Songs like Adiós Mariquita Linda by Juan Torres
Based on a tempo of (+/- 10%) and a similar genre
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Merceron y Acerina
Salón México
84 bpm • G# Maj • 02:35 • -8db
40% Popularity • 58% Danceability • 46% Energy • 3% Liveness
41% Instrumentalness • 90% Positiveness
40% Popularity • 58% Danceability • 46% Energy • 3% Liveness
41% Instrumentalness • 90% Positiveness
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Acerina
Juárez No Debio Morir
84 bpm • G# Maj • 01:55 • -6db
37% Popularity • 36% Danceability • 52% Energy • 10% Liveness
74% Instrumentalness • 97% Positiveness
37% Popularity • 36% Danceability • 52% Energy • 10% Liveness
74% Instrumentalness • 97% Positiveness
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Alfredo Rolando OrtÃz
Recuerdos De Ipacarai
84 bpm • C# Maj • 01:59 • -12.98db
23% Popularity • 62% Danceability • 31% Energy • 10% Liveness
80% Instrumentalness • 63% Positiveness
23% Popularity • 62% Danceability • 31% Energy • 10% Liveness
80% Instrumentalness • 63% Positiveness
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Coral de Arpa latina
Mis Noches Sin Ti (Recuerdos De Ypacarai...
84 bpm • F Maj • 03:52 • -7db
20% Popularity • 70% Danceability • 46% Energy • 11% Liveness
80% Instrumentalness • 66% Positiveness
20% Popularity • 70% Danceability • 46% Energy • 11% Liveness
80% Instrumentalness • 66% Positiveness
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Arpas Fantasticas
Recuerdos de Ipacari
84 bpm • C# Maj • 01:59 • -13db
37% Popularity • 61% Danceability • 27% Energy • 6% Liveness
70% Instrumentalness • 56% Positiveness
37% Popularity • 61% Danceability • 27% Energy • 6% Liveness
70% Instrumentalness • 56% Positiveness
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Pepe Jara
La Mentira (Se Te Olvida)
84 bpm • C# min • 02:15 • -14db
27% Popularity • 59% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
27% Popularity • 59% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Juan Torres
Adiós Mariquita Linda
84 bpm • G Maj • 03:32 • -10.96db
32% Popularity • 50% Danceability • 16% Energy • 8% Liveness
81% Instrumentalness • 30% Positiveness
32% Popularity • 50% Danceability • 16% Energy • 8% Liveness
81% Instrumentalness • 30% Positiveness
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Tehua
La Norteña
84 bpm • G Maj • 02:40 • -8.42db
21% Popularity • 63% Danceability • 42% Energy • 35% Liveness
0% Instrumentalness • 62% Positiveness
21% Popularity • 63% Danceability • 42% Energy • 35% Liveness
0% Instrumentalness • 62% Positiveness
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Alfredo Rolando OrtÃz
Yolanda
84 bpm • E min • 02:55 • -7.07db
24% Popularity • 64% Danceability • 57% Energy • 46% Liveness
68% Instrumentalness • 82% Positiveness
24% Popularity • 64% Danceability • 57% Energy • 46% Liveness
68% Instrumentalness • 82% Positiveness
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Orquesta Popular de las Americas
Siboney (Instrumental)
83 bpm • C Maj • 02:38 • -16db
34% Popularity • 70% Danceability • 54% Energy • 14% Liveness
14% Instrumentalness • 95% Positiveness
34% Popularity • 70% Danceability • 54% Energy • 14% Liveness
14% Instrumentalness • 95% Positiveness
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Los Cometas
Jugando Poker y Tomando Ron
85 bpm • E Maj • 02:56 • -9db
16% Popularity • 70% Danceability • 74% Energy • 25% Liveness
0% Instrumentalness • 97% Positiveness
16% Popularity • 70% Danceability • 74% Energy • 25% Liveness
0% Instrumentalness • 97% Positiveness
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Los Mejores Danzones
Salon De México
83 bpm • G# Maj • 02:35 • -14.03db
16% Popularity • 56% Danceability • 38% Energy • 5% Liveness
6% Instrumentalness • 97% Positiveness
16% Popularity • 56% Danceability • 38% Energy • 5% Liveness
6% Instrumentalness • 97% Positiveness
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Johnny Dynamo
Palabras
83 bpm • D Maj • 03:21 • -16db
30% Popularity • 53% Danceability • 21% Energy • 21% Liveness
0% Instrumentalness • 23% Positiveness
30% Popularity • 53% Danceability • 21% Energy • 21% Liveness
0% Instrumentalness • 23% Positiveness
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MarÃa Victoria
Mil Besos
86 bpm • E Maj • 03:22 • -15.32db
27% Popularity • 36% Danceability • 19% Energy • 5% Liveness
0% Instrumentalness • 25% Positiveness
27% Popularity • 36% Danceability • 19% Energy • 5% Liveness
0% Instrumentalness • 25% Positiveness
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Enrique Chia
El Manisero
86 bpm • G Maj • 03:14 • -12db
37% Popularity • 60% Danceability • 47% Energy • 12% Liveness
91% Instrumentalness • 82% Positiveness
37% Popularity • 60% Danceability • 47% Energy • 12% Liveness
91% Instrumentalness • 82% Positiveness
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Cliff Mendoza
Pretendiendo
86 bpm • G Maj • 02:00 • -9db
34% Popularity • 63% Danceability • 60% Energy • 30% Liveness
23% Instrumentalness • 92% Positiveness
34% Popularity • 63% Danceability • 60% Energy • 30% Liveness
23% Instrumentalness • 92% Positiveness
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Juan Torres
Por Un Amor
86 bpm • A Maj • 03:07 • -12.8db
25% Popularity • 42% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
25% Popularity • 42% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Emilio Tuero
Viajera
86 bpm • G min • 02:54 • -7.45db
32% Popularity • 38% Danceability • 30% Energy • 38% Liveness
0% Instrumentalness • 53% Positiveness
32% Popularity • 38% Danceability • 30% Energy • 38% Liveness
0% Instrumentalness • 53% Positiveness
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Juan Torres Y Su Organo Melodico
Emociones
86 bpm • F Maj • 04:12 • -13.71db
34% Popularity • 53% Danceability • 26% Energy • 8% Liveness
27% Instrumentalness • 33% Positiveness
34% Popularity • 53% Danceability • 26% Energy • 8% Liveness
27% Instrumentalness • 33% Positiveness
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Arpas Fantasticas
Pajaro Campana
82 bpm • G# Maj • 03:53 • -12.49db
34% Popularity • 64% Danceability • 42% Energy • 6% Liveness
88% Instrumentalness • 82% Positiveness
34% Popularity • 64% Danceability • 42% Energy • 6% Liveness
88% Instrumentalness • 82% Positiveness
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Ramon Marquez
Chivirico
86 bpm • A# min • 02:58 • -7db
40% Popularity • 82% Danceability • 55% Energy • 9% Liveness
12% Instrumentalness • 87% Positiveness
40% Popularity • 82% Danceability • 55% Energy • 9% Liveness
12% Instrumentalness • 87% Positiveness
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Juan Veronico
MarÃa Elena
81 bpm • A Maj • 02:53 • -13.45db
34% Popularity • 58% Danceability • 16% Energy • 14% Liveness
89% Instrumentalness • 20% Positiveness
34% Popularity • 58% Danceability • 16% Energy • 14% Liveness
89% Instrumentalness • 20% Positiveness
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Juan Torres
La Norteña
88 bpm • C Maj • 02:01 • -9.71db
16% Popularity • 70% Danceability • 38% Energy • 62% Liveness
84% Instrumentalness • 88% Positiveness
16% Popularity • 70% Danceability • 38% Energy • 62% Liveness
84% Instrumentalness • 88% Positiveness
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Manuel Olivera Almada
Alma Llanera
80 bpm • G Maj • 02:27 • -11.4db
54% Popularity • 58% Danceability • 52% Energy • 12% Liveness
96% Instrumentalness • 92% Positiveness
54% Popularity • 58% Danceability • 52% Energy • 12% Liveness
96% Instrumentalness • 92% Positiveness
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Los Impala
Ven Que Te Quiero
87 bpm • G Maj • 03:13 • -6.82db
30% Popularity • 35% Danceability • 34% Energy • 38% Liveness
0% Instrumentalness • 15% Positiveness
30% Popularity • 35% Danceability • 34% Energy • 38% Liveness
0% Instrumentalness • 15% Positiveness
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Orquesta Raiz Latina
Capullito De Aleli
88 bpm • C Maj • 03:49 • -10.51db
24% Popularity • 81% Danceability • 55% Energy • 6% Liveness
88% Instrumentalness • 85% Positiveness
24% Popularity • 81% Danceability • 55% Energy • 6% Liveness
88% Instrumentalness • 85% Positiveness
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Carlos Lico
No
80 bpm • D Maj • 02:58 • -10.86db
49% Popularity • 31% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 50% Positiveness
49% Popularity • 31% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 50% Positiveness
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NMR Digital
Cuando Salga la Luna
80 bpm • A min • 03:12 • -3.67db
10% Popularity • 19% Danceability • 41% Energy • 34% Liveness
7% Instrumentalness • 24% Positiveness
10% Popularity • 19% Danceability • 41% Energy • 34% Liveness
7% Instrumentalness • 24% Positiveness
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Las Hermanas Núñez
Reconciliación
88 bpm • D Maj • 03:28 • -9db
44% Popularity • 74% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
44% Popularity • 74% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Arpas Fantasticas
Que Sera de Ti
89 bpm • D# min • 01:46 • -12.41db
36% Popularity • 74% Danceability • 32% Energy • 9% Liveness
80% Instrumentalness • 65% Positiveness
36% Popularity • 74% Danceability • 32% Energy • 9% Liveness
80% Instrumentalness • 65% Positiveness
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Richard Clay
Amor Eterno - Instrumentales
89 bpm • C Maj • 03:39 • -6.8db
27% Popularity • 67% Danceability • 45% Energy • 20% Liveness
81% Instrumentalness • 54% Positiveness
27% Popularity • 67% Danceability • 45% Energy • 20% Liveness
81% Instrumentalness • 54% Positiveness
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Mariachi Azteca
Que no quede huella
89 bpm • A# min • 02:54 • -6.84db
32% Popularity • 71% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
32% Popularity • 71% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
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Carlos Lico
Soy
80 bpm • A Maj • 03:04 • -13.93db
30% Popularity • 20% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
30% Popularity • 20% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Roberto Rojas
La Feria De Las Flores
89 bpm • G# Maj • 02:31 • -6.99db
39% Popularity • 74% Danceability • 59% Energy • 10% Liveness
88% Instrumentalness • 86% Positiveness
39% Popularity • 74% Danceability • 59% Energy • 10% Liveness
88% Instrumentalness • 86% Positiveness
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Juan Torres
Las Mañanitas
89 bpm • G min • 02:22 • -9.63db
25% Popularity • 25% Danceability • 39% Energy • 9% Liveness
44% Instrumentalness • 20% Positiveness
25% Popularity • 25% Danceability • 39% Energy • 9% Liveness
44% Instrumentalness • 20% Positiveness
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Pepe Jara
El Andariego
90 bpm • G Maj • 02:46 • -15db
35% Popularity • 56% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
35% Popularity • 56% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Richard Clay
El Rey - Instrumentales
79 bpm • A Maj • 02:31 • -7.53db
30% Popularity • 65% Danceability • 37% Energy • 21% Liveness
8% Instrumentalness • 57% Positiveness
30% Popularity • 65% Danceability • 37% Energy • 21% Liveness
8% Instrumentalness • 57% Positiveness
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Juan Torres Y Su Organo Melodico
Como Han Pasado los Años
90 bpm • F Maj • 03:29 • -13.74db
39% Popularity • 42% Danceability • 40% Energy • 30% Liveness
59% Instrumentalness • 15% Positiveness
39% Popularity • 42% Danceability • 40% Energy • 30% Liveness
59% Instrumentalness • 15% Positiveness
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Manuel Olivera Almada
Noche De Ronda
90 bpm • D Maj • 02:50 • -13db
53% Popularity • 70% Danceability • 37% Energy • 18% Liveness
79% Instrumentalness • 54% Positiveness
53% Popularity • 70% Danceability • 37% Energy • 18% Liveness
79% Instrumentalness • 54% Positiveness
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Roberto Rojas
Corrido De Chihuahua
90 bpm • G# Maj • 02:49 • -6.5db
36% Popularity • 71% Danceability • 65% Energy • 10% Liveness
88% Instrumentalness • 94% Positiveness
36% Popularity • 71% Danceability • 65% Energy • 10% Liveness
88% Instrumentalness • 94% Positiveness
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Carlos Lico
Vete De AquÃ
78 bpm • D Maj • 03:44 • -8.72db
34% Popularity • 44% Danceability • 42% Energy • 53% Liveness
0% Instrumentalness • 66% Positiveness
34% Popularity • 44% Danceability • 42% Energy • 53% Liveness
0% Instrumentalness • 66% Positiveness
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Velino Miguel Preza
Lindas Mexicanas
91 bpm • F Maj • 04:27 • -8.72db
18% Popularity • 38% Danceability • 45% Energy • 37% Liveness
65% Instrumentalness • 40% Positiveness
18% Popularity • 38% Danceability • 45% Energy • 37% Liveness
65% Instrumentalness • 40% Positiveness
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Bodas y 15 Años
OlÃmpica
77 bpm • D Maj • 02:57 • -6.05db
17% Popularity • 26% Danceability • 30% Energy • 25% Liveness
49% Instrumentalness • 47% Positiveness
17% Popularity • 26% Danceability • 30% Energy • 25% Liveness
49% Instrumentalness • 47% Positiveness
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Juan Torres
Mi Viejo Amor
91 bpm • F Maj • 02:52 • -13.67db
24% Popularity • 26% Danceability • 17% Energy • 10% Liveness
57% Instrumentalness • 21% Positiveness
24% Popularity • 26% Danceability • 17% Energy • 10% Liveness
57% Instrumentalness • 21% Positiveness
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Manuel Olivera Almada
Lamento Borincano
90 bpm • F# min • 03:28 • -8.8db
42% Popularity • 71% Danceability • 82% Energy • 19% Liveness
79% Instrumentalness • 94% Positiveness
42% Popularity • 71% Danceability • 82% Energy • 19% Liveness
79% Instrumentalness • 94% Positiveness
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Roberto Rojas
Las Mañanitas
91 bpm • D# Maj • 02:38 • -8db
28% Popularity • 61% Danceability • 59% Energy • 7% Liveness
92% Instrumentalness • 70% Positiveness
28% Popularity • 61% Danceability • 59% Energy • 7% Liveness
92% Instrumentalness • 70% Positiveness
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Mexican Music Factory
Huapango 2
92 bpm • A Maj • 01:38 • -9.45db
31% Popularity • 79% Danceability • 73% Energy • 17% Liveness
69% Instrumentalness • 92% Positiveness
31% Popularity • 79% Danceability • 73% Energy • 17% Liveness
69% Instrumentalness • 92% Positiveness
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Coral de Arpa latina
Chiquitita
92 bpm • F Maj • 03:39 • -4.86db
30% Popularity • 50% Danceability • 64% Energy • 21% Liveness
86% Instrumentalness • 51% Positiveness
30% Popularity • 50% Danceability • 64% Energy • 21% Liveness
86% Instrumentalness • 51% Positiveness
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Las Hermanas Núñez
Clemencia
92 bpm • C Maj • 02:31 • -7db
36% Popularity • 73% Danceability • 33% Energy • 22% Liveness
0% Instrumentalness • 72% Positiveness
36% Popularity • 73% Danceability • 33% Energy • 22% Liveness
0% Instrumentalness • 72% Positiveness
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Eva Garza
Celosa
92 bpm • G Maj • 03:01 • -8.95db
15% Popularity • 46% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
15% Popularity • 46% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Richard Clay
Hasta Que Te Conoci - Instrumentales
92 bpm • C min • 03:43 • -10.27db
31% Popularity • 41% Danceability • 37% Energy • 7% Liveness
82% Instrumentalness • 43% Positiveness
31% Popularity • 41% Danceability • 37% Energy • 7% Liveness
82% Instrumentalness • 43% Positiveness
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Marco Antonio Vázquez
Y ya...
92 bpm • D Maj • 02:46 • -8.91db
29% Popularity • 79% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
29% Popularity • 79% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Pop Strings Orchestra
Como Han Pasado los Años
92 bpm • F Maj • 03:25 • -8.14db
28% Popularity • 57% Danceability • 55% Energy • 8% Liveness
74% Instrumentalness • 52% Positiveness
28% Popularity • 57% Danceability • 55% Energy • 8% Liveness
74% Instrumentalness • 52% Positiveness
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Mariachi Azteca
El mariachi loco
92 bpm • G Maj • 03:56 • -8.28db
31% Popularity • 70% Danceability • 47% Energy • 5% Liveness
2% Instrumentalness • 83% Positiveness
31% Popularity • 70% Danceability • 47% Energy • 5% Liveness
2% Instrumentalness • 83% Positiveness
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Orquesta Casino De La Habana
La Media Vuelta
92 bpm • A# Maj • 02:28 • -14.53db
40% Popularity • 46% Danceability • 36% Energy • 9% Liveness
94% Instrumentalness • 79% Positiveness
40% Popularity • 46% Danceability • 36% Energy • 9% Liveness
94% Instrumentalness • 79% Positiveness
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Mariachi Silvestre Vargas
El Carretero
92 bpm • G Maj • 02:51 • -8.58db
27% Popularity • 63% Danceability • 62% Energy • 24% Liveness
0% Instrumentalness • 92% Positiveness
27% Popularity • 63% Danceability • 62% Energy • 24% Liveness
0% Instrumentalness • 92% Positiveness
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Manuel Olivera Almada
La Media Vuelta
92 bpm • C Maj • 02:31 • -11db
50% Popularity • 72% Danceability • 40% Energy • 11% Liveness
92% Instrumentalness • 66% Positiveness
50% Popularity • 72% Danceability • 40% Energy • 11% Liveness
92% Instrumentalness • 66% Positiveness
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Marco Antonio Vázquez
Aún se acuerda de mÃ
92 bpm • E Maj • 02:28 • -10.41db
29% Popularity • 70% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
29% Popularity • 70% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Fito Olivares
Nunca Mas Podre Olvidarte
92 bpm • F Maj • 02:38 • -6.3db
16% Popularity • 23% Danceability • 50% Energy • 20% Liveness
89% Instrumentalness • 68% Positiveness
16% Popularity • 23% Danceability • 50% Energy • 20% Liveness
89% Instrumentalness • 68% Positiveness
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Pepe Jara
Seguiré Mi Viaje
92 bpm • G Maj • 02:27 • -13.46db
35% Popularity • 72% Danceability • 21% Energy • 17% Liveness
1% Instrumentalness • 55% Positiveness
35% Popularity • 72% Danceability • 21% Energy • 17% Liveness
1% Instrumentalness • 55% Positiveness
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Nicolas Urcelay
Por Si No Te Vuelvo a Ver
92 bpm • A Maj • 03:11 • -11.21db
14% Popularity • 39% Danceability • 26% Energy • 37% Liveness
0% Instrumentalness • 25% Positiveness
14% Popularity • 39% Danceability • 26% Energy • 37% Liveness
0% Instrumentalness • 25% Positiveness
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Las Perlas Negras
Nos Hizo Falta Tiempo
76 bpm • A# Maj • 02:46 • -8.97db
40% Popularity • 75% Danceability • 53% Energy • 13% Liveness
88% Instrumentalness • 78% Positiveness
40% Popularity • 75% Danceability • 53% Energy • 13% Liveness
88% Instrumentalness • 78% Positiveness
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Carlos Lico
Paloma Querida
76 bpm • C Maj • 02:56 • -11db
14% Popularity • 53% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
14% Popularity • 53% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
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Los Dandys
Suspenso Infernal
93 bpm • C# Maj • 02:52 • -10.34db
41% Popularity • 62% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
41% Popularity • 62% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
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Los Cinco Latinos
Hay humo en tus ojos (remastered)
93 bpm • A Maj • 02:30 • -7db
28% Popularity • 35% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
28% Popularity • 35% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Manuel Olivera Almada
El Reloj
93 bpm • A Maj • 02:43 • -11.85db
52% Popularity • 72% Danceability • 36% Energy • 10% Liveness
90% Instrumentalness • 74% Positiveness
52% Popularity • 72% Danceability • 36% Energy • 10% Liveness
90% Instrumentalness • 74% Positiveness
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Nicolas Urcelay
AsÃ
93 bpm • G Maj • 03:17 • -11.83db
17% Popularity • 34% Danceability • 27% Energy • 23% Liveness
0% Instrumentalness • 26% Positiveness
17% Popularity • 34% Danceability • 27% Energy • 23% Liveness
0% Instrumentalness • 26% Positiveness
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Marco Antonio Vázquez
Con tal de que seas feliz
93 bpm • D Maj • 02:48 • -8.43db
32% Popularity • 66% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
32% Popularity • 66% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Juan Torres
La Sombra De Tu Sonrisa
94 bpm • E min • 02:21 • -12.39db
15% Popularity • 68% Danceability • 16% Energy • 20% Liveness
72% Instrumentalness • 51% Positiveness
15% Popularity • 68% Danceability • 16% Energy • 20% Liveness
72% Instrumentalness • 51% Positiveness
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Marimba Alma de Chiapas de Juan Palacios
Musica De Mi Tierra-Mexico Lindo Y Queri...
94 bpm • C Maj • 05:42 • -11.21db
29% Popularity • 62% Danceability • 40% Energy • 5% Liveness
76% Instrumentalness • 60% Positiveness
29% Popularity • 62% Danceability • 40% Energy • 5% Liveness
76% Instrumentalness • 60% Positiveness
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Virginia Lopez
Tan Lejos
94 bpm • D Maj • 03:10 • -9.91db
20% Popularity • 48% Danceability • 49% Energy • 19% Liveness
0% Instrumentalness • 55% Positiveness
20% Popularity • 48% Danceability • 49% Energy • 19% Liveness
0% Instrumentalness • 55% Positiveness
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Manuel Olivera Almada
Contigo Aprendi
93 bpm • G Maj • 02:49 • -9.56db
50% Popularity • 70% Danceability • 46% Energy • 10% Liveness
88% Instrumentalness • 69% Positiveness
50% Popularity • 70% Danceability • 46% Energy • 10% Liveness
88% Instrumentalness • 69% Positiveness
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Carlos Campos Y Orquesta
Zacatlan
95 bpm • D# Maj • 04:11 • -8.91db
35% Popularity • 63% Danceability • 40% Energy • 28% Liveness
0% Instrumentalness • 93% Positiveness
35% Popularity • 63% Danceability • 40% Energy • 28% Liveness
0% Instrumentalness • 93% Positiveness
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Marco Antonio Vázquez
Noche callada
94 bpm • G Maj • 03:05 • -15db
35% Popularity • 61% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
35% Popularity • 61% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Los Dandys
Eternamente
94 bpm • E Maj • 03:04 • -9.31db
41% Popularity • 52% Danceability • 40% Energy • 19% Liveness
0% Instrumentalness • 38% Positiveness
41% Popularity • 52% Danceability • 40% Energy • 19% Liveness
0% Instrumentalness • 38% Positiveness
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Juan Torres
Sueño Imposible
95 bpm • F Maj • 02:18 • -9.74db
27% Popularity • 50% Danceability • 31% Energy • 14% Liveness
88% Instrumentalness • 26% Positiveness
27% Popularity • 50% Danceability • 31% Energy • 14% Liveness
88% Instrumentalness • 26% Positiveness
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Trio Azteca
El colas
95 bpm • A Maj • 02:28 • -8.85db
25% Popularity • 71% Danceability • 77% Energy • 26% Liveness
0% Instrumentalness • 85% Positiveness
25% Popularity • 71% Danceability • 77% Energy • 26% Liveness
0% Instrumentalness • 85% Positiveness
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Manuel Olivera Almada
Sabor A Mi
93 bpm • B min • 02:57 • -8db
46% Popularity • 62% Danceability • 53% Energy • 13% Liveness
1% Instrumentalness • 70% Positiveness
46% Popularity • 62% Danceability • 53% Energy • 13% Liveness
1% Instrumentalness • 70% Positiveness
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Mexican Music Factory
Que Bonito
96 bpm • D Maj • 02:39 • -5db
24% Popularity • 58% Danceability • 58% Energy • 34% Liveness
91% Instrumentalness • 83% Positiveness
24% Popularity • 58% Danceability • 58% Energy • 34% Liveness
91% Instrumentalness • 83% Positiveness
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Marco Antonio Vázquez
Creo
75 bpm • G# min • 02:28 • -10.83db
41% Popularity • 38% Danceability • 46% Energy • 22% Liveness
3% Instrumentalness • 61% Positiveness
41% Popularity • 38% Danceability • 46% Energy • 22% Liveness
3% Instrumentalness • 61% Positiveness
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Los Dandys
Cerca del Mar
96 bpm • F Maj • 02:55 • -7db
52% Popularity • 56% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
52% Popularity • 56% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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Arpas Fantasticas
Alfonsina y el Mar
96 bpm • A min • 04:55 • -19.79db
21% Popularity • 43% Danceability • 11% Energy • 10% Liveness
91% Instrumentalness • 13% Positiveness
21% Popularity • 43% Danceability • 11% Energy • 10% Liveness
91% Instrumentalness • 13% Positiveness
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Las Hermanas Núñez
Reconciliacion
95 bpm • D# Maj • 03:06 • -7.26db
40% Popularity • 79% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
40% Popularity • 79% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
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Manuel Olivera Almada
Tu Me Acostumbraste
95 bpm • D Maj • 02:28 • -10db
51% Popularity • 70% Danceability • 40% Energy • 10% Liveness
82% Instrumentalness • 53% Positiveness
51% Popularity • 70% Danceability • 40% Energy • 10% Liveness
82% Instrumentalness • 53% Positiveness
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Los Trios
Rubi / Novia Mia / Historia De Un Amor
96 bpm • E Maj • 03:12 • -6.22db
47% Popularity • 71% Danceability • 64% Energy • 18% Liveness
0% Instrumentalness • 41% Positiveness
47% Popularity • 71% Danceability • 64% Energy • 18% Liveness
0% Instrumentalness • 41% Positiveness
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Mariachi Azteca
Las alazanas
96 bpm • G Maj • 02:07 • -5.25db
38% Popularity • 78% Danceability • 83% Energy • 5% Liveness
91% Instrumentalness • 48% Positiveness
38% Popularity • 78% Danceability • 83% Energy • 5% Liveness
91% Instrumentalness • 48% Positiveness
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Mexican Music Factory
Camino A San Miguel
97 bpm • G Maj • 02:12 • -12db
31% Popularity • 68% Danceability • 54% Energy • 15% Liveness
98% Instrumentalness • 78% Positiveness
31% Popularity • 68% Danceability • 54% Energy • 15% Liveness
98% Instrumentalness • 78% Positiveness
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Emilio Tuero
Usted
97 bpm • D# Maj • 02:50 • -10.43db
23% Popularity • 48% Danceability • 38% Energy • 18% Liveness
38% Instrumentalness • 66% Positiveness
23% Popularity • 48% Danceability • 38% Energy • 18% Liveness
38% Instrumentalness • 66% Positiveness
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Los Galantes
Enamorada
97 bpm • F# min • 03:08 • -9.4db
37% Popularity • 63% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
37% Popularity • 63% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Orquestra Românticos de Cuba
Una Aventura Mas / Verdad Amarga
97 bpm • E min • 02:57 • -5.54db
33% Popularity • 40% Danceability • 64% Energy • 15% Liveness
42% Instrumentalness • 74% Positiveness
33% Popularity • 40% Danceability • 64% Energy • 15% Liveness
42% Instrumentalness • 74% Positiveness
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Marco Antonio Vázquez
Amor necio
97 bpm • A Maj • 02:44 • -10.63db
29% Popularity • 73% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
29% Popularity • 73% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Aida Cuevas
Ya No Me Quieres
97 bpm • C min • 03:29 • -8.19db
36% Popularity • 54% Danceability • 36% Energy • 70% Liveness
0% Instrumentalness • 34% Positiveness
36% Popularity • 54% Danceability • 36% Energy • 70% Liveness
0% Instrumentalness • 34% Positiveness
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Los Violines de Villafontana
Zorba el Griego
73 bpm • G Maj • 03:24 • -7.28db
28% Popularity • 21% Danceability • 44% Energy • 19% Liveness
95% Instrumentalness • 53% Positiveness
28% Popularity • 21% Danceability • 44% Energy • 19% Liveness
95% Instrumentalness • 53% Positiveness
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Los Dandys
Alma de Cristal
97 bpm • G# Maj • 02:18 • -8.93db
43% Popularity • 56% Danceability • 45% Energy • 31% Liveness
0% Instrumentalness • 66% Positiveness
43% Popularity • 56% Danceability • 45% Energy • 31% Liveness
0% Instrumentalness • 66% Positiveness
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Los Dos Oros
Un Sueño de Tantos
97 bpm • E Maj • 02:56 • -11db
43% Popularity • 58% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
43% Popularity • 58% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
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Arpas Fantasticas
Alma Llanera
97 bpm • G Maj • 01:42 • -10.22db
34% Popularity • 50% Danceability • 68% Energy • 34% Liveness
75% Instrumentalness • 93% Positiveness
34% Popularity • 50% Danceability • 68% Energy • 34% Liveness
75% Instrumentalness • 93% Positiveness
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Roberto Rojas
Solamente Una Vez
97 bpm • C# min • 02:13 • -12db
37% Popularity • 77% Danceability • 54% Energy • 10% Liveness
84% Instrumentalness • 87% Positiveness
37% Popularity • 77% Danceability • 54% Energy • 10% Liveness
84% Instrumentalness • 87% Positiveness
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Aida Cuevas
La Malagueña
98 bpm • A min • 03:47 • -17.12db
26% Popularity • 51% Danceability • 15% Energy • 20% Liveness
0% Instrumentalness • 27% Positiveness
26% Popularity • 51% Danceability • 15% Energy • 20% Liveness
0% Instrumentalness • 27% Positiveness
