Songs like Adagio by Zoltán Kodály
Based on a tempo of (+/- 10%) and a similar genre
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Dame Ethel Smyth
The Wreckers: Overture
79 bpm • D Maj • 09:21 • -18.79db
15% Popularity • 19% Danceability • 17% Energy • 28% Liveness
63% Instrumentalness • 8% Positiveness
15% Popularity • 19% Danceability • 17% Energy • 28% Liveness
63% Instrumentalness • 8% Positiveness
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Francis Poulenc
Poulenc: Flute Sonata, FP 164: I. Allegr...
79 bpm • C Maj • 04:38 • -31db
22% Popularity • 29% Danceability • 3% Energy • 21% Liveness
92% Instrumentalness • 6% Positiveness
22% Popularity • 29% Danceability • 3% Energy • 21% Liveness
92% Instrumentalness • 6% Positiveness
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Zoltán Kodály
Háry János Suite (Version for Orchestr...
79 bpm • C Maj • 03:37 • -23.05db
4% Popularity • 7% Danceability • 8% Energy • 12% Liveness
86% Instrumentalness • 3% Positiveness
4% Popularity • 7% Danceability • 8% Energy • 12% Liveness
86% Instrumentalness • 3% Positiveness
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Edward Elgar
May Song
79 bpm • E Maj • 04:03 • -23.03db
12% Popularity • 9% Danceability • 10% Energy • 12% Liveness
86% Instrumentalness • 6% Positiveness
12% Popularity • 9% Danceability • 10% Energy • 12% Liveness
86% Instrumentalness • 6% Positiveness
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AntonÃn Dvořák
Symphony No. 8 in G Major, Op. 88, B. 16...
79 bpm • G min • 05:50 • -23db
29% Popularity • 14% Danceability • 9% Energy • 36% Liveness
95% Instrumentalness • 34% Positiveness
29% Popularity • 14% Danceability • 9% Energy • 36% Liveness
95% Instrumentalness • 34% Positiveness
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Robert Schumann
Bilder aus Osten, Op. 66 (Arr. for Strin...
79 bpm • D Maj • 03:43 • -26.62db
12% Popularity • 16% Danceability • 6% Energy • 24% Liveness
81% Instrumentalness • 4% Positiveness
12% Popularity • 16% Danceability • 6% Energy • 24% Liveness
81% Instrumentalness • 4% Positiveness
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Claude Debussy
La mer, L. 109: III. Dialogue of the Win...
78 bpm • C# Maj • 08:08 • -21db
25% Popularity • 10% Danceability • 21% Energy • 6% Liveness
85% Instrumentalness • 4% Positiveness
25% Popularity • 10% Danceability • 21% Energy • 6% Liveness
85% Instrumentalness • 4% Positiveness
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Francis Poulenc
Les biches Suite, FP 36b: I. Rondeau
79 bpm • C Maj • 03:19 • -20db
28% Popularity • 46% Danceability • 11% Energy • 4% Liveness
85% Instrumentalness • 28% Positiveness
28% Popularity • 46% Danceability • 11% Energy • 4% Liveness
85% Instrumentalness • 28% Positiveness
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Zoltán Kodály
Hegyi ejszakak (Mountain nights): No. 1....
78 bpm • A min • 05:33 • -28.2db
2% Popularity • 9% Danceability • 2% Energy • 12% Liveness
95% Instrumentalness • 2% Positiveness
2% Popularity • 9% Danceability • 2% Energy • 12% Liveness
95% Instrumentalness • 2% Positiveness
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Jean Sibelius
Violin Concerto in D Minor, Op. 47: II. ...
80 bpm • A# Maj • 08:35 • -20.96db
23% Popularity • 10% Danceability • 15% Energy • 15% Liveness
72% Instrumentalness • 4% Positiveness
23% Popularity • 10% Danceability • 15% Energy • 15% Liveness
72% Instrumentalness • 4% Positiveness
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Peter Warlock
Capriol Suite: II. Pavane
80 bpm • D min • 01:59 • -25.37db
13% Popularity • 14% Danceability • 9% Energy • 14% Liveness
94% Instrumentalness • 4% Positiveness
13% Popularity • 14% Danceability • 9% Energy • 14% Liveness
94% Instrumentalness • 4% Positiveness
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Alexander Glazunov
Scènes de ballet, Op. 52: VI. Danse Ori...
78 bpm • G# Maj • 02:40 • -29.43db
17% Popularity • 11% Danceability • 3% Energy • 9% Liveness
65% Instrumentalness • 21% Positiveness
17% Popularity • 11% Danceability • 3% Energy • 9% Liveness
65% Instrumentalness • 21% Positiveness
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Claude Debussy
Debussy: Première rapsodie in B-Flat Ma...
78 bpm • D# min • 08:29 • -24.49db
12% Popularity • 16% Danceability • 3% Energy • 7% Liveness
85% Instrumentalness • 4% Positiveness
12% Popularity • 16% Danceability • 3% Energy • 7% Liveness
85% Instrumentalness • 4% Positiveness
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Ralph Vaughan Williams
The Lark Ascending: III. Allegretto molt...
78 bpm • E min • 03:50 • -22db
7% Popularity • 13% Danceability • 4% Energy • 9% Liveness
63% Instrumentalness • 6% Positiveness
7% Popularity • 13% Danceability • 4% Energy • 9% Liveness
63% Instrumentalness • 6% Positiveness
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Zoltán Kodály
7 Konnyu gyermekkar (7 Easy children's c...
78 bpm • A# Maj • 01:49 • -33.98db
1% Popularity • 14% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 3% Positiveness
1% Popularity • 14% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 3% Positiveness
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Franz Schreker
Schubert / Orch. Mahler: String Quartet ...
80 bpm • A Maj • 06:33 • -27db
9% Popularity • 9% Danceability • 3% Energy • 13% Liveness
63% Instrumentalness • 4% Positiveness
9% Popularity • 9% Danceability • 3% Energy • 13% Liveness
63% Instrumentalness • 4% Positiveness
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Edward Elgar
Chanson de nuit, Op.15 No.1
80 bpm • G Maj • 04:32 • -28db
29% Popularity • 13% Danceability • 2% Energy • 11% Liveness
82% Instrumentalness • 3% Positiveness
29% Popularity • 13% Danceability • 2% Energy • 11% Liveness
82% Instrumentalness • 3% Positiveness
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Pyotr Ilyich Tchaikovsky
Sextet in D Minor, Op. 70, TH 118 "Souve...
80 bpm • D min • 06:47 • -18.03db
13% Popularity • 44% Danceability • 17% Energy • 11% Liveness
68% Instrumentalness • 29% Positiveness
13% Popularity • 44% Danceability • 17% Energy • 11% Liveness
68% Instrumentalness • 29% Positiveness
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Dmitri Shostakovich
The Gadfly, Op. 97: Prelude (Arr. Atovmy...
78 bpm • B min • 01:59 • -33.18db
14% Popularity • 11% Danceability • 2% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
14% Popularity • 11% Danceability • 2% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
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Gustav Holst
St. Paul's Suite, Op. 29, No. 2: IV. Fin...
80 bpm • C Maj • 03:20 • -16.25db
26% Popularity • 31% Danceability • 32% Energy • 8% Liveness
89% Instrumentalness • 31% Positiveness
26% Popularity • 31% Danceability • 32% Energy • 8% Liveness
89% Instrumentalness • 31% Positiveness
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Gerald Finzi
5 Bagatelles, Op. 23a (Arr. L. Ashmore f...
78 bpm • A# Maj • 01:56 • -25.9db
30% Popularity • 14% Danceability • 4% Energy • 33% Liveness
78% Instrumentalness • 26% Positiveness
30% Popularity • 14% Danceability • 4% Energy • 33% Liveness
78% Instrumentalness • 26% Positiveness
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Cécile Chaminade
L'Ondine, Op. 101
80 bpm • D# Maj • 03:42 • -28db
8% Popularity • 32% Danceability • 5% Energy • 9% Liveness
89% Instrumentalness • 16% Positiveness
8% Popularity • 32% Danceability • 5% Energy • 9% Liveness
89% Instrumentalness • 16% Positiveness
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Edward Elgar
The Music Makers, Op. 69: I. Introductio...
78 bpm • D# Maj • 03:30 • -22.53db
10% Popularity • 7% Danceability • 6% Energy • 6% Liveness
88% Instrumentalness • 4% Positiveness
10% Popularity • 7% Danceability • 6% Energy • 6% Liveness
88% Instrumentalness • 4% Positiveness
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Zoltán Kodály
Missa brevis: Kyrie
78 bpm • A Maj • 02:36 • -33.13db
2% Popularity • 17% Danceability • 2% Energy • 12% Liveness
73% Instrumentalness • 3% Positiveness
2% Popularity • 17% Danceability • 2% Energy • 12% Liveness
73% Instrumentalness • 3% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition (Orch. Ravel):...
80 bpm • G# Maj • 00:55 • -35db
48% Popularity • 14% Danceability • 0% Energy • 10% Liveness
64% Instrumentalness • 22% Positiveness
48% Popularity • 14% Danceability • 0% Energy • 10% Liveness
64% Instrumentalness • 22% Positiveness
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AntonÃn Dvořák
Serenade for Strings in E Major, Op. 22:...
80 bpm • E Maj • 04:45 • -22.64db
4% Popularity • 14% Danceability • 7% Energy • 10% Liveness
88% Instrumentalness • 7% Positiveness
4% Popularity • 14% Danceability • 7% Energy • 10% Liveness
88% Instrumentalness • 7% Positiveness
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Gustav Holst
St. Paul's Suite, Op. 29, No. 2: I. Jig
78 bpm • D min • 03:09 • -15db
26% Popularity • 37% Danceability • 29% Energy • 15% Liveness
90% Instrumentalness • 36% Positiveness
26% Popularity • 37% Danceability • 29% Energy • 15% Liveness
90% Instrumentalness • 36% Positiveness
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Valentin Silvestrov
Abschiedsserenade: II
80 bpm • C# Maj • 02:52 • -43.44db
10% Popularity • 12% Danceability • 0% Energy • 7% Liveness
67% Instrumentalness • 4% Positiveness
10% Popularity • 12% Danceability • 0% Energy • 7% Liveness
67% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Piano Concerto No. 1 in G Minor, Op. 25,...
80 bpm • G# Maj • 07:23 • -19db
32% Popularity • 48% Danceability • 19% Energy • 18% Liveness
90% Instrumentalness • 29% Positiveness
32% Popularity • 48% Danceability • 19% Energy • 18% Liveness
90% Instrumentalness • 29% Positiveness
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Dmitri Shostakovich
Symphony No. 5 in D Minor, Op. 47: II. A...
80 bpm • C Maj • 04:57 • -14db
32% Popularity • 51% Danceability • 30% Energy • 5% Liveness
80% Instrumentalness • 52% Positiveness
32% Popularity • 51% Danceability • 30% Energy • 5% Liveness
80% Instrumentalness • 52% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: III. Gavotte (All...
78 bpm • G Maj • 03:31 • -21.35db
28% Popularity • 43% Danceability • 1% Energy • 12% Liveness
32% Instrumentalness • 35% Positiveness
28% Popularity • 43% Danceability • 1% Energy • 12% Liveness
32% Instrumentalness • 35% Positiveness
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Camille Saint-Saëns
Symphony No. 3 In C Minor, Op. 78 "Organ...
80 bpm • C# Maj • 10:10 • -31db
31% Popularity • 7% Danceability • 2% Energy • 18% Liveness
80% Instrumentalness • 3% Positiveness
31% Popularity • 7% Danceability • 2% Energy • 18% Liveness
80% Instrumentalness • 3% Positiveness
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Gustav Mahler
Mahler: Symphony No. 2 in C Minor "Resur...
80 bpm • D# Maj • 04:46 • -13db
26% Popularity • 10% Danceability • 38% Energy • 9% Liveness
30% Instrumentalness • 6% Positiveness
26% Popularity • 10% Danceability • 38% Energy • 9% Liveness
30% Instrumentalness • 6% Positiveness
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Claude Debussy
Debussy: Sonata for Flute, Viola and Har...
80 bpm • F Maj • 06:54 • -29db
14% Popularity • 14% Danceability • 2% Energy • 11% Liveness
64% Instrumentalness • 4% Positiveness
14% Popularity • 14% Danceability • 2% Energy • 11% Liveness
64% Instrumentalness • 4% Positiveness
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Béla Bartók
Romanian Folk Dances, Sz.56: I. Allegro ...
80 bpm • A min • 01:26 • -22.65db
28% Popularity • 35% Danceability • 3% Energy • 8% Liveness
77% Instrumentalness • 36% Positiveness
28% Popularity • 35% Danceability • 3% Energy • 8% Liveness
77% Instrumentalness • 36% Positiveness
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Edward Elgar
Bach - Fantasy and Fugue in C Minor, Op....
80 bpm • C min • 03:46 • -20.91db
13% Popularity • 34% Danceability • 15% Energy • 9% Liveness
95% Instrumentalness • 31% Positiveness
13% Popularity • 34% Danceability • 15% Energy • 9% Liveness
95% Instrumentalness • 31% Positiveness
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Johannes Brahms
Academic Festival Overture, Op. 80
77 bpm • C Maj • 09:23 • -13db
28% Popularity • 21% Danceability • 20% Energy • 13% Liveness
85% Instrumentalness • 21% Positiveness
28% Popularity • 21% Danceability • 20% Energy • 13% Liveness
85% Instrumentalness • 21% Positiveness
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Ralph Vaughan Williams
Six Studies in English Folk-Song: 3. Lar...
77 bpm • D min • 01:31 • -24.89db
5% Popularity • 18% Danceability • 4% Energy • 18% Liveness
95% Instrumentalness • 23% Positiveness
5% Popularity • 18% Danceability • 4% Energy • 18% Liveness
95% Instrumentalness • 23% Positiveness
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Sergei Prokofiev
10 Pieces, Op. 12: No. 7. Prelude
77 bpm • C Maj • 02:18 • -26db
46% Popularity • 36% Danceability • 8% Energy • 12% Liveness
91% Instrumentalness • 31% Positiveness
46% Popularity • 36% Danceability • 8% Energy • 12% Liveness
91% Instrumentalness • 31% Positiveness
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Elisabetta Brusa
Requiem, Op. 25: II. Kyrie
81 bpm • B min • 02:55 • -20.98db
19% Popularity • 26% Danceability • 11% Energy • 15% Liveness
94% Instrumentalness • 10% Positiveness
19% Popularity • 26% Danceability • 11% Energy • 15% Liveness
94% Instrumentalness • 10% Positiveness
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Zoltán Kodály
Pange lingua
77 bpm • A min • 04:50 • -26.07db
6% Popularity • 13% Danceability • 4% Energy • 7% Liveness
92% Instrumentalness • 3% Positiveness
6% Popularity • 13% Danceability • 4% Energy • 7% Liveness
92% Instrumentalness • 3% Positiveness
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Charles Koechlin
Sonate, Op. 71: II. Nocturne – Presque...
77 bpm • D# Maj • 03:00 • -26db
10% Popularity • 17% Danceability • 2% Energy • 10% Liveness
97% Instrumentalness • 6% Positiveness
10% Popularity • 17% Danceability • 2% Energy • 10% Liveness
97% Instrumentalness • 6% Positiveness
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AntonÃn Dvořák
Cello Concerto in B Minor, Op. 104: III....
77 bpm • B Maj • 01:31 • -22.02db
22% Popularity • 12% Danceability • 3% Energy • 26% Liveness
94% Instrumentalness • 4% Positiveness
22% Popularity • 12% Danceability • 3% Energy • 26% Liveness
94% Instrumentalness • 4% Positiveness
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Ralph Vaughan Williams
Oboe Concerto in A Minor: I. Rondo Pasto...
82 bpm • E min • 08:17 • -23db
11% Popularity • 19% Danceability • 6% Energy • 7% Liveness
90% Instrumentalness • 14% Positiveness
11% Popularity • 19% Danceability • 6% Energy • 7% Liveness
90% Instrumentalness • 14% Positiveness
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Johannes Brahms
Symphony No. 3 in F Major, Op. 90: II. A...
82 bpm • C Maj • 08:28 • -24db
28% Popularity • 8% Danceability • 3% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
28% Popularity • 8% Danceability • 3% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
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Benjamin Britten
Simple Symphony, Op. 4: III. Sentimental...
82 bpm • G min • 07:56 • -19.81db
20% Popularity • 8% Danceability • 7% Energy • 34% Liveness
89% Instrumentalness • 5% Positiveness
20% Popularity • 8% Danceability • 7% Energy • 34% Liveness
89% Instrumentalness • 5% Positiveness
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Zoltán Kodály
Kodály: Missa brevis: VII. Agnus Dei
81 bpm • G min • 04:50 • -29.23db
6% Popularity • 8% Danceability • 3% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
6% Popularity • 8% Danceability • 3% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
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Max Bruch
Double Concerto in E Minor, Op. 88: I. A...
82 bpm • E min • 06:56 • -19.54db
12% Popularity • 11% Danceability • 10% Energy • 15% Liveness
90% Instrumentalness • 5% Positiveness
12% Popularity • 11% Danceability • 10% Energy • 15% Liveness
90% Instrumentalness • 5% Positiveness
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Mikalojus Konstantinas ÄŒiurlionis
Preliudai (Preludes): Preludias, Op. 12,...
82 bpm • E min • 02:55 • -33.37db
18% Popularity • 14% Danceability • 1% Energy • 27% Liveness
98% Instrumentalness • 4% Positiveness
18% Popularity • 14% Danceability • 1% Energy • 27% Liveness
98% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Lieder ohne Worte, Op. 19: No. 6 in G Mi...
82 bpm • G min • 01:52 • -34.43db
53% Popularity • 34% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 26% Positiveness
53% Popularity • 34% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 26% Positiveness
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Robert Schumann
Violin Concerto in D Minor, WoO 1: III. ...
76 bpm • D Maj • 01:29 • -21.64db
24% Popularity • 26% Danceability • 16% Energy • 24% Liveness
94% Instrumentalness • 48% Positiveness
24% Popularity • 26% Danceability • 16% Energy • 24% Liveness
94% Instrumentalness • 48% Positiveness
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Gabriel Fauré
Requiem, Op. 48: III. Offertoire
76 bpm • D Maj • 08:18 • -25.75db
36% Popularity • 11% Danceability • 7% Energy • 10% Liveness
63% Instrumentalness • 4% Positiveness
36% Popularity • 11% Danceability • 7% Energy • 10% Liveness
63% Instrumentalness • 4% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Tchaikovsky: Symphony No. 4 in F Minor, ...
82 bpm • A# min • 10:51 • -24.61db
30% Popularity • 8% Danceability • 1% Energy • 9% Liveness
14% Instrumentalness • 4% Positiveness
30% Popularity • 8% Danceability • 1% Energy • 9% Liveness
14% Instrumentalness • 4% Positiveness
► Preview
Sergei Rachmaninoff
Rachmaninoff: Piano Concerto No. 2 in C ...
82 bpm • C min • 10:39 • -20.44db
19% Popularity • 18% Danceability • 8% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
19% Popularity • 18% Danceability • 8% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Arnold Schoenberg
Schoenberg: Verklärte Nacht, Op. 4: IV....
82 bpm • D Maj • 10:03 • -21db
27% Popularity • 8% Danceability • 13% Energy • 11% Liveness
68% Instrumentalness • 4% Positiveness
27% Popularity • 8% Danceability • 13% Energy • 11% Liveness
68% Instrumentalness • 4% Positiveness
► Preview
Léo Delibes
Le roi s'amuse: Madrigal
82 bpm • A Maj • 01:41 • -31db
41% Popularity • 17% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 12% Positiveness
41% Popularity • 17% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 12% Positiveness
► Preview
Richard Strauss
Strauss: Capriccio, Op. 85: Einleitung
82 bpm • F Maj • 09:37 • -26.14db
13% Popularity • 10% Danceability • 5% Energy • 25% Liveness
85% Instrumentalness • 4% Positiveness
13% Popularity • 10% Danceability • 5% Energy • 25% Liveness
85% Instrumentalness • 4% Positiveness
► Preview
Zoltán Kodály
Öregek, K. 77
76 bpm • G Maj • 07:13 • -26.14db
3% Popularity • 8% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 3% Positiveness
3% Popularity • 8% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 3% Positiveness
► Preview
Alexander Glazunov
Raymonda, Act III: Variation for female ...
76 bpm • B Maj • 02:44 • -27.1db
13% Popularity • 18% Danceability • 3% Energy • 11% Liveness
91% Instrumentalness • 6% Positiveness
13% Popularity • 18% Danceability • 3% Energy • 11% Liveness
91% Instrumentalness • 6% Positiveness
► Preview
Heinz Roemheld
Sonatina for Violin & Piano, Op. 6: II. ...
76 bpm • C# min • 03:52 • -27.65db
8% Popularity • 11% Danceability • 1% Energy • 14% Liveness
11% Instrumentalness • 4% Positiveness
8% Popularity • 11% Danceability • 1% Energy • 14% Liveness
11% Instrumentalness • 4% Positiveness
► Preview
Camille Saint-Saëns
Saint-Saëns: Piano Concerto No. 5 in F ...
76 bpm • C Maj • 05:56 • -14.35db
20% Popularity • 35% Danceability • 36% Energy • 8% Liveness
92% Instrumentalness • 24% Positiveness
20% Popularity • 35% Danceability • 36% Energy • 8% Liveness
92% Instrumentalness • 24% Positiveness
► Preview
Edward Elgar
Soliloquy for Oboe and Orchestra (Orch. ...
76 bpm • A min • 04:13 • -29db
23% Popularity • 13% Danceability • 3% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
23% Popularity • 13% Danceability • 3% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
► Preview
Luigi Cherubini
Marche funebre
82 bpm • D min • 07:23 • -20db
15% Popularity • 18% Danceability • 2% Energy • 9% Liveness
80% Instrumentalness • 3% Positiveness
15% Popularity • 18% Danceability • 2% Energy • 9% Liveness
80% Instrumentalness • 3% Positiveness
► Preview
Modest Mussorgsky
Pictures at an Exhibition (Orch. Ravel):...
82 bpm • G# Maj • 04:23 • -32.02db
35% Popularity • 8% Danceability • 1% Energy • 12% Liveness
90% Instrumentalness • 3% Positiveness
35% Popularity • 8% Danceability • 1% Energy • 12% Liveness
90% Instrumentalness • 3% Positiveness
► Preview
JoaquÃn Turina
La oración del torero, Op. 34 (Version ...
82 bpm • F Maj • 10:15 • -31.75db
8% Popularity • 9% Danceability • 1% Energy • 15% Liveness
26% Instrumentalness • 4% Positiveness
8% Popularity • 9% Danceability • 1% Energy • 15% Liveness
26% Instrumentalness • 4% Positiveness
► Preview
Zoltán Kocsis
Le tombeau de Couperin (arr. Z. Kocsis):...
82 bpm • E min • 03:12 • -31.68db
15% Popularity • 13% Danceability • 2% Energy • 15% Liveness
92% Instrumentalness • 14% Positiveness
15% Popularity • 13% Danceability • 2% Energy • 15% Liveness
92% Instrumentalness • 14% Positiveness
► Preview
Igor Stravinsky
The Firebird (L'oiseau De Feu) - Suite (...
82 bpm • C# min • 04:42 • -39.12db
24% Popularity • 8% Danceability • 1% Energy • 9% Liveness
51% Instrumentalness • 4% Positiveness
24% Popularity • 8% Danceability • 1% Energy • 9% Liveness
51% Instrumentalness • 4% Positiveness
► Preview
Florence Beatrice Price
Symphony No. 1 in E Minor: IV. Finale
76 bpm • E min • 04:49 • -22.27db
12% Popularity • 31% Danceability • 8% Energy • 11% Liveness
91% Instrumentalness • 27% Positiveness
12% Popularity • 31% Danceability • 8% Energy • 11% Liveness
91% Instrumentalness • 27% Positiveness
► Preview
AntonÃn Dvořák
String Quintet in E-Flat Major, Op. 97 '...
82 bpm • G# Maj • 10:03 • -22.48db
17% Popularity • 14% Danceability • 9% Energy • 20% Liveness
87% Instrumentalness • 7% Positiveness
17% Popularity • 14% Danceability • 9% Energy • 20% Liveness
87% Instrumentalness • 7% Positiveness
► Preview
Seattle Symphony Orchestra
21 Hungarian Dances, WoO 1: Hungarian Da...
76 bpm • A min • 03:18 • -25.13db
52% Popularity • 18% Danceability • 4% Energy • 12% Liveness
85% Instrumentalness • 11% Positiveness
52% Popularity • 18% Danceability • 4% Energy • 12% Liveness
85% Instrumentalness • 11% Positiveness
► Preview
Robert Schumann
Dichterliebe, Op. 48: X. Hör' ich das L...
76 bpm • G min • 01:55 • -27db
33% Popularity • 32% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
33% Popularity • 32% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
► Preview
VÃtÄ›zslav Novák
Slovak Suite, Op. 32: III. The Lovers. A...
76 bpm • D# Maj • 04:16 • -24.12db
14% Popularity • 9% Danceability • 4% Energy • 15% Liveness
88% Instrumentalness • 4% Positiveness
14% Popularity • 9% Danceability • 4% Energy • 15% Liveness
88% Instrumentalness • 4% Positiveness
► Preview
Lūcija Garūta
Piano Concerto: II. "In memoriam" Grave ...
76 bpm • D# min • 08:37 • -16.98db
7% Popularity • 10% Danceability • 6% Energy • 16% Liveness
89% Instrumentalness • 4% Positiveness
7% Popularity • 10% Danceability • 6% Energy • 16% Liveness
89% Instrumentalness • 4% Positiveness
► Preview
Zoltán Kodály
Hary Janos: Adventure 2: Song: Haj, ket ...
75 bpm • D min • 01:57 • -20.86db
3% Popularity • 44% Danceability • 26% Energy • 24% Liveness
0% Instrumentalness • 40% Positiveness
3% Popularity • 44% Danceability • 26% Energy • 24% Liveness
0% Instrumentalness • 40% Positiveness
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Cécile Chaminade
Chaminade: Flute Concertino, Op. 107
83 bpm • D Maj • 08:21 • -20db
24% Popularity • 22% Danceability • 11% Energy • 11% Liveness
88% Instrumentalness • 8% Positiveness
24% Popularity • 22% Danceability • 11% Energy • 11% Liveness
88% Instrumentalness • 8% Positiveness
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Claude Debussy
Petite suite, L. 65: I. En bateau (Orch....
75 bpm • G Maj • 04:11 • -29.88db
23% Popularity • 17% Danceability • 2% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
23% Popularity • 17% Danceability • 2% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
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Nadia Boulanger
3 Pieces for cello and piano: No. 2. San...
83 bpm • F Maj • 01:43 • -30db
27% Popularity • 20% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 11% Positiveness
27% Popularity • 20% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 11% Positiveness
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Édouard Lalo
Symphonie Espagnole In D Minor, Op. 21: ...
83 bpm • D Maj • 08:04 • -21.6db
19% Popularity • 38% Danceability • 15% Energy • 7% Liveness
38% Instrumentalness • 54% Positiveness
19% Popularity • 38% Danceability • 15% Energy • 7% Liveness
38% Instrumentalness • 54% Positiveness
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Benjamin Britten
The Young Person's Guide to the Orchestr...
83 bpm • A# Maj • 02:07 • -20db
32% Popularity • 30% Danceability • 14% Energy • 9% Liveness
69% Instrumentalness • 37% Positiveness
32% Popularity • 30% Danceability • 14% Energy • 9% Liveness
69% Instrumentalness • 37% Positiveness
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Dmitri Shostakovich
The Gadfly, Op. 97 (Reconstructed by M. ...
75 bpm • C Maj • 01:46 • -41.21db
16% Popularity • 8% Danceability • 0% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
16% Popularity • 8% Danceability • 0% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Richard Strauss
Don Quixote, Op. 35, TrV 184: Finale: Do...
83 bpm • D Maj • 05:39 • -31.48db
8% Popularity • 17% Danceability • 2% Energy • 9% Liveness
36% Instrumentalness • 3% Positiveness
8% Popularity • 17% Danceability • 2% Energy • 9% Liveness
36% Instrumentalness • 3% Positiveness
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Gabriel Fauré
Piano Quintet No. 1 in D Minor, Op. 89: ...
83 bpm • D min • 11:19 • -19db
20% Popularity • 12% Danceability • 11% Energy • 8% Liveness
72% Instrumentalness • 4% Positiveness
20% Popularity • 12% Danceability • 11% Energy • 8% Liveness
72% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Symphonic Dances, Op. 45: II. Andante co...
83 bpm • C min • 09:07 • -25db
27% Popularity • 15% Danceability • 4% Energy • 20% Liveness
80% Instrumentalness • 4% Positiveness
27% Popularity • 15% Danceability • 4% Energy • 20% Liveness
80% Instrumentalness • 4% Positiveness
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Béla Bartók
Romanian Folk Dances, Sz 56: I. Joc cu b...
75 bpm • G Maj • 01:01 • -26db
20% Popularity • 43% Danceability • 4% Energy • 11% Liveness
83% Instrumentalness • 57% Positiveness
20% Popularity • 43% Danceability • 4% Energy • 11% Liveness
83% Instrumentalness • 57% Positiveness
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Luigi Cherubini
Requiem No. 1 in C Minor: Introitus et K...
83 bpm • C min • 07:14 • -31db
25% Popularity • 8% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
25% Popularity • 8% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
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Igor Stravinsky
Pulcinella, K 034: II. Serenata
75 bpm • C min • 02:52 • -34.13db
14% Popularity • 10% Danceability • 1% Energy • 10% Liveness
32% Instrumentalness • 16% Positiveness
14% Popularity • 10% Danceability • 1% Energy • 10% Liveness
32% Instrumentalness • 16% Positiveness
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Seattle Symphony Orchestra
21 Hungarian Dances, WoO 1: Hungarian Da...
83 bpm • F Maj • 02:48 • -20.78db
52% Popularity • 26% Danceability • 9% Energy • 10% Liveness
91% Instrumentalness • 15% Positiveness
52% Popularity • 26% Danceability • 9% Energy • 10% Liveness
91% Instrumentalness • 15% Positiveness
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Zoltán Kodály
Adagio for Cello and Piano
83 bpm • C Maj • 07:47 • -27.93db
5% Popularity • 9% Danceability • 3% Energy • 6% Liveness
94% Instrumentalness • 4% Positiveness
5% Popularity • 9% Danceability • 3% Energy • 6% Liveness
94% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Berceuse, Op. 16
75 bpm • D Maj • 03:33 • -35.11db
36% Popularity • 18% Danceability • 1% Energy • 8% Liveness
85% Instrumentalness • 5% Positiveness
36% Popularity • 18% Danceability • 1% Energy • 8% Liveness
85% Instrumentalness • 5% Positiveness
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Erich Wolfgang Korngold
Korngold: Violin Concerto in D Major, Op...
83 bpm • D Maj • 08:29 • -22.33db
15% Popularity • 22% Danceability • 12% Energy • 16% Liveness
3% Instrumentalness • 19% Positiveness
15% Popularity • 22% Danceability • 12% Energy • 16% Liveness
3% Instrumentalness • 19% Positiveness
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Anton Bruckner
Bruckner: Symphony No. 7 in E Major, WAB...
83 bpm • F Maj • 08:53 • -17.76db
22% Popularity • 24% Danceability • 13% Energy • 8% Liveness
88% Instrumentalness • 10% Positiveness
22% Popularity • 24% Danceability • 13% Energy • 8% Liveness
88% Instrumentalness • 10% Positiveness
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Igor Stravinsky
Symphony of Psalms: II. Expectans expect...
83 bpm • A# min • 06:07 • -20.99db
17% Popularity • 9% Danceability • 2% Energy • 8% Liveness
76% Instrumentalness • 4% Positiveness
17% Popularity • 9% Danceability • 2% Energy • 8% Liveness
76% Instrumentalness • 4% Positiveness
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![Klami : Sea Pictures : IV Song of The Watch [Nocturne] [Merikuvia : IV Vahtimiehen laulu] [Nokturno] cover art](https://i.scdn.co/image/ab67616d00001e02a085e7523e132ac661d33fb9)
Uuno Klami
Klami : Sea Pictures : IV Song of The Wa...
83 bpm • D min • 03:09 • -36.72db
3% Popularity • 10% Danceability • 1% Energy • 7% Liveness
96% Instrumentalness • 4% Positiveness
3% Popularity • 10% Danceability • 1% Energy • 7% Liveness
96% Instrumentalness • 4% Positiveness
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Maurice Ravel
Deux mélodies hébraïques, M.22, No. 2...
83 bpm • B min • 01:33 • -32.55db
13% Popularity • 8% Danceability • 1% Energy • 9% Liveness
97% Instrumentalness • 6% Positiveness
13% Popularity • 8% Danceability • 1% Energy • 9% Liveness
97% Instrumentalness • 6% Positiveness
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Béla Bartók
Romanian Folk Dances, Sz 56: VI. Marunte...
84 bpm • E min • 00:59 • -23db
16% Popularity • 42% Danceability • 22% Energy • 12% Liveness
84% Instrumentalness • 20% Positiveness
16% Popularity • 42% Danceability • 22% Energy • 12% Liveness
84% Instrumentalness • 20% Positiveness
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Zoltán Kodály
Hary Janos: Adventure 2: Song: Hogyan tu...
75 bpm • A min • 02:23 • -24.02db
2% Popularity • 15% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 3% Positiveness
2% Popularity • 15% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 3% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: II. Sarabande (An...
75 bpm • G Maj • 03:15 • -24.73db
34% Popularity • 16% Danceability • 3% Energy • 13% Liveness
69% Instrumentalness • 4% Positiveness
34% Popularity • 16% Danceability • 3% Energy • 13% Liveness
69% Instrumentalness • 4% Positiveness
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Alexander Borodin
String Quartet No. 2 in D Major: I. Alle...
75 bpm • D Maj • 08:09 • -20.62db
32% Popularity • 22% Danceability • 10% Energy • 16% Liveness
90% Instrumentalness • 12% Positiveness
32% Popularity • 22% Danceability • 10% Energy • 16% Liveness
90% Instrumentalness • 12% Positiveness
