Songs like Actor by Ernesto Germani
Based on a tempo of (+/- 10%) and a similar genre
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MeloMystics
The Wholesale of the Giggle
95 bpm • D Maj • 01:46 • -14.42db
17% Popularity • 48% Danceability • 32% Energy • 30% Liveness
90% Instrumentalness • 74% Positiveness
17% Popularity • 48% Danceability • 32% Energy • 30% Liveness
90% Instrumentalness • 74% Positiveness
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Z M Taiwan
Intriguing Wand
95 bpm • E min • 01:54 • -12.26db
8% Popularity • 84% Danceability • 27% Energy • 13% Liveness
19% Instrumentalness • 73% Positiveness
8% Popularity • 84% Danceability • 27% Energy • 13% Liveness
19% Instrumentalness • 73% Positiveness
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Marianne Arrington
Creators Of My Imagination
95 bpm • G min • 01:53 • -12.45db
16% Popularity • 55% Danceability • 49% Energy • 26% Liveness
28% Instrumentalness • 46% Positiveness
16% Popularity • 55% Danceability • 49% Energy • 26% Liveness
28% Instrumentalness • 46% Positiveness
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Ferdi Noel
Pizza Boy
94 bpm • C# Maj • 00:58 • -20.06db
11% Popularity • 93% Danceability • 24% Energy • 16% Liveness
3% Instrumentalness • 91% Positiveness
11% Popularity • 93% Danceability • 24% Energy • 16% Liveness
3% Instrumentalness • 91% Positiveness
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SKY-YJ
後悔なんてしない
94 bpm • A# Maj • 01:51 • -28.58db
10% Popularity • 48% Danceability • 7% Energy • 16% Liveness
96% Instrumentalness • 50% Positiveness
10% Popularity • 48% Danceability • 7% Energy • 16% Liveness
96% Instrumentalness • 50% Positiveness
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Ernesto Germani
Magiloga
96 bpm • D Maj • 03:08 • -4.88db
0% Popularity • 62% Danceability • 77% Energy • 7% Liveness
78% Instrumentalness • 77% Positiveness
0% Popularity • 62% Danceability • 77% Energy • 7% Liveness
78% Instrumentalness • 77% Positiveness
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Phillip Creson
power
96 bpm • D min • 01:45 • -15.24db
13% Popularity • 31% Danceability • 57% Energy • 41% Liveness
0% Instrumentalness • 37% Positiveness
13% Popularity • 31% Danceability • 57% Energy • 41% Liveness
0% Instrumentalness • 37% Positiveness
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花詩
灯台守
96 bpm • G Maj • 01:21 • -8.58db
10% Popularity • 57% Danceability • 70% Energy • 20% Liveness
93% Instrumentalness • 91% Positiveness
10% Popularity • 57% Danceability • 70% Energy • 20% Liveness
93% Instrumentalness • 91% Positiveness
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Jan-Peter Klöpfel
Ice Wind
96 bpm • C Maj • 01:40 • -21.65db
12% Popularity • 46% Danceability • 20% Energy • 8% Liveness
3% Instrumentalness • 6% Positiveness
12% Popularity • 46% Danceability • 20% Energy • 8% Liveness
3% Instrumentalness • 6% Positiveness
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Eleanor Collins
Priests Of Rainbows
96 bpm • C# Maj • 01:52 • -12.8db
16% Popularity • 68% Danceability • 47% Energy • 10% Liveness
94% Instrumentalness • 84% Positiveness
16% Popularity • 68% Danceability • 47% Energy • 10% Liveness
94% Instrumentalness • 84% Positiveness
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Jan Erik Noske
Mancini Travels Around
96 bpm • A min • 01:05 • -11.46db
9% Popularity • 53% Danceability • 36% Energy • 21% Liveness
0% Instrumentalness • 70% Positiveness
9% Popularity • 53% Danceability • 36% Energy • 21% Liveness
0% Instrumentalness • 70% Positiveness
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Neely Perez
Driving My Jam
97 bpm • G Maj • 01:51 • -11.3db
12% Popularity • 57% Danceability • 53% Energy • 16% Liveness
27% Instrumentalness • 56% Positiveness
12% Popularity • 57% Danceability • 53% Energy • 16% Liveness
27% Instrumentalness • 56% Positiveness
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Fletcher Thomas
Almighty
97 bpm • G Maj • 01:51 • -15.01db
21% Popularity • 58% Danceability • 41% Energy • 43% Liveness
96% Instrumentalness • 48% Positiveness
21% Popularity • 58% Danceability • 41% Energy • 43% Liveness
96% Instrumentalness • 48% Positiveness
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Alan Ullery
Trapped By Shadows
97 bpm • G Maj • 01:51 • -9.6db
17% Popularity • 49% Danceability • 35% Energy • 44% Liveness
87% Instrumentalness • 35% Positiveness
17% Popularity • 49% Danceability • 35% Energy • 44% Liveness
87% Instrumentalness • 35% Positiveness
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MeloMystics
Word of Accomplishment
97 bpm • C# min • 01:43 • -13.28db
14% Popularity • 63% Danceability • 30% Energy • 30% Liveness
61% Instrumentalness • 24% Positiveness
14% Popularity • 63% Danceability • 30% Energy • 30% Liveness
61% Instrumentalness • 24% Positiveness
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Edmondo Comandini
Pinco Pallino / Tizio e Caio
97 bpm • F Maj • 03:35 • -4.58db
8% Popularity • 82% Danceability • 63% Energy • 4% Liveness
49% Instrumentalness • 96% Positiveness
8% Popularity • 82% Danceability • 63% Energy • 4% Liveness
49% Instrumentalness • 96% Positiveness
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Charles Bedwell
Paradise Of His Darling
97 bpm • G Maj • 01:51 • -13.93db
13% Popularity • 60% Danceability • 32% Energy • 72% Liveness
89% Instrumentalness • 58% Positiveness
13% Popularity • 60% Danceability • 32% Energy • 72% Liveness
89% Instrumentalness • 58% Positiveness
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Sandy Clayton
Summer
97 bpm • G Maj • 01:51 • -11.42db
13% Popularity • 60% Danceability • 32% Energy • 13% Liveness
84% Instrumentalness • 59% Positiveness
13% Popularity • 60% Danceability • 32% Energy • 13% Liveness
84% Instrumentalness • 59% Positiveness
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John Sindelar
Bomb And Streets
97 bpm • C Maj • 01:51 • -14.74db
14% Popularity • 71% Danceability • 42% Energy • 43% Liveness
85% Instrumentalness • 39% Positiveness
14% Popularity • 71% Danceability • 42% Energy • 43% Liveness
85% Instrumentalness • 39% Positiveness
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Edward Archer
I Hope He Drops That Bass
97 bpm • G Maj • 01:51 • -11.15db
13% Popularity • 67% Danceability • 44% Energy • 41% Liveness
97% Instrumentalness • 44% Positiveness
13% Popularity • 67% Danceability • 44% Energy • 41% Liveness
97% Instrumentalness • 44% Positiveness
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Lisoni
Chiaro di luna
97 bpm • F Maj • 03:36 • -8.09db
1% Popularity • 61% Danceability • 31% Energy • 30% Liveness
1% Instrumentalness • 22% Positiveness
1% Popularity • 61% Danceability • 31% Energy • 30% Liveness
1% Instrumentalness • 22% Positiveness
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Raymon Connell
Best And Music
97 bpm • C Maj • 01:51 • -10.55db
14% Popularity • 61% Danceability • 73% Energy • 27% Liveness
84% Instrumentalness • 70% Positiveness
14% Popularity • 61% Danceability • 73% Energy • 27% Liveness
84% Instrumentalness • 70% Positiveness
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Scott Ortiz
Life For The Perfect Beat
97 bpm • G Maj • 01:51 • -10.14db
12% Popularity • 67% Danceability • 35% Energy • 50% Liveness
85% Instrumentalness • 58% Positiveness
12% Popularity • 67% Danceability • 35% Energy • 50% Liveness
85% Instrumentalness • 58% Positiveness
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Gregorio Patterson
I Love She's Good For You
97 bpm • C Maj • 01:51 • -11.9db
14% Popularity • 73% Danceability • 57% Energy • 27% Liveness
76% Instrumentalness • 54% Positiveness
14% Popularity • 73% Danceability • 57% Energy • 27% Liveness
76% Instrumentalness • 54% Positiveness
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Arlene Carruthers
Lightning And Call
97 bpm • C Maj • 01:51 • -12.51db
13% Popularity • 68% Danceability • 44% Energy • 28% Liveness
73% Instrumentalness • 58% Positiveness
13% Popularity • 68% Danceability • 44% Energy • 28% Liveness
73% Instrumentalness • 58% Positiveness
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Ruth Class
Crazy And Smile
97 bpm • G Maj • 01:51 • -12.61db
12% Popularity • 55% Danceability • 44% Energy • 42% Liveness
94% Instrumentalness • 78% Positiveness
12% Popularity • 55% Danceability • 44% Energy • 42% Liveness
94% Instrumentalness • 78% Positiveness
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Jane Waller
DJ, The Night's Only Just Begun
97 bpm • G Maj • 01:51 • -10.78db
12% Popularity • 48% Danceability • 59% Energy • 46% Liveness
88% Instrumentalness • 50% Positiveness
12% Popularity • 48% Danceability • 59% Energy • 46% Liveness
88% Instrumentalness • 50% Positiveness
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Clifton Verdin
Mad Of Beats
93 bpm • G Maj • 01:56 • -13.94db
14% Popularity • 55% Danceability • 46% Energy • 30% Liveness
66% Instrumentalness • 53% Positiveness
14% Popularity • 55% Danceability • 46% Energy • 30% Liveness
66% Instrumentalness • 53% Positiveness
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Alexandria Davis
Trapped By His Best Friend
93 bpm • G Maj • 01:56 • -12.83db
13% Popularity • 58% Danceability • 25% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
13% Popularity • 58% Danceability • 25% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
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Roger Hutchings
I Love I'm A Dancer
93 bpm • G Maj • 01:56 • -12.41db
13% Popularity • 55% Danceability • 61% Energy • 36% Liveness
91% Instrumentalness • 33% Positiveness
13% Popularity • 55% Danceability • 61% Energy • 36% Liveness
91% Instrumentalness • 33% Positiveness
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Ernest Bridges
Finding My Tomorrow
97 bpm • G Maj • 01:51 • -9.99db
12% Popularity • 65% Danceability • 54% Energy • 12% Liveness
26% Instrumentalness • 65% Positiveness
12% Popularity • 65% Danceability • 54% Energy • 12% Liveness
26% Instrumentalness • 65% Positiveness
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Christina Hopkins
No And Riders
93 bpm • G Maj • 01:56 • -12.77db
13% Popularity • 64% Danceability • 43% Energy • 9% Liveness
43% Instrumentalness • 61% Positiveness
13% Popularity • 64% Danceability • 43% Energy • 9% Liveness
43% Instrumentalness • 61% Positiveness
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Alice Wilkinson
Cool And Heaven
97 bpm • G Maj • 01:51 • -12.88db
12% Popularity • 56% Danceability • 35% Energy • 44% Liveness
81% Instrumentalness • 49% Positiveness
12% Popularity • 56% Danceability • 35% Energy • 44% Liveness
81% Instrumentalness • 49% Positiveness
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Anisha Bauer
Accomplished
97 bpm • G Maj • 01:51 • -13.81db
21% Popularity • 50% Danceability • 46% Energy • 39% Liveness
0% Instrumentalness • 44% Positiveness
21% Popularity • 50% Danceability • 46% Energy • 39% Liveness
0% Instrumentalness • 44% Positiveness
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Christopher Sansone
DJ, Your Love Is Addicting
98 bpm • E min • 01:49 • -12.01db
13% Popularity • 71% Danceability • 41% Energy • 11% Liveness
33% Instrumentalness • 18% Positiveness
13% Popularity • 71% Danceability • 41% Energy • 11% Liveness
33% Instrumentalness • 18% Positiveness
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Theo Hatton
Space Of My Own
98 bpm • E min • 01:50 • -10.55db
12% Popularity • 66% Danceability • 42% Energy • 30% Liveness
18% Instrumentalness • 51% Positiveness
12% Popularity • 66% Danceability • 42% Energy • 30% Liveness
18% Instrumentalness • 51% Positiveness
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Ruben Christensen
Lose Your
98 bpm • E min • 01:50 • -10.43db
12% Popularity • 58% Danceability • 55% Energy • 13% Liveness
96% Instrumentalness • 72% Positiveness
12% Popularity • 58% Danceability • 55% Energy • 13% Liveness
96% Instrumentalness • 72% Positiveness
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ACOON HIBINO
海の見える街(魔女の宅急便よ...
98 bpm • E min • 04:28 • -14.28db
11% Popularity • 54% Danceability • 30% Energy • 13% Liveness
46% Instrumentalness • 29% Positiveness
11% Popularity • 54% Danceability • 30% Energy • 13% Liveness
46% Instrumentalness • 29% Positiveness
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Kimberly Vargas
World For A Sunrise
98 bpm • A min • 01:50 • -13.16db
14% Popularity • 68% Danceability • 65% Energy • 21% Liveness
73% Instrumentalness • 73% Positiveness
14% Popularity • 68% Danceability • 65% Energy • 21% Liveness
73% Instrumentalness • 73% Positiveness
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MeloMystics
The Upright Ceramic
98 bpm • A# min • 01:42 • -13.21db
14% Popularity • 67% Danceability • 34% Energy • 11% Liveness
93% Instrumentalness • 10% Positiveness
14% Popularity • 67% Danceability • 34% Energy • 11% Liveness
93% Instrumentalness • 10% Positiveness
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Marza
Cintai Kasih
98 bpm • C min • 03:05 • -12.76db
11% Popularity • 72% Danceability • 44% Energy • 12% Liveness
89% Instrumentalness • 89% Positiveness
11% Popularity • 72% Danceability • 44% Energy • 12% Liveness
89% Instrumentalness • 89% Positiveness
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Latrice Seabrook
Free And Nightmare
98 bpm • E min • 01:50 • -11.04db
12% Popularity • 55% Danceability • 43% Energy • 13% Liveness
49% Instrumentalness • 30% Positiveness
12% Popularity • 55% Danceability • 43% Energy • 13% Liveness
49% Instrumentalness • 30% Positiveness
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Odessa Simmons
I Said She's A Troublemaker
92 bpm • C Maj • 01:57 • -10.95db
12% Popularity • 70% Danceability • 49% Energy • 25% Liveness
20% Instrumentalness • 54% Positiveness
12% Popularity • 70% Danceability • 49% Energy • 25% Liveness
20% Instrumentalness • 54% Positiveness
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Dwayne Shelton
She Hopes I'm Part Of The Hood
92 bpm • G Maj • 01:57 • -10.23db
12% Popularity • 58% Danceability • 55% Energy • 44% Liveness
35% Instrumentalness • 44% Positiveness
12% Popularity • 58% Danceability • 55% Energy • 44% Liveness
35% Instrumentalness • 44% Positiveness
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Teresa Sedgwick
Thoughts Of Anonymity
92 bpm • C Maj • 01:57 • -13.11db
13% Popularity • 55% Danceability • 47% Energy • 11% Liveness
69% Instrumentalness • 37% Positiveness
13% Popularity • 55% Danceability • 47% Energy • 11% Liveness
69% Instrumentalness • 37% Positiveness
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Margaret Lee
She Thinks I Am Crazy
92 bpm • C Maj • 01:57 • -12.88db
16% Popularity • 65% Danceability • 52% Energy • 15% Liveness
2% Instrumentalness • 68% Positiveness
16% Popularity • 65% Danceability • 52% Energy • 15% Liveness
2% Instrumentalness • 68% Positiveness
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Massimo Galantucci
Noi nell'oceano
92 bpm • F Maj • 03:11 • -11.43db
1% Popularity • 60% Danceability • 28% Energy • 27% Liveness
49% Instrumentalness • 31% Positiveness
1% Popularity • 60% Danceability • 28% Energy • 27% Liveness
49% Instrumentalness • 31% Positiveness
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Melissa Ong
Honey, Let's Ride
92 bpm • C Maj • 01:57 • -13.54db
13% Popularity • 67% Danceability • 26% Energy • 35% Liveness
77% Instrumentalness • 34% Positiveness
13% Popularity • 67% Danceability • 26% Energy • 35% Liveness
77% Instrumentalness • 34% Positiveness
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Mark Fontaine
Honey, What Is Love?
92 bpm • G# Maj • 01:57 • -12.49db
12% Popularity • 63% Danceability • 46% Energy • 31% Liveness
92% Instrumentalness • 35% Positiveness
12% Popularity • 63% Danceability • 46% Energy • 31% Liveness
92% Instrumentalness • 35% Positiveness
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Jason Reed
Respect Of The Storm
92 bpm • F Maj • 01:57 • -10.03db
13% Popularity • 49% Danceability • 61% Energy • 9% Liveness
94% Instrumentalness • 24% Positiveness
13% Popularity • 49% Danceability • 61% Energy • 9% Liveness
94% Instrumentalness • 24% Positiveness
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Amy Perez
He Thinks You're A Player
92 bpm • C Maj • 01:57 • -12.32db
13% Popularity • 65% Danceability • 36% Energy • 9% Liveness
1% Instrumentalness • 74% Positiveness
13% Popularity • 65% Danceability • 36% Energy • 9% Liveness
1% Instrumentalness • 74% Positiveness
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Julia Rodriguez
Faded And Lyrics
92 bpm • C Maj • 01:57 • -13.65db
13% Popularity • 73% Danceability • 31% Energy • 8% Liveness
79% Instrumentalness • 33% Positiveness
13% Popularity • 73% Danceability • 31% Energy • 8% Liveness
79% Instrumentalness • 33% Positiveness
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Ronald Fielden
Cool And Love
92 bpm • C Maj • 01:57 • -13.16db
14% Popularity • 60% Danceability • 38% Energy • 15% Liveness
78% Instrumentalness • 80% Positiveness
14% Popularity • 60% Danceability • 38% Energy • 15% Liveness
78% Instrumentalness • 80% Positiveness
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Yolanda Daley
Lessons For Life
92 bpm • C Maj • 01:57 • -12.36db
13% Popularity • 64% Danceability • 44% Energy • 4% Liveness
65% Instrumentalness • 65% Positiveness
13% Popularity • 64% Danceability • 44% Energy • 4% Liveness
65% Instrumentalness • 65% Positiveness
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Margaret Mitchell
Nothing For Everything
92 bpm • C Maj • 01:57 • -12.52db
13% Popularity • 54% Danceability • 36% Energy • 11% Liveness
96% Instrumentalness • 19% Positiveness
13% Popularity • 54% Danceability • 36% Energy • 11% Liveness
96% Instrumentalness • 19% Positiveness
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Amy Segers
He Hates I Miss You
92 bpm • G Maj • 01:57 • -13.57db
12% Popularity • 46% Danceability • 38% Energy • 40% Liveness
87% Instrumentalness • 24% Positiveness
12% Popularity • 46% Danceability • 38% Energy • 40% Liveness
87% Instrumentalness • 24% Positiveness
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Virgie Gipson
He Heard I'm Coming Home
92 bpm • A min • 01:57 • -11.36db
13% Popularity • 58% Danceability • 47% Energy • 6% Liveness
20% Instrumentalness • 42% Positiveness
13% Popularity • 58% Danceability • 47% Energy • 6% Liveness
20% Instrumentalness • 42% Positiveness
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Erica Romero
Heartbeat Of Infinity
92 bpm • C Maj • 01:57 • -13.49db
13% Popularity • 57% Danceability • 55% Energy • 7% Liveness
38% Instrumentalness • 20% Positiveness
13% Popularity • 57% Danceability • 55% Energy • 7% Liveness
38% Instrumentalness • 20% Positiveness
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Scott Newport
I Hope He Has A Way
92 bpm • D# Maj • 01:57 • -15.64db
14% Popularity • 60% Danceability • 39% Energy • 38% Liveness
92% Instrumentalness • 54% Positiveness
14% Popularity • 60% Danceability • 39% Energy • 38% Liveness
92% Instrumentalness • 54% Positiveness
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Melvin Cain
She Heard He's Guilty
92 bpm • C Maj • 01:57 • -11.57db
13% Popularity • 69% Danceability • 33% Energy • 8% Liveness
93% Instrumentalness • 48% Positiveness
13% Popularity • 69% Danceability • 33% Energy • 8% Liveness
93% Instrumentalness • 48% Positiveness
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Ralph Hubbs
Kiss Your Darling
92 bpm • C Maj • 01:57 • -13.28db
13% Popularity • 67% Danceability • 24% Energy • 8% Liveness
80% Instrumentalness • 43% Positiveness
13% Popularity • 67% Danceability • 24% Energy • 8% Liveness
80% Instrumentalness • 43% Positiveness
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Maudie Brown
Flavor Of Time
92 bpm • C Maj • 01:57 • -11.75db
14% Popularity • 58% Danceability • 38% Energy • 33% Liveness
93% Instrumentalness • 44% Positiveness
14% Popularity • 58% Danceability • 38% Energy • 33% Liveness
93% Instrumentalness • 44% Positiveness
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Wilbur Dirks
Finding My Heart
92 bpm • C Maj • 01:57 • -10.95db
13% Popularity • 56% Danceability • 47% Energy • 8% Liveness
95% Instrumentalness • 37% Positiveness
13% Popularity • 56% Danceability • 47% Energy • 8% Liveness
95% Instrumentalness • 37% Positiveness
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Catherine Logan
I Love He Will Leave
92 bpm • C Maj • 01:57 • -14.43db
13% Popularity • 63% Danceability • 38% Energy • 15% Liveness
91% Instrumentalness • 39% Positiveness
13% Popularity • 63% Danceability • 38% Energy • 15% Liveness
91% Instrumentalness • 39% Positiveness
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Lisoni
Alla Tirolese
92 bpm • F Maj • 02:38 • -9.67db
12% Popularity • 83% Danceability • 45% Energy • 15% Liveness
85% Instrumentalness • 96% Positiveness
12% Popularity • 83% Danceability • 45% Energy • 15% Liveness
85% Instrumentalness • 96% Positiveness
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Ted Keesee
Dreams Of The Evening
91 bpm • G Maj • 01:58 • -13.71db
13% Popularity • 60% Danceability • 49% Energy • 9% Liveness
80% Instrumentalness • 22% Positiveness
13% Popularity • 60% Danceability • 49% Energy • 9% Liveness
80% Instrumentalness • 22% Positiveness
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Jesus Hayner
Kiss Of Your Memory
91 bpm • G Maj • 01:58 • -12.21db
13% Popularity • 55% Danceability • 47% Energy • 9% Liveness
53% Instrumentalness • 46% Positiveness
13% Popularity • 55% Danceability • 47% Energy • 9% Liveness
53% Instrumentalness • 46% Positiveness
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Tamika Allen
Honey, Don't Lose Your Head
91 bpm • G Maj • 01:58 • -11.91db
13% Popularity • 67% Danceability • 22% Energy • 10% Liveness
81% Instrumentalness • 21% Positiveness
13% Popularity • 67% Danceability • 22% Energy • 10% Liveness
81% Instrumentalness • 21% Positiveness
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Carolyn Ballou
One More And Soul
91 bpm • G Maj • 01:58 • -16.37db
14% Popularity • 75% Danceability • 26% Energy • 10% Liveness
74% Instrumentalness • 27% Positiveness
14% Popularity • 75% Danceability • 26% Energy • 10% Liveness
74% Instrumentalness • 27% Positiveness
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Mary Arruda
Power Of The Night
91 bpm • G Maj • 01:58 • -13.66db
13% Popularity • 62% Danceability • 39% Energy • 34% Liveness
53% Instrumentalness • 54% Positiveness
13% Popularity • 62% Danceability • 39% Energy • 34% Liveness
53% Instrumentalness • 54% Positiveness
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Lisoni
Bora Bora
99 bpm • D Maj • 03:20 • -6.1db
1% Popularity • 90% Danceability • 88% Energy • 38% Liveness
82% Instrumentalness • 92% Positiveness
1% Popularity • 90% Danceability • 88% Energy • 38% Liveness
82% Instrumentalness • 92% Positiveness
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Anita Peters
Mystery
91 bpm • G Maj • 01:58 • -11.57db
13% Popularity • 66% Danceability • 47% Energy • 17% Liveness
51% Instrumentalness • 65% Positiveness
13% Popularity • 66% Danceability • 47% Energy • 17% Liveness
51% Instrumentalness • 65% Positiveness
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Erma Appleton
Strength Of Feelings
91 bpm • G Maj • 01:58 • -13.46db
13% Popularity • 58% Danceability • 34% Energy • 10% Liveness
58% Instrumentalness • 64% Positiveness
13% Popularity • 58% Danceability • 34% Energy • 10% Liveness
58% Instrumentalness • 64% Positiveness
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Rodney Webb
World For A Chance
91 bpm • G Maj • 01:58 • -12.92db
13% Popularity • 61% Danceability • 50% Energy • 4% Liveness
7% Instrumentalness • 31% Positiveness
13% Popularity • 61% Danceability • 50% Energy • 4% Liveness
7% Instrumentalness • 31% Positiveness
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Wendie Cagle
Streets Of My Lady
91 bpm • G Maj • 01:58 • -12.95db
13% Popularity • 67% Danceability • 31% Energy • 10% Liveness
1% Instrumentalness • 34% Positiveness
13% Popularity • 67% Danceability • 31% Energy • 10% Liveness
1% Instrumentalness • 34% Positiveness
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Mabel Swanson
Open To Technolic Advancements
91 bpm • C Maj • 01:58 • -12db
11% Popularity • 58% Danceability • 34% Energy • 45% Liveness
87% Instrumentalness • 42% Positiveness
11% Popularity • 58% Danceability • 34% Energy • 45% Liveness
87% Instrumentalness • 42% Positiveness
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Michael Rivera
Best And Voyage
91 bpm • G Maj • 01:58 • -13.25db
13% Popularity • 54% Danceability • 42% Energy • 14% Liveness
95% Instrumentalness • 51% Positiveness
13% Popularity • 54% Danceability • 42% Energy • 14% Liveness
95% Instrumentalness • 51% Positiveness
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Donald Winbush
Words Of Heart
91 bpm • G Maj • 01:58 • -12.3db
13% Popularity • 56% Danceability • 45% Energy • 9% Liveness
33% Instrumentalness • 56% Positiveness
13% Popularity • 56% Danceability • 45% Energy • 9% Liveness
33% Instrumentalness • 56% Positiveness
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Christopher Darling
Honey, Hold My Hand
91 bpm • G Maj • 01:58 • -12.37db
13% Popularity • 59% Danceability • 24% Energy • 6% Liveness
20% Instrumentalness • 30% Positiveness
13% Popularity • 59% Danceability • 24% Energy • 6% Liveness
20% Instrumentalness • 30% Positiveness
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Pauline Worth
Moment Of Endless Summers
91 bpm • G Maj • 01:58 • -13.55db
14% Popularity • 58% Danceability • 26% Energy • 15% Liveness
88% Instrumentalness • 29% Positiveness
14% Popularity • 58% Danceability • 26% Energy • 15% Liveness
88% Instrumentalness • 29% Positiveness
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Julianna Basso
Spire Of The South
91 bpm • D# Maj • 01:58 • -11.97db
7% Popularity • 59% Danceability • 54% Energy • 10% Liveness
88% Instrumentalness • 68% Positiveness
7% Popularity • 59% Danceability • 54% Energy • 10% Liveness
88% Instrumentalness • 68% Positiveness
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Thomas McCollum
Night And Confusion
91 bpm • G Maj • 01:58 • -11.1db
14% Popularity • 61% Danceability • 41% Energy • 12% Liveness
88% Instrumentalness • 42% Positiveness
14% Popularity • 61% Danceability • 41% Energy • 12% Liveness
88% Instrumentalness • 42% Positiveness
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Ronna Mills
Imagine Roses
91 bpm • G Maj • 01:58 • -13.92db
13% Popularity • 62% Danceability • 32% Energy • 13% Liveness
37% Instrumentalness • 50% Positiveness
13% Popularity • 62% Danceability • 32% Energy • 13% Liveness
37% Instrumentalness • 50% Positiveness
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Gladys Warren
I Said We Will Break Out
91 bpm • G Maj • 01:58 • -11.04db
13% Popularity • 65% Danceability • 52% Energy • 14% Liveness
82% Instrumentalness • 38% Positiveness
13% Popularity • 65% Danceability • 52% Energy • 14% Liveness
82% Instrumentalness • 38% Positiveness
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SKY-YJ
明るい光が見えてきた
100 bpm • D Maj • 01:56 • -25.32db
11% Popularity • 48% Danceability • 23% Energy • 11% Liveness
94% Instrumentalness • 32% Positiveness
11% Popularity • 48% Danceability • 23% Energy • 11% Liveness
94% Instrumentalness • 32% Positiveness
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Robert Ginea
Belles fleurs
100 bpm • F Maj • 01:18 • -18.74db
10% Popularity • 83% Danceability • 27% Energy • 28% Liveness
67% Instrumentalness • 81% Positiveness
10% Popularity • 83% Danceability • 27% Energy • 28% Liveness
67% Instrumentalness • 81% Positiveness
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Stevie Mach
Rolling the Dice
100 bpm • C Maj • 03:08 • -9db
9% Popularity • 45% Danceability • 53% Energy • 7% Liveness
88% Instrumentalness • 39% Positiveness
9% Popularity • 45% Danceability • 53% Energy • 7% Liveness
88% Instrumentalness • 39% Positiveness
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María Luisa Piraquive
Hubo Quien por Mis Culpas
100 bpm • D Maj • 08:08 • -10.8db
19% Popularity • 38% Danceability • 29% Energy • 13% Liveness
12% Instrumentalness • 14% Positiveness
19% Popularity • 38% Danceability • 29% Energy • 13% Liveness
12% Instrumentalness • 14% Positiveness
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Andrometer
Hot Smiles
100 bpm • A# min • 02:38 • -15.03db
7% Popularity • 51% Danceability • 33% Energy • 13% Liveness
95% Instrumentalness • 91% Positiveness
7% Popularity • 51% Danceability • 33% Energy • 13% Liveness
95% Instrumentalness • 91% Positiveness
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Ernesto Germani
Nilauta
100 bpm • E Maj • 09:55 • -12.68db
0% Popularity • 43% Danceability • 29% Energy • 92% Liveness
0% Instrumentalness • 13% Positiveness
0% Popularity • 43% Danceability • 29% Energy • 92% Liveness
0% Instrumentalness • 13% Positiveness
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花詩
夏は来ぬ
100 bpm • C Maj • 01:00 • -10.51db
10% Popularity • 57% Danceability • 66% Energy • 12% Liveness
57% Instrumentalness • 92% Positiveness
10% Popularity • 57% Danceability • 66% Energy • 12% Liveness
57% Instrumentalness • 92% Positiveness
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Bebés en fuga
Mi pelota morada
100 bpm • D Maj • 01:06 • -15.54db
24% Popularity • 78% Danceability • 24% Energy • 10% Liveness
82% Instrumentalness • 70% Positiveness
24% Popularity • 78% Danceability • 24% Energy • 10% Liveness
82% Instrumentalness • 70% Positiveness
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Akatsuki no Team
Yume Hitoyo Sono 2
100 bpm • A min • 01:08 • -10.74db
13% Popularity • 70% Danceability • 38% Energy • 4% Liveness
16% Instrumentalness • 63% Positiveness
13% Popularity • 70% Danceability • 38% Energy • 4% Liveness
16% Instrumentalness • 63% Positiveness
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Emilio Moranzoni
Yadal
100 bpm • E Maj • 12:03 • -16.91db
0% Popularity • 60% Danceability • 19% Energy • 86% Liveness
8% Instrumentalness • 8% Positiveness
0% Popularity • 60% Danceability • 19% Energy • 86% Liveness
8% Instrumentalness • 8% Positiveness
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MeloMystics
The Mean Profile
100 bpm • F min • 01:40 • -10.03db
15% Popularity • 67% Danceability • 43% Energy • 16% Liveness
19% Instrumentalness • 56% Positiveness
15% Popularity • 67% Danceability • 43% Energy • 16% Liveness
19% Instrumentalness • 56% Positiveness
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Ernesto Germani
Iasseu
100 bpm • C Maj • 08:09 • -10.55db
0% Popularity • 69% Danceability • 20% Energy • 30% Liveness
3% Instrumentalness • 11% Positiveness
0% Popularity • 69% Danceability • 20% Energy • 30% Liveness
3% Instrumentalness • 11% Positiveness
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Roger Pickett
New And Grooves
100 bpm • F Maj • 01:48 • -16.22db
12% Popularity • 63% Danceability • 23% Energy • 6% Liveness
80% Instrumentalness • 80% Positiveness
12% Popularity • 63% Danceability • 23% Energy • 6% Liveness
80% Instrumentalness • 80% Positiveness
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Eleanor Gonzalez
Figments Of My Own
90 bpm • F Maj • 02:00 • -10.21db
12% Popularity • 53% Danceability • 50% Energy • 79% Liveness
36% Instrumentalness • 22% Positiveness
12% Popularity • 53% Danceability • 50% Energy • 79% Liveness
36% Instrumentalness • 22% Positiveness
