Songs like Adeline by John-Robert
Based on a tempo of (+/- 10%) and a similar genre
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Zeph
Lucky
95 bpm • C Maj • 03:12 • -17db
48% Popularity • 64% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
48% Popularity • 64% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Layup
Favorite Place to Go
95 bpm • G Maj • 02:54 • -13.71db
55% Popularity • 57% Danceability • 27% Energy • 13% Liveness
8% Instrumentalness • 28% Positiveness
55% Popularity • 57% Danceability • 27% Energy • 13% Liveness
8% Instrumentalness • 28% Positiveness
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Michael Lane
Take It Slow - Organic Edit
95 bpm • D Maj • 04:51 • -14.98db
27% Popularity • 55% Danceability • 38% Energy • 13% Liveness
4% Instrumentalness • 43% Positiveness
27% Popularity • 55% Danceability • 38% Energy • 13% Liveness
4% Instrumentalness • 43% Positiveness
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Sydney Rose
Home
95 bpm • B Maj • 03:25 • -17.25db
45% Popularity • 50% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
45% Popularity • 50% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Ollie MN
Friendly Dark
95 bpm • B Maj • 03:24 • -16.18db
44% Popularity • 72% Danceability • 13% Energy • 11% Liveness
9% Instrumentalness • 23% Positiveness
44% Popularity • 72% Danceability • 13% Energy • 11% Liveness
9% Instrumentalness • 23% Positiveness
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John-Robert
Nova Scotia
95 bpm • C# min • 02:30 • -8.21db
18% Popularity • 58% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
18% Popularity • 58% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Bobby, I Miss You
Scared of You
95 bpm • E Maj • 03:19 • -14.11db
41% Popularity • 45% Danceability • 36% Energy • 10% Liveness
64% Instrumentalness • 26% Positiveness
41% Popularity • 45% Danceability • 36% Energy • 10% Liveness
64% Instrumentalness • 26% Positiveness
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Angus Maude
Blonde Sun
95 bpm • C min • 03:51 • -14db
32% Popularity • 61% Danceability • 21% Energy • 12% Liveness
1% Instrumentalness • 16% Positiveness
32% Popularity • 61% Danceability • 21% Energy • 12% Liveness
1% Instrumentalness • 16% Positiveness
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Lizzy McAlpine
Means Something
95 bpm • G# Maj • 02:24 • -15db
58% Popularity • 43% Danceability • 20% Energy • 37% Liveness
0% Instrumentalness • 36% Positiveness
58% Popularity • 43% Danceability • 20% Energy • 37% Liveness
0% Instrumentalness • 36% Positiveness
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Mike Mains & The Branches
Briggs
96 bpm • A# Maj • 03:14 • -8db
41% Popularity • 62% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
41% Popularity • 62% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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John Vincent III
End
96 bpm • F# Maj • 01:53 • -12.33db
39% Popularity • 40% Danceability • 53% Energy • 12% Liveness
87% Instrumentalness • 8% Positiveness
39% Popularity • 40% Danceability • 53% Energy • 12% Liveness
87% Instrumentalness • 8% Positiveness
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John-Robert
Adeline
95 bpm • D Maj • 03:48 • -9.13db
45% Popularity • 61% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
45% Popularity • 61% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
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Miki Ratsula
Somewhere Only We Know
94 bpm • F min • 03:20 • -21.04db
48% Popularity • 70% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
48% Popularity • 70% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Novo Amor
Hotel / Easy Feeling
96 bpm • D# Maj • 01:56 • -17.24db
41% Popularity • 49% Danceability • 16% Energy • 7% Liveness
2% Instrumentalness • 31% Positiveness
41% Popularity • 49% Danceability • 16% Energy • 7% Liveness
2% Instrumentalness • 31% Positiveness
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Jeremy Zucker
parent song
96 bpm • G Maj • 04:23 • -12.99db
46% Popularity • 60% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
46% Popularity • 60% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Thad Kopec
One Last Wedding
96 bpm • F Maj • 03:42 • -14.14db
27% Popularity • 68% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
27% Popularity • 68% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Peter McPoland
I Love You Too
94 bpm • A# Maj • 03:09 • -18.59db
45% Popularity • 54% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
45% Popularity • 54% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Harry Styles
From the Dining Table
94 bpm • G# Maj • 03:31 • -16.29db
71% Popularity • 67% Danceability • 16% Energy • 11% Liveness
5% Instrumentalness • 20% Positiveness
71% Popularity • 67% Danceability • 16% Energy • 11% Liveness
5% Instrumentalness • 20% Positiveness
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Maddy Estelle
The Sky
94 bpm • C Maj • 03:24 • -10.36db
33% Popularity • 72% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
33% Popularity • 72% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Lizzy McAlpine
You Forced Me To
96 bpm • C# min • 03:03 • -13.62db
53% Popularity • 71% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
53% Popularity • 71% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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Tow'rs
Girl in Calico
94 bpm • C Maj • 04:43 • -14db
44% Popularity • 43% Danceability • 19% Energy • 8% Liveness
50% Instrumentalness • 4% Positiveness
44% Popularity • 43% Danceability • 19% Energy • 8% Liveness
50% Instrumentalness • 4% Positiveness
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COIN
Let It All Out (10:05)
94 bpm • D# Maj • 03:40 • -11db
52% Popularity • 66% Danceability • 40% Energy • 8% Liveness
9% Instrumentalness • 60% Positiveness
52% Popularity • 66% Danceability • 40% Energy • 8% Liveness
9% Instrumentalness • 60% Positiveness
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Delaney Bailey
Forgetting Delaney
94 bpm • G min • 02:32 • -12db
40% Popularity • 49% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
40% Popularity • 49% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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John-Robert
Rock Back & Forth
94 bpm • B Maj • 03:05 • -6.52db
31% Popularity • 74% Danceability • 68% Energy • 12% Liveness
3% Instrumentalness • 73% Positiveness
31% Popularity • 74% Danceability • 68% Energy • 12% Liveness
3% Instrumentalness • 73% Positiveness
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Palmer
pending
94 bpm • A Maj • 02:41 • -12db
33% Popularity • 68% Danceability • 25% Energy • 22% Liveness
0% Instrumentalness • 36% Positiveness
33% Popularity • 68% Danceability • 25% Energy • 22% Liveness
0% Instrumentalness • 36% Positiveness
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Lizzy McAlpine
Movie Star
94 bpm • A Maj • 01:32 • -12.13db
56% Popularity • 67% Danceability • 17% Energy • 17% Liveness
0% Instrumentalness • 56% Positiveness
56% Popularity • 67% Danceability • 17% Energy • 17% Liveness
0% Instrumentalness • 56% Positiveness
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John Vincent III
Untitled #2
94 bpm • F# Maj • 05:14 • -12db
47% Popularity • 42% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
47% Popularity • 42% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Hudson Freeman
Warm Me, Winter
93 bpm • D Maj • 04:44 • -16.28db
33% Popularity • 40% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
33% Popularity • 40% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Alice Kristiansen
Marilyn
97 bpm • C Maj • 03:29 • -13db
27% Popularity • 56% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
27% Popularity • 56% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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The Paper Kites
Only One
97 bpm • B min • 04:11 • -17db
30% Popularity • 60% Danceability • 6% Energy • 12% Liveness
3% Instrumentalness • 18% Positiveness
30% Popularity • 60% Danceability • 6% Energy • 12% Liveness
3% Instrumentalness • 18% Positiveness
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Tarune
Goodnight Baby
97 bpm • G# Maj • 02:31 • -19.77db
43% Popularity • 32% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
43% Popularity • 32% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Novo Amor
First Place
93 bpm • C Maj • 03:33 • -8.34db
45% Popularity • 56% Danceability • 48% Energy • 10% Liveness
1% Instrumentalness • 46% Positiveness
45% Popularity • 56% Danceability • 48% Energy • 10% Liveness
1% Instrumentalness • 46% Positiveness
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Joe P
Off My Mind - Acoustic
97 bpm • C Maj • 04:26 • -8db
37% Popularity • 57% Danceability • 43% Energy • 34% Liveness
0% Instrumentalness • 26% Positiveness
37% Popularity • 57% Danceability • 43% Energy • 34% Liveness
0% Instrumentalness • 26% Positiveness
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Oshima Brothers
These Cold Nights
93 bpm • G Maj • 03:36 • -9.7db
30% Popularity • 67% Danceability • 41% Energy • 15% Liveness
4% Instrumentalness • 29% Positiveness
30% Popularity • 67% Danceability • 41% Energy • 15% Liveness
4% Instrumentalness • 29% Positiveness
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Gabe Goodman
When I Say That I Love You
93 bpm • G# Maj • 02:57 • -13.55db
34% Popularity • 60% Danceability • 40% Energy • 10% Liveness
48% Instrumentalness • 47% Positiveness
34% Popularity • 60% Danceability • 40% Energy • 10% Liveness
48% Instrumentalness • 47% Positiveness
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The Band CAMINO
I Spend Too Much Time in My Room
97 bpm • A Maj • 04:32 • -7db
34% Popularity • 47% Danceability • 44% Energy • 51% Liveness
0% Instrumentalness • 15% Positiveness
34% Popularity • 47% Danceability • 44% Energy • 51% Liveness
0% Instrumentalness • 15% Positiveness
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Ed Patrick
Eyes on You
97 bpm • F# Maj • 03:07 • -14.71db
43% Popularity • 63% Danceability • 26% Energy • 10% Liveness
24% Instrumentalness • 43% Positiveness
43% Popularity • 63% Danceability • 26% Energy • 10% Liveness
24% Instrumentalness • 43% Positiveness
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Richy Mitch & The Coal Miners
Lucerne
97 bpm • B Maj • 04:42 • -6db
55% Popularity • 42% Danceability • 57% Energy • 33% Liveness
0% Instrumentalness • 20% Positiveness
55% Popularity • 42% Danceability • 57% Energy • 33% Liveness
0% Instrumentalness • 20% Positiveness
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Jolé
Alpine Green
98 bpm • A Maj • 02:30 • -16db
57% Popularity • 53% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
57% Popularity • 53% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Chance Peña
Hey Lovely
92 bpm • D Maj • 03:43 • -8.89db
52% Popularity • 58% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
52% Popularity • 58% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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flora cash
Soul Mate
98 bpm • C# Maj • 03:57 • -11.8db
54% Popularity • 44% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
54% Popularity • 44% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Lizzy McAlpine
Over-the-Ocean Call
92 bpm • E min • 04:04 • -12db
53% Popularity • 70% Danceability • 34% Energy • 28% Liveness
0% Instrumentalness • 23% Positiveness
53% Popularity • 70% Danceability • 34% Energy • 28% Liveness
0% Instrumentalness • 23% Positiveness
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Hailaker
Phonetically
92 bpm • A Maj • 03:25 • -15.63db
29% Popularity • 30% Danceability • 18% Energy • 12% Liveness
1% Instrumentalness • 23% Positiveness
29% Popularity • 30% Danceability • 18% Energy • 12% Liveness
1% Instrumentalness • 23% Positiveness
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Son of Cloud
How to Love You Today
98 bpm • A Maj • 03:50 • -13.58db
32% Popularity • 52% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
32% Popularity • 52% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Oliver Riot
Faint
98 bpm • B Maj • 04:06 • -14.83db
28% Popularity • 56% Danceability • 26% Energy • 10% Liveness
62% Instrumentalness • 10% Positiveness
28% Popularity • 56% Danceability • 26% Energy • 10% Liveness
62% Instrumentalness • 10% Positiveness
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Stephen Sanchez
Please Don't Go Home Yet
98 bpm • C Maj • 03:34 • -10.59db
55% Popularity • 60% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
55% Popularity • 60% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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Lewis Ross
Now That You're Gone
99 bpm • D Maj • 04:41 • -14.83db
31% Popularity • 38% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
31% Popularity • 38% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Ben Kessler
False Art
91 bpm • D Maj • 03:03 • -11.55db
50% Popularity • 59% Danceability • 40% Energy • 33% Liveness
0% Instrumentalness • 27% Positiveness
50% Popularity • 59% Danceability • 40% Energy • 33% Liveness
0% Instrumentalness • 27% Positiveness
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Lav
From Me, the Moon
99 bpm • C Maj • 03:55 • -28.61db
51% Popularity • 56% Danceability • 2% Energy • 7% Liveness
16% Instrumentalness • 15% Positiveness
51% Popularity • 56% Danceability • 2% Energy • 7% Liveness
16% Instrumentalness • 15% Positiveness
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Son of Cloud
How to Love You Today
98 bpm • A Maj • 03:37 • -13.58db
21% Popularity • 52% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
21% Popularity • 52% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Henry Jamison
Ether Garden
99 bpm • C# Maj • 02:47 • -15.24db
39% Popularity • 60% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
39% Popularity • 60% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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John Vincent III
In My Sheets
91 bpm • A Maj • 04:10 • -8.69db
56% Popularity • 49% Danceability • 58% Energy • 8% Liveness
2% Instrumentalness • 24% Positiveness
56% Popularity • 49% Danceability • 58% Energy • 8% Liveness
2% Instrumentalness • 24% Positiveness
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Ewan J Phillips
I Wish I Was the Moon
99 bpm • C# min • 03:38 • -12db
41% Popularity • 40% Danceability • 32% Energy • 10% Liveness
6% Instrumentalness • 8% Positiveness
41% Popularity • 40% Danceability • 32% Energy • 10% Liveness
6% Instrumentalness • 8% Positiveness
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Ritt Momney
Not Around
99 bpm • G min • 02:40 • -6.01db
36% Popularity • 37% Danceability • 43% Energy • 32% Liveness
0% Instrumentalness • 56% Positiveness
36% Popularity • 37% Danceability • 43% Energy • 32% Liveness
0% Instrumentalness • 56% Positiveness
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Forrest Nolan
be your friend
100 bpm • F Maj • 03:14 • -14.24db
30% Popularity • 69% Danceability • 19% Energy • 36% Liveness
0% Instrumentalness • 38% Positiveness
30% Popularity • 69% Danceability • 19% Energy • 36% Liveness
0% Instrumentalness • 38% Positiveness
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Michigander
East Chicago, IN
100 bpm • B Maj • 05:16 • -9.45db
35% Popularity • 39% Danceability • 45% Energy • 10% Liveness
23% Instrumentalness • 12% Positiveness
35% Popularity • 39% Danceability • 45% Energy • 10% Liveness
23% Instrumentalness • 12% Positiveness
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Jordy Searcy
Molly
100 bpm • D# Maj • 03:02 • -12.16db
43% Popularity • 76% Danceability • 30% Energy • 11% Liveness
2% Instrumentalness • 72% Positiveness
43% Popularity • 76% Danceability • 30% Energy • 11% Liveness
2% Instrumentalness • 72% Positiveness
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Hayden Calnin
We Can Take Our Time
100 bpm • E Maj • 04:10 • -14db
38% Popularity • 56% Danceability • 29% Energy • 17% Liveness
6% Instrumentalness • 28% Positiveness
38% Popularity • 56% Danceability • 29% Energy • 17% Liveness
6% Instrumentalness • 28% Positiveness
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The Brook & The Bluff
Pastels
100 bpm • D Maj • 04:16 • -11.08db
42% Popularity • 46% Danceability • 51% Energy • 9% Liveness
2% Instrumentalness • 37% Positiveness
42% Popularity • 46% Danceability • 51% Energy • 9% Liveness
2% Instrumentalness • 37% Positiveness
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LAUNDRY DAY
Jane
90 bpm • C# Maj • 04:17 • -6db
48% Popularity • 64% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
48% Popularity • 64% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
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Del Water Gap
Don't Say Nothing
90 bpm • F# min • 04:30 • -9.21db
43% Popularity • 53% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
43% Popularity • 53% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
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The Paper Kites
Tin Lover
90 bpm • C# Maj • 03:19 • -22.24db
41% Popularity • 64% Danceability • 3% Energy • 10% Liveness
78% Instrumentalness • 12% Positiveness
41% Popularity • 64% Danceability • 3% Energy • 10% Liveness
78% Instrumentalness • 12% Positiveness
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Bennett Coast
Moonboy
90 bpm • A Maj • 02:12 • -10.64db
45% Popularity • 51% Danceability • 38% Energy • 11% Liveness
1% Instrumentalness • 5% Positiveness
45% Popularity • 51% Danceability • 38% Energy • 11% Liveness
1% Instrumentalness • 5% Positiveness
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j solomon
Cobalt
90 bpm • G Maj • 04:08 • -10.68db
31% Popularity • 59% Danceability • 28% Energy • 12% Liveness
1% Instrumentalness • 15% Positiveness
31% Popularity • 59% Danceability • 28% Energy • 12% Liveness
1% Instrumentalness • 15% Positiveness
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Paul Moody
All I Had Was You
100 bpm • D Maj • 03:07 • -22.14db
41% Popularity • 57% Danceability • 3% Energy • 10% Liveness
16% Instrumentalness • 13% Positiveness
41% Popularity • 57% Danceability • 3% Energy • 10% Liveness
16% Instrumentalness • 13% Positiveness
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Southey
Leuven
90 bpm • G# Maj • 04:03 • -11.7db
29% Popularity • 56% Danceability • 39% Energy • 30% Liveness
0% Instrumentalness • 24% Positiveness
29% Popularity • 56% Danceability • 39% Energy • 30% Liveness
0% Instrumentalness • 24% Positiveness
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Ryan Woods
how i'm feeling
90 bpm • F# Maj • 02:51 • -9db
36% Popularity • 32% Danceability • 31% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
36% Popularity • 32% Danceability • 31% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
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Leith Ross
I'd Have to Think About It
101 bpm • F Maj • 02:30 • -14db
56% Popularity • 51% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
56% Popularity • 51% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Wil Owen
Will It All Work Out?
101 bpm • C# min • 02:32 • -13.75db
29% Popularity • 47% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
29% Popularity • 47% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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sped-up world slowed songs
road trip by john-robert - slowed + reve...
101 bpm • F# Maj • 03:40 • -11.54db
3% Popularity • 63% Danceability • 55% Energy • 24% Liveness
1% Instrumentalness • 39% Positiveness
3% Popularity • 63% Danceability • 55% Energy • 24% Liveness
1% Instrumentalness • 39% Positiveness
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Quiet Houses
Cold Water Swimming
89 bpm • C Maj • 04:26 • -13.11db
38% Popularity • 41% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
38% Popularity • 41% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Caiola
Alaska
101 bpm • D# Maj • 03:45 • -8.53db
57% Popularity • 46% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
57% Popularity • 46% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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The Paper Kites
Woodland
89 bpm • C Maj • 03:51 • -9.5db
52% Popularity • 55% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
52% Popularity • 55% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
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Matt Hartke
London's Song
89 bpm • E Maj • 02:58 • -14.85db
61% Popularity • 56% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
61% Popularity • 56% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Peter McPoland
Let Her Remember
89 bpm • G Maj • 03:32 • -6.5db
37% Popularity • 37% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
37% Popularity • 37% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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Phoebe Bridgers
Georgia
102 bpm • D Maj • 04:07 • -11.88db
61% Popularity • 48% Danceability • 44% Energy • 10% Liveness
1% Instrumentalness • 29% Positiveness
61% Popularity • 48% Danceability • 44% Energy • 10% Liveness
1% Instrumentalness • 29% Positiveness
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brodyn
You're Okay
88 bpm • B Maj • 05:39 • -12.37db
26% Popularity • 56% Danceability • 48% Energy • 8% Liveness
57% Instrumentalness • 31% Positiveness
26% Popularity • 56% Danceability • 48% Energy • 8% Liveness
57% Instrumentalness • 31% Positiveness
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CHPTRS
Last Chance
102 bpm • D# Maj • 05:04 • -9.85db
41% Popularity • 46% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
41% Popularity • 46% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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The Paper Kites
Tenenbaum
89 bpm • C# Maj • 03:39 • -18.46db
42% Popularity • 50% Danceability • 18% Energy • 10% Liveness
61% Instrumentalness • 44% Positiveness
42% Popularity • 50% Danceability • 18% Energy • 10% Liveness
61% Instrumentalness • 44% Positiveness
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Hayden Calnin
Warm with You
102 bpm • D Maj • 04:07 • -12.14db
57% Popularity • 56% Danceability • 36% Energy • 31% Liveness
70% Instrumentalness • 29% Positiveness
57% Popularity • 56% Danceability • 36% Energy • 31% Liveness
70% Instrumentalness • 29% Positiveness
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Dayglow
Dear Friend,
88 bpm • C Maj • 02:22 • -10.92db
44% Popularity • 41% Danceability • 38% Energy • 11% Liveness
2% Instrumentalness • 33% Positiveness
44% Popularity • 41% Danceability • 38% Energy • 11% Liveness
2% Instrumentalness • 33% Positiveness
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Ok Moon
Crater on the Moon
88 bpm • G# Maj • 04:10 • -11db
33% Popularity • 59% Danceability • 37% Energy • 11% Liveness
5% Instrumentalness • 33% Positiveness
33% Popularity • 59% Danceability • 37% Energy • 11% Liveness
5% Instrumentalness • 33% Positiveness
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Verzache
January
88 bpm • E Maj • 03:16 • -13.33db
47% Popularity • 69% Danceability • 25% Energy • 11% Liveness
5% Instrumentalness • 18% Positiveness
47% Popularity • 69% Danceability • 25% Energy • 11% Liveness
5% Instrumentalness • 18% Positiveness
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From Indian Lakes
When You're Around
88 bpm • F Maj • 03:13 • -14.06db
23% Popularity • 68% Danceability • 33% Energy • 10% Liveness
2% Instrumentalness • 24% Positiveness
23% Popularity • 68% Danceability • 33% Energy • 10% Liveness
2% Instrumentalness • 24% Positiveness
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Hailaker
Coma / Smoke
88 bpm • D# Maj • 04:27 • -11.88db
35% Popularity • 38% Danceability • 36% Energy • 10% Liveness
1% Instrumentalness • 19% Positiveness
35% Popularity • 38% Danceability • 36% Energy • 10% Liveness
1% Instrumentalness • 19% Positiveness
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Elah Hale
Holding You Close
103 bpm • A min • 03:05 • -10db
31% Popularity • 46% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
31% Popularity • 46% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
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Black Match
Nowhere
103 bpm • G# min • 04:46 • -9.13db
37% Popularity • 54% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
37% Popularity • 54% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Bruno Major
Places We Won't Walk
88 bpm • D# Maj • 02:49 • -16db
61% Popularity • 39% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
61% Popularity • 39% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Jordy Searcy
Love & War in Your Twenties
103 bpm • D Maj • 04:10 • -9.69db
65% Popularity • 74% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
65% Popularity • 74% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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FINNEAS
Die Alone
103 bpm • C Maj • 04:21 • -11.83db
52% Popularity • 44% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
52% Popularity • 44% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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The Paper Kites
On the Train Ride Home
103 bpm • F# Maj • 03:47 • -18.63db
42% Popularity • 61% Danceability • 20% Energy • 11% Liveness
10% Instrumentalness • 20% Positiveness
42% Popularity • 61% Danceability • 20% Energy • 11% Liveness
10% Instrumentalness • 20% Positiveness
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Novo Amor
Co-Pathetic
103 bpm • C# Maj • 03:55 • -9.76db
49% Popularity • 41% Danceability • 40% Energy • 9% Liveness
3% Instrumentalness • 12% Positiveness
49% Popularity • 41% Danceability • 40% Energy • 9% Liveness
3% Instrumentalness • 12% Positiveness
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flipturn
Savannah
103 bpm • E Maj • 01:09 • -15.83db
63% Popularity • 54% Danceability • 13% Energy • 37% Liveness
5% Instrumentalness • 42% Positiveness
63% Popularity • 54% Danceability • 13% Energy • 37% Liveness
5% Instrumentalness • 42% Positiveness
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The Neighbourhood Watch
Mess of Me
103 bpm • A# Maj • 03:51 • -7.95db
33% Popularity • 46% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
33% Popularity • 46% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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John-Robert
Healthy Baby Boy
103 bpm • C# Maj • 03:12 • -10.7db
25% Popularity • 44% Danceability • 34% Energy • 15% Liveness
74% Instrumentalness • 35% Positiveness
25% Popularity • 44% Danceability • 34% Energy • 15% Liveness
74% Instrumentalness • 35% Positiveness
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Tapes
Lazy Wednesdays
104 bpm • G# Maj • 03:45 • -10.13db
33% Popularity • 73% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
33% Popularity • 73% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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mehro
hideous
87 bpm • E Maj • 03:13 • -7.53db
52% Popularity • 64% Danceability • 53% Energy • 11% Liveness
1% Instrumentalness • 36% Positiveness
52% Popularity • 64% Danceability • 53% Energy • 11% Liveness
1% Instrumentalness • 36% Positiveness
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SYML
Where's My Love - Acoustic
104 bpm • D# Maj • 03:59 • -11.32db
74% Popularity • 55% Danceability • 22% Energy • 11% Liveness
3% Instrumentalness • 22% Positiveness
74% Popularity • 55% Danceability • 22% Energy • 11% Liveness
3% Instrumentalness • 22% Positiveness
