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Adultery
Songs like
Adultery
by
Joseph Engleman
Based on a tempo of (+/- 10%) and a similar genre
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Joseph Engleman
Adultery
195 bpm • F Maj • 01:25 • -11.13db
0% Popularity • 32% Danceability • 18% Energy • 15% Liveness
92% Instrumentalness • 50% Positiveness
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Heinz Hoetter
Jangle Charleston
201 bpm • C Maj • 01:43 • -11.24db
12% Popularity • 57% Danceability • 41% Energy • 16% Liveness
86% Instrumentalness • 96% Positiveness
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Andre Kostelanetz
Over and over Again
201 bpm • D Maj • 03:24 • -9db
9% Popularity • 17% Danceability • 39% Energy • 12% Liveness
83% Instrumentalness • 26% Positiveness
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New England Conservatory Ragtime Ensemble
Joplin: The Easy Winners
189 bpm • A Maj • 03:58 • -15.82db
11% Popularity • 55% Danceability • 41% Energy • 12% Liveness
70% Instrumentalness • 52% Positiveness
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Original Soundtrack
The Cocktail Party
188 bpm • D# Maj • 01:26 • -15.13db
18% Popularity • 40% Danceability • 31% Energy • 10% Liveness
29% Instrumentalness • 93% Positiveness
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Inez Holland
Dancing Under the Stars
187 bpm • B Maj • 02:51 • -14.44db
5% Popularity • 38% Danceability • 28% Energy • 12% Liveness
92% Instrumentalness • 71% Positiveness
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Orquesta Sinfónica Venezuela
Carmen La Que Contaba 16 Años
184 bpm • D# Maj • 02:40 • -6.25db
10% Popularity • 46% Danceability • 58% Energy • 44% Liveness
88% Instrumentalness • 80% Positiveness
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Pat Lynn
Jeeves and Wooster
184 bpm • D min • 02:53 • -14.13db
11% Popularity • 32% Danceability • 32% Energy • 19% Liveness
78% Instrumentalness • 66% Positiveness
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Allie Wrubel
The First Time I Saw You
183 bpm • C Maj • 03:00 • -18.19db
4% Popularity • 57% Danceability • 22% Energy • 18% Liveness
91% Instrumentalness • 89% Positiveness
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Slim Pickins & His Twenty-Niners
Arbuckle Bounce
208 bpm • G# Maj • 02:19 • -16.97db
12% Popularity • 47% Danceability • 34% Energy • 69% Liveness
28% Instrumentalness • 95% Positiveness
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Raymond Scott
Eight Letters in the Mailbox - 1942
183 bpm • G# Maj • 03:24 • -15.43db
9% Popularity • 41% Danceability • 36% Energy • 22% Liveness
94% Instrumentalness • 80% Positiveness
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New England Conservatory Ragtime Ensemble
Joplin: Maple Leaf Rag
183 bpm • A Maj • 03:14 • -12.62db
18% Popularity • 45% Danceability • 48% Energy • 32% Liveness
85% Instrumentalness • 81% Positiveness
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Orquesta Sinfónica Venezuela
María Antonia
182 bpm • G min • 02:42 • -9.54db
13% Popularity • 36% Danceability • 64% Energy • 29% Liveness
55% Instrumentalness • 82% Positiveness
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Hans Zander
Continental Bounce
208 bpm • G min • 02:45 • -10.42db
11% Popularity • 52% Danceability • 41% Energy • 10% Liveness
84% Instrumentalness • 93% Positiveness
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Mantovani & His Orchestra
Hi Lili, Hi-Lo
181 bpm • E min • 02:08 • -14.56db
9% Popularity • 12% Danceability • 21% Energy • 7% Liveness
16% Instrumentalness • 16% Positiveness
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Mrs Mills
Sweet Georgia Brown - 2003 Remaster
181 bpm • D Maj • 01:59 • -10.84db
15% Popularity • 54% Danceability • 52% Energy • 22% Liveness
94% Instrumentalness • 90% Positiveness
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Stanley Myers
Sammy and Rosie Get Laid
181 bpm • A# Maj • 01:34 • -12.18db
18% Popularity • 20% Danceability • 27% Energy • 12% Liveness
92% Instrumentalness • 19% Positiveness
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Raymond Scott
In an 18th Century Drawing Room - 1942 O...
212 bpm • C# Maj • 03:00 • -12.62db
11% Popularity • 38% Danceability • 34% Energy • 17% Liveness
92% Instrumentalness • 90% Positiveness
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Conjunto Evocación de Juan S. Garrido
Ensueño Seductor
179 bpm • C Maj • 03:13 • -12.17db
7% Popularity • 26% Danceability • 20% Energy • 10% Liveness
18% Instrumentalness • 35% Positiveness
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Franz Grothe
Ganz leise kommt die Nacht
178 bpm • A# Maj • 02:48 • -17db
9% Popularity • 34% Danceability • 27% Energy • 12% Liveness
54% Instrumentalness • 58% Positiveness
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Julius Fučík
Lebensmärchen, Op. 253 (Version for Orc...
176 bpm • G Maj • 08:16 • -21.36db
10% Popularity • 22% Danceability • 6% Energy • 7% Liveness
59% Instrumentalness • 8% Positiveness
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Alec Gould
Bliss
176 bpm • F Maj • 02:18 • -16.65db
4% Popularity • 16% Danceability • 24% Energy • 10% Liveness
60% Instrumentalness • 13% Positiveness
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Juan Luis Guerra 4.40
Capitán Avispa vals
175 bpm • C Maj • 01:48 • -6.75db
28% Popularity • 30% Danceability • 38% Energy • 12% Liveness
49% Instrumentalness • 52% Positiveness
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Raymond Scott
Highland Swing - 1954
178 bpm • F min • 02:37 • -9.6db
10% Popularity • 58% Danceability • 36% Energy • 6% Liveness
6% Instrumentalness • 75% Positiveness
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London Promenade Orchestra
Beautiful Spring
175 bpm • D Maj • 03:57 • -14.41db
10% Popularity • 20% Danceability • 16% Energy • 4% Liveness
80% Instrumentalness • 20% Positiveness
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Gene Back
Crostati
174 bpm • A# Maj • 02:16 • -14.31db
14% Popularity • 11% Danceability • 17% Energy • 11% Liveness
93% Instrumentalness • 5% Positiveness
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Sebastián Iradier
La Paloma
174 bpm • C Maj • 06:01 • -20.9db
1% Popularity • 12% Danceability • 13% Energy • 6% Liveness
77% Instrumentalness • 9% Positiveness
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Jean Paques
Song of Songs
174 bpm • A# Maj • 01:48 • -29.07db
17% Popularity • 56% Danceability • 9% Energy • 6% Liveness
80% Instrumentalness • 81% Positiveness
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The Beau Hunks
Little Dancing Girl
174 bpm • G# Maj • 01:08 • -17.79db
12% Popularity • 52% Danceability • 14% Energy • 12% Liveness
97% Instrumentalness • 89% Positiveness
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Raymond Scott
A Swell Day in Siam - 1940
177 bpm • C Maj • 03:16 • -15.01db
10% Popularity • 63% Danceability • 23% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
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Joseph Engleman
Wren's Serenade
172 bpm • D Maj • 02:55 • -16.08db
1% Popularity • 41% Danceability • 15% Energy • 11% Liveness
62% Instrumentalness • 83% Positiveness
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Jackie Gleason
There I've Said It Again
173 bpm • C min • 03:53 • -23.15db
12% Popularity • 9% Danceability • 11% Energy • 8% Liveness
78% Instrumentalness • 4% Positiveness
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Memphis Jazz Orchestra
Let Me Call You Sweetheart
172 bpm • A Maj • 01:58 • -14.29db
10% Popularity • 14% Danceability • 22% Energy • 35% Liveness
90% Instrumentalness • 31% Positiveness
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The City Slickers
Some Sunday Morning
172 bpm • C Maj • 02:39 • -17db
9% Popularity • 62% Danceability • 19% Energy • 36% Liveness
65% Instrumentalness • 87% Positiveness
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Alec Gould
Sentiment
172 bpm • A# Maj • 02:05 • -14.1db
3% Popularity • 11% Danceability • 30% Energy • 32% Liveness
78% Instrumentalness • 10% Positiveness
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Raymond Scott
Bumpy Weather Over Newark - 1938 Symphon...
172 bpm • G min • 03:10 • -9.42db
11% Popularity • 32% Danceability • 52% Energy • 12% Liveness
88% Instrumentalness • 42% Positiveness
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Hill Bowen
Lover
171 bpm • D# Maj • 02:03 • -9.53db
9% Popularity • 21% Danceability • 27% Energy • 11% Liveness
29% Instrumentalness • 9% Positiveness
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Charlie Chaplin
Love Theme / Valse Elegante / Valse Char...
171 bpm • D Maj • 02:47 • -13.11db
10% Popularity • 24% Danceability • 15% Energy • 31% Liveness
32% Instrumentalness • 35% Positiveness
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Tocatas Brasil CCB
Vida Eterna! Vida Eterna!
171 bpm • A# Maj • 04:11 • -14.62db
9% Popularity • 69% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
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Lars Ole Ganderup Payne
A Touch of Class
171 bpm • C Maj • 02:29 • -11.92db
12% Popularity • 20% Danceability • 27% Energy • 53% Liveness
92% Instrumentalness • 46% Positiveness
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Joseph Engleman
Home Front Salute
169 bpm • G Maj • 01:12 • -9.17db
0% Popularity • 40% Danceability • 46% Energy • 12% Liveness
86% Instrumentalness • 88% Positiveness
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Henry Mancini
The Invitation
169 bpm • D min • 02:08 • -22.07db
21% Popularity • 9% Danceability • 14% Energy • 10% Liveness
45% Instrumentalness • 34% Positiveness
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Lelio Luttazzi
In un mercato persiano
168 bpm • F# Maj • 03:14 • -8.24db
17% Popularity • 47% Danceability • 44% Energy • 5% Liveness
34% Instrumentalness • 59% Positiveness
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Richard Rodgers
Oklahoma!, Act 1: No. 13, Change of Scen...
168 bpm • F# min • 02:26 • -13.83db
7% Popularity • 10% Danceability • 32% Energy • 13% Liveness
88% Instrumentalness • 55% Positiveness
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Charlie Chaplin
Charlie Looks Through Shop Window at Gir...
168 bpm • F# Maj • 01:14 • -8.46db
13% Popularity • 26% Danceability • 32% Energy • 19% Liveness
67% Instrumentalness • 53% Positiveness
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Adultery