Songs like Adonai by Bettina Maureenji
Based on a tempo of (+/- 10%) and a similar genre
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Robert Gass & On Wings Of Song
Gayatri Mantra - Chloe Goodchild
138 bpm • F Maj • 05:29 • -17.6db
9% Popularity • 60% Danceability • 32% Energy • 12% Liveness
93% Instrumentalness • 73% Positiveness
9% Popularity • 60% Danceability • 32% Energy • 12% Liveness
93% Instrumentalness • 73% Positiveness
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Luis Paniagua
A Empezar
138 bpm • C Maj • 07:30 • -13.19db
10% Popularity • 65% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
10% Popularity • 65% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Bettina Maureenji
Adonai
138 bpm • B Maj • 07:54 • -10.35db
11% Popularity • 38% Danceability • 14% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
11% Popularity • 38% Danceability • 14% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
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Riverbear Medicine
Light of the Goddess
138 bpm • A min • 04:47 • -15.08db
33% Popularity • 64% Danceability • 13% Energy • 11% Liveness
1% Instrumentalness • 15% Positiveness
33% Popularity • 64% Danceability • 13% Energy • 11% Liveness
1% Instrumentalness • 15% Positiveness
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Lindsey Wise
Ah Ni Kuni
138 bpm • D Maj • 05:01 • -14.28db
19% Popularity • 51% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
19% Popularity • 51% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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Ali Maya
Cuatro Colores
138 bpm • D# Maj • 02:22 • -15.95db
24% Popularity • 57% Danceability • 11% Energy • 10% Liveness
3% Instrumentalness • 13% Positiveness
24% Popularity • 57% Danceability • 11% Energy • 10% Liveness
3% Instrumentalness • 13% Positiveness
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Lama Gyurme
The Mantra Of Padmasambhava
138 bpm • B min • 08:33 • -15db
33% Popularity • 15% Danceability • 17% Energy • 36% Liveness
94% Instrumentalness • 6% Positiveness
33% Popularity • 15% Danceability • 17% Energy • 36% Liveness
94% Instrumentalness • 6% Positiveness
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Ape Chimba
Unlocking the Doors of Eternity
138 bpm • F# Maj • 11:42 • -22.63db
35% Popularity • 18% Danceability • 4% Energy • 6% Liveness
4% Instrumentalness • 5% Positiveness
35% Popularity • 18% Danceability • 4% Energy • 6% Liveness
4% Instrumentalness • 5% Positiveness
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OCNO
Flor das Aguas
138 bpm • B min • 05:29 • -11.46db
36% Popularity • 43% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
36% Popularity • 43% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
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Alexia Chellun
Oeaho
138 bpm • G min • 03:51 • -22.58db
48% Popularity • 33% Danceability • 7% Energy • 10% Liveness
8% Instrumentalness • 10% Positiveness
48% Popularity • 33% Danceability • 7% Energy • 10% Liveness
8% Instrumentalness • 10% Positiveness
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Rainer Scheurenbrand
Passarinho
139 bpm • A min • 06:55 • -12.89db
31% Popularity • 45% Danceability • 36% Energy • 9% Liveness
79% Instrumentalness • 21% Positiveness
31% Popularity • 45% Danceability • 36% Energy • 9% Liveness
79% Instrumentalness • 21% Positiveness
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Bettina Maureenji
Madre
139 bpm • C min • 07:24 • -16db
8% Popularity • 23% Danceability • 15% Energy • 29% Liveness
0% Instrumentalness • 10% Positiveness
8% Popularity • 23% Danceability • 15% Energy • 29% Liveness
0% Instrumentalness • 10% Positiveness
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Sage & Sun
Sou Beija Flor
139 bpm • F min • 04:08 • -20.51db
25% Popularity • 44% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
25% Popularity • 44% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Peia
We Will Rise Again
137 bpm • F# min • 06:24 • -13.76db
40% Popularity • 32% Danceability • 17% Energy • 8% Liveness
1% Instrumentalness • 9% Positiveness
40% Popularity • 32% Danceability • 17% Energy • 8% Liveness
1% Instrumentalness • 9% Positiveness
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Ali Maya
Nocon Shawan (Shipibo Icaro)
140 bpm • E Maj • 04:29 • -12.15db
13% Popularity • 52% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
13% Popularity • 52% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
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LAOR
Agradeco
140 bpm • E min • 05:23 • -11.63db
33% Popularity • 42% Danceability • 25% Energy • 11% Liveness
1% Instrumentalness • 16% Positiveness
33% Popularity • 42% Danceability • 25% Energy • 11% Liveness
1% Instrumentalness • 16% Positiveness
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Curawaka
Kraften i Nord
140 bpm • D# min • 02:46 • -8.83db
29% Popularity • 59% Danceability • 62% Energy • 25% Liveness
0% Instrumentalness • 38% Positiveness
29% Popularity • 59% Danceability • 62% Energy • 25% Liveness
0% Instrumentalness • 38% Positiveness
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Maywa
Naynaeo
140 bpm • F Maj • 05:08 • -17.28db
14% Popularity • 34% Danceability • 7% Energy • 27% Liveness
8% Instrumentalness • 3% Positiveness
14% Popularity • 34% Danceability • 7% Energy • 27% Liveness
8% Instrumentalness • 3% Positiveness
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Bachan Kaur
Toon Mera Pita Toonhai Mera Mata (Divine...
140 bpm • A min • 09:25 • -15.03db
9% Popularity • 50% Danceability • 22% Energy • 9% Liveness
1% Instrumentalness • 20% Positiveness
9% Popularity • 50% Danceability • 22% Energy • 9% Liveness
1% Instrumentalness • 20% Positiveness
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Baptiste Sejourne
Kura Kura
140 bpm • A min • 04:42 • -8.89db
40% Popularity • 57% Danceability • 57% Energy • 7% Liveness
65% Instrumentalness • 20% Positiveness
40% Popularity • 57% Danceability • 57% Energy • 7% Liveness
65% Instrumentalness • 20% Positiveness
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Bird Tribe
I Want to Live
136 bpm • A# Maj • 02:01 • -15.11db
49% Popularity • 41% Danceability • 8% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
49% Popularity • 41% Danceability • 8% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Christian Bollmann
Dialogue of Winds
140 bpm • F# Maj • 07:27 • -21.22db
31% Popularity • 50% Danceability • 11% Energy • 11% Liveness
44% Instrumentalness • 5% Positiveness
31% Popularity • 50% Danceability • 11% Energy • 11% Liveness
44% Instrumentalness • 5% Positiveness
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Deya Dova
The Jasmani Garden
136 bpm • E Maj • 06:44 • -21.63db
43% Popularity • 26% Danceability • 11% Energy • 9% Liveness
70% Instrumentalness • 6% Positiveness
43% Popularity • 26% Danceability • 11% Energy • 9% Liveness
70% Instrumentalness • 6% Positiveness
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GuruGanesha Singh
Hari Om
140 bpm • E min • 11:21 • -11.33db
27% Popularity • 61% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
27% Popularity • 61% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Sage & Sun
Fenix
140 bpm • B min • 05:30 • -14.95db
29% Popularity • 44% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
29% Popularity • 44% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Tito La Rosa
El Munay (The Power Of Love)
136 bpm • E min • 04:20 • -18.91db
31% Popularity • 32% Danceability • 10% Energy • 11% Liveness
89% Instrumentalness • 19% Positiveness
31% Popularity • 32% Danceability • 10% Energy • 11% Liveness
89% Instrumentalness • 19% Positiveness
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Mary Isis
Gaia Ma
140 bpm • F min • 03:39 • -9.44db
33% Popularity • 48% Danceability • 40% Energy • 10% Liveness
2% Instrumentalness • 4% Positiveness
33% Popularity • 48% Danceability • 40% Energy • 10% Liveness
2% Instrumentalness • 4% Positiveness
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Pejman Tadayon
Ney
140 bpm • C# min • 03:46 • -19.59db
9% Popularity • 32% Danceability • 9% Energy • 10% Liveness
91% Instrumentalness • 10% Positiveness
9% Popularity • 32% Danceability • 9% Energy • 10% Liveness
91% Instrumentalness • 10% Positiveness
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Mercedes Bahleda
Kali Durga
140 bpm • D min • 11:07 • -11.72db
28% Popularity • 14% Danceability • 18% Energy • 8% Liveness
6% Instrumentalness • 4% Positiveness
28% Popularity • 14% Danceability • 18% Energy • 8% Liveness
6% Instrumentalness • 4% Positiveness
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Majbritte Ulrikkeholm
Long Wing Feathers
140 bpm • B Maj • 05:21 • -10.14db
8% Popularity • 33% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 33% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Rainer Scheurenbrand
Madre
135 bpm • G# min • 04:58 • -17.3db
32% Popularity • 41% Danceability • 20% Energy • 10% Liveness
9% Instrumentalness • 9% Positiveness
32% Popularity • 41% Danceability • 20% Energy • 10% Liveness
9% Instrumentalness • 9% Positiveness
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Gerhard Fankhauser
Welcome to Paradise
136 bpm • A min • 06:19 • -11.48db
12% Popularity • 51% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
12% Popularity • 51% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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The Hang Drum Project
Om Namo Shivaya
141 bpm • G min • 04:13 • -15.85db
30% Popularity • 42% Danceability • 20% Energy • 11% Liveness
57% Instrumentalness • 24% Positiveness
30% Popularity • 42% Danceability • 20% Energy • 11% Liveness
57% Instrumentalness • 24% Positiveness
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Terri Rivera Piatt
Serpent Mound Chant - Remix
135 bpm • F Maj • 02:21 • -19db
29% Popularity • 47% Danceability • 7% Energy • 9% Liveness
76% Instrumentalness • 14% Positiveness
29% Popularity • 47% Danceability • 7% Energy • 9% Liveness
76% Instrumentalness • 14% Positiveness
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Puentes
Con Esta Medicina
142 bpm • G Maj • 05:54 • -19db
39% Popularity • 60% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
39% Popularity • 60% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Curawaka
He Yama Yo
135 bpm • D Maj • 08:53 • -10.26db
47% Popularity • 32% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
47% Popularity • 32% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Choying Drolma
Song of Realization
134 bpm • F Maj • 08:56 • -22.11db
22% Popularity • 36% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
22% Popularity • 36% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Chinmaya Dunster
Meeting Of Two Oceans
134 bpm • C# Maj • 06:14 • -19.21db
41% Popularity • 30% Danceability • 4% Energy • 10% Liveness
46% Instrumentalness • 4% Positiveness
41% Popularity • 30% Danceability • 4% Energy • 10% Liveness
46% Instrumentalness • 4% Positiveness
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Adrian Freedman
Hijos Guerreros del Sol
142 bpm • E min • 11:09 • -9.3db
14% Popularity • 34% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
14% Popularity • 34% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
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Murray Kyle
Ganapataye
134 bpm • F min • 05:40 • -11db
28% Popularity • 64% Danceability • 42% Energy • 21% Liveness
0% Instrumentalness • 24% Positiveness
28% Popularity • 64% Danceability • 42% Energy • 21% Liveness
0% Instrumentalness • 24% Positiveness
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PoranguÃ
Chakaruna
134 bpm • C# min • 03:22 • -14.53db
35% Popularity • 42% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
35% Popularity • 42% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
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Bettina Maureenji
The Voice and Shma Israel
142 bpm • F# Maj • 11:51 • -12.18db
9% Popularity • 28% Danceability • 15% Energy • 30% Liveness
0% Instrumentalness • 9% Positiveness
9% Popularity • 28% Danceability • 15% Energy • 30% Liveness
0% Instrumentalness • 9% Positiveness
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Christian Bollmann
Neesa Neesa Neesa
134 bpm • D Maj • 04:02 • -32.33db
43% Popularity • 16% Danceability • 2% Energy • 11% Liveness
64% Instrumentalness • 3% Positiveness
43% Popularity • 16% Danceability • 2% Energy • 11% Liveness
64% Instrumentalness • 3% Positiveness
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Lua Maria
Charco Verde
143 bpm • D min • 04:46 • -11.27db
14% Popularity • 25% Danceability • 28% Energy • 6% Liveness
29% Instrumentalness • 18% Positiveness
14% Popularity • 25% Danceability • 28% Energy • 6% Liveness
29% Instrumentalness • 18% Positiveness
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OCNO
Horizonte
133 bpm • D Maj • 09:12 • -13.67db
15% Popularity • 61% Danceability • 64% Energy • 9% Liveness
92% Instrumentalness • 41% Positiveness
15% Popularity • 61% Danceability • 64% Energy • 9% Liveness
92% Instrumentalness • 41% Positiveness
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Gypsy Tears
Om Namo Amitabaya
133 bpm • A min • 04:52 • -10.72db
16% Popularity • 50% Danceability • 23% Energy • 12% Liveness
4% Instrumentalness • 26% Positiveness
16% Popularity • 50% Danceability • 23% Energy • 12% Liveness
4% Instrumentalness • 26% Positiveness
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Ajeet
Ajai Alai
133 bpm • A min • 08:37 • -13.87db
45% Popularity • 66% Danceability • 26% Energy • 10% Liveness
35% Instrumentalness • 26% Positiveness
45% Popularity • 66% Danceability • 26% Energy • 10% Liveness
35% Instrumentalness • 26% Positiveness
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Bettina Maureenji
Bardo
134 bpm • C min • 05:17 • -11.7db
13% Popularity • 37% Danceability • 55% Energy • 27% Liveness
38% Instrumentalness • 45% Positiveness
13% Popularity • 37% Danceability • 55% Energy • 27% Liveness
38% Instrumentalness • 45% Positiveness
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The Hanumen
Manipuri Hari Krishna (Edit)
133 bpm • D min • 05:25 • -17db
43% Popularity • 24% Danceability • 15% Energy • 9% Liveness
3% Instrumentalness • 12% Positiveness
43% Popularity • 24% Danceability • 15% Energy • 9% Liveness
3% Instrumentalness • 12% Positiveness
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Gerhard Fankhauser
Sarvesham
144 bpm • A min • 07:05 • -12.27db
14% Popularity • 63% Danceability • 47% Energy • 7% Liveness
7% Instrumentalness • 67% Positiveness
14% Popularity • 63% Danceability • 47% Energy • 7% Liveness
7% Instrumentalness • 67% Positiveness
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Edo & Jo
Sarveshwari (Universal Mother)
132 bpm • A Maj • 06:53 • -14.58db
32% Popularity • 51% Danceability • 17% Energy • 20% Liveness
0% Instrumentalness • 28% Positiveness
32% Popularity • 51% Danceability • 17% Energy • 20% Liveness
0% Instrumentalness • 28% Positiveness
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DarÃo Poletti
Paparuy
144 bpm • G min • 04:38 • -9.76db
25% Popularity • 33% Danceability • 34% Energy • 37% Liveness
65% Instrumentalness • 21% Positiveness
25% Popularity • 33% Danceability • 34% Energy • 37% Liveness
65% Instrumentalness • 21% Positiveness
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Bird Tribe
Colibrà Libre
132 bpm • D Maj • 05:02 • -9db
34% Popularity • 49% Danceability • 47% Energy • 8% Liveness
72% Instrumentalness • 34% Positiveness
34% Popularity • 49% Danceability • 47% Energy • 8% Liveness
72% Instrumentalness • 34% Positiveness
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Majbritte Ulrikkeholm
Breath of Barley
144 bpm • C min • 01:45 • -26.53db
16% Popularity • 62% Danceability • 12% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
16% Popularity • 62% Danceability • 12% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
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CuraSana
Awakening (Monochord)
132 bpm • C Maj • 08:52 • -12.75db
9% Popularity • 19% Danceability • 32% Energy • 11% Liveness
66% Instrumentalness • 3% Positiveness
9% Popularity • 19% Danceability • 32% Energy • 11% Liveness
66% Instrumentalness • 3% Positiveness
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Layne Redmond
Sweet Desire
145 bpm • G min • 08:00 • -12.9db
8% Popularity • 51% Danceability • 53% Energy • 7% Liveness
94% Instrumentalness • 93% Positiveness
8% Popularity • 51% Danceability • 53% Energy • 7% Liveness
94% Instrumentalness • 93% Positiveness
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Orka
Agua de estrellas
131 bpm • F# Maj • 04:31 • -16.55db
38% Popularity • 53% Danceability • 15% Energy • 10% Liveness
1% Instrumentalness • 31% Positiveness
38% Popularity • 53% Danceability • 15% Energy • 10% Liveness
1% Instrumentalness • 31% Positiveness
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Puentes
Nuestro Mundo
145 bpm • C min • 07:58 • -16db
45% Popularity • 58% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
45% Popularity • 58% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Nessi Gomes
All Related - Fantastic Fungi Mix
145 bpm • C# min • 06:28 • -11db
40% Popularity • 63% Danceability • 58% Energy • 18% Liveness
2% Instrumentalness • 49% Positiveness
40% Popularity • 63% Danceability • 58% Energy • 18% Liveness
2% Instrumentalness • 49% Positiveness
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Nirinjan Kaur
Chattr Chakkr Vartee
146 bpm • C min • 06:55 • -14.35db
51% Popularity • 54% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
51% Popularity • 54% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Rainer Scheurenbrand
Cura
130 bpm • D min • 06:58 • -18db
44% Popularity • 46% Danceability • 37% Energy • 10% Liveness
87% Instrumentalness • 31% Positiveness
44% Popularity • 46% Danceability • 37% Energy • 10% Liveness
87% Instrumentalness • 31% Positiveness
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Layne Redmond
Radiant Pleasure
146 bpm • D min • 07:05 • -12.43db
20% Popularity • 41% Danceability • 51% Energy • 14% Liveness
97% Instrumentalness • 65% Positiveness
20% Popularity • 41% Danceability • 51% Energy • 14% Liveness
97% Instrumentalness • 65% Positiveness
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Deva Premal & Miten with Manose
Om Kumara Mantra (Innocence)
130 bpm • A# min • 10:27 • -14.69db
43% Popularity • 67% Danceability • 32% Energy • 9% Liveness
49% Instrumentalness • 50% Positiveness
43% Popularity • 67% Danceability • 32% Energy • 9% Liveness
49% Instrumentalness • 50% Positiveness
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Astral Flowers
Essence of Me
130 bpm • D min • 05:45 • -17.49db
18% Popularity • 57% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
18% Popularity • 57% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Karnamrita Dasi
Devaki
130 bpm • G Maj • 06:32 • -15.95db
33% Popularity • 42% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 21% Positiveness
33% Popularity • 42% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 21% Positiveness
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Yaima
Reciprocity - Acoustic
147 bpm • G min • 05:08 • -14.23db
36% Popularity • 40% Danceability • 29% Energy • 10% Liveness
1% Instrumentalness • 22% Positiveness
36% Popularity • 40% Danceability • 29% Energy • 10% Liveness
1% Instrumentalness • 22% Positiveness
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Armand Amar
Salvacci Denducci Pace
130 bpm • A# min • 07:15 • -20.66db
32% Popularity • 17% Danceability • 9% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
32% Popularity • 17% Danceability • 9% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
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Rainer Scheurenbrand
Agua
148 bpm • E min • 07:15 • -21.7db
24% Popularity • 19% Danceability • 15% Energy • 10% Liveness
93% Instrumentalness • 6% Positiveness
24% Popularity • 19% Danceability • 15% Energy • 10% Liveness
93% Instrumentalness • 6% Positiveness
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Joanne Shenandoah
Deer Dance
148 bpm • F Maj • 03:59 • -21.57db
27% Popularity • 57% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
27% Popularity • 57% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Nick Barbachano
Kambo
148 bpm • G Maj • 04:11 • -14.54db
42% Popularity • 60% Danceability • 32% Energy • 23% Liveness
3% Instrumentalness • 28% Positiveness
42% Popularity • 60% Danceability • 32% Energy • 23% Liveness
3% Instrumentalness • 28% Positiveness
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Puentes
Amor Y Unidad
148 bpm • B min • 06:39 • -15.45db
45% Popularity • 62% Danceability • 26% Energy • 11% Liveness
2% Instrumentalness • 45% Positiveness
45% Popularity • 62% Danceability • 26% Energy • 11% Liveness
2% Instrumentalness • 45% Positiveness
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Freedom Café
Doce Nome
129 bpm • A min • 06:19 • -10.85db
20% Popularity • 34% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
20% Popularity • 34% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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The Hang Drum Project
Om Namo Buravae
128 bpm • D min • 05:55 • -15.18db
15% Popularity • 67% Danceability • 38% Energy • 10% Liveness
96% Instrumentalness • 44% Positiveness
15% Popularity • 67% Danceability • 38% Energy • 10% Liveness
96% Instrumentalness • 44% Positiveness
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Rainer Scheurenbrand
Aguila
148 bpm • G Maj • 07:00 • -16.84db
20% Popularity • 42% Danceability • 26% Energy • 11% Liveness
52% Instrumentalness • 26% Positiveness
20% Popularity • 42% Danceability • 26% Energy • 11% Liveness
52% Instrumentalness • 26% Positiveness
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Majbritte Ulrikkeholm
Dust in Persian Sahara
128 bpm • C# min • 07:32 • -22db
30% Popularity • 22% Danceability • 19% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
30% Popularity • 22% Danceability • 19% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Shimshai & Susana
Con Mi Tabaco
128 bpm • B min • 06:30 • -12.56db
39% Popularity • 56% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
39% Popularity • 56% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Addis Buchanan
Sarve Bavanthu Sukhinah
128 bpm • G min • 03:35 • -13.6db
13% Popularity • 44% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
13% Popularity • 44% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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DarÃo Poletti
Medicina Inka
128 bpm • D Maj • 05:25 • -10.37db
23% Popularity • 27% Danceability • 26% Energy • 11% Liveness
53% Instrumentalness • 4% Positiveness
23% Popularity • 27% Danceability • 26% Energy • 11% Liveness
53% Instrumentalness • 4% Positiveness
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OCNO
Top Mantra
149 bpm • G Maj • 07:07 • -13.95db
13% Popularity • 32% Danceability • 22% Energy • 13% Liveness
92% Instrumentalness • 7% Positiveness
13% Popularity • 32% Danceability • 22% Energy • 13% Liveness
92% Instrumentalness • 7% Positiveness
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Arinushka
About Prayer
127 bpm • G Maj • 05:19 • -12.59db
12% Popularity • 50% Danceability • 38% Energy • 9% Liveness
39% Instrumentalness • 45% Positiveness
12% Popularity • 50% Danceability • 38% Energy • 9% Liveness
39% Instrumentalness • 45% Positiveness
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Freedom Café
Hare Sharanam
127 bpm • D min • 05:56 • -10.08db
15% Popularity • 58% Danceability • 44% Energy • 11% Liveness
1% Instrumentalness • 45% Positiveness
15% Popularity • 58% Danceability • 44% Energy • 11% Liveness
1% Instrumentalness • 45% Positiveness
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Edo & Jo
Om Guru (Trust Within)
150 bpm • A Maj • 09:22 • -10.97db
45% Popularity • 42% Danceability • 39% Energy • 7% Liveness
1% Instrumentalness • 26% Positiveness
45% Popularity • 42% Danceability • 39% Energy • 7% Liveness
1% Instrumentalness • 26% Positiveness
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Bettina Maureenji
Irineu
150 bpm • C min • 06:21 • -18.68db
10% Popularity • 26% Danceability • 17% Energy • 8% Liveness
35% Instrumentalness • 7% Positiveness
10% Popularity • 26% Danceability • 17% Energy • 8% Liveness
35% Instrumentalness • 7% Positiveness
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Sage & Sun
Pachama En Este Fuego
127 bpm • C min • 05:48 • -14.61db
29% Popularity • 44% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
29% Popularity • 44% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Monk Party
Aum Shivaya Namaha
150 bpm • D Maj • 05:37 • -9.93db
24% Popularity • 43% Danceability • 51% Energy • 9% Liveness
84% Instrumentalness • 16% Positiveness
24% Popularity • 43% Danceability • 51% Energy • 9% Liveness
84% Instrumentalness • 16% Positiveness
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Choying Drolma
Kangyi Tengi - 2016 Remaster; Remastered
150 bpm • G min • 06:30 • -14.6db
18% Popularity • 37% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
18% Popularity • 37% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Alex Forster
Waiting
151 bpm • A Maj • 03:19 • -18.18db
12% Popularity • 13% Danceability • 22% Energy • 6% Liveness
44% Instrumentalness • 4% Positiveness
12% Popularity • 13% Danceability • 22% Energy • 6% Liveness
44% Instrumentalness • 4% Positiveness
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OCNO
Om Trayambakam
127 bpm • A Maj • 05:27 • -11.09db
18% Popularity • 29% Danceability • 31% Energy • 11% Liveness
92% Instrumentalness • 7% Positiveness
18% Popularity • 29% Danceability • 31% Energy • 11% Liveness
92% Instrumentalness • 7% Positiveness
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Bettina Maureenji
Rainha
127 bpm • A min • 06:16 • -19.18db
13% Popularity • 53% Danceability • 10% Energy • 8% Liveness
14% Instrumentalness • 12% Positiveness
13% Popularity • 53% Danceability • 10% Energy • 8% Liveness
14% Instrumentalness • 12% Positiveness
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Nadaka
Bayragi 2
126 bpm • F Maj • 06:41 • -22db
17% Popularity • 64% Danceability • 5% Energy • 6% Liveness
13% Instrumentalness • 9% Positiveness
17% Popularity • 64% Danceability • 5% Energy • 6% Liveness
13% Instrumentalness • 9% Positiveness
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Luis Paniagua
Me Llaman
151 bpm • G min • 06:12 • -17db
28% Popularity • 31% Danceability • 20% Energy • 11% Liveness
76% Instrumentalness • 19% Positiveness
28% Popularity • 31% Danceability • 20% Energy • 11% Liveness
76% Instrumentalness • 19% Positiveness
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Jordi Wood
Kawoq
151 bpm • B min • 04:29 • -21.95db
12% Popularity • 74% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
12% Popularity • 74% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Ape Chimba
Amoriri
126 bpm • D# Maj • 08:16 • -15.74db
46% Popularity • 48% Danceability • 26% Energy • 34% Liveness
68% Instrumentalness • 20% Positiveness
46% Popularity • 48% Danceability • 26% Energy • 34% Liveness
68% Instrumentalness • 20% Positiveness
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Nessi Gomes
Falling Birds
126 bpm • G# min • 05:33 • -15.86db
29% Popularity • 62% Danceability • 30% Energy • 23% Liveness
3% Instrumentalness • 27% Positiveness
29% Popularity • 62% Danceability • 30% Energy • 23% Liveness
3% Instrumentalness • 27% Positiveness
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Kailash Kokopelli
Nahinana (Cleansing Chant)
125 bpm • F Maj • 04:58 • -11.87db
16% Popularity • 51% Danceability • 29% Energy • 11% Liveness
4% Instrumentalness • 22% Positiveness
16% Popularity • 51% Danceability • 29% Energy • 11% Liveness
4% Instrumentalness • 22% Positiveness
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Nadaka
Surdas bhajan
125 bpm • C Maj • 04:53 • -16.89db
33% Popularity • 34% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
33% Popularity • 34% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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Bettina Maureenji
Icaro
125 bpm • A min • 10:22 • -21.35db
10% Popularity • 47% Danceability • 16% Energy • 10% Liveness
94% Instrumentalness • 17% Positiveness
10% Popularity • 47% Danceability • 16% Energy • 10% Liveness
94% Instrumentalness • 17% Positiveness
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LAOR
Ana Elech
125 bpm • D min • 03:41 • -10.85db
28% Popularity • 53% Danceability • 28% Energy • 27% Liveness
3% Instrumentalness • 24% Positiveness
28% Popularity • 53% Danceability • 28% Energy • 27% Liveness
3% Instrumentalness • 24% Positiveness
