Songs like Across The Vast, Eternal Sky by Ola Gjeilo
Based on a tempo of (+/- 10%) and a similar genre
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Ola Gjeilo
City Lights
67 bpm • A# Maj • 02:41 • -29.85db
26% Popularity • 31% Danceability • 1% Energy • 12% Liveness
88% Instrumentalness • 20% Positiveness
26% Popularity • 31% Danceability • 1% Energy • 12% Liveness
88% Instrumentalness • 20% Positiveness
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James Whitbourn
Luminosity: V. Castle of Diamonds
67 bpm • A min • 01:21 • -28.74db
36% Popularity • 32% Danceability • 6% Energy • 25% Liveness
95% Instrumentalness • 4% Positiveness
36% Popularity • 32% Danceability • 6% Energy • 25% Liveness
95% Instrumentalness • 4% Positiveness
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Jennifer Lucy Cook
For You I Will Be an Island
67 bpm • B min • 04:05 • -23.06db
7% Popularity • 16% Danceability • 7% Energy • 10% Liveness
63% Instrumentalness • 4% Positiveness
7% Popularity • 16% Danceability • 7% Energy • 10% Liveness
63% Instrumentalness • 4% Positiveness
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Orlando Gibbons
Threefold Amen
67 bpm • D Maj • 01:04 • -36.24db
30% Popularity • 24% Danceability • 2% Energy • 11% Liveness
71% Instrumentalness • 3% Positiveness
30% Popularity • 24% Danceability • 2% Energy • 11% Liveness
71% Instrumentalness • 3% Positiveness
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Hugo Alfvén
Aftonen
66 bpm • A# Maj • 03:19 • -19.4db
23% Popularity • 7% Danceability • 5% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
23% Popularity • 7% Danceability • 5% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Eric William Barnum
The Stars Stand Up in the Air
66 bpm • G Maj • 05:18 • -14.33db
10% Popularity • 15% Danceability • 19% Energy • 9% Liveness
88% Instrumentalness • 5% Positiveness
10% Popularity • 15% Danceability • 19% Energy • 9% Liveness
88% Instrumentalness • 5% Positiveness
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Ola Gjeilo
Across The Vast, Eternal Sky
67 bpm • B Maj • 04:38 • -17.33db
28% Popularity • 16% Danceability • 15% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
28% Popularity • 16% Danceability • 15% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
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Eric Whitacre
Whitacre: The Seal Lullaby
66 bpm • C# Maj • 04:13 • -30db
46% Popularity • 23% Danceability • 2% Energy • 8% Liveness
82% Instrumentalness • 7% Positiveness
46% Popularity • 23% Danceability • 2% Energy • 8% Liveness
82% Instrumentalness • 7% Positiveness
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Henry Purcell
Miserere mei, Z. 109
66 bpm • A min • 01:22 • -25.22db
38% Popularity • 7% Danceability • 10% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
38% Popularity • 7% Danceability • 10% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Serenade in B-Flat Major, K. 361 "Gran P...
68 bpm • D# Maj • 05:30 • -25.19db
60% Popularity • 17% Danceability • 4% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
60% Popularity • 17% Danceability • 4% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Tõnu Kõrvits
Kreek's Notebook: I. Nüüd ole, Jeesus,...
66 bpm • D# Maj • 04:25 • -24.5db
8% Popularity • 11% Danceability • 15% Energy • 9% Liveness
43% Instrumentalness • 16% Positiveness
8% Popularity • 11% Danceability • 15% Energy • 9% Liveness
43% Instrumentalness • 16% Positiveness
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Josef Rheinberger
Mass in E-Flat Major, Op. 109 "Cantus Mi...
66 bpm • D# Maj • 03:56 • -24db
22% Popularity • 11% Danceability • 10% Energy • 12% Liveness
62% Instrumentalness • 4% Positiveness
22% Popularity • 11% Danceability • 10% Energy • 12% Liveness
62% Instrumentalness • 4% Positiveness
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Ola Gjeilo
Dark Night
67 bpm • F min • 05:36 • -20db
21% Popularity • 12% Danceability • 11% Energy • 9% Liveness
71% Instrumentalness • 4% Positiveness
21% Popularity • 12% Danceability • 11% Energy • 9% Liveness
71% Instrumentalness • 4% Positiveness
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Augustana Choir
Long Road, Eriks Esenvalds
66 bpm • F Maj • 06:14 • -26.41db
10% Popularity • 16% Danceability • 3% Energy • 7% Liveness
77% Instrumentalness • 3% Positiveness
10% Popularity • 16% Danceability • 3% Energy • 7% Liveness
77% Instrumentalness • 3% Positiveness
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Benjamin Britten
The Salley Gardens
68 bpm • F# Maj • 02:46 • -22db
18% Popularity • 20% Danceability • 7% Energy • 11% Liveness
16% Instrumentalness • 10% Positiveness
18% Popularity • 20% Danceability • 7% Energy • 11% Liveness
16% Instrumentalness • 10% Positiveness
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Cristobal de Morales
Officium defunctorum: Parce mihi Domine:...
66 bpm • A# Maj • 05:21 • -36.59db
26% Popularity • 14% Danceability • 1% Energy • 12% Liveness
24% Instrumentalness • 3% Positiveness
26% Popularity • 14% Danceability • 1% Energy • 12% Liveness
24% Instrumentalness • 3% Positiveness
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The Tallis Scholars
Allegri: Miserere - 05. Auditui Meo Dabi...
66 bpm • A Maj • 01:11 • -26db
44% Popularity • 15% Danceability • 8% Energy • 12% Liveness
53% Instrumentalness • 3% Positiveness
44% Popularity • 15% Danceability • 8% Energy • 12% Liveness
53% Instrumentalness • 3% Positiveness
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Charles Villiers Stamford
Ye Choirs Of New Jerusalem
68 bpm • G Maj • 04:44 • -21.98db
7% Popularity • 21% Danceability • 15% Energy • 7% Liveness
92% Instrumentalness • 6% Positiveness
7% Popularity • 21% Danceability • 15% Energy • 7% Liveness
92% Instrumentalness • 6% Positiveness
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Ola Gjeilo
Northern Lights
68 bpm • C# min • 04:26 • -30db
35% Popularity • 18% Danceability • 3% Energy • 8% Liveness
84% Instrumentalness • 3% Positiveness
35% Popularity • 18% Danceability • 3% Energy • 8% Liveness
84% Instrumentalness • 3% Positiveness
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Voce
The Music Of Living
68 bpm • D Maj • 03:03 • -17.6db
12% Popularity • 20% Danceability • 21% Energy • 5% Liveness
92% Instrumentalness • 13% Positiveness
12% Popularity • 20% Danceability • 21% Energy • 5% Liveness
92% Instrumentalness • 13% Positiveness
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Sjaella
Abendliedchen
68 bpm • C Maj • 01:42 • -24.31db
35% Popularity • 32% Danceability • 8% Energy • 17% Liveness
95% Instrumentalness • 4% Positiveness
35% Popularity • 32% Danceability • 8% Energy • 17% Liveness
95% Instrumentalness • 4% Positiveness
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Eric Whitacre
The Seal Lullaby
65 bpm • C# Maj • 04:34 • -27.49db
28% Popularity • 21% Danceability • 4% Energy • 9% Liveness
73% Instrumentalness • 7% Positiveness
28% Popularity • 21% Danceability • 4% Energy • 9% Liveness
73% Instrumentalness • 7% Positiveness
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Henry Purcell
Hear my Prayer, O Lord, Z. 15
65 bpm • C Maj • 02:36 • -24.53db
30% Popularity • 18% Danceability • 12% Energy • 9% Liveness
84% Instrumentalness • 3% Positiveness
30% Popularity • 18% Danceability • 12% Energy • 9% Liveness
84% Instrumentalness • 3% Positiveness
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Nora Mercz
Sadko: Hindu Song (arr. N. Mercz): Hindu...
65 bpm • F Maj • 03:32 • -31.62db
53% Popularity • 12% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
53% Popularity • 12% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Ola Gjeilo
Nocturnal
68 bpm • C Maj • 01:11 • -33.91db
29% Popularity • 33% Danceability • 1% Energy • 8% Liveness
89% Instrumentalness • 7% Positiveness
29% Popularity • 33% Danceability • 1% Energy • 8% Liveness
89% Instrumentalness • 7% Positiveness
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Engelbert Humperdinck
Hansel and Gretel: Evening Prayer
69 bpm • E min • 02:00 • -22.06db
10% Popularity • 20% Danceability • 5% Energy • 8% Liveness
31% Instrumentalness • 4% Positiveness
10% Popularity • 20% Danceability • 5% Energy • 8% Liveness
31% Instrumentalness • 4% Positiveness
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Veljo Tormis
La Kanteletar: I. Herkä neito
69 bpm • F# Maj • 02:11 • -35.53db
33% Popularity • 20% Danceability • 2% Energy • 10% Liveness
41% Instrumentalness • 7% Positiveness
33% Popularity • 20% Danceability • 2% Energy • 10% Liveness
41% Instrumentalness • 7% Positiveness
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Gerald Finzi
Lo, the full, final sacrifice, Op. 26: A...
69 bpm • E Maj • 01:06 • -26.13db
26% Popularity • 14% Danceability • 6% Energy • 8% Liveness
99% Instrumentalness • 3% Positiveness
26% Popularity • 14% Danceability • 6% Energy • 8% Liveness
99% Instrumentalness • 3% Positiveness
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Choral Arts Initiative
In the Middle
65 bpm • A# Maj • 05:12 • -22db
8% Popularity • 14% Danceability • 10% Energy • 10% Liveness
38% Instrumentalness • 6% Positiveness
8% Popularity • 14% Danceability • 10% Energy • 10% Liveness
38% Instrumentalness • 6% Positiveness
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Ä’riks EÅ¡envalds
O salutaris hostia
65 bpm • D Maj • 03:20 • -26.46db
34% Popularity • 21% Danceability • 10% Energy • 11% Liveness
23% Instrumentalness • 5% Positiveness
34% Popularity • 21% Danceability • 10% Energy • 11% Liveness
23% Instrumentalness • 5% Positiveness
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Ola Gjeilo
Homebound
66 bpm • G Maj • 02:02 • -23db
43% Popularity • 38% Danceability • 6% Energy • 9% Liveness
96% Instrumentalness • 36% Positiveness
43% Popularity • 38% Danceability • 6% Energy • 9% Liveness
96% Instrumentalness • 36% Positiveness
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Max Reger
Nachtlied, Op. 138, No. 3
69 bpm • B min • 03:01 • -25.5db
16% Popularity • 22% Danceability • 4% Energy • 14% Liveness
7% Instrumentalness • 5% Positiveness
16% Popularity • 22% Danceability • 4% Energy • 14% Liveness
7% Instrumentalness • 5% Positiveness
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Jacobus Gallus
Pueri concinite
69 bpm • G Maj • 01:53 • -22db
27% Popularity • 17% Danceability • 9% Energy • 5% Liveness
97% Instrumentalness • 16% Positiveness
27% Popularity • 17% Danceability • 9% Energy • 5% Liveness
97% Instrumentalness • 16% Positiveness
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Johannes Brahms
Sechs Klavierstücke, Op. 118: II. Inter...
69 bpm • A Maj • 06:18 • -30.92db
62% Popularity • 30% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
62% Popularity • 30% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
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Lang Lang
Limu, limu, lima (Arr. Schindler for Pia...
69 bpm • E min • 05:35 • -27db
46% Popularity • 35% Danceability • 3% Energy • 12% Liveness
92% Instrumentalness • 6% Positiveness
46% Popularity • 35% Danceability • 3% Energy • 12% Liveness
92% Instrumentalness • 6% Positiveness
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The Tallis Scholars
Allegri: Miserere - 02. Amplius Lava Me
69 bpm • G# Maj • 01:10 • -35.6db
47% Popularity • 23% Danceability • 3% Energy • 25% Liveness
64% Instrumentalness • 3% Positiveness
47% Popularity • 23% Danceability • 3% Energy • 25% Liveness
64% Instrumentalness • 3% Positiveness
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Ola Gjeilo
Before Dawn
66 bpm • C Maj • 04:11 • -32.12db
25% Popularity • 39% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
25% Popularity • 39% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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Michael Praetorius
Det ar en ros utsprungen (Behold a Rose ...
65 bpm • C min • 03:51 • -36db
12% Popularity • 17% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
12% Popularity • 17% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
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Camille Saint-Saëns
Le carnaval des animaux, R. 125: XIII. T...
69 bpm • G Maj • 02:33 • -22.02db
44% Popularity • 23% Danceability • 15% Energy • 12% Liveness
86% Instrumentalness • 7% Positiveness
44% Popularity • 23% Danceability • 15% Energy • 12% Liveness
86% Instrumentalness • 7% Positiveness
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Roxanna Panufnik
All Shall be Well
69 bpm • F Maj • 07:26 • -24db
13% Popularity • 7% Danceability • 8% Energy • 8% Liveness
39% Instrumentalness • 3% Positiveness
13% Popularity • 7% Danceability • 8% Energy • 8% Liveness
39% Instrumentalness • 3% Positiveness
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Orlande de Lassus
Alleluia laus et gloria, IOL 8
65 bpm • A# Maj • 00:56 • -23.01db
38% Popularity • 26% Danceability • 10% Energy • 8% Liveness
96% Instrumentalness • 9% Positiveness
38% Popularity • 26% Danceability • 10% Energy • 8% Liveness
96% Instrumentalness • 9% Positiveness
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Gabriel Jackson
O Sacrum Convivium
69 bpm • D# Maj • 06:22 • -36.59db
28% Popularity • 6% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 3% Positiveness
28% Popularity • 6% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 3% Positiveness
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Ola Gjeilo
Chorale
65 bpm • G Maj • 04:22 • -27db
10% Popularity • 65% Danceability • 0% Energy • 6% Liveness
96% Instrumentalness • 29% Positiveness
10% Popularity • 65% Danceability • 0% Energy • 6% Liveness
96% Instrumentalness • 29% Positiveness
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Alexis Ffrench
Walk With Us - For Black Lives Matter
65 bpm • A min • 02:00 • -27db
44% Popularity • 37% Danceability • 3% Energy • 8% Liveness
89% Instrumentalness • 23% Positiveness
44% Popularity • 37% Danceability • 3% Energy • 8% Liveness
89% Instrumentalness • 23% Positiveness
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Chamber Choir Ireland
Stanford: The Blue Bird
70 bpm • F# Maj • 03:28 • -36db
14% Popularity • 7% Danceability • 1% Energy • 6% Liveness
25% Instrumentalness • 3% Positiveness
14% Popularity • 7% Danceability • 1% Energy • 6% Liveness
25% Instrumentalness • 3% Positiveness
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Paul Mealor
A Welsh Prayer
64 bpm • F Maj • 05:37 • -23.81db
6% Popularity • 17% Danceability • 8% Energy • 9% Liveness
25% Instrumentalness • 9% Positiveness
6% Popularity • 17% Danceability • 8% Energy • 9% Liveness
25% Instrumentalness • 9% Positiveness
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Fredrico Bayco
Elizabethan Masque
64 bpm • A min • 02:27 • -28db
27% Popularity • 22% Danceability • 7% Energy • 11% Liveness
81% Instrumentalness • 8% Positiveness
27% Popularity • 22% Danceability • 7% Energy • 11% Liveness
81% Instrumentalness • 8% Positiveness
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Josquin des Prez
Praeter rerum seriem: I. Prima pars
70 bpm • G min • 03:35 • -22.02db
17% Popularity • 11% Danceability • 16% Energy • 35% Liveness
71% Instrumentalness • 6% Positiveness
17% Popularity • 11% Danceability • 16% Energy • 35% Liveness
71% Instrumentalness • 6% Positiveness
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Ola Gjeilo
The North
69 bpm • G min • 02:48 • -29.64db
24% Popularity • 41% Danceability • 2% Energy • 11% Liveness
91% Instrumentalness • 8% Positiveness
24% Popularity • 41% Danceability • 2% Energy • 11% Liveness
91% Instrumentalness • 8% Positiveness
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Orlande de Lassus
Adoramus te, Christe, LV 1083
70 bpm • F Maj • 01:43 • -29db
37% Popularity • 9% Danceability • 3% Energy • 6% Liveness
84% Instrumentalness • 6% Positiveness
37% Popularity • 9% Danceability • 3% Energy • 6% Liveness
84% Instrumentalness • 6% Positiveness
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Daniel Elder
3 Nocturnes: No. 3. Lullaby
70 bpm • E Maj • 04:20 • -26.92db
27% Popularity • 22% Danceability • 7% Energy • 7% Liveness
92% Instrumentalness • 5% Positiveness
27% Popularity • 22% Danceability • 7% Energy • 7% Liveness
92% Instrumentalness • 5% Positiveness
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Paul Mealor
Wherever You Are
64 bpm • A# Maj • 03:58 • -13.44db
13% Popularity • 15% Danceability • 26% Energy • 20% Liveness
33% Instrumentalness • 12% Positiveness
13% Popularity • 15% Danceability • 26% Energy • 20% Liveness
33% Instrumentalness • 12% Positiveness
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Ä’riks EÅ¡envalds
Stars
64 bpm • D Maj • 04:04 • -24db
37% Popularity • 13% Danceability • 6% Energy • 14% Liveness
96% Instrumentalness • 4% Positiveness
37% Popularity • 13% Danceability • 6% Energy • 14% Liveness
96% Instrumentalness • 4% Positiveness
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Valentin Silvestrov
Three Postludes (1981/82): Postlude No. ...
70 bpm • D Maj • 04:15 • -40db
55% Popularity • 12% Danceability • 0% Energy • 10% Liveness
23% Instrumentalness • 4% Positiveness
55% Popularity • 12% Danceability • 0% Energy • 10% Liveness
23% Instrumentalness • 4% Positiveness
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Ola Gjeilo
Autumn
70 bpm • A min • 02:34 • -34.49db
26% Popularity • 43% Danceability • 0% Energy • 8% Liveness
97% Instrumentalness • 43% Positiveness
26% Popularity • 43% Danceability • 0% Energy • 8% Liveness
97% Instrumentalness • 43% Positiveness
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Claude Debussy
Préludes / Book 2, L. 123: 5. Bruyères...
64 bpm • G# Maj • 03:36 • -31.02db
61% Popularity • 30% Danceability • 4% Energy • 14% Liveness
95% Instrumentalness • 23% Positiveness
61% Popularity • 30% Danceability • 4% Energy • 14% Liveness
95% Instrumentalness • 23% Positiveness
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Sjaella
O du stille Zeit
70 bpm • A# Maj • 02:29 • -23db
27% Popularity • 23% Danceability • 4% Energy • 10% Liveness
70% Instrumentalness • 5% Positiveness
27% Popularity • 23% Danceability • 4% Energy • 10% Liveness
70% Instrumentalness • 5% Positiveness
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Saint Ambrose
Aeterna Christi munera et martyrum victo...
70 bpm • C Maj • 01:32 • -31db
35% Popularity • 18% Danceability • 1% Energy • 12% Liveness
95% Instrumentalness • 3% Positiveness
35% Popularity • 18% Danceability • 1% Energy • 12% Liveness
95% Instrumentalness • 3% Positiveness
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Charles Villiers Stanford
8 Part-Songs, Op. 119: III. The Blue Bir...
64 bpm • F# Maj • 03:43 • -18.9db
11% Popularity • 20% Danceability • 12% Energy • 20% Liveness
66% Instrumentalness • 4% Positiveness
11% Popularity • 20% Danceability • 12% Energy • 20% Liveness
66% Instrumentalness • 4% Positiveness
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Benjamin Britten
Benjamin Britten: A Hymn to the Virgin
71 bpm • A min • 03:21 • -25.89db
11% Popularity • 20% Danceability • 5% Energy • 8% Liveness
10% Instrumentalness • 4% Positiveness
11% Popularity • 20% Danceability • 5% Energy • 8% Liveness
10% Instrumentalness • 4% Positiveness
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Ola Gjeilo
Tundra
65 bpm • A# Maj • 03:48 • -19.39db
11% Popularity • 15% Danceability • 11% Energy • 10% Liveness
78% Instrumentalness • 3% Positiveness
11% Popularity • 15% Danceability • 11% Energy • 10% Liveness
78% Instrumentalness • 3% Positiveness
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Josquin des Prez
Ave Maria, Virgo Serena
71 bpm • C Maj • 05:55 • -19.83db
18% Popularity • 17% Danceability • 11% Energy • 6% Liveness
14% Instrumentalness • 6% Positiveness
18% Popularity • 17% Danceability • 11% Energy • 6% Liveness
14% Instrumentalness • 6% Positiveness
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Eleanor Daley
Upon Your Heart
71 bpm • E Maj • 03:53 • -22db
35% Popularity • 12% Danceability • 12% Energy • 17% Liveness
63% Instrumentalness • 4% Positiveness
35% Popularity • 12% Danceability • 12% Energy • 17% Liveness
63% Instrumentalness • 4% Positiveness
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Ralph Vaughan Williams
Five Variants of ‘Dives and Lazarus’
71 bpm • B min • 11:34 • -21db
45% Popularity • 15% Danceability • 6% Energy • 11% Liveness
93% Instrumentalness • 12% Positiveness
45% Popularity • 15% Danceability • 6% Energy • 11% Liveness
93% Instrumentalness • 12% Positiveness
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Geirr Tveitt
Velkomne med æra
71 bpm • F# min • 02:57 • -30db
9% Popularity • 22% Danceability • 1% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
9% Popularity • 22% Danceability • 1% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
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George Butterworth
The Banks of Green Willow
71 bpm • A min • 06:25 • -32db
35% Popularity • 12% Danceability • 1% Energy • 8% Liveness
30% Instrumentalness • 5% Positiveness
35% Popularity • 12% Danceability • 1% Energy • 8% Liveness
30% Instrumentalness • 5% Positiveness
► Preview
Ola Gjeilo
Reflections
70 bpm • C# Maj • 01:53 • -31.98db
33% Popularity • 8% Danceability • 3% Energy • 9% Liveness
90% Instrumentalness • 5% Positiveness
33% Popularity • 8% Danceability • 3% Energy • 9% Liveness
90% Instrumentalness • 5% Positiveness
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Anton Bruckner
Locus iste, WAB 23
71 bpm • C Maj • 03:03 • -28.15db
30% Popularity • 7% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 3% Positiveness
30% Popularity • 7% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 3% Positiveness
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Eric Whitacre
The Seal Lullaby
63 bpm • C# Maj • 04:11 • -24.55db
28% Popularity • 24% Danceability • 3% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
28% Popularity • 24% Danceability • 3% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
► Preview
Wolfgang Amadeus Mozart
Vesperae Solennes de confessore K. 339: ...
71 bpm • F Maj • 03:56 • -15.53db
16% Popularity • 10% Danceability • 14% Energy • 11% Liveness
26% Instrumentalness • 8% Positiveness
16% Popularity • 10% Danceability • 14% Energy • 11% Liveness
26% Instrumentalness • 8% Positiveness
► Preview
Josef Rheinberger
Mass in E-Flat Major, Op. 109 "Cantus Mi...
71 bpm • D# Maj • 02:06 • -23.97db
22% Popularity • 16% Danceability • 8% Energy • 8% Liveness
4% Instrumentalness • 4% Positiveness
22% Popularity • 16% Danceability • 8% Energy • 8% Liveness
4% Instrumentalness • 4% Positiveness
► Preview
Oliver Leith
Last Days: Non Voglio Mai Vedere Il Sole...
63 bpm • F# min • 04:50 • -12.45db
31% Popularity • 8% Danceability • 32% Energy • 12% Liveness
71% Instrumentalness • 6% Positiveness
31% Popularity • 8% Danceability • 32% Energy • 12% Liveness
71% Instrumentalness • 6% Positiveness
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Ola Gjeilo
Skyline
64 bpm • E Maj • 02:32 • -31.53db
24% Popularity • 50% Danceability • 0% Energy • 10% Liveness
96% Instrumentalness • 44% Positiveness
24% Popularity • 50% Danceability • 0% Energy • 10% Liveness
96% Instrumentalness • 44% Positiveness
► Preview
Jacob Mühlrad
Kaddish - Excerpt
71 bpm • A min • 03:53 • -25db
13% Popularity • 15% Danceability • 5% Energy • 13% Liveness
90% Instrumentalness • 3% Positiveness
13% Popularity • 15% Danceability • 5% Energy • 13% Liveness
90% Instrumentalness • 3% Positiveness
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Antonio Lotti
Vere languores nostros, IAL 32
71 bpm • G# Maj • 02:33 • -30db
32% Popularity • 22% Danceability • 1% Energy • 8% Liveness
79% Instrumentalness • 4% Positiveness
32% Popularity • 22% Danceability • 1% Energy • 8% Liveness
79% Instrumentalness • 4% Positiveness
► Preview
The Tallis Scholars
Allegri: Miserere - 04. Ecce Enim Verita...
71 bpm • G min • 01:07 • -33.77db
42% Popularity • 24% Danceability • 2% Energy • 12% Liveness
17% Instrumentalness • 4% Positiveness
42% Popularity • 24% Danceability • 2% Energy • 12% Liveness
17% Instrumentalness • 4% Positiveness
► Preview
Catherine Strutt
The Cradle Song
63 bpm • D Maj • 05:20 • -25.48db
28% Popularity • 22% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 8% Positiveness
28% Popularity • 22% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 8% Positiveness
► Preview
Edward Elgar
Scenes from the Saga of King Olaf, Op. 3...
71 bpm • D# Maj • 02:16 • -28.24db
14% Popularity • 22% Danceability • 5% Energy • 10% Liveness
6% Instrumentalness • 7% Positiveness
14% Popularity • 22% Danceability • 5% Energy • 10% Liveness
6% Instrumentalness • 7% Positiveness
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Ola Gjeilo
Tundra
71 bpm • A# Maj • 03:35 • -18.63db
35% Popularity • 17% Danceability • 11% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
35% Popularity • 17% Danceability • 11% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
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Frederick Delius
2 Aquarelles: Lento, ma non troppo
72 bpm • A# Maj • 02:12 • -27.63db
62% Popularity • 18% Danceability • 5% Energy • 29% Liveness
92% Instrumentalness • 3% Positiveness
62% Popularity • 18% Danceability • 5% Energy • 29% Liveness
92% Instrumentalness • 3% Positiveness
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Ex:Re
Crushing
63 bpm • G# min • 04:01 • -10.9db
22% Popularity • 16% Danceability • 38% Energy • 14% Liveness
1% Instrumentalness • 29% Positiveness
22% Popularity • 16% Danceability • 38% Energy • 14% Liveness
1% Instrumentalness • 29% Positiveness
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Philip Stopford
Do Not Be Afraid
72 bpm • D Maj • 05:11 • -31db
24% Popularity • 14% Danceability • 3% Energy • 6% Liveness
1% Instrumentalness • 4% Positiveness
24% Popularity • 14% Danceability • 3% Energy • 6% Liveness
1% Instrumentalness • 4% Positiveness
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Nora Mercz
Carmen (arr. N. Mercz): Intermezzo from ...
72 bpm • D# Maj • 02:38 • -25db
49% Popularity • 30% Danceability • 5% Energy • 9% Liveness
93% Instrumentalness • 20% Positiveness
49% Popularity • 30% Danceability • 5% Energy • 9% Liveness
93% Instrumentalness • 20% Positiveness
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The Russian State Symphony Cappella
Great Ektenia
72 bpm • A# Maj • 03:48 • -18.52db
27% Popularity • 12% Danceability • 20% Energy • 14% Liveness
90% Instrumentalness • 3% Positiveness
27% Popularity • 12% Danceability • 20% Energy • 14% Liveness
90% Instrumentalness • 3% Positiveness
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Ola Gjeilo
Daybreak
71 bpm • C Maj • 02:27 • -27.59db
28% Popularity • 32% Danceability • 15% Energy • 11% Liveness
95% Instrumentalness • 15% Positiveness
28% Popularity • 32% Danceability • 15% Energy • 11% Liveness
95% Instrumentalness • 15% Positiveness
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John Tavener
The Lamb
72 bpm • E min • 03:56 • -23db
40% Popularity • 9% Danceability • 5% Energy • 15% Liveness
77% Instrumentalness • 3% Positiveness
40% Popularity • 9% Danceability • 5% Energy • 15% Liveness
77% Instrumentalness • 3% Positiveness
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Elektra Women's Choir
Away From The Roll Of The Sea
72 bpm • E Maj • 04:13 • -22.07db
16% Popularity • 20% Danceability • 10% Energy • 8% Liveness
12% Instrumentalness • 6% Positiveness
16% Popularity • 20% Danceability • 10% Energy • 8% Liveness
12% Instrumentalness • 6% Positiveness
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Radio Luxembourg Symphony Orchestra
Jesus, Joy of Man's Desiring - Studio
62 bpm • G Maj • 03:53 • -19db
32% Popularity • 6% Danceability • 13% Energy • 12% Liveness
93% Instrumentalness • 17% Positiveness
32% Popularity • 6% Danceability • 13% Energy • 12% Liveness
93% Instrumentalness • 17% Positiveness
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Orlando Gibbons
Drop, Drop, Slow Tears a 4
72 bpm • E Maj • 02:05 • -43db
21% Popularity • 20% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
21% Popularity • 20% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Ralph Vaughan Williams
The Call (Arr. Harry D Bennett)
73 bpm • F min • 02:23 • -22.48db
19% Popularity • 15% Danceability • 4% Energy • 10% Liveness
18% Instrumentalness • 4% Positiveness
19% Popularity • 15% Danceability • 4% Energy • 10% Liveness
18% Instrumentalness • 4% Positiveness
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Ola Gjeilo
Still
71 bpm • C Maj • 02:22 • -40db
49% Popularity • 40% Danceability • 0% Energy • 8% Liveness
96% Instrumentalness • 10% Positiveness
49% Popularity • 40% Danceability • 0% Energy • 8% Liveness
96% Instrumentalness • 10% Positiveness
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Cyrillus Kreek
Taaveti laul 141, "Issand, ma huuan Su p...
73 bpm • B min • 02:26 • -29.13db
16% Popularity • 20% Danceability • 5% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
16% Popularity • 20% Danceability • 5% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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James Whitbourn
He carried me away in the spirit
73 bpm • C# min • 06:08 • -30db
13% Popularity • 10% Danceability • 2% Energy • 14% Liveness
84% Instrumentalness • 3% Positiveness
13% Popularity • 10% Danceability • 2% Energy • 14% Liveness
84% Instrumentalness • 3% Positiveness
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Eleanor Daley
Grandmother Moon
73 bpm • A min • 03:47 • -28.53db
13% Popularity • 14% Danceability • 5% Energy • 11% Liveness
63% Instrumentalness • 3% Positiveness
13% Popularity • 14% Danceability • 5% Energy • 11% Liveness
63% Instrumentalness • 3% Positiveness
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Eric Whitacre
The Sacred Veil: XII. Child of Wonder
73 bpm • D# Maj • 04:41 • -27db
30% Popularity • 9% Danceability • 3% Energy • 7% Liveness
92% Instrumentalness • 3% Positiveness
30% Popularity • 9% Danceability • 3% Energy • 7% Liveness
92% Instrumentalness • 3% Positiveness
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Valentin Silvestrov
Five Pieces For Violin And Piano: I. Ele...
74 bpm • D# Maj • 02:59 • -35db
59% Popularity • 7% Danceability • 1% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
59% Popularity • 7% Danceability • 1% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
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Percy Grainger
Brigg fair (Arr. Percy Grainger)
74 bpm • C# min • 03:16 • -17.67db
17% Popularity • 24% Danceability • 11% Energy • 11% Liveness
3% Instrumentalness • 4% Positiveness
17% Popularity • 24% Danceability • 11% Energy • 11% Liveness
3% Instrumentalness • 4% Positiveness
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Thomas Morley
Now is the month of Maying
61 bpm • E Maj • 01:47 • -13db
21% Popularity • 50% Danceability • 49% Energy • 23% Liveness
0% Instrumentalness • 85% Positiveness
21% Popularity • 50% Danceability • 49% Energy • 23% Liveness
0% Instrumentalness • 85% Positiveness
