Songs like Across the Seven Realms by Ged Grimes
Based on a tempo of (+/- 10%) and a similar genre
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Patty Gurdy
Run
94 bpm • D# min • 03:31 • -7.62db
35% Popularity • 56% Danceability • 63% Energy • 31% Liveness
0% Instrumentalness • 25% Positiveness
35% Popularity • 56% Danceability • 63% Energy • 31% Liveness
0% Instrumentalness • 25% Positiveness
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Ged Grimes
Across the Seven Realms
94 bpm • D Maj • 04:22 • -9db
28% Popularity • 60% Danceability • 38% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
28% Popularity • 60% Danceability • 38% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
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Cryoshell
Creeping in My Soul - Classical Version
94 bpm • E min • 03:32 • -9.84db
38% Popularity • 39% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
38% Popularity • 39% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Ye Banished Privateers
I Dream of You
95 bpm • C Maj • 03:35 • -10.57db
35% Popularity • 45% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
35% Popularity • 45% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
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Delta Rae
Outlaws
95 bpm • C Maj • 03:34 • -4.87db
22% Popularity • 55% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 65% Positiveness
22% Popularity • 55% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 65% Positiveness
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Raney Shockne
Once We Were
95 bpm • A Maj • 02:10 • -4db
33% Popularity • 75% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
33% Popularity • 75% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Will Savino
Caro's Song
95 bpm • A min • 01:58 • -11.99db
27% Popularity • 58% Danceability • 29% Energy • 24% Liveness
0% Instrumentalness • 29% Positiveness
27% Popularity • 58% Danceability • 29% Energy • 24% Liveness
0% Instrumentalness • 29% Positiveness
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S. J. Tucker
Ask Me Anything
95 bpm • D Maj • 04:35 • -7.55db
17% Popularity • 81% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
17% Popularity • 81% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Cryoshell
Gravity Hurts
93 bpm • D Maj • 04:39 • -10.56db
31% Popularity • 22% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
31% Popularity • 22% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
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Heather Dale
Kingsword
95 bpm • C min • 04:23 • -6.27db
22% Popularity • 34% Danceability • 62% Energy • 24% Liveness
0% Instrumentalness • 36% Positiveness
22% Popularity • 34% Danceability • 62% Energy • 24% Liveness
0% Instrumentalness • 36% Positiveness
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Skipinnish
MÃ ili Dhonn
95 bpm • D Maj • 03:21 • -9db
27% Popularity • 68% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
27% Popularity • 68% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Damh The Bard
Ceridwen and Taliesin
95 bpm • C Maj • 07:40 • -11.37db
21% Popularity • 35% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 35% Positiveness
21% Popularity • 35% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 35% Positiveness
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Chase Noseworthy
Voice of the Tempest
92 bpm • A# min • 04:00 • -10.6db
31% Popularity • 28% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
31% Popularity • 28% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Alpine Universe
Lost Winter Days - Acoustic
96 bpm • C# min • 02:58 • -8db
44% Popularity • 44% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
44% Popularity • 44% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Carbon Leaf
The War Was In Color
96 bpm • D Maj • 06:14 • -7.23db
29% Popularity • 38% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
29% Popularity • 38% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Marcus Warner
Carried Home
96 bpm • F# min • 04:03 • -4.9db
29% Popularity • 36% Danceability • 75% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
29% Popularity • 36% Danceability • 75% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
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James Peters
The Leviathan (A Critical Role Sea Shant...
96 bpm • C min • 02:17 • -14.92db
23% Popularity • 80% Danceability • 30% Energy • 28% Liveness
0% Instrumentalness • 70% Positiveness
23% Popularity • 80% Danceability • 30% Energy • 28% Liveness
0% Instrumentalness • 70% Positiveness
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Celtic Thunder
Turning Away
92 bpm • F# min • 04:08 • -7db
26% Popularity • 59% Danceability • 58% Energy • 20% Liveness
0% Instrumentalness • 35% Positiveness
26% Popularity • 59% Danceability • 58% Energy • 20% Liveness
0% Instrumentalness • 35% Positiveness
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Heather Alexander
March Of Cambreadth
96 bpm • A# min • 04:47 • -12.76db
35% Popularity • 53% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
35% Popularity • 53% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Alpine Universe
Ruins of a Long Gone Past - Acoustic
96 bpm • A# min • 01:52 • -9db
49% Popularity • 37% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
49% Popularity • 37% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
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Heather Dale
The Maiden and the Selkie
96 bpm • E Maj • 04:06 • -12db
45% Popularity • 63% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
45% Popularity • 63% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
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Ged Grimes
Iain Ghlinn Cuaich
96 bpm • G# Maj • 04:02 • -10.12db
8% Popularity • 32% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
8% Popularity • 32% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Zyrah
The Children From Game Of Thrones
97 bpm • D min • 03:46 • -9db
23% Popularity • 21% Danceability • 50% Energy • 21% Liveness
2% Instrumentalness • 18% Positiveness
23% Popularity • 21% Danceability • 50% Energy • 21% Liveness
2% Instrumentalness • 18% Positiveness
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Blackmore's Night
The Circle
91 bpm • G Maj • 04:48 • -6.72db
11% Popularity • 46% Danceability • 65% Energy • 25% Liveness
0% Instrumentalness • 34% Positiveness
11% Popularity • 46% Danceability • 65% Energy • 25% Liveness
0% Instrumentalness • 34% Positiveness
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The Paul McKenna Band
The Banks of Newfoundland
91 bpm • E min • 04:38 • -9.52db
25% Popularity • 27% Danceability • 50% Energy • 19% Liveness
0% Instrumentalness • 54% Positiveness
25% Popularity • 27% Danceability • 50% Energy • 19% Liveness
0% Instrumentalness • 54% Positiveness
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Chase Noseworthy
The Serpent's Call
91 bpm • D Maj • 03:13 • -14.03db
16% Popularity • 27% Danceability • 18% Energy • 15% Liveness
2% Instrumentalness • 19% Positiveness
16% Popularity • 27% Danceability • 18% Energy • 15% Liveness
2% Instrumentalness • 19% Positiveness
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Heather Dale
Brother Stand Beside Me
97 bpm • C Maj • 03:49 • -13.59db
13% Popularity • 38% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
13% Popularity • 38% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Ged Grimes
Am Maraiche
97 bpm • C Maj • 03:35 • -12.86db
4% Popularity • 55% Danceability • 8% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
4% Popularity • 55% Danceability • 8% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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Battlefield Band
The Devil's Courtship / An Dro
97 bpm • D min • 03:47 • -15.07db
29% Popularity • 41% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
29% Popularity • 41% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Stormfrun
Once A Sailor
97 bpm • D min • 05:07 • -6db
28% Popularity • 39% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
28% Popularity • 39% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
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Ken Theriot
William Tell
98 bpm • C min • 05:19 • -8.89db
21% Popularity • 70% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 75% Positiveness
21% Popularity • 70% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 75% Positiveness
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Sliotar
The Sweet Little Girl from Barnagh
91 bpm • D min • 02:04 • -7db
29% Popularity • 64% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
29% Popularity • 64% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Sirena
Dare Ye Cry Mercy
90 bpm • B Maj • 03:35 • -10.18db
22% Popularity • 50% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
22% Popularity • 50% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
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Vixy & Tony
Just a Dream
98 bpm • A min • 04:08 • -7.67db
19% Popularity • 46% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
19% Popularity • 46% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Ged Grimes
Sheatadh Cailleach, Ruidhealadh Cailleac...
90 bpm • A min • 01:27 • -11.62db
3% Popularity • 70% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
3% Popularity • 70% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
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Jyc Row
Night Queen
90 bpm • G# Maj • 04:19 • -8.32db
18% Popularity • 25% Danceability • 69% Energy • 12% Liveness
19% Instrumentalness • 15% Positiveness
18% Popularity • 25% Danceability • 69% Energy • 12% Liveness
19% Instrumentalness • 15% Positiveness
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Heather Dale
The Greyhound
98 bpm • F# min • 03:52 • -7.53db
26% Popularity • 67% Danceability • 52% Energy • 26% Liveness
0% Instrumentalness • 71% Positiveness
26% Popularity • 67% Danceability • 52% Energy • 26% Liveness
0% Instrumentalness • 71% Positiveness
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Three Weird Sisters
Least Of My Kind
98 bpm • B min • 04:01 • -13.85db
21% Popularity • 56% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
21% Popularity • 56% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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J. Dalton Williams
Walk the Plank
90 bpm • D min • 03:16 • -13.03db
16% Popularity • 64% Danceability • 34% Energy • 50% Liveness
0% Instrumentalness • 69% Positiveness
16% Popularity • 64% Danceability • 34% Energy • 50% Liveness
0% Instrumentalness • 69% Positiveness
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Piper.Ally
The Megalodon Reel
90 bpm • E Maj • 02:00 • -14db
34% Popularity • 38% Danceability • 29% Energy • 9% Liveness
96% Instrumentalness • 44% Positiveness
34% Popularity • 38% Danceability • 29% Energy • 9% Liveness
96% Instrumentalness • 44% Positiveness
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Ged Grimes
Iain Ghlinn Cuaich - Instrumental
98 bpm • G# Maj • 02:57 • -13.84db
10% Popularity • 14% Danceability • 2% Energy • 9% Liveness
88% Instrumentalness • 19% Positiveness
10% Popularity • 14% Danceability • 2% Energy • 9% Liveness
88% Instrumentalness • 19% Positiveness
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C21fx
Blood Red Roses
90 bpm • C min • 03:28 • -13.78db
36% Popularity • 46% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
36% Popularity • 46% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
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Peter Crowley
The Forest of Wonders
90 bpm • A min • 05:08 • -9.13db
12% Popularity • 16% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
12% Popularity • 16% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Jillian Aversa
The Sword of Destiny
98 bpm • D Maj • 02:26 • -8db
35% Popularity • 23% Danceability • 63% Energy • 36% Liveness
7% Instrumentalness • 6% Positiveness
35% Popularity • 23% Danceability • 63% Energy • 36% Liveness
7% Instrumentalness • 6% Positiveness
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Ken Theriot
Fifty Miles Into The Main
90 bpm • E min • 04:19 • -9.22db
12% Popularity • 62% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
12% Popularity • 62% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Hildegard von Blingin'
Hurt
90 bpm • D min • 03:53 • -12.61db
34% Popularity • 42% Danceability • 15% Energy • 32% Liveness
0% Instrumentalness • 13% Positiveness
34% Popularity • 42% Danceability • 15% Energy • 32% Liveness
0% Instrumentalness • 13% Positiveness
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Joseph Trapanese
Whoreson Prison Blues
90 bpm • C min • 02:07 • -15.39db
48% Popularity • 58% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
48% Popularity • 58% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
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CamillasChoice
Skye Boat Song
90 bpm • D Maj • 03:26 • -15.91db
17% Popularity • 23% Danceability • 17% Energy • 29% Liveness
0% Instrumentalness • 24% Positiveness
17% Popularity • 23% Danceability • 17% Energy • 29% Liveness
0% Instrumentalness • 24% Positiveness
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The Gothard Sisters
Meet Me at Dawn
99 bpm • E Maj • 03:56 • -7db
34% Popularity • 49% Danceability • 48% Energy • 18% Liveness
2% Instrumentalness • 59% Positiveness
34% Popularity • 49% Danceability • 48% Energy • 18% Liveness
2% Instrumentalness • 59% Positiveness
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Ged Grimes
Cha D' Fhuair Mi'n Cadal
99 bpm • G Maj • 04:10 • -8.65db
10% Popularity • 73% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
10% Popularity • 73% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Evin Wolverton
The Road to Epoli
89 bpm • C Maj • 09:08 • -12.68db
9% Popularity • 46% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
9% Popularity • 46% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Heather Dale
Come and Be Welcome
89 bpm • E Maj • 03:27 • -12db
35% Popularity • 74% Danceability • 28% Energy • 17% Liveness
0% Instrumentalness • 71% Positiveness
35% Popularity • 74% Danceability • 28% Energy • 17% Liveness
0% Instrumentalness • 71% Positiveness
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George Kallis
The Strength to Light Our Way
89 bpm • C# Maj • 01:31 • -14.54db
36% Popularity • 22% Danceability • 21% Energy • 63% Liveness
26% Instrumentalness • 11% Positiveness
36% Popularity • 22% Danceability • 21% Energy • 63% Liveness
26% Instrumentalness • 11% Positiveness
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Cactus In A Scarf
The Bear and the Maiden Fair
89 bpm • C# min • 02:36 • -11.31db
22% Popularity • 46% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
22% Popularity • 46% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Nick Keir
The Old Walking Song (I)
89 bpm • C# min • 05:08 • -18.21db
18% Popularity • 43% Danceability • 13% Energy • 10% Liveness
2% Instrumentalness • 26% Positiveness
18% Popularity • 43% Danceability • 13% Energy • 10% Liveness
2% Instrumentalness • 26% Positiveness
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Ged Grimes
Cha d'fhuair Mi'n Cadal - Instrumental
99 bpm • G Maj • 04:08 • -11.91db
6% Popularity • 67% Danceability • 36% Energy • 11% Liveness
84% Instrumentalness • 22% Positiveness
6% Popularity • 67% Danceability • 36% Energy • 11% Liveness
84% Instrumentalness • 22% Positiveness
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Will Morton
Your Light
100 bpm • A min • 04:25 • -14db
32% Popularity • 42% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
32% Popularity • 42% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
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S. J. Tucker
Rabbit's Song
100 bpm • D# min • 03:01 • -13.93db
25% Popularity • 87% Danceability • 42% Energy • 38% Liveness
0% Instrumentalness • 86% Positiveness
25% Popularity • 87% Danceability • 42% Energy • 38% Liveness
0% Instrumentalness • 86% Positiveness
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Friends Of The Shipyard and Fisherman's Fayre
No Hopers, Jokers & Rogues
100 bpm • E Maj • 03:10 • -6.5db
22% Popularity • 55% Danceability • 77% Energy • 36% Liveness
0% Instrumentalness • 68% Positiveness
22% Popularity • 55% Danceability • 77% Energy • 36% Liveness
0% Instrumentalness • 68% Positiveness
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Stormfrun
Prepare Yourself To Fight
100 bpm • A min • 04:16 • -3.6db
31% Popularity • 54% Danceability • 93% Energy • 40% Liveness
0% Instrumentalness • 62% Positiveness
31% Popularity • 54% Danceability • 93% Energy • 40% Liveness
0% Instrumentalness • 62% Positiveness
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Pagan Fury
Stormbringer - acoustic
100 bpm • E Maj • 03:15 • -8.86db
13% Popularity • 48% Danceability • 31% Energy • 23% Liveness
0% Instrumentalness • 24% Positiveness
13% Popularity • 48% Danceability • 31% Energy • 23% Liveness
0% Instrumentalness • 24% Positiveness
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Ged Grimes
Cha D Fhuair M'in Cadal - Orchestrated I...
99 bpm • G Maj • 04:13 • -16.64db
0% Popularity • 49% Danceability • 24% Energy • 8% Liveness
80% Instrumentalness • 22% Positiveness
0% Popularity • 49% Danceability • 24% Energy • 8% Liveness
80% Instrumentalness • 22% Positiveness
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Sybrid
Wargirl
100 bpm • E min • 03:24 • -7db
28% Popularity • 35% Danceability • 84% Energy • 29% Liveness
91% Instrumentalness • 7% Positiveness
28% Popularity • 35% Danceability • 84% Energy • 29% Liveness
91% Instrumentalness • 7% Positiveness
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Patty Gurdy
Last Farewell
88 bpm • A min • 04:49 • -7.32db
24% Popularity • 43% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 15% Positiveness
24% Popularity • 43% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 15% Positiveness
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Heather Dale
The Morrigan
88 bpm • G min • 03:25 • -13.25db
37% Popularity • 58% Danceability • 48% Energy • 14% Liveness
1% Instrumentalness • 64% Positiveness
37% Popularity • 58% Danceability • 48% Energy • 14% Liveness
1% Instrumentalness • 64% Positiveness
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Sean Dagher
Star of the County Down
88 bpm • D Maj • 01:56 • -5.81db
41% Popularity • 74% Danceability • 64% Energy • 32% Liveness
0% Instrumentalness • 76% Positiveness
41% Popularity • 74% Danceability • 64% Energy • 32% Liveness
0% Instrumentalness • 76% Positiveness
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Anne Dudley
I'd Pluck a Fair Rose
87 bpm • A min • 02:06 • -18.37db
37% Popularity • 31% Danceability • 10% Energy • 19% Liveness
0% Instrumentalness • 33% Positiveness
37% Popularity • 31% Danceability • 10% Energy • 19% Liveness
0% Instrumentalness • 33% Positiveness
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Ged Grimes
Cha D' Fhuair Mi'n Cadal - Orchestrated
99 bpm • G Maj • 04:14 • -11.08db
2% Popularity • 57% Danceability • 22% Energy • 6% Liveness
0% Instrumentalness • 39% Positiveness
2% Popularity • 57% Danceability • 22% Energy • 6% Liveness
0% Instrumentalness • 39% Positiveness
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Blackmore's Night
Catherine Howard's Fate
101 bpm • C min • 02:34 • -12.55db
4% Popularity • 60% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
4% Popularity • 60% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Van Canto
Hymn - Bonus Track
102 bpm • A# Maj • 02:16 • -9.36db
33% Popularity • 58% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
33% Popularity • 58% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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The Wellermen
Nancy Mulligan
102 bpm • G Maj • 02:34 • -9.08db
28% Popularity • 77% Danceability • 52% Energy • 25% Liveness
80% Instrumentalness • 59% Positiveness
28% Popularity • 77% Danceability • 52% Energy • 25% Liveness
80% Instrumentalness • 59% Positiveness
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Valhalore
A Rose for Epona
102 bpm • B min • 04:20 • -4.94db
20% Popularity • 59% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
20% Popularity • 59% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Perly I Lotry
Ronja's Lullaby a Cappella
86 bpm • G min • 02:30 • -10.89db
34% Popularity • 30% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
34% Popularity • 30% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Anúna
Siúil a Rúin
102 bpm • D Maj • 02:43 • -16.7db
35% Popularity • 35% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
35% Popularity • 35% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
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Aviators
Red Water Dreams
103 bpm • G Maj • 05:25 • -5.88db
36% Popularity • 57% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
36% Popularity • 57% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Gilead
Sons of Skyrim
103 bpm • D min • 03:25 • -7.24db
29% Popularity • 61% Danceability • 68% Energy • 11% Liveness
1% Instrumentalness • 32% Positiveness
29% Popularity • 61% Danceability • 68% Energy • 11% Liveness
1% Instrumentalness • 32% Positiveness
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CamillasChoice
In Dreams
86 bpm • F# Maj • 02:22 • -10.12db
15% Popularity • 22% Danceability • 28% Energy • 17% Liveness
0% Instrumentalness • 16% Positiveness
15% Popularity • 22% Danceability • 28% Energy • 17% Liveness
0% Instrumentalness • 16% Positiveness
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Eleni Violaris
Believe in Magic
86 bpm • G# Maj • 04:28 • -12db
34% Popularity • 47% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
34% Popularity • 47% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Leslie Fish
The Arizona Sword
86 bpm • G min • 05:43 • -10.25db
20% Popularity • 71% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
20% Popularity • 71% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Zero She Flies
Watertight
103 bpm • A min • 02:13 • -12.27db
20% Popularity • 54% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
20% Popularity • 54% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Hildegard von Blingin'
Bad Romance
103 bpm • A min • 04:12 • -13.53db
32% Popularity • 57% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
32% Popularity • 57% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
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Raney Shockne
The Slightest Ones
86 bpm • B min • 02:25 • -2.88db
28% Popularity • 59% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
28% Popularity • 59% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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The Paul McKenna Band
The Mermaid
103 bpm • A Maj • 04:05 • -9.28db
25% Popularity • 26% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
25% Popularity • 26% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
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Broceliande
Lay of Nimrodel
103 bpm • G Maj • 05:37 • -8.38db
17% Popularity • 53% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
17% Popularity • 53% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Leslie Fish
Wanderer
103 bpm • G min • 02:55 • -10.04db
26% Popularity • 77% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
26% Popularity • 77% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Julia Ecklar
Threes: Take 3 (Julia Ecklar)
104 bpm • F min • 04:04 • -11.81db
20% Popularity • 72% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
20% Popularity • 72% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Reflections of Sound
Jak o' the Shadows
85 bpm • D Maj • 03:14 • -14.31db
18% Popularity • 60% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
18% Popularity • 60% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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S. J. Tucker
Ravens in the Library
104 bpm • D Maj • 04:22 • -9.49db
30% Popularity • 50% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
30% Popularity • 50% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Ella Roberts
Tuatha De Danann
104 bpm • F min • 02:46 • -11.08db
28% Popularity • 52% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
28% Popularity • 52% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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The Dread Crew of Oddwood
The Ballad of Edward Kenway
85 bpm • D min • 02:11 • -3db
32% Popularity • 46% Danceability • 82% Energy • 32% Liveness
0% Instrumentalness • 85% Positiveness
32% Popularity • 46% Danceability • 82% Energy • 32% Liveness
0% Instrumentalness • 85% Positiveness
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Leslie Fish
The Gods Aren't Crazy
103 bpm • F Maj • 04:07 • -10.36db
15% Popularity • 52% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
15% Popularity • 52% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Julie Fowlis
Hùg Air A' Bhonaid Mhòir
104 bpm • F min • 02:57 • -8.16db
42% Popularity • 71% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
42% Popularity • 71% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Juniper Vale
Hallelujah
104 bpm • F Maj • 04:03 • -14.05db
22% Popularity • 40% Danceability • 15% Energy • 24% Liveness
0% Instrumentalness • 20% Positiveness
22% Popularity • 40% Danceability • 15% Energy • 24% Liveness
0% Instrumentalness • 20% Positiveness
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Ten Strings and a Goat Skin
The Night They Moved the House
105 bpm • G Maj • 03:38 • -9.35db
37% Popularity • 67% Danceability • 55% Energy • 34% Liveness
0% Instrumentalness • 90% Positiveness
37% Popularity • 67% Danceability • 55% Energy • 34% Liveness
0% Instrumentalness • 90% Positiveness
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Piper.Ally
Magdalena
84 bpm • C min • 01:18 • -13.86db
25% Popularity • 25% Danceability • 14% Energy • 9% Liveness
18% Instrumentalness • 45% Positiveness
25% Popularity • 25% Danceability • 14% Energy • 9% Liveness
18% Instrumentalness • 45% Positiveness
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Ged Grimes
Iomaraibh Eutrom
84 bpm • G min • 01:54 • -8.04db
7% Popularity • 64% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
7% Popularity • 64% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Rave The Reqviem
Oh, the Joy!
105 bpm • D min • 02:18 • -8.83db
43% Popularity • 66% Danceability • 39% Energy • 23% Liveness
0% Instrumentalness • 78% Positiveness
43% Popularity • 66% Danceability • 39% Energy • 23% Liveness
0% Instrumentalness • 78% Positiveness
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Varend Volk
This Night We Spend Ashore
105 bpm • D min • 03:27 • -5db
34% Popularity • 66% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
34% Popularity • 66% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
