Songs like Adagio For Strings And Organ In G Minor by Remo Giazotto
Based on a tempo of (+/- 10%) and a similar genre
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Remo Giazotto
Adagio For Strings And Organ In G Minor
73 bpm • C min • 10:09 • -20.07db
27% Popularity • 7% Danceability • 10% Energy • 15% Liveness
83% Instrumentalness • 4% Positiveness
27% Popularity • 7% Danceability • 10% Energy • 15% Liveness
83% Instrumentalness • 4% Positiveness
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Henry Purcell
Dido and Aeneas, Z. 626: When I am laid ...
73 bpm • G min • 04:23 • -27.48db
41% Popularity • 7% Danceability • 3% Energy • 18% Liveness
94% Instrumentalness • 3% Positiveness
41% Popularity • 7% Danceability • 3% Energy • 18% Liveness
94% Instrumentalness • 3% Positiveness
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Wilhelm Kempff
Menuet in G Minor (trans. W. Kempff)
73 bpm • G min • 03:13 • -33db
51% Popularity • 44% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 8% Positiveness
51% Popularity • 44% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 8% Positiveness
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Samuel Barber
Barber: Adagio for Strings
73 bpm • A# min • 08:57 • -24db
49% Popularity • 6% Danceability • 7% Energy • 28% Liveness
86% Instrumentalness • 3% Positiveness
49% Popularity • 6% Danceability • 7% Energy • 28% Liveness
86% Instrumentalness • 3% Positiveness
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Franz Schubert
Ave Maria, D. 839
73 bpm • A# Maj • 04:16 • -15.54db
42% Popularity • 12% Danceability • 14% Energy • 11% Liveness
69% Instrumentalness • 4% Positiveness
42% Popularity • 12% Danceability • 14% Energy • 11% Liveness
69% Instrumentalness • 4% Positiveness
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Franz Xaver Süssmayr
Das Namensfest (The Name-Day): Aria: Kom...
73 bpm • G# Maj • 03:05 • -32.86db
1% Popularity • 37% Danceability • 0% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
1% Popularity • 37% Danceability • 0% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Andrea Bocelli
Mascagni: Sancta Maria - Remastered
74 bpm • F Maj • 03:36 • -13.86db
26% Popularity • 10% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
26% Popularity • 10% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Alexander Borodin
Borodin - String Quartet No.2 in D major...
74 bpm • A Maj • 08:37 • -19.03db
36% Popularity • 16% Danceability • 15% Energy • 4% Liveness
62% Instrumentalness • 9% Positiveness
36% Popularity • 16% Danceability • 15% Energy • 4% Liveness
62% Instrumentalness • 9% Positiveness
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Ottorino Respighi
Fountains Of Rome, P. 106: 4. The Villa ...
74 bpm • D min • 05:53 • -36.42db
16% Popularity • 7% Danceability • 2% Energy • 10% Liveness
27% Instrumentalness • 3% Positiveness
16% Popularity • 7% Danceability • 2% Energy • 10% Liveness
27% Instrumentalness • 3% Positiveness
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Johann David Heinichen
Concerto in G Major, S. 213: V. Loure. C...
72 bpm • F# Maj • 01:42 • -22.61db
16% Popularity • 28% Danceability • 11% Energy • 20% Liveness
0% Instrumentalness • 26% Positiveness
16% Popularity • 28% Danceability • 11% Energy • 20% Liveness
0% Instrumentalness • 26% Positiveness
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Giacomo Puccini
Tosca / Act III: "E lucevan le stelle"
74 bpm • B min • 03:23 • -22.06db
29% Popularity • 10% Danceability • 6% Energy • 8% Liveness
2% Instrumentalness • 4% Positiveness
29% Popularity • 10% Danceability • 6% Energy • 8% Liveness
2% Instrumentalness • 4% Positiveness
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Jean Sibelius
6 Impromptus, Op. 5: Impromptu V
72 bpm • B min • 03:51 • -31.63db
42% Popularity • 26% Danceability • 2% Energy • 36% Liveness
95% Instrumentalness • 4% Positiveness
42% Popularity • 26% Danceability • 2% Energy • 36% Liveness
95% Instrumentalness • 4% Positiveness
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Gustav Holst
In the Bleak Midwinter, H. 73, No. 1
74 bpm • G Maj • 03:27 • -21.03db
6% Popularity • 17% Danceability • 10% Energy • 10% Liveness
89% Instrumentalness • 25% Positiveness
6% Popularity • 17% Danceability • 10% Energy • 10% Liveness
89% Instrumentalness • 25% Positiveness
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Joseph Haydn
The Seven Last Words of our Saviour on t...
72 bpm • D min • 06:01 • -21.47db
9% Popularity • 13% Danceability • 3% Energy • 14% Liveness
34% Instrumentalness • 4% Positiveness
9% Popularity • 13% Danceability • 3% Energy • 14% Liveness
34% Instrumentalness • 4% Positiveness
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Ottorino Respighi
Fountains Of Rome, P. 106: 2. The Triton...
74 bpm • C Maj • 02:45 • -17.32db
22% Popularity • 22% Danceability • 14% Energy • 7% Liveness
53% Instrumentalness • 4% Positiveness
22% Popularity • 22% Danceability • 14% Energy • 7% Liveness
53% Instrumentalness • 4% Positiveness
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Arcangelo Corelli
Concerto grosso in G Minor, Op. 6, No. 8...
74 bpm • F# min • 01:30 • -22.97db
33% Popularity • 11% Danceability • 3% Energy • 10% Liveness
52% Instrumentalness • 5% Positiveness
33% Popularity • 11% Danceability • 3% Energy • 10% Liveness
52% Instrumentalness • 5% Positiveness
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Ludwig van Beethoven
Symphony No. 6 in F Major, Op. 68 "Pasto...
72 bpm • A# Maj • 14:01 • -25.4db
11% Popularity • 8% Danceability • 4% Energy • 11% Liveness
84% Instrumentalness • 10% Positiveness
11% Popularity • 8% Danceability • 4% Energy • 11% Liveness
84% Instrumentalness • 10% Positiveness
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Johann Sebastian Bach
Nun komm, der Heiden Heiland, BWV 659
75 bpm • F# min • 03:57 • -25.98db
6% Popularity • 7% Danceability • 13% Energy • 9% Liveness
95% Instrumentalness • 11% Positiveness
6% Popularity • 7% Danceability • 13% Energy • 9% Liveness
95% Instrumentalness • 11% Positiveness
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Richard Wagner
Parsifal: Prelude
71 bpm • G# Maj • 14:17 • -22.23db
32% Popularity • 16% Danceability • 5% Energy • 5% Liveness
92% Instrumentalness • 3% Positiveness
32% Popularity • 16% Danceability • 5% Energy • 5% Liveness
92% Instrumentalness • 3% Positiveness
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Joseph Haydn
Sonata No. 13, Hob. XVI:6: Sonata No. 13...
74 bpm • G min • 04:42 • -28.44db
30% Popularity • 39% Danceability • 5% Energy • 6% Liveness
89% Instrumentalness • 5% Positiveness
30% Popularity • 39% Danceability • 5% Energy • 6% Liveness
89% Instrumentalness • 5% Positiveness
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Bedřich Smetana
Má Vlast, JB1:112: 2. Vltava
75 bpm • G Maj • 12:19 • -18.16db
34% Popularity • 11% Danceability • 18% Energy • 35% Liveness
78% Instrumentalness • 6% Positiveness
34% Popularity • 11% Danceability • 18% Energy • 35% Liveness
78% Instrumentalness • 6% Positiveness
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Franz Xaver Gruber
Silent Night
71 bpm • A# Maj • 03:01 • -18.91db
14% Popularity • 7% Danceability • 9% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
14% Popularity • 7% Danceability • 9% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
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Giuseppe Verdi
La traviata, Act III: Prelude
71 bpm • G# Maj • 04:29 • -27.72db
15% Popularity • 9% Danceability • 4% Energy • 35% Liveness
63% Instrumentalness • 4% Positiveness
15% Popularity • 9% Danceability • 4% Energy • 35% Liveness
63% Instrumentalness • 4% Positiveness
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Maurice Ravel
Piano Concerto in G Major, M. 83: II. Ad...
75 bpm • E Maj • 09:03 • -30.91db
34% Popularity • 22% Danceability • 3% Energy • 8% Liveness
94% Instrumentalness • 6% Positiveness
34% Popularity • 22% Danceability • 3% Energy • 8% Liveness
94% Instrumentalness • 6% Positiveness
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Johannes Brahms
Symphony No. 3 in F, Op. 90: 3. Poco all...
75 bpm • C min • 06:43 • -27.19db
32% Popularity • 7% Danceability • 3% Energy • 9% Liveness
89% Instrumentalness • 5% Positiveness
32% Popularity • 7% Danceability • 3% Energy • 9% Liveness
89% Instrumentalness • 5% Positiveness
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Pyotr Ilyich Tchaikovsky
The Sleeping Beauty (Suite), Op. 66a, TH...
71 bpm • A# Maj • 04:33 • -17.41db
29% Popularity • 20% Danceability • 25% Energy • 12% Liveness
92% Instrumentalness • 35% Positiveness
29% Popularity • 20% Danceability • 25% Energy • 12% Liveness
92% Instrumentalness • 35% Positiveness
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Claude Debussy
Suite Bergamasque, L. 75: III. Clair de ...
71 bpm • C# Maj • 05:33 • -32.9db
47% Popularity • 28% Danceability • 0% Energy • 6% Liveness
93% Instrumentalness • 4% Positiveness
47% Popularity • 28% Danceability • 0% Energy • 6% Liveness
93% Instrumentalness • 4% Positiveness
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Ottorino Respighi
Antiche danze ed arie per liuto, Suite I...
75 bpm • F min • 03:37 • -31.99db
23% Popularity • 14% Danceability • 5% Energy • 36% Liveness
90% Instrumentalness • 12% Positiveness
23% Popularity • 14% Danceability • 5% Energy • 36% Liveness
90% Instrumentalness • 12% Positiveness
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Gustav Holst
In the Bleak Midwinter (Arr. Kanneh-Maso...
75 bpm • F Maj • 05:31 • -25.37db
31% Popularity • 26% Danceability • 4% Energy • 11% Liveness
75% Instrumentalness • 25% Positiveness
31% Popularity • 26% Danceability • 4% Energy • 11% Liveness
75% Instrumentalness • 25% Positiveness
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Sergei Rachmaninoff
Vocalise, Op. 34, No. 14
76 bpm • E min • 05:27 • -25.95db
49% Popularity • 7% Danceability • 7% Energy • 29% Liveness
90% Instrumentalness • 4% Positiveness
49% Popularity • 7% Danceability • 7% Energy • 29% Liveness
90% Instrumentalness • 4% Positiveness
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Gustav Mahler
Symphony No. 5 in C-Sharp Minor (arr. J....
71 bpm • F Maj • 09:59 • -24.95db
34% Popularity • 45% Danceability • 0% Energy • 8% Liveness
93% Instrumentalness • 6% Positiveness
34% Popularity • 45% Danceability • 0% Energy • 8% Liveness
93% Instrumentalness • 6% Positiveness
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Seattle Symphony Orchestra
21 Hungarian Dances, WoO 1: Hungarian Da...
76 bpm • A min • 03:18 • -25.13db
53% Popularity • 18% Danceability • 4% Energy • 12% Liveness
85% Instrumentalness • 11% Positiveness
53% Popularity • 18% Danceability • 4% Energy • 12% Liveness
85% Instrumentalness • 11% Positiveness
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Ludwig van Beethoven
Symphony No. 7 in A Major, Op. 92, ILB 2...
76 bpm • E min • 07:56 • -22.96db
2% Popularity • 22% Danceability • 7% Energy • 33% Liveness
83% Instrumentalness • 9% Positiveness
2% Popularity • 22% Danceability • 7% Energy • 33% Liveness
83% Instrumentalness • 9% Positiveness
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Joseph Haydn
Symphony No. 45 in F-Sharp Minor, Hob. I...
76 bpm • A Maj • 08:49 • -22.66db
10% Popularity • 19% Danceability • 7% Energy • 12% Liveness
79% Instrumentalness • 13% Positiveness
10% Popularity • 19% Danceability • 7% Energy • 12% Liveness
79% Instrumentalness • 13% Positiveness
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Maurice Ravel
Pavane pour une infante défunte, M. 19
76 bpm • G Maj • 07:06 • -29.06db
23% Popularity • 7% Danceability • 3% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
23% Popularity • 7% Danceability • 3% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
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Franz Schubert
Schubert: Schwanengesang, D. 957: No. 4,...
70 bpm • D min • 03:42 • -25.11db
22% Popularity • 24% Danceability • 2% Energy • 8% Liveness
95% Instrumentalness • 8% Positiveness
22% Popularity • 24% Danceability • 2% Energy • 8% Liveness
95% Instrumentalness • 8% Positiveness
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Edvard Grieg
Peer Gynt Suite No. 1, Op. 46: IV. In th...
76 bpm • G Maj • 02:10 • -17.24db
37% Popularity • 28% Danceability • 25% Energy • 32% Liveness
95% Instrumentalness • 52% Positiveness
37% Popularity • 28% Danceability • 25% Energy • 32% Liveness
95% Instrumentalness • 52% Positiveness
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Christoph Willibald Gluck
Orfeo et Eurydice: Mélodie for Piano So...
70 bpm • D min • 04:44 • -35.11db
36% Popularity • 44% Danceability • 1% Energy • 6% Liveness
93% Instrumentalness • 12% Positiveness
36% Popularity • 44% Danceability • 1% Energy • 6% Liveness
93% Instrumentalness • 12% Positiveness
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Wolfgang Amadeus Mozart
Requiem In D Minor, K.626: 1. Introitus:...
76 bpm • D min • 05:24 • -20.43db
44% Popularity • 8% Danceability • 16% Energy • 10% Liveness
79% Instrumentalness • 4% Positiveness
44% Popularity • 8% Danceability • 16% Energy • 10% Liveness
79% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Fauré: Pavane, Op. 50 (Instrumental Ver...
70 bpm • F# min • 06:19 • -24.45db
34% Popularity • 10% Danceability • 6% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
34% Popularity • 10% Danceability • 6% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Peter Lehel
Silence
76 bpm • F min • 03:07 • -31.78db
0% Popularity • 21% Danceability • 0% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
0% Popularity • 21% Danceability • 0% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
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Johann Sebastian Bach
Magnificat in D Major, BWV 243: III. Qui...
76 bpm • A# min • 02:41 • -26db
24% Popularity • 18% Danceability • 3% Energy • 40% Liveness
86% Instrumentalness • 4% Positiveness
24% Popularity • 18% Danceability • 3% Energy • 40% Liveness
86% Instrumentalness • 4% Positiveness
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Remo Giazotto
Adagio in G Minor (Attrib. T. Albinoni)
76 bpm • C min • 09:46 • -25db
10% Popularity • 7% Danceability • 3% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
10% Popularity • 7% Danceability • 3% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
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Ludwig van Beethoven
Coriolan, Op. 62: Overture
76 bpm • F min • 08:57 • -17.06db
43% Popularity • 26% Danceability • 17% Energy • 11% Liveness
90% Instrumentalness • 15% Positiveness
43% Popularity • 26% Danceability • 17% Energy • 11% Liveness
90% Instrumentalness • 15% Positiveness
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Franz Liszt
Ständchen in D Minor (After Schubert), ...
76 bpm • D Maj • 05:57 • -28.29db
57% Popularity • 34% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
57% Popularity • 34% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Edvard Grieg
Piano Concerto in A Minor, Op. 16: II. A...
69 bpm • C# Maj • 06:47 • -25.16db
33% Popularity • 12% Danceability • 2% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
33% Popularity • 12% Danceability • 2% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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Peter Lehel
Sorrow
70 bpm • C min • 02:14 • -25.8db
0% Popularity • 30% Danceability • 1% Energy • 14% Liveness
95% Instrumentalness • 22% Positiveness
0% Popularity • 30% Danceability • 1% Energy • 14% Liveness
95% Instrumentalness • 22% Positiveness
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Henry Purcell
Dido and Aeneas, Z. 626 / Act III: "When...
77 bpm • G min • 03:48 • -23.96db
47% Popularity • 8% Danceability • 6% Energy • 9% Liveness
90% Instrumentalness • 3% Positiveness
47% Popularity • 8% Danceability • 6% Energy • 9% Liveness
90% Instrumentalness • 3% Positiveness
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César Franck
Panis angelicus
77 bpm • A Maj • 03:34 • -19.19db
24% Popularity • 11% Danceability • 17% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
24% Popularity • 11% Danceability • 17% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Jean-Joseph Mouret
Sinfonies de Fanfare in D Major: 1. Rond...
77 bpm • D Maj • 01:54 • -13.61db
24% Popularity • 70% Danceability • 33% Energy • 13% Liveness
78% Instrumentalness • 78% Positiveness
24% Popularity • 70% Danceability • 33% Energy • 13% Liveness
78% Instrumentalness • 78% Positiveness
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Luigi Boccherini
Quintettino Op. 30 No. 6, G.324: 3. Larg...
69 bpm • G Maj • 02:35 • -25.86db
5% Popularity • 16% Danceability • 1% Energy • 17% Liveness
32% Instrumentalness • 9% Positiveness
5% Popularity • 16% Danceability • 1% Energy • 17% Liveness
32% Instrumentalness • 9% Positiveness
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Robert Schumann
Symphony No. 4 In D Minor, Op. 120: 2. R...
77 bpm • A min • 04:49 • -29db
12% Popularity • 14% Danceability • 5% Energy • 7% Liveness
88% Instrumentalness • 6% Positiveness
12% Popularity • 14% Danceability • 5% Energy • 7% Liveness
88% Instrumentalness • 6% Positiveness
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Ludwig van Beethoven
Symphony No. 7 In A, Op. 92: 2. Allegret...
77 bpm • E min • 07:45 • -22.93db
48% Popularity • 22% Danceability • 4% Energy • 9% Liveness
76% Instrumentalness • 9% Positiveness
48% Popularity • 22% Danceability • 4% Energy • 9% Liveness
76% Instrumentalness • 9% Positiveness
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Arcangelo Corelli
Concerto Grosso In G Minor, Op. 6, No. 8...
77 bpm • G min • 01:09 • -16.52db
34% Popularity • 47% Danceability • 8% Energy • 44% Liveness
0% Instrumentalness • 41% Positiveness
34% Popularity • 47% Danceability • 8% Energy • 44% Liveness
0% Instrumentalness • 41% Positiveness
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Richard Strauss
Also sprach Zarathustra, Op. 30: I. Prel...
77 bpm • C Maj • 01:49 • -13.32db
50% Popularity • 12% Danceability • 30% Energy • 15% Liveness
94% Instrumentalness • 4% Positiveness
50% Popularity • 12% Danceability • 30% Energy • 15% Liveness
94% Instrumentalness • 4% Positiveness
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Gaetano Donizetti
Clarinet Concerto in B-Flat Major: Andan...
69 bpm • A# min • 04:10 • -25.67db
39% Popularity • 9% Danceability • 1% Energy • 12% Liveness
78% Instrumentalness • 6% Positiveness
39% Popularity • 9% Danceability • 1% Energy • 12% Liveness
78% Instrumentalness • 6% Positiveness
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Sergei Rachmaninoff
Rachmaninov: Vespers, Op. 37: VI. Bogoro...
69 bpm • F Maj • 02:43 • -29.42db
7% Popularity • 12% Danceability • 4% Energy • 7% Liveness
18% Instrumentalness • 4% Positiveness
7% Popularity • 12% Danceability • 4% Energy • 7% Liveness
18% Instrumentalness • 4% Positiveness
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Jean Sibelius
Valse triste, Op. 44
78 bpm • G Maj • 06:08 • -25.09db
42% Popularity • 7% Danceability • 2% Energy • 15% Liveness
94% Instrumentalness • 4% Positiveness
42% Popularity • 7% Danceability • 2% Energy • 15% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Johann Strauss II
Unter Donner und Blitz, Polka, Op. 324
78 bpm • G Maj • 03:12 • -20.45db
33% Popularity • 51% Danceability • 39% Energy • 47% Liveness
56% Instrumentalness • 54% Positiveness
33% Popularity • 51% Danceability • 39% Energy • 47% Liveness
56% Instrumentalness • 54% Positiveness
► Preview
Johann Sebastian Bach
Concerto in D Minor, BWV 974: II. Adagio...
78 bpm • D min • 04:14 • -25.13db
33% Popularity • 15% Danceability • 7% Energy • 4% Liveness
91% Instrumentalness • 8% Positiveness
33% Popularity • 15% Danceability • 7% Energy • 4% Liveness
91% Instrumentalness • 8% Positiveness
► Preview
Johannes Brahms
Hungarian Dance No. 1 In G Minor, WoO 1 ...
78 bpm • G min • 02:52 • -14.56db
22% Popularity • 22% Danceability • 35% Energy • 15% Liveness
88% Instrumentalness • 47% Positiveness
22% Popularity • 22% Danceability • 35% Energy • 15% Liveness
88% Instrumentalness • 47% Positiveness
► Preview
Giacomo Puccini
Madama Butterfly / Act 2: Coro a bocca c...
78 bpm • A# Maj • 03:03 • -44.15db
41% Popularity • 16% Danceability • 0% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
41% Popularity • 16% Danceability • 0% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Sergei Rachmaninoff
Rachmaninov: Piano Concerto No. 2 in C M...
77 bpm • C min • 10:15 • -21db
13% Popularity • 18% Danceability • 12% Energy • 8% Liveness
92% Instrumentalness • 5% Positiveness
13% Popularity • 18% Danceability • 12% Energy • 8% Liveness
92% Instrumentalness • 5% Positiveness
► Preview
John Williams
Schindler's List: Main Theme
68 bpm • D min • 03:43 • -22.58db
41% Popularity • 9% Danceability • 11% Energy • 9% Liveness
39% Instrumentalness • 4% Positiveness
41% Popularity • 9% Danceability • 11% Energy • 9% Liveness
39% Instrumentalness • 4% Positiveness
► Preview
Johann Strauss II
Perpetuum mobile, Op. 257
78 bpm • D# Maj • 02:47 • -22.76db
7% Popularity • 41% Danceability • 23% Energy • 17% Liveness
84% Instrumentalness • 59% Positiveness
7% Popularity • 41% Danceability • 23% Energy • 17% Liveness
84% Instrumentalness • 59% Positiveness
► Preview
Antonio Vivaldi
Concerto In C Major, Rv 443: Flautino Co...
78 bpm • E min • 04:03 • -18.17db
6% Popularity • 27% Danceability • 18% Energy • 13% Liveness
13% Instrumentalness • 19% Positiveness
6% Popularity • 27% Danceability • 18% Energy • 13% Liveness
13% Instrumentalness • 19% Positiveness
► Preview
Daniel Barenboim
Bach, JS : Well-Tempered Clavier Book 1 ...
68 bpm • C min • 01:33 • -22.73db
50% Popularity • 30% Danceability • 15% Energy • 9% Liveness
86% Instrumentalness • 16% Positiveness
50% Popularity • 30% Danceability • 15% Energy • 9% Liveness
86% Instrumentalness • 16% Positiveness
► Preview
Wolfgang Amadeus Mozart
Symphony No. 36 in C Major, K. 425 "Linz...
78 bpm • C Maj • 07:02 • -22.73db
20% Popularity • 14% Danceability • 7% Energy • 33% Liveness
63% Instrumentalness • 6% Positiveness
20% Popularity • 14% Danceability • 7% Energy • 33% Liveness
63% Instrumentalness • 6% Positiveness
► Preview
Claude Debussy
La mer, L. 109: I. From Dawn Till Noon o...
68 bpm • F# min • 08:59 • -26db
15% Popularity • 16% Danceability • 6% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
15% Popularity • 16% Danceability • 6% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
► Preview
Christoph Israel
O du fröhliche - Instrumental
68 bpm • F Maj • 02:06 • -10.64db
9% Popularity • 7% Danceability • 29% Energy • 9% Liveness
93% Instrumentalness • 30% Positiveness
9% Popularity • 7% Danceability • 29% Energy • 9% Liveness
93% Instrumentalness • 30% Positiveness
► Preview
AntonÃn Dvořák
From the Bohemian Forest, Op. 68, B. 182...
78 bpm • C# Maj • 06:38 • -32db
24% Popularity • 7% Danceability • 2% Energy • 10% Liveness
78% Instrumentalness • 3% Positiveness
24% Popularity • 7% Danceability • 2% Energy • 10% Liveness
78% Instrumentalness • 3% Positiveness
► Preview
Alexander Borodin
In the Steppes of Central Asia
68 bpm • A Maj • 07:28 • -25.05db
34% Popularity • 7% Danceability • 3% Energy • 17% Liveness
84% Instrumentalness • 4% Positiveness
34% Popularity • 7% Danceability • 3% Energy • 17% Liveness
84% Instrumentalness • 4% Positiveness
► Preview
Richard Strauss
Also sprach Zarathustra, Op. 30: II. Von...
78 bpm • G# Maj • 03:28 • -22db
33% Popularity • 12% Danceability • 4% Energy • 72% Liveness
87% Instrumentalness • 3% Positiveness
33% Popularity • 12% Danceability • 4% Energy • 72% Liveness
87% Instrumentalness • 3% Positiveness
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Mikhail Pletnev
The Nutcracker, Op. 71 (Arr. M. Pletnev ...
79 bpm • G Maj • 06:08 • -19.99db
26% Popularity • 25% Danceability • 7% Energy • 14% Liveness
90% Instrumentalness • 4% Positiveness
26% Popularity • 25% Danceability • 7% Energy • 14% Liveness
90% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Piano Concerto No. 21 in C Major, K.467:...
68 bpm • F Maj • 06:12 • -28.55db
11% Popularity • 12% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 8% Positiveness
11% Popularity • 12% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 8% Positiveness
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Arcangelo Corelli
Concerto grosso in G Minor, Op. 6, No. 8...
68 bpm • D# Maj • 02:58 • -21.6db
5% Popularity • 18% Danceability • 10% Energy • 11% Liveness
88% Instrumentalness • 14% Positiveness
5% Popularity • 18% Danceability • 10% Energy • 11% Liveness
88% Instrumentalness • 14% Positiveness
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Traditional
Traditional: Il est né le divin enfant
79 bpm • E Maj • 02:34 • -23.41db
13% Popularity • 12% Danceability • 8% Energy • 11% Liveness
89% Instrumentalness • 10% Positiveness
13% Popularity • 12% Danceability • 8% Energy • 11% Liveness
89% Instrumentalness • 10% Positiveness
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Ottorino Respighi
Pines Of Rome, P. 141: 2. The Pines Near...
79 bpm • E min • 06:54 • -21db
21% Popularity • 12% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
21% Popularity • 12% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Ludwig van Beethoven
Symphony No. 7 in A Major, Op. 92: II. A...
68 bpm • E min • 07:41 • -24db
49% Popularity • 12% Danceability • 4% Energy • 12% Liveness
86% Instrumentalness • 4% Positiveness
49% Popularity • 12% Danceability • 4% Energy • 12% Liveness
86% Instrumentalness • 4% Positiveness
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Jean Sibelius
Finlandia, Op. 26, No. 7
67 bpm • G# Maj • 09:25 • -15.77db
35% Popularity • 16% Danceability • 27% Energy • 11% Liveness
84% Instrumentalness • 8% Positiveness
35% Popularity • 16% Danceability • 27% Energy • 11% Liveness
84% Instrumentalness • 8% Positiveness
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Johannes Brahms
Symphony No. 3 in F Major, Op. 90: IV. A...
79 bpm • C Maj • 09:02 • -16.65db
28% Popularity • 18% Danceability • 15% Energy • 8% Liveness
91% Instrumentalness • 15% Positiveness
28% Popularity • 18% Danceability • 15% Energy • 8% Liveness
91% Instrumentalness • 15% Positiveness
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Peter Lehel
Two of a kind: No. 1. Concertinette
67 bpm • A Maj • 05:08 • -23.01db
4% Popularity • 37% Danceability • 2% Energy • 11% Liveness
88% Instrumentalness • 24% Positiveness
4% Popularity • 37% Danceability • 2% Energy • 11% Liveness
88% Instrumentalness • 24% Positiveness
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Erik Satie
3 Gymnopedies (orch. Debussy): Gymnopedi...
67 bpm • G Maj • 03:41 • -31.46db
40% Popularity • 9% Danceability • 2% Energy • 18% Liveness
90% Instrumentalness • 5% Positiveness
40% Popularity • 9% Danceability • 2% Energy • 18% Liveness
90% Instrumentalness • 5% Positiveness
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Deutsches Filmorchester Babelsberg
Stille Nacht
79 bpm • A# Maj • 02:53 • -13.69db
0% Popularity • 12% Danceability • 21% Energy • 17% Liveness
98% Instrumentalness • 6% Positiveness
0% Popularity • 12% Danceability • 21% Energy • 17% Liveness
98% Instrumentalness • 6% Positiveness
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Pyotr Ilyich Tchaikovsky
The Sleeping Beauty (Suite), Op. 66a, TH...
67 bpm • D# Maj • 05:43 • -14.84db
29% Popularity • 13% Danceability • 29% Energy • 6% Liveness
88% Instrumentalness • 12% Positiveness
29% Popularity • 13% Danceability • 29% Energy • 6% Liveness
88% Instrumentalness • 12% Positiveness
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Maurice Ravel
Daphnis et Chloé, M. 57 / Troisième pa...
79 bpm • E min • 06:30 • -26db
28% Popularity • 7% Danceability • 4% Energy • 16% Liveness
90% Instrumentalness • 3% Positiveness
28% Popularity • 7% Danceability • 4% Energy • 16% Liveness
90% Instrumentalness • 3% Positiveness
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Giulio Caccini
Ave Maria
79 bpm • F min • 05:41 • -32.36db
34% Popularity • 8% Danceability • 2% Energy • 10% Liveness
54% Instrumentalness • 3% Positiveness
34% Popularity • 8% Danceability • 2% Energy • 10% Liveness
54% Instrumentalness • 3% Positiveness
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Edvard Grieg
Peer Gynt Suite No. 1, Op. 46: II. The D...
80 bpm • G Maj • 04:47 • -28db
13% Popularity • 15% Danceability • 2% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
13% Popularity • 15% Danceability • 2% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
Christmas Oratorio, BWV 248 / Part Two -...
80 bpm • G Maj • 06:49 • -16.43db
11% Popularity • 8% Danceability • 20% Energy • 15% Liveness
88% Instrumentalness • 4% Positiveness
11% Popularity • 8% Danceability • 20% Energy • 15% Liveness
88% Instrumentalness • 4% Positiveness
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Gustav Holst
The Planets, Op. 32: 7. Neptune, the Mys...
67 bpm • G# min • 07:29 • -39.56db
10% Popularity • 6% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
10% Popularity • 6% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
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Remo Giazotto
Adagio in G Minor
80 bpm • C min • 08:37 • -15db
42% Popularity • 10% Danceability • 23% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
42% Popularity • 10% Danceability • 23% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Leonard Cohen
Hallelujah (Piano Version)
67 bpm • C Maj • 02:49 • -25.52db
16% Popularity • 42% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 18% Positiveness
16% Popularity • 42% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 18% Positiveness
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Samuel Barber
Barber: Adagio for Strings, Op. 11
80 bpm • A# min • 06:21 • -21.58db
39% Popularity • 12% Danceability • 9% Energy • 8% Liveness
87% Instrumentalness • 4% Positiveness
39% Popularity • 12% Danceability • 9% Energy • 8% Liveness
87% Instrumentalness • 4% Positiveness
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Bruce Antoine
Silver Bells
80 bpm • G# Maj • 02:37 • -16.74db
11% Popularity • 60% Danceability • 20% Energy • 12% Liveness
40% Instrumentalness • 25% Positiveness
11% Popularity • 60% Danceability • 20% Energy • 12% Liveness
40% Instrumentalness • 25% Positiveness
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Wolfgang Amadeus Mozart
Serenade in G Major, K. 525 "Eine kleine...
80 bpm • C Maj • 05:29 • -22.84db
5% Popularity • 16% Danceability • 10% Energy • 16% Liveness
90% Instrumentalness • 11% Positiveness
5% Popularity • 16% Danceability • 10% Energy • 16% Liveness
90% Instrumentalness • 11% Positiveness
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Christoph Willibald Gluck
Orpheo ed Euridice, Wq. 30, Act II: Danc...
67 bpm • D min • 03:27 • -25.5db
44% Popularity • 24% Danceability • 10% Energy • 13% Liveness
98% Instrumentalness • 7% Positiveness
44% Popularity • 24% Danceability • 10% Energy • 13% Liveness
98% Instrumentalness • 7% Positiveness
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Miguel Llobet Solés
Catalan Folk Songs: El noi de la mare
80 bpm • D Maj • 01:37 • -34.34db
2% Popularity • 51% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 36% Positiveness
2% Popularity • 51% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 36% Positiveness
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Hector Berlioz
Symphonie fantastique, Op. 14: 4. Marche...
80 bpm • A# Maj • 04:39 • -16.21db
2% Popularity • 31% Danceability • 32% Energy • 7% Liveness
85% Instrumentalness • 26% Positiveness
2% Popularity • 31% Danceability • 32% Energy • 7% Liveness
85% Instrumentalness • 26% Positiveness
