145 bpm • D Maj • 03:43 • -5.38db
47% Popularity • 46% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
47% Popularity • 46% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Belle and Sebastian
The Boy With the Arab Strap
142 bpm • G Maj • 05:14 • -9.81db
58% Popularity • 58% Danceability • 83% Energy • 7% Liveness
1% Instrumentalness • 71% Positiveness
58% Popularity • 58% Danceability • 83% Energy • 7% Liveness
1% Instrumentalness • 71% Positiveness
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Bear's Den
Dew On The Vine
146 bpm • E Maj • 05:02 • -6.78db
38% Popularity • 49% Danceability • 88% Energy • 5% Liveness
27% Instrumentalness • 54% Positiveness
38% Popularity • 49% Danceability • 88% Energy • 5% Liveness
27% Instrumentalness • 54% Positiveness
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Nation of Language
The Wall & I
142 bpm • F# Maj • 05:04 • -5.63db
48% Popularity • 56% Danceability • 88% Energy • 10% Liveness
29% Instrumentalness • 45% Positiveness
48% Popularity • 56% Danceability • 88% Energy • 10% Liveness
29% Instrumentalness • 45% Positiveness
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Public Service Broadcasting
Everest
142 bpm • D# Maj • 03:47 • -6db
46% Popularity • 58% Danceability • 84% Energy • 36% Liveness
40% Instrumentalness • 39% Positiveness
46% Popularity • 58% Danceability • 84% Energy • 36% Liveness
40% Instrumentalness • 39% Positiveness
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Volcano Choir
Comrade
146 bpm • G Maj • 04:34 • -8.96db
42% Popularity • 51% Danceability • 44% Energy • 9% Liveness
81% Instrumentalness • 34% Positiveness
42% Popularity • 51% Danceability • 44% Energy • 9% Liveness
81% Instrumentalness • 34% Positiveness
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Phosphorescent
A New Anhedonia
141 bpm • E Maj • 04:03 • -9.69db
27% Popularity • 23% Danceability • 28% Energy • 17% Liveness
10% Instrumentalness • 11% Positiveness
27% Popularity • 23% Danceability • 28% Energy • 17% Liveness
10% Instrumentalness • 11% Positiveness
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Clap Your Hands Say Yeah
The Skin of My Yellow Country Teeth
142 bpm • C Maj • 05:43 • -5.16db
50% Popularity • 46% Danceability • 97% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
50% Popularity • 46% Danceability • 97% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Moss
My Decision
147 bpm • E min • 05:43 • -7db
23% Popularity • 55% Danceability • 81% Energy • 10% Liveness
34% Instrumentalness • 61% Positiveness
23% Popularity • 55% Danceability • 81% Energy • 10% Liveness
34% Instrumentalness • 61% Positiveness
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Big Thief
UFOF
147 bpm • A# min • 03:08 • -9db
51% Popularity • 62% Danceability • 61% Energy • 14% Liveness
57% Instrumentalness • 74% Positiveness
51% Popularity • 62% Danceability • 61% Energy • 14% Liveness
57% Instrumentalness • 74% Positiveness
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Band of Horses
In A Drawer
140 bpm • F# Maj • 03:58 • -6.82db
43% Popularity • 57% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
43% Popularity • 57% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
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The Shins
It's Only Life
148 bpm • C Maj • 04:01 • -6.61db
45% Popularity • 63% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
45% Popularity • 63% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
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Phosphorescent
Los Angeles
140 bpm • F Maj • 08:48 • -9.17db
21% Popularity • 24% Danceability • 43% Energy • 15% Liveness
52% Instrumentalness • 28% Positiveness
21% Popularity • 24% Danceability • 43% Energy • 15% Liveness
52% Instrumentalness • 28% Positiveness
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The War On Drugs
Harmonia's Dream
140 bpm • D Maj • 06:26 • -5.07db
51% Popularity • 52% Danceability • 87% Energy • 6% Liveness
24% Instrumentalness • 49% Positiveness
51% Popularity • 52% Danceability • 87% Energy • 6% Liveness
24% Instrumentalness • 49% Positiveness
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Future Islands
Seasons (Waiting on You)
140 bpm • A# Maj • 03:46 • -5.23db
64% Popularity • 50% Danceability • 72% Energy • 9% Liveness
70% Instrumentalness • 59% Positiveness
64% Popularity • 50% Danceability • 72% Energy • 9% Liveness
70% Instrumentalness • 59% Positiveness
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Big Thief
Not
140 bpm • B Maj • 06:07 • -6.57db
50% Popularity • 42% Danceability • 79% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
50% Popularity • 42% Danceability • 79% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
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TV On The Radio
Happy Idiot
140 bpm • B min • 03:03 • -4.24db
63% Popularity • 62% Danceability • 95% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
63% Popularity • 62% Danceability • 95% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Volcano Choir
Byegone
140 bpm • C Maj • 04:22 • -10db
47% Popularity • 50% Danceability • 35% Energy • 12% Liveness
4% Instrumentalness • 10% Positiveness
47% Popularity • 50% Danceability • 35% Energy • 12% Liveness
4% Instrumentalness • 10% Positiveness
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Clap Your Hands Say Yeah
Over and over Again (Lost and Found)
140 bpm • B Maj • 03:09 • -8db
42% Popularity • 57% Danceability • 68% Energy • 13% Liveness
1% Instrumentalness • 88% Positiveness
42% Popularity • 57% Danceability • 68% Energy • 13% Liveness
1% Instrumentalness • 88% Positiveness
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Arcade Fire
Wake Up
139 bpm • C Maj • 05:35 • -4.85db
64% Popularity • 25% Danceability • 80% Energy • 12% Liveness
5% Instrumentalness • 29% Positiveness
64% Popularity • 25% Danceability • 80% Energy • 12% Liveness
5% Instrumentalness • 29% Positiveness
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Nick Cave & The Bad Seeds
Nature Boy
140 bpm • G Maj • 04:54 • -4.61db
46% Popularity • 43% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
46% Popularity • 43% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
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Public Service Broadcasting
Progress
149 bpm • D# Maj • 03:25 • -9db
31% Popularity • 50% Danceability • 77% Energy • 10% Liveness
75% Instrumentalness • 51% Positiveness
31% Popularity • 50% Danceability • 77% Energy • 10% Liveness
75% Instrumentalness • 51% Positiveness
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Band of Horses
No One's Gonna Love You
149 bpm • C# Maj • 03:37 • -3.58db
64% Popularity • 31% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
64% Popularity • 31% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Editors
Munich
149 bpm • G min • 03:46 • -4.4db
36% Popularity • 19% Danceability • 88% Energy • 29% Liveness
5% Instrumentalness • 39% Positiveness
36% Popularity • 19% Danceability • 88% Energy • 29% Liveness
5% Instrumentalness • 39% Positiveness
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Andrew Bird
Roma Fade
138 bpm • D min • 04:03 • -8.4db
53% Popularity • 59% Danceability • 69% Energy • 9% Liveness
2% Instrumentalness • 76% Positiveness
53% Popularity • 59% Danceability • 69% Energy • 9% Liveness
2% Instrumentalness • 76% Positiveness
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Kevin Morby
Parade
150 bpm • A Maj • 05:25 • -10.85db
45% Popularity • 50% Danceability • 52% Energy • 11% Liveness
2% Instrumentalness • 48% Positiveness
45% Popularity • 50% Danceability • 52% Energy • 11% Liveness
2% Instrumentalness • 48% Positiveness
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Frightened Rabbit
The Woodpile
150 bpm • D Maj • 03:27 • -4.62db
46% Popularity • 35% Danceability • 88% Energy • 32% Liveness
0% Instrumentalness • 31% Positiveness
46% Popularity • 35% Danceability • 88% Energy • 32% Liveness
0% Instrumentalness • 31% Positiveness
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Woods
Moving to the Left
150 bpm • C Maj • 05:22 • -6.37db
29% Popularity • 57% Danceability • 94% Energy • 15% Liveness
0% Instrumentalness • 79% Positiveness
29% Popularity • 57% Danceability • 94% Energy • 15% Liveness
0% Instrumentalness • 79% Positiveness
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Bombay Bicycle Club
Rinse Me Down
150 bpm • E Maj • 03:10 • -8db
42% Popularity • 66% Danceability • 84% Energy • 14% Liveness
28% Instrumentalness • 97% Positiveness
42% Popularity • 66% Danceability • 84% Energy • 14% Liveness
28% Instrumentalness • 97% Positiveness
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Big Red Machine
Phoenix
138 bpm • F Maj • 04:15 • -7db
52% Popularity • 48% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
52% Popularity • 48% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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The Beta Band
Dry the Rain
150 bpm • E Maj • 06:06 • -11.29db
52% Popularity • 59% Danceability • 63% Energy • 22% Liveness
17% Instrumentalness • 75% Positiveness
52% Popularity • 59% Danceability • 63% Energy • 22% Liveness
17% Instrumentalness • 75% Positiveness
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The War On Drugs
Holding On
150 bpm • F# Maj • 05:50 • -5.03db
53% Popularity • 44% Danceability • 94% Energy • 5% Liveness
1% Instrumentalness • 69% Positiveness
53% Popularity • 44% Danceability • 94% Energy • 5% Liveness
1% Instrumentalness • 69% Positiveness
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Peter Bjorn and John
Up Against The Wall
138 bpm • D Maj • 07:03 • -7.36db
44% Popularity • 66% Danceability • 68% Energy • 12% Liveness
11% Instrumentalness • 57% Positiveness
44% Popularity • 66% Danceability • 68% Energy • 12% Liveness
11% Instrumentalness • 57% Positiveness
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Cat Power
Manhattan
138 bpm • G Maj • 05:16 • -8.06db
46% Popularity • 71% Danceability • 62% Energy • 12% Liveness
2% Instrumentalness • 10% Positiveness
46% Popularity • 71% Danceability • 62% Energy • 12% Liveness
2% Instrumentalness • 10% Positiveness
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Real Estate
Talking Backwards
151 bpm • F Maj • 03:07 • -6.04db
50% Popularity • 41% Danceability • 88% Energy • 17% Liveness
82% Instrumentalness • 56% Positiveness
50% Popularity • 41% Danceability • 88% Energy • 17% Liveness
82% Instrumentalness • 56% Positiveness
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The Tallest Man On Earth
I’m A Stranger Now
137 bpm • C Maj • 04:21 • -7.85db
38% Popularity • 56% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
38% Popularity • 56% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Mogwai
Ritchie Sacramento
137 bpm • C Maj • 04:12 • -7.47db
27% Popularity • 39% Danceability • 73% Energy • 16% Liveness
82% Instrumentalness • 10% Positiveness
27% Popularity • 39% Danceability • 73% Energy • 16% Liveness
82% Instrumentalness • 10% Positiveness
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The War On Drugs
Suffering
138 bpm • C Maj • 06:02 • -10.74db
46% Popularity • 54% Danceability • 33% Energy • 11% Liveness
44% Instrumentalness • 25% Positiveness
46% Popularity • 54% Danceability • 33% Energy • 11% Liveness
44% Instrumentalness • 25% Positiveness
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LCD Soundsystem
call the police
151 bpm • D Maj • 06:58 • -6.48db
40% Popularity • 38% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
40% Popularity • 38% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Broken Bells
The Mall & Misery
137 bpm • D# min • 04:06 • -6.47db
48% Popularity • 58% Danceability • 65% Energy • 13% Liveness
1% Instrumentalness • 28% Positiveness
48% Popularity • 58% Danceability • 65% Energy • 13% Liveness
1% Instrumentalness • 28% Positiveness
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The Black Keys
Weight of Love
151 bpm • D Maj • 06:50 • -8.62db
59% Popularity • 28% Danceability • 55% Energy • 10% Liveness
89% Instrumentalness • 13% Positiveness
59% Popularity • 28% Danceability • 55% Energy • 10% Liveness
89% Instrumentalness • 13% Positiveness
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The Maccabees
Spit It Out
137 bpm • E min • 05:09 • -7.91db
30% Popularity • 39% Danceability • 84% Energy • 7% Liveness
42% Instrumentalness • 21% Positiveness
30% Popularity • 39% Danceability • 84% Energy • 7% Liveness
42% Instrumentalness • 21% Positiveness
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Fleet Foxes
Featherweight
152 bpm • G min • 03:50 • -13db
45% Popularity • 34% Danceability • 49% Energy • 24% Liveness
6% Instrumentalness • 44% Positiveness
45% Popularity • 34% Danceability • 49% Energy • 24% Liveness
6% Instrumentalness • 44% Positiveness
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The War On Drugs
In Chains
138 bpm • B Maj • 07:20 • -4.82db
48% Popularity • 50% Danceability • 96% Energy • 8% Liveness
41% Instrumentalness • 63% Positiveness
48% Popularity • 50% Danceability • 96% Energy • 8% Liveness
41% Instrumentalness • 63% Positiveness
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Real Estate
It's Real
152 bpm • D Maj • 02:48 • -5.44db
53% Popularity • 42% Danceability • 86% Energy • 12% Liveness
10% Instrumentalness • 72% Positiveness
53% Popularity • 42% Danceability • 86% Energy • 12% Liveness
10% Instrumentalness • 72% Positiveness
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Dan Auerbach
Goin' Home
136 bpm • A Maj • 04:53 • -12db
41% Popularity • 42% Danceability • 30% Energy • 11% Liveness
1% Instrumentalness • 30% Positiveness
41% Popularity • 42% Danceability • 30% Energy • 11% Liveness
1% Instrumentalness • 30% Positiveness
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Grizzly Bear
Yet Again
136 bpm • E min • 05:18 • -5db
48% Popularity • 47% Danceability • 88% Energy • 13% Liveness
1% Instrumentalness • 46% Positiveness
48% Popularity • 47% Danceability • 88% Energy • 13% Liveness
1% Instrumentalness • 46% Positiveness
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Jonathan Wilson
Over the Midnight
136 bpm • C Maj • 08:15 • -7.56db
22% Popularity • 62% Danceability • 64% Energy • 14% Liveness
3% Instrumentalness • 43% Positiveness
22% Popularity • 62% Danceability • 64% Energy • 14% Liveness
3% Instrumentalness • 43% Positiveness
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Arcade Fire
No Cars Go
136 bpm • C# Maj • 05:43 • -6.95db
61% Popularity • 32% Danceability • 77% Energy • 12% Liveness
17% Instrumentalness • 29% Positiveness
61% Popularity • 32% Danceability • 77% Energy • 12% Liveness
17% Instrumentalness • 29% Positiveness
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The War On Drugs
Touch of Grey
152 bpm • B Maj • 05:16 • -6.82db
40% Popularity • 52% Danceability • 87% Energy • 18% Liveness
1% Instrumentalness • 89% Positiveness
40% Popularity • 52% Danceability • 87% Energy • 18% Liveness
1% Instrumentalness • 89% Positiveness
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Band of Horses
Is There A Ghost
136 bpm • C# Maj • 02:59 • -4db
54% Popularity • 30% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
54% Popularity • 30% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Cass McCombs
Opposite House
153 bpm • F Maj • 04:14 • -10.54db
36% Popularity • 48% Danceability • 57% Energy • 10% Liveness
26% Instrumentalness • 61% Positiveness
36% Popularity • 48% Danceability • 57% Energy • 10% Liveness
26% Instrumentalness • 61% Positiveness
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White Lies
Death
135 bpm • G Maj • 05:01 • -5.62db
54% Popularity • 45% Danceability • 84% Energy • 8% Liveness
1% Instrumentalness • 22% Positiveness
54% Popularity • 45% Danceability • 84% Energy • 8% Liveness
1% Instrumentalness • 22% Positiveness
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Whitney
Golden Days
153 bpm • F Maj • 04:02 • -5.25db
47% Popularity • 39% Danceability • 70% Energy • 55% Liveness
43% Instrumentalness • 65% Positiveness
47% Popularity • 39% Danceability • 70% Energy • 55% Liveness
43% Instrumentalness • 65% Positiveness
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DIIV
(Druun)
135 bpm • A Maj • 02:07 • -8.55db
51% Popularity • 47% Danceability • 75% Energy • 10% Liveness
63% Instrumentalness • 65% Positiveness
51% Popularity • 47% Danceability • 75% Energy • 10% Liveness
63% Instrumentalness • 65% Positiveness
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Built To Spill
Liar
135 bpm • C Maj • 05:11 • -8db
20% Popularity • 53% Danceability • 76% Energy • 26% Liveness
9% Instrumentalness • 54% Positiveness
20% Popularity • 53% Danceability • 76% Energy • 26% Liveness
9% Instrumentalness • 54% Positiveness
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The War On Drugs
Under The Pressure
134 bpm • F# Maj • 08:52 • -6.55db
58% Popularity • 32% Danceability • 71% Energy • 13% Liveness
17% Instrumentalness • 20% Positiveness
58% Popularity • 32% Danceability • 71% Energy • 13% Liveness
17% Instrumentalness • 20% Positiveness
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Kings of Leon
Arizona
154 bpm • E Maj • 04:50 • -6.81db
55% Popularity • 51% Danceability • 52% Energy • 9% Liveness
23% Instrumentalness • 35% Positiveness
55% Popularity • 51% Danceability • 52% Energy • 9% Liveness
23% Instrumentalness • 35% Positiveness
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Phosphorescent
Around the Horn
134 bpm • A Maj • 08:11 • -6.47db
24% Popularity • 40% Danceability • 83% Energy • 12% Liveness
27% Instrumentalness • 19% Positiveness
24% Popularity • 40% Danceability • 83% Energy • 12% Liveness
27% Instrumentalness • 19% Positiveness
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Boy & Bear
Old Town Blues
155 bpm • E min • 03:23 • -6.23db
43% Popularity • 54% Danceability • 74% Energy • 14% Liveness
11% Instrumentalness • 50% Positiveness
43% Popularity • 54% Danceability • 74% Energy • 14% Liveness
11% Instrumentalness • 50% Positiveness
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The Slow Show
Ordinary Lives
134 bpm • C Maj • 03:57 • -9.53db
32% Popularity • 51% Danceability • 64% Energy • 14% Liveness
67% Instrumentalness • 51% Positiveness
32% Popularity • 51% Danceability • 64% Energy • 14% Liveness
67% Instrumentalness • 51% Positiveness
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DIIV
Under the Sun
155 bpm • D Maj • 03:46 • -6.23db
52% Popularity • 55% Danceability • 85% Energy • 13% Liveness
78% Instrumentalness • 94% Positiveness
52% Popularity • 55% Danceability • 85% Energy • 13% Liveness
78% Instrumentalness • 94% Positiveness
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The War On Drugs
Burning
155 bpm • A Maj • 05:48 • -8db
49% Popularity • 39% Danceability • 86% Energy • 10% Liveness
35% Instrumentalness • 33% Positiveness
49% Popularity • 39% Danceability • 86% Energy • 10% Liveness
35% Instrumentalness • 33% Positiveness
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EL VY
No Time to Crank the Sun
155 bpm • C# Maj • 05:12 • -9db
30% Popularity • 53% Danceability • 51% Energy • 30% Liveness
2% Instrumentalness • 56% Positiveness
30% Popularity • 53% Danceability • 51% Energy • 30% Liveness
2% Instrumentalness • 56% Positiveness
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Wilco
If I Ever Was a Child
134 bpm • G# Maj • 02:55 • -11.82db
54% Popularity • 68% Danceability • 55% Energy • 11% Liveness
61% Instrumentalness • 78% Positiveness
54% Popularity • 68% Danceability • 55% Energy • 11% Liveness
61% Instrumentalness • 78% Positiveness
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Bon Iver
33 “GOD”
133 bpm • E Maj • 03:33 • -10.47db
54% Popularity • 47% Danceability • 39% Energy • 9% Liveness
3% Instrumentalness • 32% Positiveness
54% Popularity • 47% Danceability • 39% Energy • 9% Liveness
3% Instrumentalness • 32% Positiveness
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Beirut
Gallipoli
133 bpm • A# Maj • 04:06 • -8.1db
45% Popularity • 50% Danceability • 61% Energy • 8% Liveness
57% Instrumentalness • 34% Positiveness
45% Popularity • 50% Danceability • 61% Energy • 8% Liveness
57% Instrumentalness • 34% Positiveness
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Broken Bells
Perfect World
156 bpm • C# min • 06:24 • -7.33db
42% Popularity • 55% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
42% Popularity • 55% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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The War On Drugs
You Don't Have to Go
134 bpm • E Maj • 06:42 • -7.52db
38% Popularity • 52% Danceability • 79% Energy • 10% Liveness
18% Instrumentalness • 66% Positiveness
38% Popularity • 52% Danceability • 79% Energy • 10% Liveness
18% Instrumentalness • 66% Positiveness
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Real Estate
Primitive
133 bpm • A Maj • 04:16 • -9db
40% Popularity • 51% Danceability • 72% Energy • 7% Liveness
62% Instrumentalness • 56% Positiveness
40% Popularity • 51% Danceability • 72% Energy • 7% Liveness
62% Instrumentalness • 56% Positiveness
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The National
Bloodbuzz Ohio
157 bpm • A Maj • 04:35 • -6.37db
56% Popularity • 40% Danceability • 84% Energy • 10% Liveness
18% Instrumentalness • 69% Positiveness
56% Popularity • 40% Danceability • 84% Energy • 10% Liveness
18% Instrumentalness • 69% Positiveness
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Eels
Mistakes of My Youth
132 bpm • G Maj • 04:57 • -9.96db
32% Popularity • 59% Danceability • 50% Energy • 8% Liveness
1% Instrumentalness • 55% Positiveness
32% Popularity • 59% Danceability • 50% Energy • 8% Liveness
1% Instrumentalness • 55% Positiveness
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Beirut
Santa Fe
132 bpm • B Maj • 04:14 • -7db
53% Popularity • 73% Danceability • 68% Energy • 11% Liveness
1% Instrumentalness • 95% Positiveness
53% Popularity • 73% Danceability • 68% Energy • 11% Liveness
1% Instrumentalness • 95% Positiveness
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Father John Misty
Total Entertainment Forever
158 bpm • G min • 02:53 • -5.88db
40% Popularity • 36% Danceability • 75% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
40% Popularity • 36% Danceability • 75% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
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The War On Drugs
Pushing Corn
134 bpm • C# Maj • 04:03 • -10.05db
33% Popularity • 68% Danceability • 67% Energy • 22% Liveness
3% Instrumentalness • 56% Positiveness
33% Popularity • 68% Danceability • 67% Energy • 22% Liveness
3% Instrumentalness • 56% Positiveness
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Real Estate
Darling
133 bpm • C Maj • 04:20 • -5.41db
52% Popularity • 60% Danceability • 89% Energy • 10% Liveness
1% Instrumentalness • 57% Positiveness
52% Popularity • 60% Danceability • 89% Energy • 10% Liveness
1% Instrumentalness • 57% Positiveness
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Spoon
WhisperI'lllistentohearit
158 bpm • F min • 04:20 • -7db
34% Popularity • 28% Danceability • 66% Energy • 33% Liveness
2% Instrumentalness • 26% Positiveness
34% Popularity • 28% Danceability • 66% Energy • 33% Liveness
2% Instrumentalness • 26% Positiveness
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Phosphorescent
Wolves
131 bpm • C# Maj • 06:14 • -11.07db
46% Popularity • 33% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
46% Popularity • 33% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
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The Barr Brothers
Come in the Water
131 bpm • D Maj • 06:48 • -10.79db
32% Popularity • 54% Danceability • 33% Energy • 11% Liveness
13% Instrumentalness • 43% Positiveness
32% Popularity • 54% Danceability • 33% Energy • 11% Liveness
13% Instrumentalness • 43% Positiveness
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My Morning Jacket
Gideon
131 bpm • D# Maj • 03:39 • -7.39db
40% Popularity • 40% Danceability • 70% Energy • 6% Liveness
67% Instrumentalness • 39% Positiveness
40% Popularity • 40% Danceability • 70% Energy • 6% Liveness
67% Instrumentalness • 39% Positiveness
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The War On Drugs
Best Night
132 bpm • C Maj • 05:30 • -8.69db
36% Popularity • 48% Danceability • 79% Energy • 41% Liveness
79% Instrumentalness • 29% Positiveness
36% Popularity • 48% Danceability • 79% Energy • 41% Liveness
79% Instrumentalness • 29% Positiveness
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Band of Horses
Warning Signs
131 bpm • A Maj • 04:20 • -7.3db
42% Popularity • 46% Danceability • 75% Energy • 19% Liveness
0% Instrumentalness • 14% Positiveness
42% Popularity • 46% Danceability • 75% Energy • 19% Liveness
0% Instrumentalness • 14% Positiveness
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Big Thief
Shark Smile
131 bpm • F# min • 03:57 • -8.15db
56% Popularity • 62% Danceability • 75% Energy • 12% Liveness
50% Instrumentalness • 55% Positiveness
56% Popularity • 62% Danceability • 75% Energy • 12% Liveness
50% Instrumentalness • 55% Positiveness
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Broken Social Scene
Hug Of Thunder
131 bpm • B Maj • 04:54 • -8.46db
35% Popularity • 70% Danceability • 43% Energy • 16% Liveness
28% Instrumentalness • 49% Positiveness
35% Popularity • 70% Danceability • 43% Energy • 16% Liveness
28% Instrumentalness • 49% Positiveness
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Ten Fé
Isn't Ever A Day
131 bpm • F# min • 04:44 • -6.35db
44% Popularity • 66% Danceability • 76% Energy • 31% Liveness
74% Instrumentalness • 76% Positiveness
44% Popularity • 66% Danceability • 76% Energy • 31% Liveness
74% Instrumentalness • 76% Positiveness
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Real Estate
Saturday
131 bpm • C Maj • 04:43 • -6.06db
38% Popularity • 52% Danceability • 72% Energy • 12% Liveness
57% Instrumentalness • 21% Positiveness
38% Popularity • 52% Danceability • 72% Energy • 12% Liveness
57% Instrumentalness • 21% Positiveness
