Songs like Adams: Hallelujah Junction: 1st Movement by John Adams
Based on a tempo of (+/- 10%) and a similar genre
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John Adams
I was Looking at the Ceiling and Then I ...
116 bpm • A# Maj • 08:20 • -13.17db
8% Popularity • 70% Danceability • 31% Energy • 3% Liveness
0% Instrumentalness • 36% Positiveness
8% Popularity • 70% Danceability • 31% Energy • 3% Liveness
0% Instrumentalness • 36% Positiveness
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Valeria Szervánszky
Ma mère l'oye, M. 60: 5. Le jardin fée...
116 bpm • C Maj • 03:00 • -24db
43% Popularity • 49% Danceability • 1% Energy • 6% Liveness
1% Instrumentalness • 7% Positiveness
43% Popularity • 49% Danceability • 1% Energy • 6% Liveness
1% Instrumentalness • 7% Positiveness
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![In Seven Days: i. Chaos – Light – Dark cover art]()
Thomas Adès
In Seven Days: i. Chaos – Light – Da...
116 bpm • F# Maj • 08:24 • -21.41db
3% Popularity • 35% Danceability • 12% Energy • 22% Liveness
42% Instrumentalness • 5% Positiveness
3% Popularity • 35% Danceability • 12% Energy • 22% Liveness
42% Instrumentalness • 5% Positiveness
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William Bolcom
3 Ghost Rags: No. 1. The Graceful Ghost
116 bpm • A# min • 04:34 • -26.77db
23% Popularity • 40% Danceability • 5% Energy • 10% Liveness
87% Instrumentalness • 18% Positiveness
23% Popularity • 40% Danceability • 5% Energy • 10% Liveness
87% Instrumentalness • 18% Positiveness
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Maurice Jarre
Carpe Diem
116 bpm • A# Maj • 04:48 • -22.29db
42% Popularity • 35% Danceability • 3% Energy • 10% Liveness
68% Instrumentalness • 10% Positiveness
42% Popularity • 35% Danceability • 3% Energy • 10% Liveness
68% Instrumentalness • 10% Positiveness
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Max Richter
Infra 4
116 bpm • D min • 02:45 • -14db
31% Popularity • 22% Danceability • 19% Energy • 11% Liveness
69% Instrumentalness • 4% Positiveness
31% Popularity • 22% Danceability • 19% Energy • 11% Liveness
69% Instrumentalness • 4% Positiveness
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Dobrinka Tabakova
PULSE - Live
115 bpm • A# min • 11:26 • -23.46db
3% Popularity • 40% Danceability • 11% Energy • 15% Liveness
89% Instrumentalness • 7% Positiveness
3% Popularity • 40% Danceability • 11% Energy • 15% Liveness
89% Instrumentalness • 7% Positiveness
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Sergei Rachmaninoff
Prélude in C-Sharp Minor, Op. 3, No. 2
115 bpm • F# min • 03:43 • -19db
45% Popularity • 52% Danceability • 7% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
45% Popularity • 52% Danceability • 7% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
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Astor Piazzolla
Oblivion (Arr. String Quartet)
115 bpm • C min • 03:32 • -16.62db
27% Popularity • 19% Danceability • 19% Energy • 11% Liveness
89% Instrumentalness • 15% Positiveness
27% Popularity • 19% Danceability • 19% Energy • 11% Liveness
89% Instrumentalness • 15% Positiveness
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John Adams
Hallelujah Junction
115 bpm • D# Maj • 02:09 • -20.78db
27% Popularity • 37% Danceability • 30% Energy • 18% Liveness
93% Instrumentalness • 50% Positiveness
27% Popularity • 37% Danceability • 30% Energy • 18% Liveness
93% Instrumentalness • 50% Positiveness
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Nico Muhly
Allen & Lucien
117 bpm • A# Maj • 01:56 • -27.23db
24% Popularity • 24% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 10% Positiveness
24% Popularity • 24% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 10% Positiveness
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Yann Tiersen
Les deux pianos
115 bpm • G# Maj • 01:58 • -14.81db
49% Popularity • 38% Danceability • 33% Energy • 12% Liveness
88% Instrumentalness • 26% Positiveness
49% Popularity • 38% Danceability • 33% Energy • 12% Liveness
88% Instrumentalness • 26% Positiveness
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Caroline Shaw
Plan & Elevation: IV. The Orangery
117 bpm • A Maj • 01:57 • -23.16db
35% Popularity • 44% Danceability • 14% Energy • 22% Liveness
26% Instrumentalness • 18% Positiveness
35% Popularity • 44% Danceability • 14% Energy • 22% Liveness
26% Instrumentalness • 18% Positiveness
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Frédéric Chopin
Preludes, Op. 28: No. 4 in E Minor, Larg...
115 bpm • C Maj • 02:20 • -31db
46% Popularity • 44% Danceability • 1% Energy • 6% Liveness
91% Instrumentalness • 4% Positiveness
46% Popularity • 44% Danceability • 1% Energy • 6% Liveness
91% Instrumentalness • 4% Positiveness
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Edward Elgar
Sospiri, Op. 70
117 bpm • F Maj • 05:07 • -30db
38% Popularity • 17% Danceability • 3% Energy • 12% Liveness
92% Instrumentalness • 3% Positiveness
38% Popularity • 17% Danceability • 3% Energy • 12% Liveness
92% Instrumentalness • 3% Positiveness
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Max Richter
On the Nature of Daylight (Entropy)
117 bpm • C# Maj • 06:53 • -14.82db
46% Popularity • 17% Danceability • 24% Energy • 11% Liveness
89% Instrumentalness • 3% Positiveness
46% Popularity • 17% Danceability • 24% Energy • 11% Liveness
89% Instrumentalness • 3% Positiveness
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Carter Burwell
Opening
117 bpm • C min • 02:13 • -15.27db
41% Popularity • 24% Danceability • 21% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
41% Popularity • 24% Danceability • 21% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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Yann Tiersen
Comptine d'un autre été: la démarche
115 bpm • D# Maj • 02:01 • -14.91db
45% Popularity • 26% Danceability • 29% Energy • 14% Liveness
89% Instrumentalness • 8% Positiveness
45% Popularity • 26% Danceability • 29% Energy • 14% Liveness
89% Instrumentalness • 8% Positiveness
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Caroline Shaw
Plan & Elevation: V. The Beech Tree
117 bpm • G Maj • 02:36 • -20.64db
38% Popularity • 36% Danceability • 19% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
38% Popularity • 36% Danceability • 19% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
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Stacey Bassetti
Photograph
114 bpm • F Maj • 02:45 • -24db
55% Popularity • 23% Danceability • 10% Energy • 7% Liveness
92% Instrumentalness • 8% Positiveness
55% Popularity • 23% Danceability • 10% Energy • 7% Liveness
92% Instrumentalness • 8% Positiveness
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Camille Saint-Saëns
Carnival of the Animals, R. 125: The Swa...
118 bpm • G Maj • 03:04 • -33.12db
60% Popularity • 21% Danceability • 1% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
60% Popularity • 21% Danceability • 1% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
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Max Richter
November
117 bpm • C Maj • 06:22 • -12.1db
42% Popularity • 36% Danceability • 45% Energy • 23% Liveness
22% Instrumentalness • 7% Positiveness
42% Popularity • 36% Danceability • 45% Energy • 23% Liveness
22% Instrumentalness • 7% Positiveness
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Jon Brion
Lady Bird Kiss
114 bpm • A Maj • 01:45 • -21.88db
36% Popularity • 70% Danceability • 9% Energy • 11% Liveness
88% Instrumentalness • 20% Positiveness
36% Popularity • 70% Danceability • 9% Energy • 11% Liveness
88% Instrumentalness • 20% Positiveness
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Justin Hurwitz
Mia & Sebastian’s Theme (Late For The ...
119 bpm • F# min • 01:29 • -13.54db
50% Popularity • 35% Danceability • 25% Energy • 30% Liveness
95% Instrumentalness • 12% Positiveness
50% Popularity • 35% Danceability • 25% Energy • 30% Liveness
95% Instrumentalness • 12% Positiveness
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Javier Navarrete
Liebestraum
113 bpm • D# Maj • 01:00 • -19.14db
50% Popularity • 40% Danceability • 23% Energy • 10% Liveness
95% Instrumentalness • 7% Positiveness
50% Popularity • 40% Danceability • 23% Energy • 10% Liveness
95% Instrumentalness • 7% Positiveness
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Michael Nyman Band
Jack the Ripper Stalks His Victims: MGV ...
120 bpm • E min • 04:59 • -13.48db
20% Popularity • 58% Danceability • 41% Energy • 14% Liveness
84% Instrumentalness • 34% Positiveness
20% Popularity • 58% Danceability • 41% Energy • 14% Liveness
84% Instrumentalness • 34% Positiveness
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Jonny Greenwood
Spencer
112 bpm • D min • 01:43 • -25db
31% Popularity • 24% Danceability • 16% Energy • 12% Liveness
94% Instrumentalness • 30% Positiveness
31% Popularity • 24% Danceability • 16% Energy • 12% Liveness
94% Instrumentalness • 30% Positiveness
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Max Richter
Recomposed By Max Richter: Vivaldi, The ...
114 bpm • F Maj • 05:41 • -16.4db
42% Popularity • 39% Danceability • 15% Energy • 14% Liveness
46% Instrumentalness • 13% Positiveness
42% Popularity • 39% Danceability • 15% Energy • 14% Liveness
46% Instrumentalness • 13% Positiveness
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John Adams
I Was Looking at the Ceiling and Then I ...
120 bpm • A# Maj • 07:59 • -16.01db
6% Popularity • 70% Danceability • 29% Energy • 23% Liveness
0% Instrumentalness • 33% Positiveness
6% Popularity • 70% Danceability • 29% Energy • 23% Liveness
0% Instrumentalness • 33% Positiveness
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Frédéric Chopin
Nocturne en Mi Bémol Majeur, Op. 9 No. ...
120 bpm • D# Maj • 04:28 • -24.7db
60% Popularity • 43% Danceability • 5% Energy • 11% Liveness
91% Instrumentalness • 7% Positiveness
60% Popularity • 43% Danceability • 5% Energy • 11% Liveness
91% Instrumentalness • 7% Positiveness
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Osvaldo Golijov
Farewell
112 bpm • B min • 03:03 • -15.65db
23% Popularity • 25% Danceability • 23% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
23% Popularity • 25% Danceability • 23% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Toru Takemitsu
3 Film Scores: No. 3. Face of Another: W...
112 bpm • G# Maj • 02:28 • -26.07db
30% Popularity • 21% Danceability • 7% Energy • 8% Liveness
93% Instrumentalness • 13% Positiveness
30% Popularity • 21% Danceability • 7% Energy • 8% Liveness
93% Instrumentalness • 13% Positiveness
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Dario Marianelli
A Letter From Prison
112 bpm • A# Maj • 02:20 • -25db
41% Popularity • 29% Danceability • 3% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
41% Popularity • 29% Danceability • 3% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
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Justin Hurwitz
The Armstrongs
120 bpm • G min • 02:25 • -27.44db
54% Popularity • 50% Danceability • 23% Energy • 11% Liveness
91% Instrumentalness • 5% Positiveness
54% Popularity • 50% Danceability • 23% Energy • 11% Liveness
91% Instrumentalness • 5% Positiveness
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Max Richter
November
120 bpm • C Maj • 06:07 • -11.44db
55% Popularity • 45% Danceability • 44% Energy • 10% Liveness
18% Instrumentalness • 14% Positiveness
55% Popularity • 45% Danceability • 44% Energy • 10% Liveness
18% Instrumentalness • 14% Positiveness
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John Adams
Fearful Symmetries - excerpt
112 bpm • C# Maj • 03:02 • -39.42db
13% Popularity • 19% Danceability • 3% Energy • 10% Liveness
98% Instrumentalness • 13% Positiveness
13% Popularity • 19% Danceability • 3% Energy • 10% Liveness
98% Instrumentalness • 13% Positiveness
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The Hailey Rutledge Ensemble
Hi
112 bpm • C min • 01:45 • -21db
14% Popularity • 32% Danceability • 7% Energy • 12% Liveness
82% Instrumentalness • 10% Positiveness
14% Popularity • 32% Danceability • 7% Energy • 12% Liveness
82% Instrumentalness • 10% Positiveness
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Edvard Grieg
Lyric Pieces, Book 9, Op. 68: Badnlat (C...
112 bpm • E Maj • 02:11 • -35.63db
60% Popularity • 38% Danceability • 2% Energy • 8% Liveness
87% Instrumentalness • 20% Positiveness
60% Popularity • 38% Danceability • 2% Energy • 8% Liveness
87% Instrumentalness • 20% Positiveness
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VÃkingur Ólafsson
For Jóhann
111 bpm • C min • 03:03 • -34db
33% Popularity • 63% Danceability • 9% Energy • 9% Liveness
95% Instrumentalness • 24% Positiveness
33% Popularity • 63% Danceability • 9% Energy • 9% Liveness
95% Instrumentalness • 24% Positiveness
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Pavel Kogan
Scherzo in D Minor
121 bpm • D min • 04:49 • -14.2db
20% Popularity • 53% Danceability • 38% Energy • 12% Liveness
90% Instrumentalness • 57% Positiveness
20% Popularity • 53% Danceability • 38% Energy • 12% Liveness
90% Instrumentalness • 57% Positiveness
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Benjamin Britten
Simple Symphony, Op. 4: II. Playful Pizz...
121 bpm • C Maj • 03:06 • -24.23db
34% Popularity • 52% Danceability • 21% Energy • 11% Liveness
89% Instrumentalness • 16% Positiveness
34% Popularity • 52% Danceability • 21% Energy • 11% Liveness
89% Instrumentalness • 16% Positiveness
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Takashi Yoshimatsu
Dream Colored Mobile II, Op. 58a
121 bpm • A# Maj • 06:54 • -30.38db
18% Popularity • 18% Danceability • 4% Energy • 13% Liveness
81% Instrumentalness • 4% Positiveness
18% Popularity • 18% Danceability • 4% Energy • 13% Liveness
81% Instrumentalness • 4% Positiveness
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Max Richter
Recomposed By Max Richter: Vivaldi, The ...
111 bpm • F min • 04:39 • -15.34db
42% Popularity • 47% Danceability • 26% Energy • 32% Liveness
87% Instrumentalness • 4% Positiveness
42% Popularity • 47% Danceability • 26% Energy • 32% Liveness
87% Instrumentalness • 4% Positiveness
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Edvard Grieg
Lyric Pieces, Book 1, Op. 12: Arietta
111 bpm • D# Maj • 01:23 • -31db
63% Popularity • 43% Danceability • 2% Energy • 27% Liveness
94% Instrumentalness • 35% Positiveness
63% Popularity • 43% Danceability • 2% Energy • 27% Liveness
94% Instrumentalness • 35% Positiveness
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John Adams
Girls of the Golden West: Lola Montez Do...
111 bpm • G Maj • 05:52 • -20.15db
20% Popularity • 42% Danceability • 17% Energy • 11% Liveness
80% Instrumentalness • 7% Positiveness
20% Popularity • 42% Danceability • 17% Energy • 11% Liveness
80% Instrumentalness • 7% Positiveness
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Geoffrey Burgon
Rain in Venice
122 bpm • G# Maj • 03:12 • -32.32db
28% Popularity • 18% Danceability • 1% Energy • 12% Liveness
98% Instrumentalness • 8% Positiveness
28% Popularity • 18% Danceability • 1% Energy • 12% Liveness
98% Instrumentalness • 8% Positiveness
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Trevor Gureckis
The Goldfinch Theme - Solo Piano
122 bpm • F# Maj • 03:36 • -21.81db
24% Popularity • 30% Danceability • 12% Energy • 12% Liveness
92% Instrumentalness • 3% Positiveness
24% Popularity • 30% Danceability • 12% Energy • 12% Liveness
92% Instrumentalness • 3% Positiveness
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Frédéric Chopin
Prelude in E Minor, Op. 28, No. 4
110 bpm • A min • 02:06 • -25.57db
35% Popularity • 42% Danceability • 1% Energy • 13% Liveness
91% Instrumentalness • 4% Positiveness
35% Popularity • 42% Danceability • 1% Energy • 13% Liveness
91% Instrumentalness • 4% Positiveness
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Max Richter
Recomposed By Max Richter: Vivaldi, The ...
111 bpm • E Maj • 03:09 • -12.82db
46% Popularity • 54% Danceability • 30% Energy • 12% Liveness
90% Instrumentalness • 41% Positiveness
46% Popularity • 54% Danceability • 30% Energy • 12% Liveness
90% Instrumentalness • 41% Positiveness
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Nicholas Britell
The Spot
110 bpm • A min • 01:23 • -20.63db
32% Popularity • 35% Danceability • 28% Energy • 12% Liveness
90% Instrumentalness • 3% Positiveness
32% Popularity • 35% Danceability • 28% Energy • 12% Liveness
90% Instrumentalness • 3% Positiveness
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Gabriel Fauré
Sicilienne, Op. 78
123 bpm • D# Maj • 03:31 • -25db
52% Popularity • 29% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 10% Positiveness
52% Popularity • 29% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 10% Positiveness
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Camille Saint-Saëns
The Swan
123 bpm • G Maj • 02:54 • -18.17db
63% Popularity • 22% Danceability • 15% Energy • 9% Liveness
94% Instrumentalness • 12% Positiveness
63% Popularity • 22% Danceability • 15% Energy • 9% Liveness
94% Instrumentalness • 12% Positiveness
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Steve Reich
Duet for two Solo Violins and String Orc...
124 bpm • F Maj • 05:34 • -16db
28% Popularity • 29% Danceability • 27% Energy • 91% Liveness
0% Instrumentalness • 19% Positiveness
28% Popularity • 29% Danceability • 27% Energy • 91% Liveness
0% Instrumentalness • 19% Positiveness
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Frédéric Chopin
Preludes, Op. 28: No. 4, Largo
109 bpm • A min • 02:11 • -25.93db
60% Popularity • 38% Danceability • 2% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
60% Popularity • 38% Danceability • 2% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
Serenade - Tchaikovsky: Serenade in C ma...
109 bpm • C Maj • 09:36 • -20.28db
14% Popularity • 29% Danceability • 19% Energy • 29% Liveness
85% Instrumentalness • 24% Positiveness
14% Popularity • 29% Danceability • 19% Energy • 29% Liveness
85% Instrumentalness • 24% Positiveness
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Terry Riley
G Song
109 bpm • G min • 09:39 • -20.98db
23% Popularity • 31% Danceability • 22% Energy • 34% Liveness
87% Instrumentalness • 45% Positiveness
23% Popularity • 31% Danceability • 22% Energy • 34% Liveness
87% Instrumentalness • 45% Positiveness
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Wolfgang Amadeus Mozart
Piano Concerto No. 23 in A Major, K. 488...
108 bpm • F# min • 05:33 • -28db
42% Popularity • 27% Danceability • 2% Energy • 11% Liveness
92% Instrumentalness • 6% Positiveness
42% Popularity • 27% Danceability • 2% Energy • 11% Liveness
92% Instrumentalness • 6% Positiveness
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Max Richter
Recomposed By Max Richter: Vivaldi, The ...
108 bpm • C# min • 02:32 • -15db
43% Popularity • 46% Danceability • 28% Energy • 26% Liveness
95% Instrumentalness • 12% Positiveness
43% Popularity • 46% Danceability • 28% Energy • 26% Liveness
95% Instrumentalness • 12% Positiveness
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John Adams
Harmonium (for large orchestra and choru...
125 bpm • E min • 10:37 • -25.25db
13% Popularity • 22% Danceability • 9% Energy • 28% Liveness
90% Instrumentalness • 3% Positiveness
13% Popularity • 22% Danceability • 9% Energy • 28% Liveness
90% Instrumentalness • 3% Positiveness
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Francis Poulenc
Mélancolie, FP 105
108 bpm • C# Maj • 06:15 • -26db
30% Popularity • 37% Danceability • 2% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
30% Popularity • 37% Danceability • 2% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
Six Pieces, Op. 51, TH 143: VI. Valse se...
108 bpm • C# Maj • 02:21 • -26.18db
60% Popularity • 25% Danceability • 6% Energy • 7% Liveness
2% Instrumentalness • 4% Positiveness
60% Popularity • 25% Danceability • 6% Energy • 7% Liveness
2% Instrumentalness • 4% Positiveness
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David Lang
Gravity
125 bpm • F Maj • 05:08 • -40.03db
13% Popularity • 49% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 14% Positiveness
13% Popularity • 49% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 14% Positiveness
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Sergei Rachmaninoff
Symphony No. 2 in E Minor, Op. 27: II. A...
108 bpm • F Maj • 07:19 • -21db
16% Popularity • 32% Danceability • 16% Energy • 21% Liveness
94% Instrumentalness • 28% Positiveness
16% Popularity • 32% Danceability • 16% Energy • 21% Liveness
94% Instrumentalness • 28% Positiveness
► Preview
Emile Mosseri
Infinite Love
125 bpm • D# Maj • 02:25 • -18db
62% Popularity • 25% Danceability • 22% Energy • 21% Liveness
96% Instrumentalness • 10% Positiveness
62% Popularity • 25% Danceability • 22% Energy • 21% Liveness
96% Instrumentalness • 10% Positiveness
► Preview
Arvo Pärt
Pärt: Summa for String Orchestra
107 bpm • G min • 05:00 • -28db
23% Popularity • 16% Danceability • 4% Energy • 30% Liveness
79% Instrumentalness • 10% Positiveness
23% Popularity • 16% Danceability • 4% Energy • 30% Liveness
79% Instrumentalness • 10% Positiveness
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John Adams
Must the Devil Have All the Good Tunes?:...
125 bpm • C min • 07:41 • -12.03db
10% Popularity • 41% Danceability • 46% Energy • 11% Liveness
93% Instrumentalness • 12% Positiveness
10% Popularity • 41% Danceability • 46% Energy • 11% Liveness
93% Instrumentalness • 12% Positiveness
► Preview
Chilly Gonzales
Prelude In C Sharp Major
125 bpm • D# min • 02:37 • -24.93db
31% Popularity • 40% Danceability • 8% Energy • 8% Liveness
90% Instrumentalness • 8% Positiveness
31% Popularity • 40% Danceability • 8% Energy • 8% Liveness
90% Instrumentalness • 8% Positiveness
► Preview
Ludwig van Beethoven
String Quartet No. 1 in F Major, Op. 18 ...
125 bpm • D min • 08:39 • -25.18db
19% Popularity • 21% Danceability • 4% Energy • 9% Liveness
43% Instrumentalness • 4% Positiveness
19% Popularity • 21% Danceability • 4% Energy • 9% Liveness
43% Instrumentalness • 4% Positiveness
► Preview
Maurice Ravel
Ravel: Pavane pour une infante défunte,...
126 bpm • E min • 05:46 • -27db
60% Popularity • 49% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 9% Positiveness
60% Popularity • 49% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 9% Positiveness
► Preview
Max Richter
Recomposed By Max Richter: Vivaldi, The ...
126 bpm • G min • 04:11 • -13db
46% Popularity • 33% Danceability • 52% Energy • 27% Liveness
24% Instrumentalness • 7% Positiveness
46% Popularity • 33% Danceability • 52% Energy • 27% Liveness
24% Instrumentalness • 7% Positiveness
► Preview
Camille Saint-Saëns
Le Carnaval des Animaux, R. 125: VII. Aq...
126 bpm • A min • 02:41 • -35db
39% Popularity • 24% Danceability • 2% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
39% Popularity • 24% Danceability • 2% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
► Preview
Ólafur Arnalds
Eyes Shut - Nocturne in C Minor
107 bpm • C min • 06:41 • -25db
37% Popularity • 22% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
37% Popularity • 22% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Delirium Musicum
The Four Seasons: Spring 1
107 bpm • C# min • 02:30 • -14.53db
31% Popularity • 62% Danceability • 24% Energy • 8% Liveness
86% Instrumentalness • 13% Positiveness
31% Popularity • 62% Danceability • 24% Energy • 8% Liveness
86% Instrumentalness • 13% Positiveness
► Preview
Joep Beving
Etude
126 bpm • A min • 04:35 • -28db
50% Popularity • 41% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 24% Positiveness
50% Popularity • 41% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 24% Positiveness
► Preview
John Adams
Adams: Two Fanfares for Orchestra: I. Tr...
127 bpm • G Maj • 04:07 • -28.76db
4% Popularity • 28% Danceability • 4% Energy • 6% Liveness
95% Instrumentalness • 4% Positiveness
4% Popularity • 28% Danceability • 4% Energy • 6% Liveness
95% Instrumentalness • 4% Positiveness
► Preview
Justin Hurwitz
Epilogue
127 bpm • G Maj • 07:39 • -12db
62% Popularity • 41% Danceability • 27% Energy • 52% Liveness
83% Instrumentalness • 14% Positiveness
62% Popularity • 41% Danceability • 27% Energy • 52% Liveness
83% Instrumentalness • 14% Positiveness
► Preview
Camille Saint-Saëns
Carnival of the Animals, R. 125: XIII. T...
127 bpm • G Maj • 03:06 • -41.41db
34% Popularity • 17% Danceability • 0% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
34% Popularity • 17% Danceability • 0% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
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Ezio Bosso
Minuetto "Jeux D'Enfance!" - Archi
127 bpm • F min • 02:33 • -25.17db
14% Popularity • 76% Danceability • 14% Energy • 11% Liveness
91% Instrumentalness • 51% Positiveness
14% Popularity • 76% Danceability • 14% Energy • 11% Liveness
91% Instrumentalness • 51% Positiveness
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Peter Gregson
1.3 Courante
106 bpm • G Maj • 02:26 • -14.72db
29% Popularity • 39% Danceability • 34% Energy • 13% Liveness
90% Instrumentalness • 61% Positiveness
29% Popularity • 39% Danceability • 34% Energy • 13% Liveness
90% Instrumentalness • 61% Positiveness
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Max Richter
Recomposed By Max Richter: Vivaldi, The ...
106 bpm • C# min • 02:31 • -12.26db
65% Popularity • 70% Danceability • 34% Energy • 36% Liveness
90% Instrumentalness • 16% Positiveness
65% Popularity • 70% Danceability • 34% Energy • 36% Liveness
90% Instrumentalness • 16% Positiveness
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Maurice Ravel
À La Manière De Borodine
105 bpm • C# Maj • 01:30 • -24db
40% Popularity • 28% Danceability • 7% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
40% Popularity • 28% Danceability • 7% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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Arvo Pärt
Spiegel im Spiegel
105 bpm • F Maj • 07:08 • -29.71db
14% Popularity • 54% Danceability • 2% Energy • 6% Liveness
93% Instrumentalness • 28% Positiveness
14% Popularity • 54% Danceability • 2% Energy • 6% Liveness
93% Instrumentalness • 28% Positiveness
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Franz Liszt
Années de pèlerinage I, S. 160: VIII. ...
128 bpm • D Maj • 06:07 • -31db
22% Popularity • 48% Danceability • 0% Energy • 8% Liveness
95% Instrumentalness • 10% Positiveness
22% Popularity • 48% Danceability • 0% Energy • 8% Liveness
95% Instrumentalness • 10% Positiveness
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John Adams
Adams: Nixon in China: Act I, Scene 1 - ...
105 bpm • A min • 02:53 • -34db
19% Popularity • 22% Danceability • 3% Energy • 32% Liveness
96% Instrumentalness • 6% Positiveness
19% Popularity • 22% Danceability • 3% Energy • 32% Liveness
96% Instrumentalness • 6% Positiveness
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Joep Beving
An Amalgamation Waltz 1839
128 bpm • D min • 04:06 • -30.37db
48% Popularity • 36% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 19% Positiveness
48% Popularity • 36% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 19% Positiveness
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Ludwig van Beethoven
String Quartet No. 1 in F Major, Op. 18 ...
105 bpm • D min • 09:54 • -22db
11% Popularity • 20% Danceability • 11% Energy • 14% Liveness
16% Instrumentalness • 6% Positiveness
11% Popularity • 20% Danceability • 11% Energy • 14% Liveness
16% Instrumentalness • 6% Positiveness
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Sergei Prokofiev
Lieutenant Kijé, Symphonic Suite, Op. 6...
105 bpm • G min • 04:31 • -30.72db
28% Popularity • 19% Danceability • 2% Energy • 10% Liveness
86% Instrumentalness • 7% Positiveness
28% Popularity • 19% Danceability • 2% Energy • 10% Liveness
86% Instrumentalness • 7% Positiveness
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Justin Hurwitz
Planetarium
129 bpm • G Maj • 04:17 • -15.44db
61% Popularity • 25% Danceability • 14% Energy • 55% Liveness
73% Instrumentalness • 4% Positiveness
61% Popularity • 25% Danceability • 14% Energy • 55% Liveness
73% Instrumentalness • 4% Positiveness
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Valeria Szervánszky
Ma mère l'oye, M. 60: 3. Laideronnette,...
129 bpm • G# min • 03:11 • -25db
22% Popularity • 35% Danceability • 6% Energy • 9% Liveness
86% Instrumentalness • 7% Positiveness
22% Popularity • 35% Danceability • 6% Energy • 9% Liveness
86% Instrumentalness • 7% Positiveness
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Jon Brion
Theme
104 bpm • D# Maj • 02:23 • -22.91db
53% Popularity • 57% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 19% Positiveness
53% Popularity • 57% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 19% Positiveness
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Camille Saint-Saëns
Le Carnaval des Animaux, R. 125: 13. Le ...
130 bpm • G Maj • 02:45 • -31.63db
59% Popularity • 17% Danceability • 2% Energy • 7% Liveness
93% Instrumentalness • 4% Positiveness
59% Popularity • 17% Danceability • 2% Energy • 7% Liveness
93% Instrumentalness • 4% Positiveness
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John Adams
Adams: Nixon in China: Act III - (Beginn...
129 bpm • D min • 01:10 • -31db
28% Popularity • 54% Danceability • 14% Energy • 13% Liveness
85% Instrumentalness • 59% Positiveness
28% Popularity • 54% Danceability • 14% Energy • 13% Liveness
85% Instrumentalness • 59% Positiveness
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Frédéric Chopin
Chopin: 24 Preludes, Op. 28: No. 15 in D...
130 bpm • C# Maj • 05:48 • -29.48db
50% Popularity • 40% Danceability • 0% Energy • 9% Liveness
92% Instrumentalness • 8% Positiveness
50% Popularity • 40% Danceability • 0% Energy • 9% Liveness
92% Instrumentalness • 8% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: No. 7 in F Major, ...
130 bpm • F Maj • 03:06 • -30.17db
60% Popularity • 50% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 31% Positiveness
60% Popularity • 50% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 31% Positiveness
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Alexander Scriabin
3 Pieces, Op. 2: Prelude in B Major, Op....
131 bpm • B Maj • 00:59 • -41db
55% Popularity • 31% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 18% Positiveness
55% Popularity • 31% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 18% Positiveness
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Beat Furrer
Voicelessness. The snow has no voice (19...
131 bpm • E min • 10:44 • -43.8db
5% Popularity • 38% Danceability • 0% Energy • 9% Liveness
72% Instrumentalness • 12% Positiveness
5% Popularity • 38% Danceability • 0% Energy • 9% Liveness
72% Instrumentalness • 12% Positiveness
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Franz Gordon
Diving with My Harpoon
102 bpm • A# min • 02:26 • -24.39db
36% Popularity • 34% Danceability • 5% Energy • 11% Liveness
93% Instrumentalness • 13% Positiveness
36% Popularity • 34% Danceability • 5% Energy • 11% Liveness
93% Instrumentalness • 13% Positiveness
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Thomas Adès
Colette
131 bpm • C# Maj • 04:09 • -25.18db
38% Popularity • 50% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 21% Positiveness
38% Popularity • 50% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 21% Positiveness
