Songs like Ach so fromm (from Martha) by Friedrich von Flotow
Based on a tempo of (+/- 10%) and a similar genre
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Gaetano Donizetti
Donizetti: L'elisir d'amore, Act 2: "Una...
79 bpm • A# min • 04:17 • -22.29db
21% Popularity • 16% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
21% Popularity • 16% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
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Christoph Willibald Gluck
Gluck: Orphée et Eurydice, Act 3: "J'ai...
79 bpm • E min • 04:22 • -20.16db
16% Popularity • 32% Danceability • 10% Energy • 35% Liveness
0% Instrumentalness • 4% Positiveness
16% Popularity • 32% Danceability • 10% Energy • 35% Liveness
0% Instrumentalness • 4% Positiveness
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Friedrich von Flotow
Fatme, Akt I: "Allahs Sonne ist aufgegan...
79 bpm • D Maj • 02:55 • -12.71db
0% Popularity • 52% Danceability • 59% Energy • 93% Liveness
0% Instrumentalness • 65% Positiveness
0% Popularity • 52% Danceability • 59% Energy • 93% Liveness
0% Instrumentalness • 65% Positiveness
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Katia Ricciarelli
Gianni Schicchi (O mio bambino caro)
79 bpm • G# Maj • 02:55 • -14db
33% Popularity • 20% Danceability • 20% Energy • 68% Liveness
0% Instrumentalness • 5% Positiveness
33% Popularity • 20% Danceability • 20% Energy • 68% Liveness
0% Instrumentalness • 5% Positiveness
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Jules Massenet
Werther / Act 3: "Pourquoi me réveiller...
79 bpm • F# min • 03:17 • -15.56db
29% Popularity • 13% Danceability • 14% Energy • 20% Liveness
14% Instrumentalness • 8% Positiveness
29% Popularity • 13% Danceability • 14% Energy • 20% Liveness
14% Instrumentalness • 8% Positiveness
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George Gershwin
Porgy and Bess, Act I: Summertime
79 bpm • F# min • 02:40 • -19.78db
19% Popularity • 15% Danceability • 11% Energy • 7% Liveness
48% Instrumentalness • 8% Positiveness
19% Popularity • 15% Danceability • 11% Energy • 7% Liveness
48% Instrumentalness • 8% Positiveness
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Gabriel Fauré
Fauré: Cantique de Jean Racine, Op. 11
79 bpm • C# Maj • 04:53 • -22.46db
30% Popularity • 13% Danceability • 6% Energy • 17% Liveness
95% Instrumentalness • 4% Positiveness
30% Popularity • 13% Danceability • 6% Energy • 17% Liveness
95% Instrumentalness • 4% Positiveness
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Cesare Andrea Bixio
Parlami d'amore Mariù
79 bpm • G Maj • 04:40 • -16.81db
13% Popularity • 22% Danceability • 20% Energy • 32% Liveness
1% Instrumentalness • 26% Positiveness
13% Popularity • 22% Danceability • 20% Energy • 32% Liveness
1% Instrumentalness • 26% Positiveness
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Friedrich von Flotow
Piano Concerto No. 2 in A Minor: III. Ad...
79 bpm • F Maj • 04:39 • -32.68db
3% Popularity • 27% Danceability • 2% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
3% Popularity • 27% Danceability • 2% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Beniamino Gigli
Una furtiva lacrima
78 bpm • F min • 03:46 • -12db
19% Popularity • 33% Danceability • 10% Energy • 18% Liveness
0% Instrumentalness • 14% Positiveness
19% Popularity • 33% Danceability • 10% Energy • 18% Liveness
0% Instrumentalness • 14% Positiveness
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Gioachino Rossini
Il barbiere di Siviglia / Act 1: "Una vo...
78 bpm • B Maj • 05:35 • -21.94db
15% Popularity • 37% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
15% Popularity • 37% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Anonymous
Evening Bells
78 bpm • F# min • 02:46 • -15.82db
11% Popularity • 17% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
11% Popularity • 17% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Wolfgang Amadeus Mozart
Vesperae solennes de confessore in C, K....
78 bpm • F Maj • 03:59 • -26db
14% Popularity • 19% Danceability • 4% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
14% Popularity • 19% Danceability • 4% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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Gaetano Donizetti
L'elisir d'amore, Act II: Una furtiva la...
80 bpm • A# min • 04:52 • -19db
25% Popularity • 24% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
25% Popularity • 24% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Friedrich von Flotow
Martha, Act II: Schlafe wohl! Und mag di...
79 bpm • C# Maj • 02:59 • -21.94db
0% Popularity • 29% Danceability • 11% Energy • 11% Liveness
12% Instrumentalness • 16% Positiveness
0% Popularity • 29% Danceability • 11% Energy • 11% Liveness
12% Instrumentalness • 16% Positiveness
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Franz Lehár
The Merry Widow, Act II: Vilja-Lied
80 bpm • G Maj • 04:55 • -19db
18% Popularity • 22% Danceability • 18% Energy • 17% Liveness
0% Instrumentalness • 10% Positiveness
18% Popularity • 22% Danceability • 18% Energy • 17% Liveness
0% Instrumentalness • 10% Positiveness
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Gabriel Fauré
Cantique de J.Racine, Op. 11
78 bpm • C# Maj • 04:47 • -26.55db
20% Popularity • 14% Danceability • 3% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
20% Popularity • 14% Danceability • 3% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
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Joseph Canteloube
Chants D'Auvergne: Vol I, No. 2: Baïlè...
80 bpm • A# Maj • 06:26 • -13.58db
11% Popularity • 14% Danceability • 18% Energy • 10% Liveness
3% Instrumentalness • 4% Positiveness
11% Popularity • 14% Danceability • 18% Energy • 10% Liveness
3% Instrumentalness • 4% Positiveness
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Richard Wagner
Tannhäuser, WWV 70 - Paris version / Ac...
80 bpm • D# Maj • 04:56 • -17.52db
27% Popularity • 10% Danceability • 14% Energy • 14% Liveness
1% Instrumentalness • 7% Positiveness
27% Popularity • 10% Danceability • 14% Energy • 14% Liveness
1% Instrumentalness • 7% Positiveness
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Wolfgang Amadeus Mozart
Le nozze di Figaro, K. 492 / Act 3: "Sul...
80 bpm • A# Maj • 03:30 • -22.48db
44% Popularity • 22% Danceability • 6% Energy • 43% Liveness
0% Instrumentalness • 8% Positiveness
44% Popularity • 22% Danceability • 6% Energy • 43% Liveness
0% Instrumentalness • 8% Positiveness
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Friedrich von Flotow
Fatme, Akt II: "Ha, ha, ha, ha"
78 bpm • C# min • 01:45 • -15.33db
0% Popularity • 16% Danceability • 32% Energy • 46% Liveness
0% Instrumentalness • 8% Positiveness
0% Popularity • 16% Danceability • 32% Energy • 46% Liveness
0% Instrumentalness • 8% Positiveness
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Henry Purcell
Purcell: Dido and Aeneas, Z. 626, Act II...
80 bpm • F# min • 03:54 • -22.6db
28% Popularity • 17% Danceability • 2% Energy • 30% Liveness
0% Instrumentalness • 4% Positiveness
28% Popularity • 17% Danceability • 2% Energy • 30% Liveness
0% Instrumentalness • 4% Positiveness
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Franz Lehár
Lehár: Die lustige Witwe, Act 3: "Lippe...
78 bpm • G Maj • 03:11 • -9.9db
14% Popularity • 26% Danceability • 19% Energy • 9% Liveness
3% Instrumentalness • 15% Positiveness
14% Popularity • 26% Danceability • 19% Energy • 9% Liveness
3% Instrumentalness • 15% Positiveness
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Erich Wolfgang Korngold
Act I: Glück, das mir verblieb (Mariett...
78 bpm • A# Maj • 06:08 • -16.28db
13% Popularity • 19% Danceability • 16% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
13% Popularity • 19% Danceability • 16% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
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Joseph Canteloube
Canteloube: Chants d'Auvergne, Vol. 1: N...
80 bpm • C min • 05:37 • -16.35db
16% Popularity • 15% Danceability • 15% Energy • 10% Liveness
1% Instrumentalness • 5% Positiveness
16% Popularity • 15% Danceability • 15% Energy • 10% Liveness
1% Instrumentalness • 5% Positiveness
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Carl Orff
Carmina Burana / 3. Cour d'amours: "In t...
80 bpm • D Maj • 02:41 • -28.76db
17% Popularity • 19% Danceability • 3% Energy • 12% Liveness
13% Instrumentalness • 4% Positiveness
17% Popularity • 19% Danceability • 3% Energy • 12% Liveness
13% Instrumentalness • 4% Positiveness
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Friedrich von Flotow
Martha, Act I: Wie das schnattert (Live)
78 bpm • A# Maj • 04:53 • -20.11db
0% Popularity • 31% Danceability • 16% Energy • 17% Liveness
0% Instrumentalness • 43% Positiveness
0% Popularity • 31% Danceability • 16% Energy • 17% Liveness
0% Instrumentalness • 43% Positiveness
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Sergei Rachmaninoff
Rachmaninoff: Rachmaninov: 12 Songs, Op....
78 bpm • A Maj • 02:27 • -21db
30% Popularity • 11% Danceability • 10% Energy • 8% Liveness
19% Instrumentalness • 4% Positiveness
30% Popularity • 11% Danceability • 10% Energy • 8% Liveness
19% Instrumentalness • 4% Positiveness
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Gaetano Donizetti
L'elisir d'amore / Act 2: "Una furtiva l...
78 bpm • A# min • 04:39 • -21db
13% Popularity • 22% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
13% Popularity • 22% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Renata Tebaldi
Si, Mi Chiamano Mimì - la Boheme Atto I
80 bpm • D Maj • 04:56 • -14.01db
27% Popularity • 20% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
27% Popularity • 20% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Andrew Lloyd Webber
Pie Jesu
78 bpm • G# Maj • 03:41 • -24.4db
37% Popularity • 9% Danceability • 5% Energy • 9% Liveness
18% Instrumentalness • 4% Positiveness
37% Popularity • 9% Danceability • 5% Energy • 9% Liveness
18% Instrumentalness • 4% Positiveness
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Carl Orff
Carmina Burana / 3. Cour d'amours: "In t...
80 bpm • E min • 02:27 • -36db
32% Popularity • 14% Danceability • 2% Energy • 12% Liveness
5% Instrumentalness • 4% Positiveness
32% Popularity • 14% Danceability • 2% Energy • 12% Liveness
5% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Fauré: Pavane, Op. 50 (Version with Cho...
78 bpm • F# min • 05:39 • -27.47db
29% Popularity • 9% Danceability • 3% Energy • 14% Liveness
92% Instrumentalness • 6% Positiveness
29% Popularity • 9% Danceability • 3% Energy • 14% Liveness
92% Instrumentalness • 6% Positiveness
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Alfredo Catalani
La Wally, Act I: Ebben?... Ne andrò lon...
81 bpm • E min • 04:38 • -22db
10% Popularity • 21% Danceability • 10% Energy • 21% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 21% Danceability • 10% Energy • 21% Liveness
0% Instrumentalness • 4% Positiveness
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Gaetano Donizetti
L'elisir d'amore / Act 2: "Una furtiva l...
78 bpm • F min • 04:38 • -18db
29% Popularity • 16% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
29% Popularity • 16% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Ernesto de Curtis
Non ti scordar di me (Arr. for Soprano, ...
81 bpm • A Maj • 03:39 • -14.02db
31% Popularity • 18% Danceability • 19% Energy • 38% Liveness
0% Instrumentalness • 7% Positiveness
31% Popularity • 18% Danceability • 19% Energy • 38% Liveness
0% Instrumentalness • 7% Positiveness
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Carlos Guastavino
La rosa y el sauce
81 bpm • F# min • 02:24 • -20db
16% Popularity • 20% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
16% Popularity • 20% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
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Friedrich von Flotow
Alessandro Stradella: Act III: Introduct...
77 bpm • G Maj • 06:22 • -19.25db
0% Popularity • 32% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
0% Popularity • 32% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30 / Act III: "Ch...
77 bpm • C Maj • 03:55 • -17.2db
23% Popularity • 23% Danceability • 12% Energy • 34% Liveness
0% Instrumentalness • 15% Positiveness
23% Popularity • 23% Danceability • 12% Energy • 34% Liveness
0% Instrumentalness • 15% Positiveness
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Edward Elgar
Salut d'amour, Op. 12
81 bpm • E Maj • 03:11 • -22db
18% Popularity • 25% Danceability • 11% Energy • 10% Liveness
6% Instrumentalness • 11% Positiveness
18% Popularity • 25% Danceability • 11% Energy • 10% Liveness
6% Instrumentalness • 11% Positiveness
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Sergei Rachmaninoff
12 Songs, Op. 21: 7. Zdes' khorosho
77 bpm • A Maj • 02:19 • -15db
26% Popularity • 19% Danceability • 20% Energy • 8% Liveness
31% Instrumentalness • 4% Positiveness
26% Popularity • 19% Danceability • 20% Energy • 8% Liveness
31% Instrumentalness • 4% Positiveness
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Jules Massenet
Thaïs / Act 2: Méditation
77 bpm • E min • 05:20 • -21.67db
30% Popularity • 11% Danceability • 11% Energy • 12% Liveness
73% Instrumentalness • 4% Positiveness
30% Popularity • 11% Danceability • 11% Energy • 12% Liveness
73% Instrumentalness • 4% Positiveness
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Jacques Offenbach
Offenbach: Les Contes d'Hoffmann, Act 4:...
81 bpm • D Maj • 04:23 • -24.77db
31% Popularity • 24% Danceability • 9% Energy • 33% Liveness
6% Instrumentalness • 6% Positiveness
31% Popularity • 24% Danceability • 9% Energy • 33% Liveness
6% Instrumentalness • 6% Positiveness
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Friedrich von Flotow
Martha: M'appari tutt'amor
77 bpm • F Maj • 02:57 • -20.95db
4% Popularity • 18% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
4% Popularity • 18% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Franz Lehár
Paganini: "Gern hab ich die Frau'n gekü...
77 bpm • D# Maj • 03:23 • -19db
23% Popularity • 15% Danceability • 13% Energy • 15% Liveness
30% Instrumentalness • 16% Positiveness
23% Popularity • 15% Danceability • 13% Energy • 15% Liveness
30% Instrumentalness • 16% Positiveness
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Wolfgang Amadeus Mozart
Così fan tutte, K. 588 / Act I: "Soave ...
81 bpm • E Maj • 02:51 • -27db
29% Popularity • 10% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
29% Popularity • 10% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
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Renata Tebaldi
Madama Butterfly - Act II
81 bpm • F# Maj • 04:50 • -18.17db
14% Popularity • 22% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
14% Popularity • 22% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
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Francesco Araia
La forza dell’amore e dell’odio: "Va...
77 bpm • E min • 07:18 • -17.48db
26% Popularity • 21% Danceability • 17% Energy • 33% Liveness
2% Instrumentalness • 5% Positiveness
26% Popularity • 21% Danceability • 17% Energy • 33% Liveness
2% Instrumentalness • 5% Positiveness
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Franz von Suppé
Dichter und Bauer: Overture
77 bpm • D Maj • 09:58 • -18.23db
16% Popularity • 19% Danceability • 12% Energy • 8% Liveness
43% Instrumentalness • 14% Positiveness
16% Popularity • 19% Danceability • 12% Energy • 8% Liveness
43% Instrumentalness • 14% Positiveness
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Friedrich von Flotow
Martha: "Ach so fromm, ach so traut"
77 bpm • F Maj • 02:55 • -13.41db
4% Popularity • 23% Danceability • 23% Energy • 14% Liveness
8% Instrumentalness • 9% Positiveness
4% Popularity • 23% Danceability • 23% Energy • 14% Liveness
8% Instrumentalness • 9% Positiveness
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Opera Divas
Barcarolle Tales Of Hoffman : Belle Nuit...
81 bpm • D Maj • 03:38 • -8db
11% Popularity • 24% Danceability • 40% Energy • 19% Liveness
1% Instrumentalness • 9% Positiveness
11% Popularity • 24% Danceability • 40% Energy • 19% Liveness
1% Instrumentalness • 9% Positiveness
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Wolfgang Amadeus Mozart
Le nozze di Figaro, K. 492, Atto terzo S...
81 bpm • A# Maj • 02:55 • -25db
29% Popularity • 37% Danceability • 7% Energy • 38% Liveness
0% Instrumentalness • 25% Positiveness
29% Popularity • 37% Danceability • 7% Energy • 38% Liveness
0% Instrumentalness • 25% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act 4: "Belle nu...
77 bpm • D Maj • 02:14 • -23.75db
25% Popularity • 24% Danceability • 10% Energy • 33% Liveness
0% Instrumentalness • 11% Positiveness
25% Popularity • 24% Danceability • 10% Energy • 33% Liveness
0% Instrumentalness • 11% Positiveness
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Victoria de los Ángeles
Als die alte Mutter
81 bpm • D Maj • 02:36 • -14db
25% Popularity • 19% Danceability • 17% Energy • 30% Liveness
10% Instrumentalness • 4% Positiveness
25% Popularity • 19% Danceability • 17% Energy • 30% Liveness
10% Instrumentalness • 4% Positiveness
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Nikolai Rimsky-Korsakov
'T was Not the Wind
81 bpm • F Maj • 02:09 • -22db
19% Popularity • 24% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
19% Popularity • 24% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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RTE Concert Orchestra
Von Flotow: M'appari
82 bpm • F Maj • 03:14 • -15.68db
0% Popularity • 24% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
0% Popularity • 24% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
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Friedrich von Flotow
Alessandro Stradella: Act II: Introducti...
82 bpm • C Maj • 01:49 • -36.12db
0% Popularity • 13% Danceability • 1% Energy • 9% Liveness
66% Instrumentalness • 9% Positiveness
0% Popularity • 13% Danceability • 1% Energy • 9% Liveness
66% Instrumentalness • 9% Positiveness
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Richard Strauss
Strauss, R: 4 Letzte Lieder: No. 4, Im A...
82 bpm • A# Maj • 08:27 • -24.29db
20% Popularity • 8% Danceability • 6% Energy • 13% Liveness
55% Instrumentalness • 4% Positiveness
20% Popularity • 8% Danceability • 6% Energy • 13% Liveness
55% Instrumentalness • 4% Positiveness
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Pietro Mascagni
Cavalleria rusticana: Intermezzo
82 bpm • F Maj • 03:39 • -25.19db
34% Popularity • 8% Danceability • 3% Energy • 12% Liveness
93% Instrumentalness • 3% Positiveness
34% Popularity • 8% Danceability • 3% Energy • 12% Liveness
93% Instrumentalness • 3% Positiveness
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Jacques Offenbach
Chants du soir: La priere du soir
82 bpm • A# Maj • 05:37 • -26.21db
0% Popularity • 21% Danceability • 1% Energy • 8% Liveness
95% Instrumentalness • 9% Positiveness
0% Popularity • 21% Danceability • 1% Energy • 8% Liveness
95% Instrumentalness • 9% Positiveness
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Richard Wagner
Lohengrin, WWV 75 / Act III: "In fernem ...
82 bpm • A Maj • 10:25 • -13.34db
22% Popularity • 23% Danceability • 26% Energy • 10% Liveness
14% Instrumentalness • 4% Positiveness
22% Popularity • 23% Danceability • 26% Energy • 10% Liveness
14% Instrumentalness • 4% Positiveness
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Christoph Willibald Gluck
Il Parnaso confuso: Di questa cetra in s...
82 bpm • F# Maj • 05:21 • -28db
12% Popularity • 25% Danceability • 2% Energy • 29% Liveness
0% Instrumentalness • 6% Positiveness
12% Popularity • 25% Danceability • 2% Energy • 29% Liveness
0% Instrumentalness • 6% Positiveness
► Preview
Friedrich von Flotow
Martha · Oper in 4 Akten (1986 Digital ...
82 bpm • C# Maj • 04:44 • -24.04db
1% Popularity • 26% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
1% Popularity • 26% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Birgit Nilsson
Wagner: Tristan und Isolde: Mild und lei...
76 bpm • C Maj • 06:09 • -13db
9% Popularity • 11% Danceability • 38% Energy • 12% Liveness
2% Instrumentalness • 3% Positiveness
9% Popularity • 11% Danceability • 38% Energy • 12% Liveness
2% Instrumentalness • 3% Positiveness
► Preview
Pietro Mascagni
Cavalleria rusticana: Intermezzo - Vocal
76 bpm • F Maj • 03:13 • -18.77db
15% Popularity • 12% Danceability • 17% Energy • 28% Liveness
90% Instrumentalness • 4% Positiveness
15% Popularity • 12% Danceability • 17% Energy • 28% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Francesco Cilea
Adriana Lecouvreur / Act I: "Ecco: respi...
82 bpm • G# Maj • 03:42 • -18.62db
32% Popularity • 21% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
32% Popularity • 21% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Wolfgang Amadeus Mozart
Vesperae solennes de confessore, K. 339:...
82 bpm • F Maj • 04:16 • -25.91db
51% Popularity • 11% Danceability • 4% Energy • 11% Liveness
11% Instrumentalness • 4% Positiveness
51% Popularity • 11% Danceability • 4% Energy • 11% Liveness
11% Instrumentalness • 4% Positiveness
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Jonas Kaufmann
Conquest Of Paradise
76 bpm • G Maj • 03:34 • -10.87db
28% Popularity • 29% Danceability • 22% Energy • 8% Liveness
89% Instrumentalness • 20% Positiveness
28% Popularity • 29% Danceability • 22% Energy • 8% Liveness
89% Instrumentalness • 20% Positiveness
► Preview
Friedrich von Flotow
Martha / Act 2: Last Rose of Summer
76 bpm • F Maj • 04:52 • -22.87db
30% Popularity • 20% Danceability • 6% Energy • 35% Liveness
4% Instrumentalness • 4% Positiveness
30% Popularity • 20% Danceability • 6% Energy • 35% Liveness
4% Instrumentalness • 4% Positiveness
► Preview
Gioachino Rossini
Rossini: Guillaume Tell: Overture
82 bpm • G Maj • 05:48 • -20.24db
3% Popularity • 23% Danceability • 13% Energy • 16% Liveness
31% Instrumentalness • 21% Positiveness
3% Popularity • 23% Danceability • 13% Energy • 16% Liveness
31% Instrumentalness • 21% Positiveness
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George Frideric Handel
Largo from Xerxes
82 bpm • G Maj • 05:50 • -19.08db
44% Popularity • 8% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 6% Positiveness
44% Popularity • 8% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 6% Positiveness
► Preview
Umberto Giordano
Andrea Chénier / Act III: "La mamma mor...
76 bpm • D Maj • 04:58 • -17.91db
27% Popularity • 21% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
27% Popularity • 21% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Wolfgang Amadeus Mozart
Don Giovanni, ossia Il dissoluto punito,...
82 bpm • A Maj • 03:26 • -20.35db
18% Popularity • 25% Danceability • 7% Energy • 6% Liveness
0% Instrumentalness • 15% Positiveness
18% Popularity • 25% Danceability • 7% Energy • 6% Liveness
0% Instrumentalness • 15% Positiveness
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Birgit Nilsson
Tosca, Act 2: "vissi D'arte"
82 bpm • G# Maj • 04:21 • -14db
18% Popularity • 20% Danceability • 36% Energy • 67% Liveness
0% Instrumentalness • 4% Positiveness
18% Popularity • 20% Danceability • 36% Energy • 67% Liveness
0% Instrumentalness • 4% Positiveness
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Friedrich von Flotow
Piano Concerto No. 1 in C Minor: I. Alle...
82 bpm • D# Maj • 06:17 • -20.78db
2% Popularity • 33% Danceability • 8% Energy • 11% Liveness
91% Instrumentalness • 20% Positiveness
2% Popularity • 33% Danceability • 8% Energy • 11% Liveness
91% Instrumentalness • 20% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act 2: "Belle nu...
82 bpm • D Maj • 04:09 • -27.01db
40% Popularity • 20% Danceability • 11% Energy • 37% Liveness
15% Instrumentalness • 6% Positiveness
40% Popularity • 20% Danceability • 11% Energy • 37% Liveness
15% Instrumentalness • 6% Positiveness
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Erich Wolfgang Korngold
Die tote Stadt (The Dead City), Op. 12: ...
83 bpm • A# Maj • 05:28 • -24.23db
34% Popularity • 9% Danceability • 10% Energy • 17% Liveness
34% Instrumentalness • 6% Positiveness
34% Popularity • 9% Danceability • 10% Energy • 17% Liveness
34% Instrumentalness • 6% Positiveness
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Pyotr Ilyich Tchaikovsky
Mazeppa, TH 7 / Act 3: "Spi, mladyenits ...
76 bpm • C# Maj • 02:55 • -19db
15% Popularity • 18% Danceability • 12% Energy • 18% Liveness
50% Instrumentalness • 4% Positiveness
15% Popularity • 18% Danceability • 12% Energy • 18% Liveness
50% Instrumentalness • 4% Positiveness
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Chor der Deutschen Oper Berlin
Tannhäuser: Beglückt darf nun dich, o ...
83 bpm • D# Maj • 03:35 • -18.28db
11% Popularity • 18% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
11% Popularity • 18% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Johannes Brahms
Brahms / Orch Gamley: 5 Lieder, Op. 49: ...
83 bpm • D# Maj • 02:22 • -28db
9% Popularity • 18% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
9% Popularity • 18% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
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Friedrich von Flotow
Fatme, Akt I: "Dieser Schuft"
83 bpm • F Maj • 01:56 • -6.63db
0% Popularity • 46% Danceability • 46% Energy • 27% Liveness
0% Instrumentalness • 38% Positiveness
0% Popularity • 46% Danceability • 46% Energy • 27% Liveness
0% Instrumentalness • 38% Positiveness
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Robert Shaw Chorale
Va pensiero (Chorus of the Hebrew Slaves...
83 bpm • C# Maj • 04:50 • -18.35db
12% Popularity • 15% Danceability • 13% Energy • 10% Liveness
72% Instrumentalness • 6% Positiveness
12% Popularity • 15% Danceability • 13% Energy • 10% Liveness
72% Instrumentalness • 6% Positiveness
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Olga Zinovieva
Song to the Moon
75 bpm • G Maj • 02:35 • -12.51db
11% Popularity • 30% Danceability • 17% Energy • 22% Liveness
0% Instrumentalness • 6% Positiveness
11% Popularity • 30% Danceability • 17% Energy • 22% Liveness
0% Instrumentalness • 6% Positiveness
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Franz Lehár
Meine Lippen, die küssen so heiss
83 bpm • E Maj • 05:38 • -16db
19% Popularity • 26% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 6% Positiveness
19% Popularity • 26% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 6% Positiveness
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Joseph Canteloube
Chants d'Auvergne: 2. Bailero
75 bpm • A# Maj • 03:36 • -23.85db
11% Popularity • 16% Danceability • 5% Energy • 7% Liveness
5% Instrumentalness • 4% Positiveness
11% Popularity • 16% Danceability • 5% Energy • 7% Liveness
5% Instrumentalness • 4% Positiveness
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André-Ernest-Modeste Grétry
Zémire et Azor: No. 3 Pantomime
83 bpm • E Maj • 02:53 • -30db
9% Popularity • 20% Danceability • 4% Energy • 44% Liveness
44% Instrumentalness • 28% Positiveness
9% Popularity • 20% Danceability • 4% Energy • 44% Liveness
44% Instrumentalness • 28% Positiveness
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Friedrich von Flotow
Martha, Act II: Warte nur! Das sollst du...
83 bpm • G# Maj • 01:17 • -23.74db
0% Popularity • 44% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
0% Popularity • 44% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
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Nikolai Rimsky-Korsakov
Sadko: Song Of India
75 bpm • A Maj • 03:19 • -15.65db
28% Popularity • 24% Danceability • 18% Energy • 10% Liveness
13% Instrumentalness • 4% Positiveness
28% Popularity • 24% Danceability • 18% Energy • 10% Liveness
13% Instrumentalness • 4% Positiveness
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George Frideric Handel
Handel: Serse, HWV 40, Act 1, Scene 1: A...
83 bpm • F Maj • 03:35 • -23.24db
19% Popularity • 13% Danceability • 8% Energy • 10% Liveness
57% Instrumentalness • 4% Positiveness
19% Popularity • 13% Danceability • 8% Energy • 10% Liveness
57% Instrumentalness • 4% Positiveness
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Gaetano Donizetti
Donizetti: L'elisir d'amore / Act 2 - "U...
83 bpm • A# min • 04:13 • -17db
20% Popularity • 16% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
20% Popularity • 16% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Richard Wagner
Tannhauser: O du mein holder Abendstern
84 bpm • G Maj • 04:45 • -20db
24% Popularity • 18% Danceability • 18% Energy • 9% Liveness
4% Instrumentalness • 5% Positiveness
24% Popularity • 18% Danceability • 18% Energy • 9% Liveness
4% Instrumentalness • 5% Positiveness
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Emmerich Kálmán
Gräfin Mariza: "Grüß mir mein Wien"
84 bpm • E Maj • 05:27 • -17.51db
12% Popularity • 18% Danceability • 15% Energy • 32% Liveness
47% Instrumentalness • 9% Positiveness
12% Popularity • 18% Danceability • 15% Energy • 32% Liveness
47% Instrumentalness • 9% Positiveness
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Friedrich von Flotow
Fatme, Akt II: "Da war also"
83 bpm • G min • 02:17 • -10.68db
0% Popularity • 65% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
0% Popularity • 65% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Carl Maria von Weber
Der Freischütz, J. 277 / Act III: "Und ...
84 bpm • G# Maj • 05:57 • -23.47db
29% Popularity • 18% Danceability • 7% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
29% Popularity • 18% Danceability • 7% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Alfredo Catalani
Catalani: La Wally, Act 1: "Ebben, ne an...
84 bpm • E Maj • 03:43 • -18db
20% Popularity • 28% Danceability • 14% Energy • 9% Liveness
4% Instrumentalness • 4% Positiveness
20% Popularity • 28% Danceability • 14% Energy • 9% Liveness
4% Instrumentalness • 4% Positiveness
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Joseph Canteloube
Baïlèro
84 bpm • A# Maj • 07:06 • -16db
18% Popularity • 19% Danceability • 12% Energy • 18% Liveness
2% Instrumentalness • 4% Positiveness
18% Popularity • 19% Danceability • 12% Energy • 18% Liveness
2% Instrumentalness • 4% Positiveness
► Preview
Jacques Offenbach
Offenbach: Les Contes d'Hoffmann, Act 4:...
84 bpm • D Maj • 03:36 • -24.06db
23% Popularity • 14% Danceability • 8% Energy • 39% Liveness
37% Instrumentalness • 13% Positiveness
23% Popularity • 14% Danceability • 8% Energy • 39% Liveness
37% Instrumentalness • 13% Positiveness
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Pietro Mascagni
Cavalleria rusticana: "Gli aranci olezza...
75 bpm • A Maj • 07:24 • -22db
27% Popularity • 11% Danceability • 11% Energy • 34% Liveness
67% Instrumentalness • 12% Positiveness
27% Popularity • 11% Danceability • 11% Energy • 34% Liveness
67% Instrumentalness • 12% Positiveness
