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Across the Sea
Songs like
Across the Sea
by
The Sweeplings
Based on a tempo of (+/- 10%) and a similar genre
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SYML
Clean Eyes - Acoustic
148 bpm • A min • 03:42 • -9db
41% Popularity • 62% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Jon Bryant
Heroine
148 bpm • C Maj • 04:09 • -11.41db
22% Popularity • 50% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Jake Etheridge
Through the Fire
148 bpm • D Maj • 03:10 • -17.84db
37% Popularity • 48% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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The Sweeplings
Across the Sea
148 bpm • C Maj • 03:23 • -12db
36% Popularity • 40% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Frances
The Smallest Thing
148 bpm • A# Maj • 03:32 • -8.67db
14% Popularity • 68% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Brooke Fraser
You Can Close Your Eyes
147 bpm • D# Maj • 02:24 • -13.32db
23% Popularity • 48% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 59% Positiveness
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Jason Walker
Echo
148 bpm • G# Maj • 03:32 • -6.31db
51% Popularity • 40% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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BANNERS
Holy Ground
147 bpm • B min • 04:18 • -5.69db
37% Popularity • 46% Danceability • 51% Energy • 17% Liveness
0% Instrumentalness • 17% Positiveness
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Novo Amor
Alps
147 bpm • D# Maj • 03:14 • -10.38db
64% Popularity • 35% Danceability • 31% Energy • 20% Liveness
3% Instrumentalness • 14% Positiveness
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The Sweeplings
It's a Small World
148 bpm • D Maj • 04:01 • -11.08db
10% Popularity • 40% Danceability • 22% Energy • 30% Liveness
0% Instrumentalness • 14% Positiveness
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Corey Kilgannon
Soft Gentle Brilliant (Acoustic Version)
150 bpm • D Maj • 04:09 • -15db
21% Popularity • 46% Danceability • 14% Energy • 21% Liveness
0% Instrumentalness • 41% Positiveness
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Lydia Luce
Sausalito
150 bpm • D Maj • 03:42 • -11db
43% Popularity • 35% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Caroline Pennell
Drive Me Home - Acoustic
150 bpm • C Maj • 03:19 • -10.3db
10% Popularity • 59% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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The Paper Kites
Arms
150 bpm • D Maj • 03:23 • -18.56db
47% Popularity • 41% Danceability • 14% Energy • 12% Liveness
9% Instrumentalness • 24% Positiveness
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Echosmith
Dear World
150 bpm • C Maj • 02:59 • -7db
24% Popularity • 52% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 10% Positiveness
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Savoir Adore
Giants - Acoustic
150 bpm • C Maj • 03:32 • -10.55db
17% Popularity • 62% Danceability • 25% Energy • 27% Liveness
0% Instrumentalness • 40% Positiveness
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Noah Gundersen
Blossom
150 bpm • A Maj • 03:43 • -11db
28% Popularity • 43% Danceability • 28% Energy • 11% Liveness
1% Instrumentalness • 16% Positiveness
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Jake Etheridge
So In Love With You
150 bpm • B Maj • 02:57 • -10.84db
31% Popularity • 44% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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The Sweeplings
Love, Love
146 bpm • C# min • 03:04 • -10.12db
12% Popularity • 39% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 10% Positiveness
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Peter Bradley Adams
Hey Believers
146 bpm • D# Maj • 03:58 • -14.65db
28% Popularity • 56% Danceability • 19% Energy • 12% Liveness
11% Instrumentalness • 20% Positiveness
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Layla
Oh My Love
145 bpm • G# Maj • 03:23 • -11.95db
26% Popularity • 43% Danceability • 28% Energy • 13% Liveness
4% Instrumentalness • 16% Positiveness
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Handsome Ghost
Fool
150 bpm • A min • 03:18 • -8db
22% Popularity • 52% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Ed Prosek
Weak Heart
151 bpm • C# min • 04:01 • -11db
28% Popularity • 53% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
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Alex & Sierra
Bumper Cars
145 bpm • D# Maj • 04:00 • -7.36db
43% Popularity • 43% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Emma Taylor
New Found Sound
151 bpm • C Maj • 04:45 • -13.47db
11% Popularity • 49% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Peter Bradley Adams
Come Tomorrow
145 bpm • B min • 04:16 • -16.43db
38% Popularity • 66% Danceability • 18% Energy • 11% Liveness
3% Instrumentalness • 24% Positiveness
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Dean Lewis
Waves - Guitar Acoustic
152 bpm • B min • 04:08 • -9.92db
44% Popularity • 41% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Taylor Swift
Safe & Sound - from The Hunger Games Sou...
144 bpm • G Maj • 04:00 • -10.81db
63% Popularity • 47% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
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Joy Williams
Till Forever (Acoustic)
152 bpm • A Maj • 03:55 • -11db
35% Popularity • 49% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Corey Kilgannon
Postcard from Rome
152 bpm • C# Maj • 03:50 • -17db
26% Popularity • 39% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Handsome and Gretyl
I Love You, I Do
144 bpm • A Maj • 04:05 • -7.56db
9% Popularity • 54% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Tyler Brown Williams
Hold On to You
144 bpm • E Maj • 03:46 • -11.06db
26% Popularity • 54% Danceability • 44% Energy • 17% Liveness
1% Instrumentalness • 36% Positiveness
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The Sweeplings
Always Been You
152 bpm • D min • 03:50 • -9.85db
14% Popularity • 53% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Meadowlark
Fly - Acoustic
152 bpm • D Maj • 03:31 • -13db
42% Popularity • 38% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Madilyn Paige
Inside out
144 bpm • A# Maj • 03:45 • -8.64db
18% Popularity • 57% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Alex & Sierra
You Will Find Me
144 bpm • C Maj • 03:26 • -7.58db
39% Popularity • 58% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Greyson Chance
Seasons
144 bpm • D Maj • 03:42 • -8db
36% Popularity • 42% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
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Of Rust & Bone
Next to You
154 bpm • D Maj • 04:43 • -11.84db
31% Popularity • 43% Danceability • 34% Energy • 11% Liveness
1% Instrumentalness • 8% Positiveness
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Joshua Grey
Sanctified
143 bpm • G Maj • 04:02 • -9.95db
17% Popularity • 35% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
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Jacob Lee
Breadcrumbs
154 bpm • B Maj • 04:32 • -7.02db
36% Popularity • 38% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
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Joy Williams
One Day I Will
154 bpm • G Maj • 03:20 • -13.15db
15% Popularity • 32% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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The Civil Wars
Poison & Wine
154 bpm • C# Maj • 03:39 • -12.73db
49% Popularity • 28% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Richard Walters
I Won't
154 bpm • A min • 03:35 • -7.96db
34% Popularity • 43% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Emily Hearn
Worth Fighting For
142 bpm • D Maj • 04:09 • -6.3db
22% Popularity • 47% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
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Parachute
What Side Of Love - Acoustic Version
142 bpm • B Maj • 04:05 • -9.19db
35% Popularity • 78% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Corey Kilgannon
The More We Find (Sister IV)
142 bpm • D Maj • 04:54 • -9.82db
17% Popularity • 50% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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The Sweeplings
Sleepwalking
141 bpm • D Maj • 03:40 • -9.77db
11% Popularity • 22% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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AgataJan
I'm Fine
141 bpm • A Maj • 03:12 • -20.47db
18% Popularity • 38% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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George Ogilvie
Foreign Hands
141 bpm • D# min • 04:18 • -5.58db
47% Popularity • 68% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Tall Heights
Spirit Cold
156 bpm • B Maj • 03:38 • -8.81db
42% Popularity • 38% Danceability • 52% Energy • 21% Liveness
0% Instrumentalness • 35% Positiveness
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Beta Radio
On the Frame (Acoustic)
141 bpm • D min • 03:04 • -13.3db
42% Popularity • 46% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Parachute
What Breaks My Heart
140 bpm • G Maj • 04:32 • -9.1db
33% Popularity • 31% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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The Sweeplings
Give Me a Sign
155 bpm • D Maj • 03:43 • -10.14db
12% Popularity • 43% Danceability • 46% Energy • 32% Liveness
0% Instrumentalness • 16% Positiveness
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Rosemary & Garlic
Old Now
140 bpm • F Maj • 04:49 • -13db
44% Popularity • 49% Danceability • 41% Energy • 12% Liveness
24% Instrumentalness • 28% Positiveness
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Spencer Combs
You Are Mine
156 bpm • D Maj • 03:55 • -10db
28% Popularity • 21% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Tall Heights
Spirit Cold
156 bpm • B Maj • 03:42 • -6db
50% Popularity • 41% Danceability • 66% Energy • 18% Liveness
1% Instrumentalness • 36% Positiveness
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Harrison Storm
Sense of Home
140 bpm • D# Maj • 04:25 • -11db
57% Popularity • 56% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Sinclair
This Too Shall Pass
140 bpm • E Maj • 03:49 • -9db
25% Popularity • 69% Danceability • 48% Energy • 28% Liveness
0% Instrumentalness • 57% Positiveness
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The Sweeplings
I Won't Go
140 bpm • A# Maj • 04:06 • -12.24db
10% Popularity • 30% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Jason Polley
Treasure
140 bpm • D Maj • 03:49 • -11.56db
17% Popularity • 56% Danceability • 34% Energy • 6% Liveness
0% Instrumentalness • 24% Positiveness
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George Ogilvie
All That I Ask
140 bpm • G# Maj • 04:38 • -7db
33% Popularity • 38% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Tore
Far From Home
140 bpm • B Maj • 02:39 • -14.19db
17% Popularity • 59% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Brandi Carlile
Party of One
139 bpm • C Maj • 04:19 • -11.8db
52% Popularity • 35% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Joy Williams
The Trouble with Wanting
139 bpm • D Maj • 03:55 • -9db
54% Popularity • 40% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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The Sweeplings
We're Alive
140 bpm • G# min • 04:06 • -12.58db
16% Popularity • 44% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Silver Trees
House Home
158 bpm • D Maj • 03:31 • -7.84db
20% Popularity • 46% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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Jake Etheridge
Getting Over You
138 bpm • D# Maj • 02:57 • -13.95db
30% Popularity • 59% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Donovan Woods
The Worst Way
158 bpm • F# Maj • 03:19 • -16.84db
22% Popularity • 43% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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The Civil Wars
Dust to Dust - Acoustic
138 bpm • C# Maj • 03:43 • -17.11db
23% Popularity • 68% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Dean Lewis
Need You Now - Acoustic
138 bpm • A# Maj • 03:23 • -8.95db
57% Popularity • 60% Danceability • 32% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
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The Sweeplings
Be by Our Side
140 bpm • A min • 03:46 • -10.72db
19% Popularity • 52% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Andrea von Kampen
Trainsong
159 bpm • E Maj • 02:38 • -10.36db
29% Popularity • 45% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Eric Arjes
Find My Way Back
138 bpm • D# Maj • 03:39 • -8db
38% Popularity • 63% Danceability • 57% Energy • 10% Liveness
8% Instrumentalness • 24% Positiveness
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MILCK
Quiet - Stripped
137 bpm • C Maj • 03:28 • -10.11db
33% Popularity • 44% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Rosemary & Garlic
I’m Here
160 bpm • D# Maj • 03:08 • -11.57db
30% Popularity • 51% Danceability • 31% Energy • 11% Liveness
1% Instrumentalness • 36% Positiveness
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Jacob Whitesides
Rules of Beautiful
137 bpm • E Maj • 03:58 • -9.07db
12% Popularity • 39% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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The Sweeplings
On & On
140 bpm • G Maj • 03:38 • -12.29db
12% Popularity • 48% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Axel Flóvent
Silently
136 bpm • C Maj • 04:14 • -9.3db
23% Popularity • 50% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
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Evergreen
Steady Love
136 bpm • B min • 04:39 • -12.46db
32% Popularity • 60% Danceability • 46% Energy • 8% Liveness
2% Instrumentalness • 21% Positiveness
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Sam Pinkerton
Seattle
136 bpm • C Maj • 05:59 • -13.76db
8% Popularity • 50% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Molly Kate Kestner
Footprints
136 bpm • A# Maj • 04:13 • -8db
31% Popularity • 51% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Jillian Edwards
Room
136 bpm • E Maj • 03:19 • -11.89db
21% Popularity • 54% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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The Sweeplings
The Only One
140 bpm • F Maj • 03:28 • -10.29db
6% Popularity • 41% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Michael Schulte
Thoughts
136 bpm • G# min • 03:47 • -12.1db
27% Popularity • 51% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Sara Bareilles
Send Me The Moon
162 bpm • A# Maj • 04:57 • -9.94db
39% Popularity • 42% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Paul McDonald
First Loves (Demo)
136 bpm • C Maj • 03:33 • -10db
22% Popularity • 50% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Mary Lambert
When You Sleep
135 bpm • F# Maj • 03:47 • -12db
34% Popularity • 65% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Harrison Storm
Be Yourself
135 bpm • C# Maj • 04:10 • -15.39db
36% Popularity • 59% Danceability • 27% Energy • 11% Liveness
10% Instrumentalness • 12% Positiveness
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The Sweeplings
Cotton Eye Joe
158 bpm • B min • 02:39 • -7.91db
36% Popularity • 56% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Fenne Lily
What's Good
134 bpm • G# min • 03:36 • -14.84db
41% Popularity • 43% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Jillian Edwards
Times Like These
134 bpm • C Maj • 03:43 • -10.64db
17% Popularity • 49% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Lissie
Blood & Muscle
134 bpm • G# min • 03:53 • -6.7db
23% Popularity • 53% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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The Band CAMINO
The Black and White
134 bpm • E Maj • 04:39 • -7db
43% Popularity • 46% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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SYML
Body
134 bpm • D min • 04:50 • -16.35db
44% Popularity • 42% Danceability • 18% Energy • 9% Liveness
15% Instrumentalness • 9% Positiveness
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The Sweeplings
Cannonball
138 bpm • E min • 03:38 • -9db
24% Popularity • 57% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Frances
No Matter - Acoustic
164 bpm • D# Maj • 02:53 • -7db
34% Popularity • 52% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
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Kari Kimmel
Nothing Left to Lose
134 bpm • D Maj • 03:38 • -15.68db
29% Popularity • 63% Danceability • 25% Energy • 11% Liveness
4% Instrumentalness • 11% Positiveness
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The Script
Flares
164 bpm • C min • 03:49 • -9.88db
54% Popularity • 35% Danceability • 35% Energy • 6% Liveness
0% Instrumentalness • 7% Positiveness
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Ed Prosek
Holy Water
133 bpm • D Maj • 04:09 • -10db
32% Popularity • 60% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Richard Walters
The Rules for Lovers
166 bpm • F# Maj • 03:12 • -13db
30% Popularity • 32% Danceability • 28% Energy • 9% Liveness
8% Instrumentalness • 17% Positiveness
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Across the Sea