Songs like Adams: Harmonielehre: II. The Anfortas Wound by John Adams
Based on a tempo of (+/- 10%) and a similar genre
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Richard Wagner
Gotterdammerung (Twilight of the Gods): ...
67 bpm • B Maj • 02:09 • -24.41db
23% Popularity • 11% Danceability • 3% Energy • 13% Liveness
92% Instrumentalness • 3% Positiveness
23% Popularity • 11% Danceability • 3% Energy • 13% Liveness
92% Instrumentalness • 3% Positiveness
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John Adams
Adams: Harmonielehre: II. The Anfortas W...
67 bpm • G min • 12:54 • -22.72db
14% Popularity • 6% Danceability • 5% Energy • 10% Liveness
87% Instrumentalness • 3% Positiveness
14% Popularity • 6% Danceability • 5% Energy • 10% Liveness
87% Instrumentalness • 3% Positiveness
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Igor Stravinsky
Stravinsky: The Rite of Spring, Pt. 1 "A...
67 bpm • A# min • 04:06 • -23.66db
11% Popularity • 21% Danceability • 2% Energy • 11% Liveness
86% Instrumentalness • 6% Positiveness
11% Popularity • 21% Danceability • 2% Energy • 11% Liveness
86% Instrumentalness • 6% Positiveness
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Edvard Grieg
Peer Gynt, Op. 23: No. 13, Morning Mood
66 bpm • E Maj • 04:19 • -23db
39% Popularity • 6% Danceability • 2% Energy • 12% Liveness
95% Instrumentalness • 3% Positiveness
39% Popularity • 6% Danceability • 2% Energy • 12% Liveness
95% Instrumentalness • 3% Positiveness
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Kronos Quartet
Winter Was Hard
68 bpm • E min • 01:45 • -31.89db
23% Popularity • 24% Danceability • 3% Energy • 6% Liveness
81% Instrumentalness • 4% Positiveness
23% Popularity • 24% Danceability • 3% Energy • 6% Liveness
81% Instrumentalness • 4% Positiveness
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Elliott Carter
2 Thoughts About the Piano: No. 2. Caten...
68 bpm • F# Maj • 03:48 • -24db
8% Popularity • 30% Danceability • 25% Energy • 8% Liveness
89% Instrumentalness • 78% Positiveness
8% Popularity • 30% Danceability • 25% Energy • 8% Liveness
89% Instrumentalness • 78% Positiveness
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Richard Wagner
Das Rheingold: Prelude
68 bpm • G# Maj • 04:35 • -27.49db
24% Popularity • 15% Danceability • 0% Energy • 24% Liveness
97% Instrumentalness • 2% Positiveness
24% Popularity • 15% Danceability • 0% Energy • 24% Liveness
97% Instrumentalness • 2% Positiveness
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John Adams
City Noir: II. The Song Is for You
67 bpm • F Maj • 08:47 • -20.21db
9% Popularity • 8% Danceability • 8% Energy • 7% Liveness
74% Instrumentalness • 4% Positiveness
9% Popularity • 8% Danceability • 8% Energy • 7% Liveness
74% Instrumentalness • 4% Positiveness
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Modest Mussorgsky
Une larme
66 bpm • G min • 03:12 • -39.26db
19% Popularity • 45% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 27% Positiveness
19% Popularity • 45% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 27% Positiveness
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Charles Ives
The Unanswered Question
68 bpm • C Maj • 05:10 • -36.1db
7% Popularity • 6% Danceability • 0% Energy • 5% Liveness
33% Instrumentalness • 3% Positiveness
7% Popularity • 6% Danceability • 0% Energy • 5% Liveness
33% Instrumentalness • 3% Positiveness
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Robert Schumann
Schumann: Symphony No. 2 in C Major, Op....
66 bpm • C Maj • 09:21 • -15.53db
12% Popularity • 14% Danceability • 23% Energy • 63% Liveness
87% Instrumentalness • 21% Positiveness
12% Popularity • 14% Danceability • 23% Energy • 63% Liveness
87% Instrumentalness • 21% Positiveness
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Igor Stravinsky
Stravinsky: The Rite of Spring, Pt. 1 "A...
66 bpm • A Maj • 03:27 • -32.97db
12% Popularity • 16% Danceability • 1% Energy • 6% Liveness
82% Instrumentalness • 4% Positiveness
12% Popularity • 16% Danceability • 1% Energy • 6% Liveness
82% Instrumentalness • 4% Positiveness
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Erik Satie
3 Gnossiennes: Gnossienne No. 3
66 bpm • A min • 03:30 • -39.47db
13% Popularity • 25% Danceability • 0% Energy • 9% Liveness
96% Instrumentalness • 5% Positiveness
13% Popularity • 25% Danceability • 0% Energy • 9% Liveness
96% Instrumentalness • 5% Positiveness
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John Adams
Adams: Harmonielehre, Pt. II: the Anfort...
67 bpm • G min • 12:17 • -26.45db
10% Popularity • 9% Danceability • 2% Energy • 10% Liveness
83% Instrumentalness • 3% Positiveness
10% Popularity • 9% Danceability • 2% Energy • 10% Liveness
83% Instrumentalness • 3% Positiveness
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Richard Wagner
Wagner: Götterdämmerung, Act III, Scen...
68 bpm • G min • 05:37 • -20db
10% Popularity • 6% Danceability • 3% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
10% Popularity • 6% Danceability • 3% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
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Charles Ives
The Unanswered Question
68 bpm • C Maj • 05:55 • -31.37db
19% Popularity • 6% Danceability • 1% Energy • 22% Liveness
97% Instrumentalness • 4% Positiveness
19% Popularity • 6% Danceability • 1% Energy • 22% Liveness
97% Instrumentalness • 4% Positiveness
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Alan Hovhaness
Mysterious Mountain
66 bpm • C Maj • 01:45 • -16.14db
12% Popularity • 6% Danceability • 24% Energy • 11% Liveness
79% Instrumentalness • 3% Positiveness
12% Popularity • 6% Danceability • 24% Energy • 11% Liveness
79% Instrumentalness • 3% Positiveness
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Krzysztof Penderecki
The Dream of Jacob - 1994 Remastered Ver...
65 bpm • A min • 07:31 • -19db
13% Popularity • 7% Danceability • 28% Energy • 10% Liveness
86% Instrumentalness • 3% Positiveness
13% Popularity • 7% Danceability • 28% Energy • 10% Liveness
86% Instrumentalness • 3% Positiveness
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Edvard Grieg
Peer Gynt, Op. 23: Prelude to Act 4 (Mor...
69 bpm • E Maj • 04:18 • -26.15db
16% Popularity • 20% Danceability • 2% Energy • 36% Liveness
88% Instrumentalness • 4% Positiveness
16% Popularity • 20% Danceability • 2% Energy • 36% Liveness
88% Instrumentalness • 4% Positiveness
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Karol Szymanowski
20 Mazurkas, Op. 50: No. 1
69 bpm • A Maj • 02:02 • -39.03db
20% Popularity • 29% Danceability • 0% Energy • 9% Liveness
88% Instrumentalness • 15% Positiveness
20% Popularity • 29% Danceability • 0% Energy • 9% Liveness
88% Instrumentalness • 15% Positiveness
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Richard Wagner
Tristan & Isolde: Isoldes Liebestod
66 bpm • B Maj • 06:36 • -24db
19% Popularity • 16% Danceability • 6% Energy • 12% Liveness
90% Instrumentalness • 3% Positiveness
19% Popularity • 16% Danceability • 6% Energy • 12% Liveness
90% Instrumentalness • 3% Positiveness
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George Crumb
Black Angels: III. Return
69 bpm • D# min • 07:16 • -37.18db
11% Popularity • 15% Danceability • 4% Energy • 32% Liveness
2% Instrumentalness • 4% Positiveness
11% Popularity • 15% Danceability • 4% Energy • 32% Liveness
2% Instrumentalness • 4% Positiveness
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Claude Debussy
Preludes, Book 1: No. 10: La cathedrale ...
65 bpm • C Maj • 05:52 • -22db
34% Popularity • 38% Danceability • 0% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
34% Popularity • 38% Danceability • 0% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
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Franz Schubert
Schubert: Rosamunde, Op. 26, D. 797: Ent...
69 bpm • A# Maj • 06:56 • -28.62db
14% Popularity • 10% Danceability • 4% Energy • 13% Liveness
90% Instrumentalness • 7% Positiveness
14% Popularity • 10% Danceability • 4% Energy • 13% Liveness
90% Instrumentalness • 7% Positiveness
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Henryk Górecki
Concerto-Cantata, Op. 65: II. Arioso: Le...
69 bpm • F min • 04:35 • -35db
17% Popularity • 16% Danceability • 0% Energy • 9% Liveness
91% Instrumentalness • 3% Positiveness
17% Popularity • 16% Danceability • 0% Energy • 9% Liveness
91% Instrumentalness • 3% Positiveness
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Arvo Pärt
Fratres
69 bpm • D Maj • 09:49 • -21.63db
16% Popularity • 15% Danceability • 7% Energy • 9% Liveness
56% Instrumentalness • 3% Positiveness
16% Popularity • 15% Danceability • 7% Energy • 9% Liveness
56% Instrumentalness • 3% Positiveness
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Richard Wagner
Das Rheingold: Scene 1: Vorspiel
69 bpm • G# Maj • 04:45 • -29db
10% Popularity • 8% Danceability • 2% Energy • 12% Liveness
96% Instrumentalness • 3% Positiveness
10% Popularity • 8% Danceability • 2% Energy • 12% Liveness
96% Instrumentalness • 3% Positiveness
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The City of Prague Philharmonic Orchestra
Intermezzo, Pt. 2 - Tristan and Isolde
69 bpm • C Maj • 03:33 • -18.61db
14% Popularity • 11% Danceability • 4% Energy • 6% Liveness
58% Instrumentalness • 3% Positiveness
14% Popularity • 11% Danceability • 4% Energy • 6% Liveness
58% Instrumentalness • 3% Positiveness
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Krzysztof Penderecki
Symphony No. 3: Passacaglia - Allegro mo...
69 bpm • G Maj • 06:46 • -17.81db
31% Popularity • 12% Danceability • 1% Energy • 11% Liveness
75% Instrumentalness • 4% Positiveness
31% Popularity • 12% Danceability • 1% Energy • 11% Liveness
75% Instrumentalness • 4% Positiveness
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Frederick Delius
Summer Night on the River
65 bpm • A Maj • 06:35 • -31db
1% Popularity • 8% Danceability • 2% Energy • 15% Liveness
72% Instrumentalness • 3% Positiveness
1% Popularity • 8% Danceability • 2% Energy • 15% Liveness
72% Instrumentalness • 3% Positiveness
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Mikhail Ippolitov-Ivanov
Caucasian Sketches, Suite No. 1, Op. 10:...
70 bpm • G Maj • 06:22 • -31.57db
11% Popularity • 10% Danceability • 2% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
11% Popularity • 10% Danceability • 2% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
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Einojuhani Rautavaara
Piano Concerto No. 1, Op. 45: I. Con gra...
70 bpm • G Maj • 09:52 • -21.87db
14% Popularity • 19% Danceability • 9% Energy • 8% Liveness
87% Instrumentalness • 4% Positiveness
14% Popularity • 19% Danceability • 9% Energy • 8% Liveness
87% Instrumentalness • 4% Positiveness
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Richard Wagner
Wagner : Das Rheingold : Prelude
70 bpm • D# Maj • 04:11 • -25.18db
2% Popularity • 6% Danceability • 4% Energy • 39% Liveness
88% Instrumentalness • 3% Positiveness
2% Popularity • 6% Danceability • 4% Energy • 39% Liveness
88% Instrumentalness • 3% Positiveness
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John Leonard Morris
A Transylvanian Lullaby (Arr. Feldman)
70 bpm • F# Maj • 03:58 • -20.67db
9% Popularity • 25% Danceability • 6% Energy • 8% Liveness
4% Instrumentalness • 5% Positiveness
9% Popularity • 25% Danceability • 6% Energy • 8% Liveness
4% Instrumentalness • 5% Positiveness
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Richard Strauss
Also sprach Zarathustra, Op. 30: I. Einl...
70 bpm • C Maj • 02:01 • -18.34db
12% Popularity • 14% Danceability • 9% Energy • 11% Liveness
67% Instrumentalness • 8% Positiveness
12% Popularity • 14% Danceability • 9% Energy • 11% Liveness
67% Instrumentalness • 8% Positiveness
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Arvo Pärt
Fratres (Version for Strings & Percussio...
64 bpm • D min • 10:14 • -25db
19% Popularity • 6% Danceability • 4% Energy • 11% Liveness
79% Instrumentalness • 3% Positiveness
19% Popularity • 6% Danceability • 4% Energy • 11% Liveness
79% Instrumentalness • 3% Positiveness
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Maurice Ravel
Piano Concerto in G Major, M. 83: 2. Ada...
70 bpm • E Maj • 09:28 • -33db
13% Popularity • 19% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
13% Popularity • 19% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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John Adams
Adams: Century Rolls: II. Manny's Gym
64 bpm • E min • 06:22 • -35db
16% Popularity • 13% Danceability • 4% Energy • 11% Liveness
88% Instrumentalness • 8% Positiveness
16% Popularity • 13% Danceability • 4% Energy • 11% Liveness
88% Instrumentalness • 8% Positiveness
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Charles-Valentin Alkan
25 Preludes dans tous les tons majeurs e...
70 bpm • G# Maj • 04:42 • -30db
22% Popularity • 31% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
22% Popularity • 31% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Igor Stravinsky
The Firebird Suite *: Finale
64 bpm • C# min • 03:32 • -14.96db
29% Popularity • 19% Danceability • 31% Energy • 6% Liveness
81% Instrumentalness • 6% Positiveness
29% Popularity • 19% Danceability • 31% Energy • 6% Liveness
81% Instrumentalness • 6% Positiveness
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Olivier Messiaen
Apparition de l'Église éternelle
64 bpm • F Maj • 09:45 • -18db
15% Popularity • 6% Danceability • 8% Energy • 11% Liveness
87% Instrumentalness • 3% Positiveness
15% Popularity • 6% Danceability • 8% Energy • 11% Liveness
87% Instrumentalness • 3% Positiveness
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Toru Takemitsu
Waltz (Face of Another)
71 bpm • F min • 02:18 • -22.61db
17% Popularity • 14% Danceability • 8% Energy • 9% Liveness
76% Instrumentalness • 10% Positiveness
17% Popularity • 14% Danceability • 8% Energy • 9% Liveness
76% Instrumentalness • 10% Positiveness
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Maurice Ravel
Piano Trio in A minor, M. 67: 3. Passaca...
64 bpm • F# min • 08:29 • -25.32db
5% Popularity • 8% Danceability • 0% Energy • 11% Liveness
78% Instrumentalness • 11% Positiveness
5% Popularity • 8% Danceability • 0% Energy • 11% Liveness
78% Instrumentalness • 11% Positiveness
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Aaron Copland
Copland: Symphony No. 3: III. Andantino ...
71 bpm • E min • 10:17 • -28.21db
12% Popularity • 11% Danceability • 2% Energy • 10% Liveness
47% Instrumentalness • 3% Positiveness
12% Popularity • 11% Danceability • 2% Energy • 10% Liveness
47% Instrumentalness • 3% Positiveness
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Zoltán Kodály
Cello Sonata, Op. 8: I. Allegro maestoso...
64 bpm • E Maj • 08:48 • -19.09db
10% Popularity • 16% Danceability • 8% Energy • 11% Liveness
84% Instrumentalness • 12% Positiveness
10% Popularity • 16% Danceability • 8% Energy • 11% Liveness
84% Instrumentalness • 12% Positiveness
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Béla Bartók
Violin Concerto No.1, Sz 36, Op. posth.:...
63 bpm • G Maj • 09:48 • -27.68db
10% Popularity • 18% Danceability • 3% Energy • 9% Liveness
48% Instrumentalness • 3% Positiveness
10% Popularity • 18% Danceability • 3% Energy • 9% Liveness
48% Instrumentalness • 3% Positiveness
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Claude Debussy
Debussy: Suite bergamasque, CD 82, L. 75...
72 bpm • C# Maj • 04:43 • -33.45db
12% Popularity • 33% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
12% Popularity • 33% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
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Einojuhani Rautavaara
Symphony No. 7 "Angel of Light": III. Co...
63 bpm • C# Maj • 10:15 • -32db
4% Popularity • 10% Danceability • 3% Energy • 11% Liveness
87% Instrumentalness • 3% Positiveness
4% Popularity • 10% Danceability • 3% Energy • 11% Liveness
87% Instrumentalness • 3% Positiveness
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Charles Ives
The Unanswered Question
63 bpm • C Maj • 04:36 • -37.35db
8% Popularity • 18% Danceability • 1% Energy • 4% Liveness
76% Instrumentalness • 4% Positiveness
8% Popularity • 18% Danceability • 1% Energy • 4% Liveness
76% Instrumentalness • 4% Positiveness
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Aaron Copland
Copland: Symphony No. 3: II. Allegro mol...
71 bpm • F Maj • 08:43 • -17.19db
13% Popularity • 29% Danceability • 14% Energy • 17% Liveness
84% Instrumentalness • 21% Positiveness
13% Popularity • 29% Danceability • 14% Energy • 17% Liveness
84% Instrumentalness • 21% Positiveness
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Sergei Rachmaninoff
Piano Concerto No. 2 in C Minor, Op. 18:...
62 bpm • E Maj • 10:18 • -31.56db
12% Popularity • 10% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
12% Popularity • 10% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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Robert Schumann
Schumann: Symphony No. 3 in E-Flat Major...
62 bpm • D# min • 06:35 • -20.12db
13% Popularity • 19% Danceability • 9% Energy • 13% Liveness
96% Instrumentalness • 4% Positiveness
13% Popularity • 19% Danceability • 9% Energy • 13% Liveness
96% Instrumentalness • 4% Positiveness
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Claude Debussy
Syrinx, L. 129
62 bpm • G# Maj • 02:48 • -33.38db
14% Popularity • 26% Danceability • 0% Energy • 10% Liveness
34% Instrumentalness • 52% Positiveness
14% Popularity • 26% Danceability • 0% Energy • 10% Liveness
34% Instrumentalness • 52% Positiveness
► Preview
Hector Berlioz
Berlioz: Symphonie fantastique, H. 48: V...
72 bpm • C min • 02:14 • -21.07db
10% Popularity • 30% Danceability • 4% Energy • 62% Liveness
95% Instrumentalness • 13% Positiveness
10% Popularity • 30% Danceability • 4% Energy • 62% Liveness
95% Instrumentalness • 13% Positiveness
► Preview
Gabriel Fauré
Fauré: Pavane, Op. 50
62 bpm • F# min • 06:25 • -26.8db
48% Popularity • 7% Danceability • 4% Energy • 13% Liveness
94% Instrumentalness • 4% Positiveness
48% Popularity • 7% Danceability • 4% Energy • 13% Liveness
94% Instrumentalness • 4% Positiveness
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Aaron Copland
Copland: Symphony No. 3: IV. Molto delib...
71 bpm • D Maj • 13:25 • -17.64db
17% Popularity • 19% Danceability • 19% Energy • 9% Liveness
90% Instrumentalness • 8% Positiveness
17% Popularity • 19% Danceability • 19% Energy • 9% Liveness
90% Instrumentalness • 8% Positiveness
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Carl Nielsen
Helios, Op. 17, FS 32: Helios Overture, ...
72 bpm • C Maj • 09:52 • -18.3db
8% Popularity • 9% Danceability • 10% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
8% Popularity • 9% Danceability • 10% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Howard Hanson
Symphony No. 2, Op. 30, "Romantic": II. ...
73 bpm • D min • 07:26 • -25db
7% Popularity • 8% Danceability • 7% Energy • 9% Liveness
89% Instrumentalness • 3% Positiveness
7% Popularity • 8% Danceability • 7% Energy • 9% Liveness
89% Instrumentalness • 3% Positiveness
► Preview
Alan Hovhaness
Symphony No. 2, Op. 132, "Mysterious Mou...
73 bpm • A min • 05:35 • -23.52db
11% Popularity • 12% Danceability • 18% Energy • 9% Liveness
91% Instrumentalness • 29% Positiveness
11% Popularity • 12% Danceability • 18% Energy • 9% Liveness
91% Instrumentalness • 29% Positiveness
► Preview
Béla Bartók
3 Hungarian Folksongs from the Csìk Dis...
62 bpm • F# min • 03:12 • -28db
26% Popularity • 39% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 15% Positiveness
26% Popularity • 39% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 15% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Tchaikovsky: Symphony No. 6 in B Minor, ...
62 bpm • B min • 11:33 • -19.28db
11% Popularity • 6% Danceability • 8% Energy • 30% Liveness
86% Instrumentalness • 4% Positiveness
11% Popularity • 6% Danceability • 8% Energy • 30% Liveness
86% Instrumentalness • 4% Positiveness
► Preview
Benjamin Britten
Britten: Peter Grimes, Op. 33, Prologue:...
73 bpm • D Maj • 03:19 • -28db
3% Popularity • 10% Danceability • 4% Energy • 54% Liveness
94% Instrumentalness • 4% Positiveness
3% Popularity • 10% Danceability • 4% Energy • 54% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Arvo Pärt
Fratres for Strings and Percussion
73 bpm • D Maj • 08:54 • -21.94db
10% Popularity • 11% Danceability • 10% Energy • 9% Liveness
67% Instrumentalness • 4% Positiveness
10% Popularity • 11% Danceability • 10% Energy • 9% Liveness
67% Instrumentalness • 4% Positiveness
► Preview
Michael Nyman
The Garden Is Becoming A Robe Room - 200...
73 bpm • E min • 06:05 • -11.01db
23% Popularity • 8% Danceability • 31% Energy • 6% Liveness
8% Instrumentalness • 10% Positiveness
23% Popularity • 8% Danceability • 31% Energy • 6% Liveness
8% Instrumentalness • 10% Positiveness
► Preview
Claude Debussy
Prelude a l'apres-midi d'un faune
61 bpm • B Maj • 10:35 • -33.58db
1% Popularity • 7% Danceability • 1% Energy • 7% Liveness
88% Instrumentalness • 3% Positiveness
1% Popularity • 7% Danceability • 1% Energy • 7% Liveness
88% Instrumentalness • 3% Positiveness
► Preview
Béla Bartók
Concerto for Orchestra, Sz. 116, BB 123:...
73 bpm • C Maj • 08:59 • -18db
11% Popularity • 21% Danceability • 24% Energy • 30% Liveness
87% Instrumentalness • 14% Positiveness
11% Popularity • 21% Danceability • 24% Energy • 30% Liveness
87% Instrumentalness • 14% Positiveness
► Preview
Aaron Copland
Fanfare for the Common Man
73 bpm • A# Maj • 02:47 • -16.39db
33% Popularity • 22% Danceability • 16% Energy • 35% Liveness
95% Instrumentalness • 5% Positiveness
33% Popularity • 22% Danceability • 16% Energy • 35% Liveness
95% Instrumentalness • 5% Positiveness
► Preview
Igor Stravinsky
The Firebird Suite *: Introduction
74 bpm • F# min • 02:58 • -39db
12% Popularity • 7% Danceability • 0% Energy • 14% Liveness
85% Instrumentalness • 3% Positiveness
12% Popularity • 7% Danceability • 0% Energy • 14% Liveness
85% Instrumentalness • 3% Positiveness
► Preview
Ferde Grofé
Grand Canyon Suite: 5. Cloudburst
61 bpm • E Maj • 09:55 • -15db
14% Popularity • 9% Danceability • 34% Energy • 28% Liveness
77% Instrumentalness • 4% Positiveness
14% Popularity • 9% Danceability • 34% Energy • 28% Liveness
77% Instrumentalness • 4% Positiveness
► Preview
Aram Khachaturian
Gayane Suite No. 3: IV. Gayane's Adagio
74 bpm • F min • 04:56 • -23.68db
37% Popularity • 10% Danceability • 7% Energy • 12% Liveness
79% Instrumentalness • 4% Positiveness
37% Popularity • 10% Danceability • 7% Energy • 12% Liveness
79% Instrumentalness • 4% Positiveness
► Preview
Kaija Saariaho
7 Papillons: No. 5. —
61 bpm • D Maj • 01:31 • -28db
32% Popularity • 34% Danceability • 19% Energy • 7% Liveness
72% Instrumentalness • 3% Positiveness
32% Popularity • 34% Danceability • 19% Energy • 7% Liveness
72% Instrumentalness • 3% Positiveness
► Preview
Arvo Pärt
Fratres (for violin and piano)
74 bpm • F Maj • 10:13 • -26db
9% Popularity • 26% Danceability • 2% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 26% Danceability • 2% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Nikolai Rimsky-Korsakov
Scheherazade, Op. 35: Scheherazade, Op. ...
74 bpm • E Maj • 10:43 • -18.37db
18% Popularity • 16% Danceability • 7% Energy • 15% Liveness
75% Instrumentalness • 4% Positiveness
18% Popularity • 16% Danceability • 7% Energy • 15% Liveness
75% Instrumentalness • 4% Positiveness
► Preview
György Ligeti
Ligeti: Hamburg Concerto: I. Praeludium
75 bpm • C min • 02:45 • -24db
12% Popularity • 20% Danceability • 0% Energy • 9% Liveness
99% Instrumentalness • 4% Positiveness
12% Popularity • 20% Danceability • 0% Energy • 9% Liveness
99% Instrumentalness • 4% Positiveness
► Preview
Ludwig van Beethoven
Symphony No. 7 In A Major, Op. 22. Alleg...
75 bpm • A min • 07:48 • -26.49db
9% Popularity • 13% Danceability • 1% Energy • 4% Liveness
5% Instrumentalness • 5% Positiveness
9% Popularity • 13% Danceability • 1% Energy • 4% Liveness
5% Instrumentalness • 5% Positiveness
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Robert Schumann
Schumann: Symphony No. 3 in E-Flat Major...
75 bpm • G# Maj • 06:18 • -28.13db
11% Popularity • 11% Danceability • 3% Energy • 12% Liveness
61% Instrumentalness • 10% Positiveness
11% Popularity • 11% Danceability • 3% Energy • 12% Liveness
61% Instrumentalness • 10% Positiveness
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John Adams
Must the Devil Have All the Good Tunes?:...
60 bpm • F Maj • 07:07 • -25db
9% Popularity • 31% Danceability • 8% Energy • 11% Liveness
73% Instrumentalness • 5% Positiveness
9% Popularity • 31% Danceability • 8% Energy • 11% Liveness
73% Instrumentalness • 5% Positiveness
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Aaron Copland
The Red Pony Suite: I. Morning On The Ra...
75 bpm • F Maj • 04:27 • -19.8db
12% Popularity • 30% Danceability • 11% Energy • 9% Liveness
90% Instrumentalness • 10% Positiveness
12% Popularity • 30% Danceability • 11% Energy • 9% Liveness
90% Instrumentalness • 10% Positiveness
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Krzysztof Penderecki
De Natura Sonoris No. 2 - 1994 Remastere...
60 bpm • E Maj • 09:10 • -18db
10% Popularity • 8% Danceability • 8% Energy • 16% Liveness
76% Instrumentalness • 3% Positiveness
10% Popularity • 8% Danceability • 8% Energy • 16% Liveness
76% Instrumentalness • 3% Positiveness
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Béla Bartók
Music for Strings, Percussion and Celest...
75 bpm • A# min • 07:33 • -37.9db
12% Popularity • 8% Danceability • 1% Energy • 27% Liveness
0% Instrumentalness • 4% Positiveness
12% Popularity • 8% Danceability • 1% Energy • 27% Liveness
0% Instrumentalness • 4% Positiveness
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Ludwig van Beethoven
IV. Allegro con brio
75 bpm • A Maj • 06:46 • -13.71db
17% Popularity • 24% Danceability • 36% Energy • 10% Liveness
90% Instrumentalness • 36% Positiveness
17% Popularity • 24% Danceability • 36% Energy • 10% Liveness
90% Instrumentalness • 36% Positiveness
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Carl Orff
Carmina Burana: Reie
59 bpm • F Maj • 02:19 • -46.35db
15% Popularity • 16% Danceability • 0% Energy • 7% Liveness
15% Instrumentalness • 4% Positiveness
15% Popularity • 16% Danceability • 0% Energy • 7% Liveness
15% Instrumentalness • 4% Positiveness
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Olivier Messiaen
Quatuor pour la fin du Temps: VIII. Loua...
76 bpm • E Maj • 07:23 • -24.35db
17% Popularity • 10% Danceability • 4% Energy • 12% Liveness
14% Instrumentalness • 3% Positiveness
17% Popularity • 10% Danceability • 4% Energy • 12% Liveness
14% Instrumentalness • 3% Positiveness
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Claude Debussy
Debussy: Prélude à l'après-midi d'un ...
76 bpm • G# min • 10:24 • -31.41db
7% Popularity • 7% Danceability • 2% Energy • 5% Liveness
71% Instrumentalness • 3% Positiveness
7% Popularity • 7% Danceability • 2% Energy • 5% Liveness
71% Instrumentalness • 3% Positiveness
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John Luther Adams
In The White Silence: Letter B
59 bpm • A min • 03:43 • -20.38db
11% Popularity • 17% Danceability • 14% Energy • 15% Liveness
41% Instrumentalness • 4% Positiveness
11% Popularity • 17% Danceability • 14% Energy • 15% Liveness
41% Instrumentalness • 4% Positiveness
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Maurice Ravel
Pavane pour une infante défunte, M. 19 ...
76 bpm • G Maj • 07:48 • -35.36db
14% Popularity • 7% Danceability • 1% Energy • 7% Liveness
86% Instrumentalness • 3% Positiveness
14% Popularity • 7% Danceability • 1% Energy • 7% Liveness
86% Instrumentalness • 3% Positiveness
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György Ligeti
Ligeti: Ramifications
59 bpm • A Maj • 08:00 • -39.25db
8% Popularity • 8% Danceability • 3% Energy • 11% Liveness
78% Instrumentalness • 4% Positiveness
8% Popularity • 8% Danceability • 3% Energy • 11% Liveness
78% Instrumentalness • 4% Positiveness
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Robert Schumann
Schumann: Symphony No. 3 in E-Flat Major...
76 bpm • C Maj • 07:05 • -20.08db
12% Popularity • 15% Danceability • 10% Energy • 12% Liveness
93% Instrumentalness • 20% Positiveness
12% Popularity • 15% Danceability • 10% Energy • 12% Liveness
93% Instrumentalness • 20% Positiveness
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Arnold Schoenberg
Verklarte Nacht (Transfigured Night), Op...
59 bpm • C min • 06:14 • -20.2db
8% Popularity • 10% Danceability • 12% Energy • 19% Liveness
30% Instrumentalness • 4% Positiveness
8% Popularity • 10% Danceability • 12% Energy • 19% Liveness
30% Instrumentalness • 4% Positiveness
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Claude Debussy
Debussy: 2 Arabesques, CD 74, L. 66: No....
76 bpm • C Maj • 03:12 • -27.22db
33% Popularity • 37% Danceability • 7% Energy • 9% Liveness
89% Instrumentalness • 31% Positiveness
33% Popularity • 37% Danceability • 7% Energy • 9% Liveness
89% Instrumentalness • 31% Positiveness
► Preview
Henryk Górecki
3 Utwory w dawnym stylu (3 Pieces in Old...
76 bpm • A min • 03:17 • -23db
35% Popularity • 13% Danceability • 4% Energy • 8% Liveness
96% Instrumentalness • 3% Positiveness
35% Popularity • 13% Danceability • 4% Energy • 8% Liveness
96% Instrumentalness • 3% Positiveness
► Preview
Louis Andriessen
M is for Man, Music, Mozart: The Eisenst...
59 bpm • A# min • 03:37 • -35db
17% Popularity • 15% Danceability • 1% Energy • 8% Liveness
89% Instrumentalness • 3% Positiveness
17% Popularity • 15% Danceability • 1% Energy • 8% Liveness
89% Instrumentalness • 3% Positiveness
► Preview
Krzysztof Penderecki
3 Pieces in Baroque Style: No. 1. Aria
76 bpm • A# Maj • 02:09 • -29.31db
27% Popularity • 16% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
27% Popularity • 16% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
► Preview
Maki Namekawa
Suite from Dracula - I. Dracula
76 bpm • F min • 01:06 • -20.76db
17% Popularity • 35% Danceability • 5% Energy • 9% Liveness
95% Instrumentalness • 20% Positiveness
17% Popularity • 35% Danceability • 5% Energy • 9% Liveness
95% Instrumentalness • 20% Positiveness
► Preview
Sergei Rachmaninoff
Rachmaninoff: Vocalise, Op. 34, No. 14
76 bpm • A min • 05:24 • -24db
17% Popularity • 7% Danceability • 6% Energy • 8% Liveness
76% Instrumentalness • 4% Positiveness
17% Popularity • 7% Danceability • 6% Energy • 8% Liveness
76% Instrumentalness • 4% Positiveness
► Preview
Richard Wagner
Das Rheingold: Prelude
77 bpm • G# Maj • 05:31 • -28.79db
28% Popularity • 11% Danceability • 5% Energy • 22% Liveness
95% Instrumentalness • 3% Positiveness
28% Popularity • 11% Danceability • 5% Energy • 22% Liveness
95% Instrumentalness • 3% Positiveness
► Preview
Benjamin Britten
The Young Person's Guide to the Orchestr...
77 bpm • A# Maj • 02:04 • -17db
29% Popularity • 42% Danceability • 22% Energy • 46% Liveness
94% Instrumentalness • 53% Positiveness
29% Popularity • 42% Danceability • 22% Energy • 46% Liveness
94% Instrumentalness • 53% Positiveness
► Preview
John Adams
Adams: Harmonielehre, Pt. III: Meister E...
77 bpm • E min • 10:35 • -21.26db
14% Popularity • 18% Danceability • 12% Energy • 23% Liveness
76% Instrumentalness • 3% Positiveness
14% Popularity • 18% Danceability • 12% Energy • 23% Liveness
76% Instrumentalness • 3% Positiveness