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Adversary
Songs like
Adversary
by
Greg Fox
Based on a tempo of (+/- 10%) and a similar genre
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Valentina Magaletti
Low Delights
140 bpm • D Maj • 03:29 • -14.75db
8% Popularity • 70% Danceability • 45% Energy • 7% Liveness
76% Instrumentalness • 19% Positiveness
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Rich Hinman
Slow Drip
140 bpm • F min • 03:18 • -15.72db
20% Popularity • 41% Danceability • 37% Energy • 10% Liveness
94% Instrumentalness • 12% Positiveness
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Takuro Okada
A Love Supreme
140 bpm • D min • 05:52 • -13.62db
13% Popularity • 30% Danceability • 65% Energy • 10% Liveness
14% Instrumentalness • 7% Positiveness
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Messiah'el Bey
Dear Aisha
140 bpm • F# min • 04:20 • -11.05db
21% Popularity • 70% Danceability • 52% Energy • 12% Liveness
87% Instrumentalness • 59% Positiveness
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72-HOUR POST FIGHT
SMOKE CUTTER
140 bpm • B Maj • 03:45 • -11.89db
8% Popularity • 62% Danceability • 50% Energy • 22% Liveness
86% Instrumentalness • 5% Positiveness
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Howie Lee
Foreign Flowers
140 bpm • A Maj • 03:16 • -13.31db
7% Popularity • 61% Danceability • 43% Energy • 17% Liveness
78% Instrumentalness • 38% Positiveness
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Jaubi
Raga Gujri Todi
140 bpm • C min • 06:13 • -7.29db
18% Popularity • 27% Danceability • 80% Energy • 6% Liveness
70% Instrumentalness • 9% Positiveness
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Bell Orchestre
VII: Colour Fields
140 bpm • D Maj • 06:09 • -9.36db
14% Popularity • 23% Danceability • 62% Energy • 60% Liveness
90% Instrumentalness • 14% Positiveness
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Matmos
Lend Me Your Ears
140 bpm • C# min • 03:46 • -15.63db
9% Popularity • 72% Danceability • 36% Energy • 10% Liveness
2% Instrumentalness • 20% Positiveness
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Greg Fox
Adversary
140 bpm • A min • 01:57 • -10.77db
0% Popularity • 20% Danceability • 46% Energy • 11% Liveness
98% Instrumentalness • 6% Positiveness
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Bex Burch
Don't go back to sleep
140 bpm • D Maj • 02:42 • -16.89db
26% Popularity • 73% Danceability • 31% Energy • 11% Liveness
70% Instrumentalness • 34% Positiveness
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Sam Gendel
Yoko-jima (横縞, horizontal stripes)
141 bpm • B Maj • 04:43 • -13.65db
12% Popularity • 52% Danceability • 36% Energy • 14% Liveness
23% Instrumentalness • 19% Positiveness
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Tom Skinner
Red 2
139 bpm • F Maj • 02:57 • -12db
13% Popularity • 30% Danceability • 33% Energy • 18% Liveness
65% Instrumentalness • 5% Positiveness
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Matana Roberts
we said
139 bpm • F Maj • 03:30 • -13.31db
14% Popularity • 26% Danceability • 55% Energy • 28% Liveness
72% Instrumentalness • 3% Positiveness
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Tomaga
The King of Naples
139 bpm • A# min • 05:15 • -7.65db
13% Popularity • 41% Danceability • 70% Energy • 5% Liveness
82% Instrumentalness • 6% Positiveness
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Yasuaki Shimizu
Momo No Hana
139 bpm • E Maj • 05:08 • -16.7db
9% Popularity • 34% Danceability • 29% Energy • 12% Liveness
87% Instrumentalness • 8% Positiveness
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Moin
Will I Have Enough Grapes
141 bpm • C# Maj • 05:56 • -13.12db
9% Popularity • 53% Danceability • 44% Energy • 8% Liveness
83% Instrumentalness • 5% Positiveness
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Lynn Avery
Belt of Venus
139 bpm • C Maj • 03:11 • -15.83db
26% Popularity • 34% Danceability • 9% Energy • 11% Liveness
78% Instrumentalness • 18% Positiveness
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Fridge
Melodica & Trombone - Remastered
139 bpm • C# Maj • 06:01 • -13.65db
12% Popularity • 15% Danceability • 42% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
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Elephant9
Throughout the worlds
141 bpm • F min • 06:14 • -17.12db
10% Popularity • 57% Danceability • 22% Energy • 11% Liveness
89% Instrumentalness • 12% Positiveness
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Grace Lancaster
Symphony of the Stars
139 bpm • E min • 01:41 • -14.09db
18% Popularity • 31% Danceability • 85% Energy • 37% Liveness
94% Instrumentalness • 48% Positiveness
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DJ Raspberry V
Super Stoked
138 bpm • C# Maj • 02:08 • -17.81db
23% Popularity • 41% Danceability • 32% Energy • 11% Liveness
94% Instrumentalness • 79% Positiveness
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Diavel V
Volt
142 bpm • E Maj • 02:12 • -17.69db
18% Popularity • 66% Danceability • 29% Energy • 14% Liveness
85% Instrumentalness • 93% Positiveness
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Genevieve Artadi
cupcake5
142 bpm • C Maj • 01:15 • -13.32db
30% Popularity • 71% Danceability • 46% Energy • 15% Liveness
88% Instrumentalness • 80% Positiveness
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Sam Gendel
Sx Mrnng
138 bpm • A# Maj • 01:00 • -16.96db
20% Popularity • 24% Danceability • 11% Energy • 11% Liveness
93% Instrumentalness • 23% Positiveness
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OZmotic
Senzatempo
138 bpm • C# Maj • 09:46 • -12.34db
14% Popularity • 16% Danceability • 45% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Hello Ocho
Nail Tractor
143 bpm • B min • 01:27 • -11.69db
21% Popularity • 50% Danceability • 73% Energy • 34% Liveness
86% Instrumentalness • 91% Positiveness
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Fuubutsushi
Light in the Annex
142 bpm • E Maj • 06:02 • -19.6db
9% Popularity • 21% Danceability • 12% Energy • 17% Liveness
11% Instrumentalness • 6% Positiveness
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Bendik Giske
Matter (part 3)
137 bpm • C min • 06:12 • -15.73db
12% Popularity • 40% Danceability • 52% Energy • 11% Liveness
93% Instrumentalness • 42% Positiveness
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DJ Raspberry V
Snowboarding
137 bpm • C# Maj • 02:02 • -18.24db
23% Popularity • 41% Danceability • 31% Energy • 11% Liveness
94% Instrumentalness • 80% Positiveness
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Valentina Magaletti
Body in a Room
137 bpm • A# Maj • 05:15 • -12.1db
8% Popularity • 60% Danceability • 39% Energy • 10% Liveness
86% Instrumentalness • 5% Positiveness
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Sam Gendel
UNDERCURRENTS
137 bpm • C min • 02:14 • -35.44db
10% Popularity • 15% Danceability • 0% Energy • 9% Liveness
99% Instrumentalness • 6% Positiveness
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Sam Wilkes
The B Section of Inner Urge
137 bpm • C# min • 03:59 • -7.71db
8% Popularity • 24% Danceability • 87% Energy • 16% Liveness
89% Instrumentalness • 10% Positiveness
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Shuta Hasunuma
Weather
136 bpm • C# Maj • 04:13 • -11.1db
8% Popularity • 69% Danceability • 71% Energy • 10% Liveness
75% Instrumentalness • 52% Positiveness
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Knobs
Used car
136 bpm • F Maj • 01:50 • -16.47db
11% Popularity • 27% Danceability • 46% Energy • 10% Liveness
78% Instrumentalness • 36% Positiveness
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SG
Sentimental Guitar Dream
144 bpm • G Maj • 05:02 • -16.02db
12% Popularity • 70% Danceability • 46% Energy • 20% Liveness
89% Instrumentalness • 32% Positiveness
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Bitchin Bajas
Space Is The Place
145 bpm • C min • 07:56 • -9.85db
12% Popularity • 34% Danceability • 46% Energy • 6% Liveness
14% Instrumentalness • 46% Positiveness
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Emil Amos
Moving Target
145 bpm • A# Maj • 02:15 • -15.27db
24% Popularity • 54% Danceability • 41% Energy • 9% Liveness
95% Instrumentalness • 10% Positiveness
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Peter Talisman
Prelude - A Difficult Fog Descends On Th...
135 bpm • D Maj • 01:48 • -19.55db
13% Popularity • 32% Danceability • 23% Energy • 34% Liveness
19% Instrumentalness • 29% Positiveness
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Sketch Show
ATTENTION TOKYO
145 bpm • D Maj • 03:22 • -15.54db
20% Popularity • 73% Danceability • 51% Energy • 11% Liveness
92% Instrumentalness • 59% Positiveness
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Koeosaeme
1520219:44
145 bpm • C# Maj • 02:50 • -15.12db
12% Popularity • 54% Danceability • 42% Energy • 11% Liveness
40% Instrumentalness • 66% Positiveness
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Deantoni Parks
TEARS IN RAIN I
145 bpm • E Maj • 02:22 • -6.26db
9% Popularity • 42% Danceability • 93% Energy • 46% Liveness
77% Instrumentalness • 18% Positiveness
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Kate NV
meow chat
145 bpm • C# Maj • 02:26 • -11.18db
20% Popularity • 74% Danceability • 56% Energy • 11% Liveness
90% Instrumentalness • 95% Positiveness
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Sam Wilkes
Today
145 bpm • D min • 04:11 • -7.43db
10% Popularity • 17% Danceability • 56% Energy • 10% Liveness
97% Instrumentalness • 18% Positiveness
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Greg Fox
By Virtue of Emptiness
145 bpm • F min • 05:46 • -10.1db
3% Popularity • 32% Danceability • 79% Energy • 7% Liveness
92% Instrumentalness • 19% Positiveness
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Sam Prekop
Step and Stair
145 bpm • A min • 04:33 • -17.35db
7% Popularity • 72% Danceability • 34% Energy • 11% Liveness
97% Instrumentalness • 93% Positiveness
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Yasuaki Shimizu
Ashita
145 bpm • G Maj • 05:07 • -13.97db
11% Popularity • 77% Danceability • 49% Energy • 12% Liveness
90% Instrumentalness • 97% Positiveness
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Sam Gendel
Shippō (七宝, seven treasures of the ...
134 bpm • B min • 03:46 • -15.24db
16% Popularity • 56% Danceability • 27% Energy • 11% Liveness
94% Instrumentalness • 38% Positiveness
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Kate NV
mi (we)
135 bpm • C# Maj • 04:32 • -9.21db
7% Popularity • 55% Danceability • 44% Energy • 16% Liveness
1% Instrumentalness • 45% Positiveness
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Pierre Bastien
Slow Dance
146 bpm • A# min • 03:08 • -19.1db
13% Popularity • 61% Danceability • 19% Energy • 22% Liveness
88% Instrumentalness • 9% Positiveness
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Radian
Cold Suns
146 bpm • G# Maj • 06:19 • -12.95db
10% Popularity • 68% Danceability • 43% Energy • 12% Liveness
81% Instrumentalness • 34% Positiveness
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BSCBR
Children of the Grave
146 bpm • F# Maj • 04:50 • -7.74db
1% Popularity • 39% Danceability • 90% Energy • 10% Liveness
13% Instrumentalness • 67% Positiveness
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Anteloper
Fossil Record
146 bpm • C# Maj • 04:43 • -12.36db
10% Popularity • 59% Danceability • 47% Energy • 11% Liveness
94% Instrumentalness • 16% Positiveness
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Joakim
Waves Ahead
134 bpm • G Maj • 06:59 • -11.37db
1% Popularity • 52% Danceability • 71% Energy • 23% Liveness
28% Instrumentalness • 23% Positiveness
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Flock
Bold Dream
146 bpm • C# Maj • 06:12 • -12.31db
7% Popularity • 54% Danceability • 47% Energy • 13% Liveness
14% Instrumentalness • 34% Positiveness
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Broadcast
Microtronics 03
134 bpm • C# Maj • 01:44 • -12.35db
14% Popularity • 59% Danceability • 75% Energy • 36% Liveness
1% Instrumentalness • 72% Positiveness
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Josh Johnson
856
146 bpm • D min • 02:09 • -17db
34% Popularity • 52% Danceability • 23% Energy • 7% Liveness
92% Instrumentalness • 62% Positiveness
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London Brew
Miles Chases New Voodoo In The Church [B...
134 bpm • G Maj • 07:27 • -9.7db
11% Popularity • 37% Danceability • 70% Energy • 16% Liveness
74% Instrumentalness • 12% Positiveness
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Eli Keszler
We Live In Pathetic Temporal Urgency
147 bpm • C# min • 07:26 • -20.13db
7% Popularity • 28% Danceability • 26% Energy • 14% Liveness
82% Instrumentalness • 4% Positiveness
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Mary Halvorson
Balloon Chord
133 bpm • B min • 02:29 • -10db
8% Popularity • 42% Danceability • 35% Energy • 11% Liveness
88% Instrumentalness • 12% Positiveness
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Nerve
Blue Shark (Prionace glauca)
133 bpm • D# Maj • 03:38 • -11.76db
9% Popularity • 38% Danceability • 93% Energy • 12% Liveness
80% Instrumentalness • 28% Positiveness
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Petter Eldh
Cyclops Dance
133 bpm • A min • 04:35 • -8.86db
10% Popularity • 44% Danceability • 71% Energy • 12% Liveness
90% Instrumentalness • 35% Positiveness
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Maria Chiara Argirò
The Water Oath
133 bpm • C Maj • 01:56 • -19.65db
13% Popularity • 38% Danceability • 34% Energy • 11% Liveness
96% Instrumentalness • 15% Positiveness
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Howie Lee
Time to the Sun
148 bpm • C Maj • 06:26 • -13.18db
13% Popularity • 44% Danceability • 30% Energy • 7% Liveness
9% Instrumentalness • 14% Positiveness
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Eli Keszler
Lotus Awnings
133 bpm • B min • 04:55 • -20.6db
8% Popularity • 61% Danceability • 26% Energy • 9% Liveness
84% Instrumentalness • 30% Positiveness
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Carmen Jaci
Danse lunaire
132 bpm • F Maj • 04:58 • -9.02db
9% Popularity • 60% Danceability • 82% Energy • 10% Liveness
14% Instrumentalness • 55% Positiveness
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Nerve
Whale Shark (Rhincodon typus)
133 bpm • C Maj • 04:00 • -17.85db
9% Popularity • 54% Danceability • 30% Energy • 9% Liveness
87% Instrumentalness • 8% Positiveness
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Greg Fox
Contact (upekkhā)
148 bpm • C# Maj • 07:27 • -14.53db
1% Popularity • 50% Danceability • 50% Energy • 10% Liveness
96% Instrumentalness • 12% Positiveness
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Anima Mundi
Anima Beat
132 bpm • A Maj • 05:41 • -10.74db
9% Popularity • 71% Danceability • 99% Energy • 10% Liveness
85% Instrumentalness • 30% Positiveness
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BSCBR
Sweet Leaf
149 bpm • G Maj • 05:46 • -5.97db
3% Popularity • 23% Danceability • 75% Energy • 38% Liveness
36% Instrumentalness • 47% Positiveness
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Brahja
Querencia
132 bpm • A Maj • 08:20 • -9.02db
8% Popularity • 60% Danceability • 60% Energy • 12% Liveness
63% Instrumentalness • 62% Positiveness
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DesertDance
Barrely Moving Trees
132 bpm • G min • 01:02 • -20.41db
10% Popularity • 35% Danceability • 20% Energy • 12% Liveness
93% Instrumentalness • 15% Positiveness
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Misha Panfilov
Сaleidoscópio
132 bpm • E Maj • 07:53 • -10.79db
14% Popularity • 32% Danceability • 56% Energy • 34% Liveness
2% Instrumentalness • 36% Positiveness
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Greg Fox
Vedana
131 bpm • B min • 03:10 • -10.23db
2% Popularity • 63% Danceability • 95% Energy • 8% Liveness
37% Instrumentalness • 10% Positiveness
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Coby Sey
Etym
149 bpm • G# Maj • 04:16 • -10.83db
11% Popularity • 22% Danceability • 69% Energy • 13% Liveness
5% Instrumentalness • 9% Positiveness
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cosmic collective
edge of the world (intro)
131 bpm • F min • 01:03 • -17.56db
21% Popularity • 25% Danceability • 69% Energy • 11% Liveness
85% Instrumentalness • 45% Positiveness
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Tom Skinner
Sunrise - Live at the Crypt
131 bpm • A Maj • 02:22 • -18.09db
7% Popularity • 54% Danceability • 46% Energy • 11% Liveness
93% Instrumentalness • 48% Positiveness
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Soccer96
Psychic Mechanics
150 bpm • G Maj • 05:18 • -9.81db
14% Popularity • 41% Danceability • 90% Energy • 30% Liveness
94% Instrumentalness • 19% Positiveness
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Time Wharp
Delay I
150 bpm • C# Maj • 06:06 • -17.35db
12% Popularity • 70% Danceability • 76% Energy • 10% Liveness
97% Instrumentalness • 76% Positiveness
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Shuta Hasunuma
Vanish, Memoria
150 bpm • A# min • 05:02 • -7.26db
15% Popularity • 56% Danceability • 93% Energy • 25% Liveness
60% Instrumentalness • 65% Positiveness
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Maral
Avaz-e-Del
150 bpm • A min • 02:10 • -9.17db
11% Popularity • 63% Danceability • 87% Energy • 39% Liveness
82% Instrumentalness • 53% Positiveness
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Varv
Limestone
130 bpm • A min • 05:10 • -11.14db
14% Popularity • 35% Danceability • 40% Energy • 8% Liveness
78% Instrumentalness • 11% Positiveness
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Sam Gendel
Mouthfeel 3
150 bpm • E min • 09:41 • -19.57db
11% Popularity • 60% Danceability • 20% Energy • 62% Liveness
90% Instrumentalness • 20% Positiveness
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mooa mooa
macaron blues
130 bpm • G Maj • 01:50 • -9.34db
17% Popularity • 44% Danceability • 54% Energy • 44% Liveness
77% Instrumentalness • 77% Positiveness
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claire rousay
diluted dreams
130 bpm • D min • 08:35 • -19.1db
14% Popularity • 23% Danceability • 49% Energy • 12% Liveness
81% Instrumentalness • 8% Positiveness
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ZaddyXYE
#LIPZ
130 bpm • A# min • 01:06 • -7.29db
16% Popularity • 47% Danceability • 85% Energy • 5% Liveness
13% Instrumentalness • 14% Positiveness
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Joseph Shabason
Intro/Mike Maldonado
130 bpm • C# Maj • 05:13 • -10.78db
11% Popularity • 80% Danceability • 51% Energy • 10% Liveness
90% Instrumentalness • 61% Positiveness
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Tim Hecker
Total Garbage
129 bpm • C min • 02:40 • -16.1db
25% Popularity • 16% Danceability • 32% Energy • 14% Liveness
92% Instrumentalness • 13% Positiveness
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Sam Gendel
AB
151 bpm • C# min • 01:44 • -11.62db
20% Popularity • 82% Danceability • 47% Energy • 11% Liveness
94% Instrumentalness • 89% Positiveness
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Duval Timothy
Plunge
151 bpm • C min • 02:48 • -14.15db
23% Popularity • 28% Danceability • 39% Energy • 10% Liveness
90% Instrumentalness • 23% Positiveness
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Greg Fox
Earth Center Possessing Stream
152 bpm • A min • 05:10 • -13.11db
2% Popularity • 27% Danceability • 55% Energy • 24% Liveness
75% Instrumentalness • 31% Positiveness
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LATRALA
UPTOWN
152 bpm • A min • 04:24 • -14.37db
11% Popularity • 34% Danceability • 46% Energy • 10% Liveness
51% Instrumentalness • 24% Positiveness
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Alabaster DePlume
Did You Ever Disco
129 bpm • C# min • 01:42 • -28.32db
16% Popularity • 65% Danceability • 7% Energy • 12% Liveness
90% Instrumentalness • 46% Positiveness
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Nobukazu Takemura
Cons (Album Version)
129 bpm • C Maj • 02:01 • -15.17db
17% Popularity • 30% Danceability • 43% Energy • 15% Liveness
97% Instrumentalness • 26% Positiveness
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Tomaga
Tuscan Metalwork
129 bpm • C min • 03:58 • -8.67db
16% Popularity • 64% Danceability • 82% Energy • 11% Liveness
87% Instrumentalness • 19% Positiveness
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Koma Saxo
Portal Koma
152 bpm • B min • 03:52 • -9.12db
13% Popularity • 58% Danceability • 61% Energy • 42% Liveness
58% Instrumentalness • 41% Positiveness
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Bird's Eye Batang
Spin & Stone
128 bpm • F Maj • 05:45 • -19.34db
13% Popularity • 48% Danceability • 45% Energy • 9% Liveness
67% Instrumentalness • 14% Positiveness
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Josh Johnson
Eclipsing
128 bpm • D Maj • 03:32 • -14.86db
14% Popularity • 57% Danceability • 26% Energy • 18% Liveness
86% Instrumentalness • 21% Positiveness
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Tara Clerkin Trio
Gold Bar
153 bpm • D# Maj • 05:02 • -9.55db
10% Popularity • 44% Danceability • 56% Energy • 15% Liveness
35% Instrumentalness • 20% Positiveness
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Lily Donovan
Reflections in Time
153 bpm • C# min • 01:41 • -13.35db
18% Popularity • 53% Danceability • 64% Energy • 44% Liveness
18% Instrumentalness • 63% Positiveness
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Adversary