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Addio mia bella Napoli
Songs like
Addio mia bella Napoli
by
Enrico Caruso
Based on a tempo of (+/- 10%) and a similar genre
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Jules Massenet
Act III: Je suis seul...Ah, fuyez, douce...
127 bpm • D# Maj • 04:29 • -17.64db
0% Popularity • 32% Danceability • 12% Energy • 12% Liveness
14% Instrumentalness • 12% Positiveness
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Enrico Caruso
Addio mia bella Napoli
127 bpm • A# Maj • 03:16 • -10db
8% Popularity • 45% Danceability • 30% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
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Luigi Denza
Funiculi, funicula
127 bpm • F Maj • 02:37 • -16db
21% Popularity • 58% Danceability • 13% Energy • 30% Liveness
0% Instrumentalness • 55% Positiveness
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Chor der Staatsoper Wien
Giuseppe Verdi: Der Troubadour - Vedi! L...
127 bpm • C Maj • 02:58 • -17db
9% Popularity • 51% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
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Eduardo di Capua
O sole mio
128 bpm • G Maj • 03:21 • -23.33db
1% Popularity • 33% Danceability • 3% Energy • 9% Liveness
4% Instrumentalness • 12% Positiveness
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Umberto Giordano
Fedora: Amor ti vieta di non amar
128 bpm • C# Maj • 01:46 • -9.6db
0% Popularity • 28% Danceability • 32% Energy • 9% Liveness
59% Instrumentalness • 9% Positiveness
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Giuseppe Verdi
Il Trovatore (1910 Recording): Act II: M...
127 bpm • C Maj • 03:35 • -13.97db
16% Popularity • 37% Danceability • 20% Energy • 42% Liveness
0% Instrumentalness • 21% Positiveness
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Ernesto de Curtis
Tu, ca nun chiagne: Tu, can nun chiagne
126 bpm • G min • 02:38 • -15.39db
3% Popularity • 32% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Enrico Caruso
Lolita
128 bpm • C# Maj • 02:48 • -7.85db
3% Popularity • 39% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Renata Tebaldi
Un Bel Di Vedremo (Madame Butterfly)
128 bpm • C# Maj • 04:52 • -10.89db
29% Popularity • 31% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act II: Barcarol...
129 bpm • D Maj • 03:43 • -22.5db
30% Popularity • 24% Danceability • 8% Energy • 28% Liveness
0% Instrumentalness • 4% Positiveness
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Chor der Deutschen Oper Berlin
Der Troubadour: Seht, wie die Wolken am ...
129 bpm • G Maj • 02:54 • -17db
8% Popularity • 45% Danceability • 21% Energy • 24% Liveness
0% Instrumentalness • 46% Positiveness
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Stanislas Gastaldon
Musica proibita, Op. 5
127 bpm • A Maj • 03:39 • -17.13db
1% Popularity • 32% Danceability • 16% Energy • 51% Liveness
0% Instrumentalness • 18% Positiveness
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Charles Gounod
Act III: Salut, demeure chaste et pure
129 bpm • D# Maj • 04:12 • -20.03db
0% Popularity • 24% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Hamburg Symphony Orchestra
Alborada del Gracioso
125 bpm • D Maj • 07:37 • -25db
8% Popularity • 29% Danceability • 7% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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Arrigo Boito
Boito: Mefistofele, Epilogo: "Giunto sul...
130 bpm • G# Maj • 03:12 • -10.31db
0% Popularity • 32% Danceability • 35% Energy • 58% Liveness
0% Instrumentalness • 13% Positiveness
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Jacques Offenbach
Barcarolle: Belle nuit, ô nuit d’amou...
129 bpm • D Maj • 03:58 • -21.53db
20% Popularity • 28% Danceability • 10% Energy • 36% Liveness
0% Instrumentalness • 8% Positiveness
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Mario del Monaco
Notturno d'amore
130 bpm • G Maj • 03:48 • -10db
12% Popularity • 33% Danceability • 34% Energy • 11% Liveness
4% Instrumentalness • 30% Positiveness
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Percy B. Kahn
Ave Maria
127 bpm • G# Maj • 04:05 • -21.35db
3% Popularity • 23% Danceability • 8% Energy • 28% Liveness
1% Instrumentalness • 5% Positiveness
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Charles Gounod
Gounod: Faust, Act 4: Chœur des soldats...
125 bpm • A# Maj • 03:08 • -17db
8% Popularity • 48% Danceability • 29% Energy • 9% Liveness
1% Instrumentalness • 35% Positiveness
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Stanislas Gastaldon
Musica proibita
130 bpm • A Maj • 03:49 • -13.55db
2% Popularity • 26% Danceability • 16% Energy • 17% Liveness
0% Instrumentalness • 7% Positiveness
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Renata Tebaldi
Verdi: La Forza del Destino: La Vergine ...
130 bpm • G Maj • 03:47 • -20db
20% Popularity • 22% Danceability • 17% Energy • 30% Liveness
82% Instrumentalness • 13% Positiveness
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Carl Maria von Weber
Der Freischütz, J. 277 / Act III: "Was ...
124 bpm • D Maj • 02:28 • -14db
19% Popularity • 52% Danceability • 53% Energy • 25% Liveness
2% Instrumentalness • 42% Positiveness
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Aldo Franchetti
Germania: Studenti! udite
130 bpm • A# Maj • 01:52 • -11db
0% Popularity • 34% Danceability • 27% Energy • 35% Liveness
74% Instrumentalness • 33% Positiveness
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Guglielmo Cottrau
Fenesta che lucive
128 bpm • A min • 03:40 • -15.03db
1% Popularity • 34% Danceability • 14% Energy • 12% Liveness
17% Instrumentalness • 15% Positiveness
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Vincenzo Valente
Manella mia
130 bpm • F Maj • 04:28 • -15.33db
0% Popularity • 33% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Traditional
Fenesta che lucive
130 bpm • A min • 03:53 • -16.33db
2% Popularity • 30% Danceability • 11% Energy • 22% Liveness
0% Instrumentalness • 11% Positiveness
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Enrico Caruso
O Sole Mio
131 bpm • G Maj • 03:32 • -9db
25% Popularity • 31% Danceability • 44% Energy • 68% Liveness
0% Instrumentalness • 21% Positiveness
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Carl Orff
In trutina
131 bpm • D Maj • 02:11 • -24.03db
19% Popularity • 26% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Amilcare Ponchielli
Act II: Cielo e mar!
131 bpm • D# Maj • 02:50 • -18.13db
1% Popularity • 28% Danceability • 15% Energy • 24% Liveness
1% Instrumentalness • 17% Positiveness
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Friedrich von Flotow
Act I: Solo, profugo reietto!
126 bpm • F Maj • 04:04 • -17.61db
0% Popularity • 32% Danceability • 15% Energy • 36% Liveness
0% Instrumentalness • 29% Positiveness
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André Rieu
La Traviata: Overture
123 bpm • B Maj • 03:33 • -19.59db
33% Popularity • 26% Danceability • 17% Energy • 36% Liveness
90% Instrumentalness • 5% Positiveness
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Cottrau
Addio a Napoli
131 bpm • A# Maj • 03:22 • -11.34db
1% Popularity • 38% Danceability • 21% Energy • 11% Liveness
2% Instrumentalness • 36% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Die Zauberflöte, K. 620, Act 2:...
131 bpm • F Maj • 03:12 • -13.39db
17% Popularity • 42% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Carmine Coppola
Preghiera
132 bpm • G Maj • 05:29 • -22.18db
18% Popularity • 16% Danceability • 7% Energy • 9% Liveness
78% Instrumentalness • 4% Positiveness
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Victoria de los Ángeles
La Paloma
122 bpm • D Maj • 04:50 • -13db
18% Popularity • 40% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Eduardo di Capua
O sole mio
126 bpm • G Maj • 03:19 • -15.65db
4% Popularity • 32% Danceability • 12% Energy • 44% Liveness
2% Instrumentalness • 19% Positiveness
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Ruggero Leoncavallo
No! Pagliaccio non son
132 bpm • D# Maj • 03:20 • -8.15db
0% Popularity • 31% Danceability • 31% Energy • 26% Liveness
0% Instrumentalness • 21% Positiveness
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De Giorgi
Non t'amo piu
132 bpm • E Maj • 02:11 • -8.79db
0% Popularity • 38% Danceability • 26% Energy • 14% Liveness
49% Instrumentalness • 37% Positiveness
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Wolfgang Amadeus Mozart
Non più andrai, farfallone amoroso
122 bpm • G Maj • 03:54 • -18.48db
14% Popularity • 61% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Enrico Caruso
Santa Lucia - Versione Alternativa
133 bpm • D Maj • 04:11 • -13.07db
1% Popularity • 42% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
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Henry Geehl
For You Alone
133 bpm • G Maj • 02:17 • -16.03db
0% Popularity • 27% Danceability • 26% Energy • 10% Liveness
91% Instrumentalness • 24% Positiveness
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Angelo Mascheroni
Eternamente
128 bpm • D# Maj • 04:29 • -16.92db
1% Popularity • 32% Danceability • 16% Energy • 17% Liveness
1% Instrumentalness • 24% Positiveness
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Amilcare Ponchielli
La Gioconda (1988 Digital Remaster): Cie...
133 bpm • D# Maj • 02:25 • -12.21db
3% Popularity • 34% Danceability • 28% Energy • 82% Liveness
0% Instrumentalness • 24% Positiveness
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Claude François
Revaux & François / Arr. Schifrin: A Tr...
134 bpm • F Maj • 04:01 • -18.42db
30% Popularity • 23% Danceability • 19% Energy • 94% Liveness
12% Instrumentalness • 16% Positiveness
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Giuseppe Verdi
Ora per sempre addio
134 bpm • C min • 02:22 • -10.66db
0% Popularity • 34% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Renata Tebaldi
Libiamo Ne' Lieti Calici (Brindisi) - la...
134 bpm • A# Maj • 03:04 • -13db
33% Popularity • 40% Danceability • 34% Energy • 40% Liveness
0% Instrumentalness • 35% Positiveness
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Mario del Monaco
Core 'ngrato
135 bpm • D# Maj • 02:51 • -11.09db
14% Popularity • 21% Danceability • 40% Energy • 29% Liveness
1% Instrumentalness • 20% Positiveness
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Geoffrey O'Hara
Your Eyes Have Told Me What I Did Not Kn...
129 bpm • C# Maj • 02:04 • -19.25db
4% Popularity • 31% Danceability • 9% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
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Jules Massenet
Massenet: Manon, Act 2: "Chiuder gli occ...
134 bpm • D Maj • 02:43 • -14.06db
4% Popularity • 29% Danceability • 28% Energy • 67% Liveness
0% Instrumentalness • 34% Positiveness
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Al Bano
O Sole Mio
120 bpm • G Maj • 03:45 • -8.48db
0% Popularity • 41% Danceability • 44% Energy • 38% Liveness
0% Instrumentalness • 23% Positiveness
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Arrigo Boito
Dai campi, dai prati
134 bpm • F Maj • 02:34 • -14.09db
0% Popularity • 25% Danceability • 17% Energy • 14% Liveness
57% Instrumentalness • 7% Positiveness
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Alfredo Kraus
L'elisir d'amore "Una Furtiva Lágrima"
135 bpm • A# min • 04:32 • -8db
13% Popularity • 29% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Nino Rota
Polka
135 bpm • G Maj • 01:36 • -12.73db
10% Popularity • 78% Danceability • 44% Energy • 8% Liveness
89% Instrumentalness • 92% Positiveness
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Clarence G. Gartner
Love Is Mine
129 bpm • D# Maj • 02:50 • -18.19db
1% Popularity • 28% Danceability • 17% Energy • 14% Liveness
1% Instrumentalness • 8% Positiveness
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The Oscar's Orchestra
Coro de los Gitanos de Il Trovatore (De ...
135 bpm • G Maj • 02:59 • -14.95db
23% Popularity • 47% Danceability • 18% Energy • 5% Liveness
0% Instrumentalness • 36% Positiveness
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Salvatore Cardillo
Core 'ngrato (orch. G. Chiaramello)
136 bpm • C# Maj • 03:13 • -21db
20% Popularity • 25% Danceability • 11% Energy • 14% Liveness
5% Instrumentalness • 6% Positiveness
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Friedrich von Flotow
Martha oder Der Markt zu Richmond: M'app...
119 bpm • C Maj • 03:31 • -10.66db
0% Popularity • 26% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
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Leo Nucci
Miniera
119 bpm • A Maj • 03:36 • -12db
34% Popularity • 40% Danceability • 21% Energy • 13% Liveness
1% Instrumentalness • 29% Positiveness
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Nino Rota
Quadriglia
119 bpm • F Maj • 02:35 • -13.6db
11% Popularity • 68% Danceability • 28% Energy • 7% Liveness
88% Instrumentalness • 84% Positiveness
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Ernesto de Curtis
Tu ca nun chiagne
125 bpm • D Maj • 02:32 • -13.62db
2% Popularity • 34% Danceability • 18% Energy • 24% Liveness
45% Instrumentalness • 37% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act 1: Les oisea...
136 bpm • G# Maj • 05:02 • -18db
12% Popularity • 44% Danceability • 11% Energy • 68% Liveness
0% Instrumentalness • 16% Positiveness
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Carl Maria von Weber
Weber: Der Freischütz, Op. 77, J. 277, ...
118 bpm • D Maj • 02:37 • -15.08db
8% Popularity • 50% Danceability • 51% Energy • 20% Liveness
0% Instrumentalness • 47% Positiveness
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Tito Schipa
Marechiare
136 bpm • C# Maj • 02:32 • -12db
10% Popularity • 52% Danceability • 20% Energy • 17% Liveness
0% Instrumentalness • 80% Positiveness
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Wolfgang Amadeus Mozart
Don Giovanni, K. 527, Act II: Canzonetta...
137 bpm • D Maj • 02:31 • -28db
20% Popularity • 32% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
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Franz von Suppé
Suppé: Leichte Kavallerie: Overture
138 bpm • A Maj • 07:06 • -19db
9% Popularity • 28% Danceability • 21% Energy • 5% Liveness
86% Instrumentalness • 12% Positiveness
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George M. Cohan
Over There (Par là-bas)
125 bpm • C# Maj • 02:46 • -13.82db
2% Popularity • 56% Danceability • 46% Energy • 47% Liveness
1% Instrumentalness • 91% Positiveness
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Robert Shaw Chorale
Anvil Chorus
139 bpm • C Maj • 02:46 • -14.56db
9% Popularity • 45% Danceability • 31% Energy • 28% Liveness
0% Instrumentalness • 35% Positiveness
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Nicola Piovani
La Vita e Bella - Arr. Bacalov: La Vita ...
115 bpm • E min • 02:56 • -20.2db
11% Popularity • 44% Danceability • 14% Energy • 7% Liveness
30% Instrumentalness • 15% Positiveness
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Arrigo Boito
Mefistofele: Epilogue - Ave Signor - Odi...
139 bpm • E Maj • 03:42 • -15db
11% Popularity • 18% Danceability • 41% Energy • 9% Liveness
74% Instrumentalness • 12% Positiveness
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Nino Rota
La dolce vita - Suite: 9. La dolce vita
115 bpm • F Maj • 02:37 • -10.93db
15% Popularity • 23% Danceability • 32% Energy • 7% Liveness
85% Instrumentalness • 15% Positiveness
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Choir and Orchestra of the Budapest State Opera
Chorus Of The Hebrew Slaves (Nabucco)
142 bpm • C# Maj • 04:22 • -22db
31% Popularity • 20% Danceability • 3% Energy • 33% Liveness
24% Instrumentalness • 8% Positiveness
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Salvatore Cardillo
Core 'ngrato
123 bpm • D# Maj • 04:30 • -18.49db
4% Popularity • 29% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Alessio Olivieri
Inno di Garibaldi
114 bpm • D# Maj • 02:36 • -15.5db
0% Popularity • 61% Danceability • 21% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
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Luigi Denza
Non t'amo piu: Non T'amo piu
114 bpm • E Maj • 02:13 • -14.79db
0% Popularity • 38% Danceability • 13% Energy • 11% Liveness
51% Instrumentalness • 31% Positiveness
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Eduardo di Capua
O sole mio: 'O sole mio
140 bpm • G Maj • 03:26 • -17.79db
2% Popularity • 28% Danceability • 6% Energy • 31% Liveness
0% Instrumentalness • 22% Positiveness
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Nino Rota
Mazurka
140 bpm • F min • 01:46 • -13db
26% Popularity • 52% Danceability • 19% Energy • 12% Liveness
94% Instrumentalness • 57% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act 1: "Glou, gl...
114 bpm • F Maj • 01:19 • -27db
29% Popularity • 45% Danceability • 12% Energy • 13% Liveness
71% Instrumentalness • 22% Positiveness
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Alberto Franchetti
Germania: Act I: Studenti! Udite!
131 bpm • F Maj • 02:30 • -18.71db
1% Popularity • 29% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Traditional
Nabucco, Opera (Nabucodonosor): Coro Di ...
142 bpm • C# Maj • 04:26 • -26.38db
10% Popularity • 19% Danceability • 1% Energy • 8% Liveness
1% Instrumentalness • 9% Positiveness
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Giacomo Puccini
Che gelida manina
142 bpm • G Maj • 04:15 • -12.91db
0% Popularity • 24% Danceability • 18% Energy • 7% Liveness
10% Instrumentalness • 12% Positiveness
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Enrico Caruso
Les Soirées Musicales: No. 8, la Danza
143 bpm • A Maj • 03:12 • -9.85db
4% Popularity • 58% Danceability • 24% Energy • 6% Liveness
22% Instrumentalness • 73% Positiveness
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Nino Rota
La Passerella Di Otto E Mezzo
114 bpm • C# Maj • 02:25 • -6db
20% Popularity • 37% Danceability • 76% Energy • 14% Liveness
95% Instrumentalness • 42% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Die Zauberflöte, K. 620, Act 2:...
143 bpm • F Maj • 02:56 • -14.97db
22% Popularity • 40% Danceability • 24% Energy • 30% Liveness
1% Instrumentalness • 23% Positiveness
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Friedrich von Flotow
Marta: Act II: Siam giunti, o giovinette...
133 bpm • A Maj • 10:09 • -16.91db
0% Popularity • 49% Danceability • 18% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
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Ángeles Ottein
Tú no te vayas
112 bpm • A# Maj • 04:26 • -9db
7% Popularity • 50% Danceability • 29% Energy • 20% Liveness
0% Instrumentalness • 47% Positiveness
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Agnes Baltsa
Carmen (Act I, Sequedille)
112 bpm • D Maj • 02:04 • -14.83db
20% Popularity • 44% Danceability • 19% Energy • 69% Liveness
0% Instrumentalness • 21% Positiveness
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Beniamino Gigli
Mamma
112 bpm • G Maj • 03:34 • -7.15db
13% Popularity • 41% Danceability • 37% Energy • 39% Liveness
0% Instrumentalness • 37% Positiveness
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Salvatore Cardillo
Core 'ngrato
145 bpm • D# Maj • 04:32 • -16.22db
2% Popularity • 31% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Wolfgang Amadeus Mozart
The Magic Flute, K. 620, Act II: Pa-Pa-P...
112 bpm • G Maj • 02:30 • -19db
46% Popularity • 48% Danceability • 19% Energy • 13% Liveness
10% Instrumentalness • 50% Positiveness
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Renata Tebaldi
Act Two (Part One)
147 bpm • F min • 06:20 • -18.68db
9% Popularity • 37% Danceability • 15% Energy • 30% Liveness
83% Instrumentalness • 30% Positiveness
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Pyotr Ilyich Tchaikovsky
Pimpinella, Op. 38 No. 6
134 bpm • A# Maj • 02:53 • -13.88db
0% Popularity • 43% Danceability • 17% Energy • 25% Liveness
0% Instrumentalness • 43% Positiveness
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Ángeles Ottein
Guarda Rufo que vienen los novios
109 bpm • B min • 04:40 • -10db
7% Popularity • 42% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Beniamino Gigli
La spagnola
110 bpm • G Maj • 02:48 • -9.29db
15% Popularity • 44% Danceability • 28% Energy • 27% Liveness
0% Instrumentalness • 59% Positiveness
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Charles Gounod
Gounod: Faust, Act 3: "Les grands seigne...
108 bpm • E Maj • 06:24 • -21.56db
17% Popularity • 36% Danceability • 8% Energy • 20% Liveness
0% Instrumentalness • 15% Positiveness
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Jacques Offenbach
Offenbach: Orphée aux enfers, Act 2: Fi...
108 bpm • A Maj • 02:36 • -19db
8% Popularity • 50% Danceability • 26% Energy • 32% Liveness
0% Instrumentalness • 29% Positiveness
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George Gershwin
Gershwin: Porgy and Bess: "Summertime"
153 bpm • F# min • 02:54 • -13.92db
9% Popularity • 21% Danceability • 19% Energy • 11% Liveness
28% Instrumentalness • 4% Positiveness
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De Crescenzo
Tarantella sicera
151 bpm • F Maj • 03:40 • -11.5db
1% Popularity • 44% Danceability • 23% Energy • 38% Liveness
0% Instrumentalness • 40% Positiveness
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Kurt Weill
Die Dreigroschenoper: Morität von Macki...
158 bpm • E min • 03:12 • -14.38db
14% Popularity • 35% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 47% Positiveness
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Rafael Sanchez Cestero
Ah Si ben mio
164 bpm • G# Maj • 03:45 • -11.46db
13% Popularity • 24% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Addio mia bella Napoli