Songs like Across 110th Street by Bobby Womack
Based on a tempo of (+/- 10%) and a similar genre
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Bobby Womack
Across 110th Street (Bobby Womack Master...
110 bpm • B min • 03:47 • -7.29db
14% Popularity • 69% Danceability • 74% Energy • 29% Liveness
0% Instrumentalness • 54% Positiveness
14% Popularity • 69% Danceability • 74% Energy • 29% Liveness
0% Instrumentalness • 54% Positiveness
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George Benson
Give Me the Night
110 bpm • C# Maj • 03:42 • -15.67db
67% Popularity • 85% Danceability • 47% Energy • 13% Liveness
2% Instrumentalness • 86% Positiveness
67% Popularity • 85% Danceability • 47% Energy • 13% Liveness
2% Instrumentalness • 86% Positiveness
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Luther Vandross
Never Too Much
110 bpm • D Maj • 03:50 • -11.87db
72% Popularity • 73% Danceability • 59% Energy • 4% Liveness
0% Instrumentalness • 76% Positiveness
72% Popularity • 73% Danceability • 59% Energy • 4% Liveness
0% Instrumentalness • 76% Positiveness
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Michael Kiwanuka
Cold Little Heart - Radio Edit
110 bpm • G min • 03:30 • -6.21db
75% Popularity • 63% Danceability • 58% Energy • 44% Liveness
0% Instrumentalness • 66% Positiveness
75% Popularity • 63% Danceability • 58% Energy • 44% Liveness
0% Instrumentalness • 66% Positiveness
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Betty Everett
You're No Good
110 bpm • A# min • 02:16 • -9.78db
40% Popularity • 71% Danceability • 40% Energy • 53% Liveness
0% Instrumentalness • 78% Positiveness
40% Popularity • 71% Danceability • 40% Energy • 53% Liveness
0% Instrumentalness • 78% Positiveness
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The Rolling Stones
Miss You - Remastered
110 bpm • A min • 04:48 • -4.75db
71% Popularity • 80% Danceability • 71% Energy • 34% Liveness
2% Instrumentalness • 84% Positiveness
71% Popularity • 80% Danceability • 71% Energy • 34% Liveness
2% Instrumentalness • 84% Positiveness
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Bobby Womack
American Dream
110 bpm • B min • 04:44 • -9.74db
20% Popularity • 64% Danceability • 46% Energy • 24% Liveness
0% Instrumentalness • 49% Positiveness
20% Popularity • 64% Danceability • 46% Energy • 24% Liveness
0% Instrumentalness • 49% Positiveness
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George Benson
Give Me the Night
110 bpm • C# Maj • 05:01 • -7.83db
64% Popularity • 84% Danceability • 76% Energy • 12% Liveness
7% Instrumentalness • 86% Positiveness
64% Popularity • 84% Danceability • 76% Energy • 12% Liveness
7% Instrumentalness • 86% Positiveness
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Sharon Jones & The Dap-Kings
Tell Me
111 bpm • F# Maj • 02:46 • -8db
58% Popularity • 77% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
58% Popularity • 77% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
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CHIC
Good Times
111 bpm • D Maj • 08:15 • -7.32db
64% Popularity • 87% Danceability • 66% Energy • 5% Liveness
1% Instrumentalness • 89% Positiveness
64% Popularity • 87% Danceability • 66% Energy • 5% Liveness
1% Instrumentalness • 89% Positiveness
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Lou Rawls
You'll Never Find Another Love Like Mine
111 bpm • D Maj • 04:26 • -8.46db
64% Popularity • 69% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
64% Popularity • 69% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
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Edwin Starr
War
109 bpm • C# Maj • 03:20 • -12.48db
62% Popularity • 59% Danceability • 67% Energy • 25% Liveness
0% Instrumentalness • 74% Positiveness
62% Popularity • 59% Danceability • 67% Energy • 25% Liveness
0% Instrumentalness • 74% Positiveness
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Bobby Womack
Games
110 bpm • E min • 07:00 • -12.74db
24% Popularity • 61% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
24% Popularity • 61% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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The Jones Girls
Nights Over Egypt
111 bpm • A min • 04:39 • -14.32db
51% Popularity • 75% Danceability • 36% Energy • 11% Liveness
29% Instrumentalness • 64% Positiveness
51% Popularity • 75% Danceability • 36% Energy • 11% Liveness
29% Instrumentalness • 64% Positiveness
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Sharon Jones & The Dap-Kings
100 Days, 100 Nights
109 bpm • A min • 03:45 • -7db
49% Popularity • 44% Danceability • 56% Energy • 28% Liveness
0% Instrumentalness • 69% Positiveness
49% Popularity • 44% Danceability • 56% Energy • 28% Liveness
0% Instrumentalness • 69% Positiveness
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The Lovin' Spoonful
Daydream
111 bpm • C# Maj • 02:19 • -11.37db
63% Popularity • 82% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
63% Popularity • 82% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
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Brenton Wood
Great Big Bundle Of Love
109 bpm • F min • 02:18 • -5.24db
45% Popularity • 74% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
45% Popularity • 74% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Kool & The Gang
Get Down On It - Single Version
111 bpm • G Maj • 03:31 • -9db
68% Popularity • 88% Danceability • 56% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
68% Popularity • 88% Danceability • 56% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
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Bobby Womack
Moonlight In Vermont
109 bpm • D min • 02:35 • -10.8db
35% Popularity • 50% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
35% Popularity • 50% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
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Commodores
I Feel Sanctified
111 bpm • A Maj • 03:44 • -7.1db
35% Popularity • 90% Danceability • 68% Energy • 2% Liveness
2% Instrumentalness • 96% Positiveness
35% Popularity • 90% Danceability • 68% Energy • 2% Liveness
2% Instrumentalness • 96% Positiveness
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Marion Black
Who Knows
111 bpm • D min • 02:18 • -8db
66% Popularity • 53% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
66% Popularity • 53% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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Sam Cooke
Keep Movin' On
109 bpm • G Maj • 02:20 • -10.12db
46% Popularity • 58% Danceability • 41% Energy • 41% Liveness
0% Instrumentalness • 69% Positiveness
46% Popularity • 58% Danceability • 41% Energy • 41% Liveness
0% Instrumentalness • 69% Positiveness
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Sly & The Family Stone
Family Affair - Single Version
109 bpm • D min • 03:05 • -13.83db
52% Popularity • 82% Danceability • 60% Energy • 20% Liveness
2% Instrumentalness • 80% Positiveness
52% Popularity • 82% Danceability • 60% Energy • 20% Liveness
2% Instrumentalness • 80% Positiveness
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Four Tops
Bernadette
111 bpm • F# Maj • 03:01 • -8db
50% Popularity • 66% Danceability • 80% Energy • 49% Liveness
0% Instrumentalness • 70% Positiveness
50% Popularity • 66% Danceability • 80% Energy • 49% Liveness
0% Instrumentalness • 70% Positiveness
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Bobby Womack
Check It Out - Single Edit
111 bpm • D Maj • 02:51 • -6.89db
18% Popularity • 74% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
18% Popularity • 74% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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Sharon Jones & The Dap-Kings
Mama Don't Like My Man
109 bpm • C min • 02:30 • -7.48db
43% Popularity • 81% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
43% Popularity • 81% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Tom Browne
Funkin' for Jamaica
111 bpm • G# Maj • 04:42 • -6.7db
49% Popularity • 82% Danceability • 85% Energy • 3% Liveness
1% Instrumentalness • 69% Positiveness
49% Popularity • 82% Danceability • 85% Energy • 3% Liveness
1% Instrumentalness • 69% Positiveness
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Kool & The Gang
Hollywood Swinging
111 bpm • F# min • 04:39 • -8.97db
57% Popularity • 62% Danceability • 82% Energy • 5% Liveness
13% Instrumentalness • 57% Positiveness
57% Popularity • 62% Danceability • 82% Energy • 5% Liveness
13% Instrumentalness • 57% Positiveness
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Roberta Flack
Compared to What
109 bpm • F min • 05:16 • -14db
43% Popularity • 47% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
43% Popularity • 47% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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The O'Jays
Use ta Be My Girl - Single Version
111 bpm • C# Maj • 03:18 • -7.37db
57% Popularity • 65% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 87% Positiveness
57% Popularity • 65% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 87% Positiveness
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Bobby Womack
Secrets
109 bpm • G# min • 03:54 • -9.89db
24% Popularity • 78% Danceability • 82% Energy • 29% Liveness
0% Instrumentalness • 74% Positiveness
24% Popularity • 78% Danceability • 82% Energy • 29% Liveness
0% Instrumentalness • 74% Positiveness
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Khruangbin
Texas Sun
112 bpm • G Maj • 04:12 • -10.01db
75% Popularity • 64% Danceability • 63% Energy • 10% Liveness
15% Instrumentalness • 60% Positiveness
75% Popularity • 64% Danceability • 63% Energy • 10% Liveness
15% Instrumentalness • 60% Positiveness
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The Chi-Lites
Are You My Woman? (Tell Me So)
112 bpm • A min • 03:02 • -6.75db
41% Popularity • 72% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
41% Popularity • 72% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
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Penny & The Quarters
You And Me
112 bpm • F Maj • 02:40 • -8db
58% Popularity • 58% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
58% Popularity • 58% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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The Coasters
Down in Mexico
112 bpm • C# Maj • 03:16 • -8.67db
54% Popularity • 61% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
54% Popularity • 61% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
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Wilson Pickett
In the Midnight Hour
112 bpm • E Maj • 02:37 • -8.63db
64% Popularity • 75% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
64% Popularity • 75% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
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Sam & Dave
Hold On, I'm Comin' (Rerecorded)
112 bpm • C# Maj • 02:34 • -8.17db
52% Popularity • 81% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
52% Popularity • 81% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Lou Rawls
A Natural Man
112 bpm • G min • 03:41 • -8db
41% Popularity • 76% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
41% Popularity • 76% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
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The O'Jays
Darlin' Darlin' Baby (Sweet, Tender, Lov...
108 bpm • D Maj • 04:16 • -6.91db
49% Popularity • 67% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
49% Popularity • 67% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Dyke & The Blazers
Let A Woman Be A Woman - Let A Man Be A ...
112 bpm • A min • 03:13 • -11.01db
46% Popularity • 83% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
46% Popularity • 83% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
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Doris Troy
Just One Look
108 bpm • F Maj • 02:31 • -15db
55% Popularity • 86% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
55% Popularity • 86% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
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Commodores
Brick House
108 bpm • E min • 03:28 • -10.48db
66% Popularity • 83% Danceability • 78% Energy • 3% Liveness
2% Instrumentalness • 63% Positiveness
66% Popularity • 83% Danceability • 78% Energy • 3% Liveness
2% Instrumentalness • 63% Positiveness
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Them
It's All Over Now, Baby Blue
112 bpm • D Maj • 03:47 • -9.26db
52% Popularity • 60% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
52% Popularity • 60% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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The Spinners
I'll Be Around
112 bpm • G# min • 03:08 • -8.7db
66% Popularity • 59% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
66% Popularity • 59% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Michael Kiwanuka
One More Night
108 bpm • F# min • 03:53 • -5.34db
63% Popularity • 68% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
63% Popularity • 68% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
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Sam & Dave
Soul Man
112 bpm • C Maj • 02:39 • -13.24db
67% Popularity • 79% Danceability • 41% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
67% Popularity • 79% Danceability • 41% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
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The James Hunter Six
This Is Where We Come In
108 bpm • B min • 04:31 • -9db
34% Popularity • 82% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
34% Popularity • 82% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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Bobby Womack
California Dreamin'
112 bpm • F# min • 03:20 • -13.16db
65% Popularity • 47% Danceability • 38% Energy • 18% Liveness
7% Instrumentalness • 69% Positiveness
65% Popularity • 47% Danceability • 38% Energy • 18% Liveness
7% Instrumentalness • 69% Positiveness
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Leon Bridges
Coming Home
112 bpm • F# Maj • 03:26 • -6.6db
71% Popularity • 42% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
71% Popularity • 42% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
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Brenton Wood
Oogum Boogum Song
113 bpm • G Maj • 03:06 • -6db
67% Popularity • 84% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
67% Popularity • 84% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
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Chaka Khan
Like Sugar
107 bpm • G Maj • 03:59 • -8.48db
56% Popularity • 81% Danceability • 79% Energy • 34% Liveness
5% Instrumentalness • 94% Positiveness
56% Popularity • 81% Danceability • 79% Energy • 34% Liveness
5% Instrumentalness • 94% Positiveness
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Lyn Collins
Think (About It)
113 bpm • A Maj • 03:24 • -10.22db
50% Popularity • 77% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
50% Popularity • 77% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
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William DeVaughn
Be Thankful for What You've Got - David ...
107 bpm • F# min • 03:41 • -13.14db
55% Popularity • 78% Danceability • 48% Energy • 10% Liveness
1% Instrumentalness • 88% Positiveness
55% Popularity • 78% Danceability • 48% Energy • 10% Liveness
1% Instrumentalness • 88% Positiveness
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Bobby Womack
How I Miss You Baby
108 bpm • A Maj • 03:16 • -10.67db
14% Popularity • 66% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
14% Popularity • 66% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
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Sam & Dave
Wrap It Up - LP / Single Version
113 bpm • C# Maj • 02:30 • -12db
42% Popularity • 79% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
42% Popularity • 79% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Gill Scott
The Bottle
113 bpm • D Maj • 05:16 • -15.01db
44% Popularity • 81% Danceability • 50% Energy • 12% Liveness
7% Instrumentalness • 85% Positiveness
44% Popularity • 81% Danceability • 50% Energy • 12% Liveness
7% Instrumentalness • 85% Positiveness
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Ohio Players
Fire
107 bpm • F Maj • 04:36 • -12db
51% Popularity • 64% Danceability • 75% Energy • 28% Liveness
3% Instrumentalness • 85% Positiveness
51% Popularity • 64% Danceability • 75% Energy • 28% Liveness
3% Instrumentalness • 85% Positiveness
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Charles Bradley
Why Is It So Hard
107 bpm • D# Maj • 04:09 • -8db
44% Popularity • 45% Danceability • 52% Energy • 34% Liveness
5% Instrumentalness • 61% Positiveness
44% Popularity • 45% Danceability • 52% Energy • 34% Liveness
5% Instrumentalness • 61% Positiveness
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Brenton Wood
Gimme Little Sign
113 bpm • A# min • 02:21 • -5.06db
61% Popularity • 74% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 91% Positiveness
61% Popularity • 74% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 91% Positiveness
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The Blackbyrds
Walking In Rhythm
113 bpm • F Maj • 04:14 • -13db
50% Popularity • 68% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
50% Popularity • 68% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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William DeVaughn
Be Thankful for What You've Got - David ...
107 bpm • B min • 06:54 • -20.28db
40% Popularity • 80% Danceability • 25% Energy • 15% Liveness
2% Instrumentalness • 76% Positiveness
40% Popularity • 80% Danceability • 25% Energy • 15% Liveness
2% Instrumentalness • 76% Positiveness
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Candi Staton
I'm Just a Prisoner (Of Your Good Lovin'...
113 bpm • A Maj • 03:12 • -15db
32% Popularity • 64% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
32% Popularity • 64% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
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Bobby Womack
Everything's Gonna Be Alright
107 bpm • C# min • 07:02 • -8.17db
10% Popularity • 57% Danceability • 71% Energy • 11% Liveness
1% Instrumentalness • 84% Positiveness
10% Popularity • 57% Danceability • 71% Energy • 11% Liveness
1% Instrumentalness • 84% Positiveness
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Betty Wright
I Love the Way You Love
107 bpm • E min • 03:06 • -9db
30% Popularity • 59% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
30% Popularity • 59% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Kool & The Gang
Jungle Boogie
107 bpm • F Maj • 03:06 • -8.77db
63% Popularity • 81% Danceability • 85% Energy • 32% Liveness
0% Instrumentalness • 72% Positiveness
63% Popularity • 81% Danceability • 85% Energy • 32% Liveness
0% Instrumentalness • 72% Positiveness
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Sam & Dave
Hold On, I'm Comin'
107 bpm • F# Maj • 02:35 • -14.03db
72% Popularity • 80% Danceability • 34% Energy • 10% Liveness
4% Instrumentalness • 91% Positiveness
72% Popularity • 80% Danceability • 34% Energy • 10% Liveness
4% Instrumentalness • 91% Positiveness
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The Young Rascals
Groovin'
107 bpm • F min • 02:31 • -8.9db
60% Popularity • 60% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
60% Popularity • 60% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Sister Sledge
He's the Greatest Dancer - 1995 Remaster
113 bpm • G min • 06:15 • -9.71db
63% Popularity • 70% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
63% Popularity • 70% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
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Bobby Womack
Come L'Amore
113 bpm • C# min • 03:02 • -9.86db
12% Popularity • 66% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 85% Positiveness
12% Popularity • 66% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 85% Positiveness
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Carla Thomas
B-A-B-Y
114 bpm • G# Maj • 02:57 • -11.98db
56% Popularity • 74% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
56% Popularity • 74% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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RodrÃguez
I Wonder
114 bpm • A Maj • 02:34 • -6.69db
60% Popularity • 53% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
60% Popularity • 53% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Jr. Walker & The All Stars
Cleo's Mood
106 bpm • D# min • 02:41 • -7.52db
43% Popularity • 73% Danceability • 40% Energy • 17% Liveness
32% Instrumentalness • 85% Positiveness
43% Popularity • 73% Danceability • 40% Energy • 17% Liveness
32% Instrumentalness • 85% Positiveness
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Esther Phillips
And I Love Him
106 bpm • D# min • 02:38 • -10.73db
45% Popularity • 60% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
45% Popularity • 60% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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The Emotions
I Like It
106 bpm • C Maj • 02:27 • -13.92db
34% Popularity • 67% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
34% Popularity • 67% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
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Bobby Womack
That's The Way I Feel About 'Cha
106 bpm • D Maj • 05:10 • -11.12db
39% Popularity • 44% Danceability • 44% Energy • 57% Liveness
0% Instrumentalness • 72% Positiveness
39% Popularity • 44% Danceability • 44% Energy • 57% Liveness
0% Instrumentalness • 72% Positiveness
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Patrice Rushen
Forget Me Nots - Remastered
114 bpm • F# min • 04:44 • -6.96db
68% Popularity • 92% Danceability • 46% Energy • 5% Liveness
6% Instrumentalness • 96% Positiveness
68% Popularity • 92% Danceability • 46% Energy • 5% Liveness
6% Instrumentalness • 96% Positiveness
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Dusty Springfield
Spooky
106 bpm • E min • 02:44 • -12.73db
72% Popularity • 75% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
72% Popularity • 75% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Marlena Shaw
Liberation Conversation
114 bpm • A# min • 02:02 • -10db
38% Popularity • 80% Danceability • 82% Energy • 11% Liveness
1% Instrumentalness • 97% Positiveness
38% Popularity • 80% Danceability • 82% Energy • 11% Liveness
1% Instrumentalness • 97% Positiveness
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The O'Jays
Now That We Found Love
114 bpm • C Maj • 04:41 • -8.4db
55% Popularity • 71% Danceability • 64% Energy • 27% Liveness
0% Instrumentalness • 96% Positiveness
55% Popularity • 71% Danceability • 64% Energy • 27% Liveness
0% Instrumentalness • 96% Positiveness
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Charles Bradley
Ain't It a Sin
114 bpm • C# Maj • 03:49 • -9db
48% Popularity • 74% Danceability • 66% Energy • 30% Liveness
0% Instrumentalness • 87% Positiveness
48% Popularity • 74% Danceability • 66% Energy • 30% Liveness
0% Instrumentalness • 87% Positiveness
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The J.B.'s
Doing It To Death - Pts. 1 & 2
114 bpm • F min • 10:01 • -9db
33% Popularity • 93% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
33% Popularity • 93% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Chaka Khan
I'm Every Woman
114 bpm • C min • 04:09 • -7.3db
66% Popularity • 60% Danceability • 89% Energy • 30% Liveness
0% Instrumentalness • 73% Positiveness
66% Popularity • 60% Danceability • 89% Energy • 30% Liveness
0% Instrumentalness • 73% Positiveness
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CHIC
I Want Your Love - 2018 Remaster
114 bpm • A min • 06:53 • -13.4db
56% Popularity • 70% Danceability • 60% Energy • 9% Liveness
7% Instrumentalness • 96% Positiveness
56% Popularity • 70% Danceability • 60% Energy • 9% Liveness
7% Instrumentalness • 96% Positiveness
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Bobby Womack
Fly Me To The Moon (In Other Words)
114 bpm • D# Maj • 02:08 • -11.12db
61% Popularity • 59% Danceability • 52% Energy • 10% Liveness
2% Instrumentalness • 58% Positiveness
61% Popularity • 59% Danceability • 52% Energy • 10% Liveness
2% Instrumentalness • 58% Positiveness
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Hot Chocolate
You Sexy Thing
106 bpm • F Maj • 04:04 • -5.47db
74% Popularity • 79% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
74% Popularity • 79% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
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Sly & The Family Stone
Thank You (Falettinme Be Mice Elf Agin) ...
106 bpm • A Maj • 04:51 • -12.68db
56% Popularity • 90% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
56% Popularity • 90% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Timmy Thomas
Why Can't We Live Together
106 bpm • G min • 04:37 • -15.31db
46% Popularity • 87% Danceability • 46% Energy • 5% Liveness
65% Instrumentalness • 96% Positiveness
46% Popularity • 87% Danceability • 46% Energy • 5% Liveness
65% Instrumentalness • 96% Positiveness
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Parliament
Give Up The Funk (Tear The Roof Off The ...
106 bpm • A Maj • 05:48 • -9.5db
59% Popularity • 72% Danceability • 66% Energy • 33% Liveness
0% Instrumentalness • 77% Positiveness
59% Popularity • 72% Danceability • 66% Energy • 33% Liveness
0% Instrumentalness • 77% Positiveness
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The Dramatics
Your Love Was Strange
106 bpm • C Maj • 03:04 • -9db
29% Popularity • 59% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
29% Popularity • 59% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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The Emotions
Blind Alley
106 bpm • D min • 03:04 • -12db
39% Popularity • 77% Danceability • 44% Energy • 10% Liveness
1% Instrumentalness • 97% Positiveness
39% Popularity • 77% Danceability • 44% Energy • 10% Liveness
1% Instrumentalness • 97% Positiveness
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Cheryl Lynn
Got to Be Real
115 bpm • A min • 05:07 • -10.14db
68% Popularity • 84% Danceability • 63% Energy • 15% Liveness
74% Instrumentalness • 90% Positiveness
68% Popularity • 84% Danceability • 63% Energy • 15% Liveness
74% Instrumentalness • 90% Positiveness
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Bobby Womack
What Is This - Original Mix
115 bpm • E Maj • 02:32 • -7.88db
31% Popularity • 70% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 93% Positiveness
31% Popularity • 70% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 93% Positiveness
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Prince
I Wanna Be Your Lover
115 bpm • C# min • 05:47 • -8.83db
58% Popularity • 81% Danceability • 51% Energy • 7% Liveness
8% Instrumentalness • 73% Positiveness
58% Popularity • 81% Danceability • 51% Energy • 7% Liveness
8% Instrumentalness • 73% Positiveness
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Tammi Terrell
All I Do Is Think About You
115 bpm • C# Maj • 02:58 • -2db
36% Popularity • 56% Danceability • 73% Energy • 18% Liveness
0% Instrumentalness • 71% Positiveness
36% Popularity • 56% Danceability • 73% Energy • 18% Liveness
0% Instrumentalness • 71% Positiveness
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Eddie Floyd
Knock on Wood
105 bpm • E Maj • 03:09 • -12.92db
60% Popularity • 86% Danceability • 35% Energy • 5% Liveness
1% Instrumentalness • 96% Positiveness
60% Popularity • 86% Danceability • 35% Energy • 5% Liveness
1% Instrumentalness • 96% Positiveness
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Cornelius Brothers & Sister Rose
Too Late To Turn Back Now
115 bpm • G Maj • 03:18 • -7.14db
59% Popularity • 52% Danceability • 73% Energy • 42% Liveness
0% Instrumentalness • 91% Positiveness
59% Popularity • 52% Danceability • 73% Energy • 42% Liveness
0% Instrumentalness • 91% Positiveness
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The James Hunter Six
Heartbreak
115 bpm • A Maj • 04:23 • -11.47db
30% Popularity • 85% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
30% Popularity • 85% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
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Ohio Players
Love Rollercoaster
115 bpm • C Maj • 04:50 • -10.18db
58% Popularity • 61% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 46% Positiveness
58% Popularity • 61% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 46% Positiveness
