Songs like Aeon by Joep Beving
Based on a tempo of (+/- 10%) and a similar genre
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Rob Simonsen
Coeur
144 bpm • G min • 05:15 • -25.69db
23% Popularity • 18% Danceability • 15% Energy • 9% Liveness
87% Instrumentalness • 7% Positiveness
23% Popularity • 18% Danceability • 15% Energy • 9% Liveness
87% Instrumentalness • 7% Positiveness
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Chad Lawson
There's Something up There
144 bpm • C min • 05:33 • -33.74db
17% Popularity • 42% Danceability • 5% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
17% Popularity • 42% Danceability • 5% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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Akira Kosemura
Snowy Sky
144 bpm • D min • 01:36 • -24.92db
19% Popularity • 45% Danceability • 13% Energy • 11% Liveness
89% Instrumentalness • 53% Positiveness
19% Popularity • 45% Danceability • 13% Energy • 11% Liveness
89% Instrumentalness • 53% Positiveness
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Joep Beving
Aeon
144 bpm • A min • 05:48 • -13.76db
11% Popularity • 16% Danceability • 25% Energy • 11% Liveness
61% Instrumentalness • 4% Positiveness
11% Popularity • 16% Danceability • 25% Energy • 11% Liveness
61% Instrumentalness • 4% Positiveness
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Giuliano Poles
Belonged
144 bpm • G Maj • 02:16 • -21.56db
27% Popularity • 13% Danceability • 18% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
27% Popularity • 13% Danceability • 18% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
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Carlos Cipa
senna's joy (Solo Piano Version)
145 bpm • G min • 06:16 • -30.58db
23% Popularity • 30% Danceability • 0% Energy • 8% Liveness
93% Instrumentalness • 5% Positiveness
23% Popularity • 30% Danceability • 0% Energy • 8% Liveness
93% Instrumentalness • 5% Positiveness
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James Heather
Passing Soul
145 bpm • C min • 02:55 • -29.04db
45% Popularity • 15% Danceability • 7% Energy • 11% Liveness
82% Instrumentalness • 4% Positiveness
45% Popularity • 15% Danceability • 7% Energy • 11% Liveness
82% Instrumentalness • 4% Positiveness
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Chad Lawson
Faithful
144 bpm • G# Maj • 04:52 • -35.96db
15% Popularity • 46% Danceability • 2% Energy • 11% Liveness
94% Instrumentalness • 11% Positiveness
15% Popularity • 46% Danceability • 2% Energy • 11% Liveness
94% Instrumentalness • 11% Positiveness
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David Darling
Darkwood 2
143 bpm • F min • 01:21 • -34db
28% Popularity • 14% Danceability • 0% Energy • 10% Liveness
26% Instrumentalness • 5% Positiveness
28% Popularity • 14% Danceability • 0% Energy • 10% Liveness
26% Instrumentalness • 5% Positiveness
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Hior Chronik
Whispers From The Surface Of A Lake
143 bpm • A min • 02:43 • -15db
40% Popularity • 22% Danceability • 23% Energy • 12% Liveness
69% Instrumentalness • 4% Positiveness
40% Popularity • 22% Danceability • 23% Energy • 12% Liveness
69% Instrumentalness • 4% Positiveness
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Nils Frahm
Ambre
146 bpm • C# Maj • 03:47 • -25.61db
56% Popularity • 41% Danceability • 5% Energy • 12% Liveness
94% Instrumentalness • 34% Positiveness
56% Popularity • 41% Danceability • 5% Energy • 12% Liveness
94% Instrumentalness • 34% Positiveness
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Kjartan Sveinsson
The Last Farm 3
142 bpm • G min • 01:17 • -16.32db
24% Popularity • 14% Danceability • 24% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
24% Popularity • 14% Danceability • 24% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
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Dustin O'Halloran
Fine - Silfur Version
146 bpm • B min • 03:15 • -22.38db
27% Popularity • 34% Danceability • 18% Energy • 11% Liveness
89% Instrumentalness • 5% Positiveness
27% Popularity • 34% Danceability • 18% Energy • 11% Liveness
89% Instrumentalness • 5% Positiveness
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Luca Longobardi
Promenade No. 1
142 bpm • D min • 00:57 • -33.37db
46% Popularity • 23% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 14% Positiveness
46% Popularity • 23% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 14% Positiveness
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Sebastian Plano
Obsequence
146 bpm • C Maj • 04:48 • -13.78db
21% Popularity • 14% Danceability • 26% Energy • 10% Liveness
82% Instrumentalness • 4% Positiveness
21% Popularity • 14% Danceability • 26% Energy • 10% Liveness
82% Instrumentalness • 4% Positiveness
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Chad Lawson
Signs Are Everywhere
146 bpm • C min • 03:14 • -25.82db
17% Popularity • 38% Danceability • 3% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
17% Popularity • 38% Danceability • 3% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Mike Lazarev
Unplugged
142 bpm • E Maj • 01:59 • -21.68db
40% Popularity • 42% Danceability • 15% Energy • 9% Liveness
92% Instrumentalness • 6% Positiveness
40% Popularity • 42% Danceability • 15% Energy • 9% Liveness
92% Instrumentalness • 6% Positiveness
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Jim Perkins
The North Wind
141 bpm • G# Maj • 01:19 • -15.46db
44% Popularity • 14% Danceability • 26% Energy • 11% Liveness
98% Instrumentalness • 3% Positiveness
44% Popularity • 14% Danceability • 26% Energy • 11% Liveness
98% Instrumentalness • 3% Positiveness
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Sylvain Chauveau
Le Tunnel
147 bpm • C Maj • 01:48 • -19.31db
47% Popularity • 18% Danceability • 19% Energy • 11% Liveness
90% Instrumentalness • 8% Positiveness
47% Popularity • 18% Danceability • 19% Energy • 11% Liveness
90% Instrumentalness • 8% Positiveness
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Joep Beving
Impermanence
141 bpm • C Maj • 04:54 • -27.19db
25% Popularity • 18% Danceability • 9% Energy • 8% Liveness
92% Instrumentalness • 5% Positiveness
25% Popularity • 18% Danceability • 9% Energy • 8% Liveness
92% Instrumentalness • 5% Positiveness
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Sebastian Plano
Volant - Bonus
142 bpm • B min • 05:11 • -14.26db
20% Popularity • 17% Danceability • 25% Energy • 12% Liveness
85% Instrumentalness • 4% Positiveness
20% Popularity • 17% Danceability • 25% Energy • 12% Liveness
85% Instrumentalness • 4% Positiveness
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Daigo Hanada
Emi
141 bpm • A# min • 02:29 • -30.84db
25% Popularity • 38% Danceability • 2% Energy • 10% Liveness
87% Instrumentalness • 32% Positiveness
25% Popularity • 38% Danceability • 2% Energy • 10% Liveness
87% Instrumentalness • 32% Positiveness
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EydÃs Evensen
Fyrir Mikael
140 bpm • F Maj • 02:15 • -18.53db
32% Popularity • 15% Danceability • 22% Energy • 11% Liveness
93% Instrumentalness • 45% Positiveness
32% Popularity • 15% Danceability • 22% Energy • 11% Liveness
93% Instrumentalness • 45% Positiveness
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Rick Gallagher Project
Vale
140 bpm • D# Maj • 02:20 • -23.25db
39% Popularity • 45% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 25% Positiveness
39% Popularity • 45% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 25% Positiveness
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Mario Batkovic
Restrictus - Annelie Rework
148 bpm • D# min • 04:39 • -28db
20% Popularity • 22% Danceability • 5% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
20% Popularity • 22% Danceability • 5% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Kate Moore
Spin Bird - 1
140 bpm • G Maj • 03:24 • -37.4db
10% Popularity • 11% Danceability • 3% Energy • 7% Liveness
92% Instrumentalness • 3% Positiveness
10% Popularity • 11% Danceability • 3% Energy • 7% Liveness
92% Instrumentalness • 3% Positiveness
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Chad Lawson
Folding of the Arms
148 bpm • F Maj • 05:24 • -26.73db
18% Popularity • 34% Danceability • 5% Energy • 10% Liveness
95% Instrumentalness • 6% Positiveness
18% Popularity • 34% Danceability • 5% Energy • 10% Liveness
95% Instrumentalness • 6% Positiveness
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Medard Fischer
Borrowed
140 bpm • D# min • 05:32 • -18.58db
14% Popularity • 47% Danceability • 9% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
14% Popularity • 47% Danceability • 9% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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Phil Larson
Never Forget
140 bpm • E min • 02:41 • -19.58db
19% Popularity • 39% Danceability • 7% Energy • 11% Liveness
88% Instrumentalness • 7% Positiveness
19% Popularity • 39% Danceability • 7% Energy • 11% Liveness
88% Instrumentalness • 7% Positiveness
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Hania Rani
At the Hospital - from I Never Cry
140 bpm • G min • 01:03 • -36.83db
28% Popularity • 17% Danceability • 0% Energy • 11% Liveness
40% Instrumentalness • 9% Positiveness
28% Popularity • 17% Danceability • 0% Energy • 11% Liveness
40% Instrumentalness • 9% Positiveness
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Heavy Joy
Enough
140 bpm • C# Maj • 02:37 • -17.99db
27% Popularity • 15% Danceability • 12% Energy • 13% Liveness
88% Instrumentalness • 3% Positiveness
27% Popularity • 15% Danceability • 12% Energy • 13% Liveness
88% Instrumentalness • 3% Positiveness
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Ludovico Einaudi
Seven Days Walking / Day 6: Low Mist Var...
140 bpm • A min • 03:08 • -39.2db
17% Popularity • 26% Danceability • 0% Energy • 11% Liveness
92% Instrumentalness • 59% Positiveness
17% Popularity • 26% Danceability • 0% Energy • 11% Liveness
92% Instrumentalness • 59% Positiveness
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John Hayes
Dream Walker - Daigo Hanada Rework
139 bpm • D Maj • 03:38 • -20.83db
31% Popularity • 32% Danceability • 14% Energy • 9% Liveness
86% Instrumentalness • 14% Positiveness
31% Popularity • 32% Danceability • 14% Energy • 9% Liveness
86% Instrumentalness • 14% Positiveness
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Tom Ashbrook
All Clear
139 bpm • F# Maj • 03:44 • -19db
41% Popularity • 33% Danceability • 24% Energy • 12% Liveness
91% Instrumentalness • 20% Positiveness
41% Popularity • 33% Danceability • 24% Energy • 12% Liveness
91% Instrumentalness • 20% Positiveness
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Dustin O'Halloran
Opus 18 - Silfur Version
138 bpm • D min • 03:31 • -29db
44% Popularity • 31% Danceability • 4% Energy • 9% Liveness
80% Instrumentalness • 17% Positiveness
44% Popularity • 31% Danceability • 4% Energy • 9% Liveness
80% Instrumentalness • 17% Positiveness
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Kevin Imbrechts
LlÅ·r - Tom Paul Soetaert Rework
150 bpm • G min • 03:32 • -32db
30% Popularity • 40% Danceability • 13% Energy • 11% Liveness
87% Instrumentalness • 51% Positiveness
30% Popularity • 40% Danceability • 13% Energy • 11% Liveness
87% Instrumentalness • 51% Positiveness
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GabrÃel Ólafs
Kyndir
138 bpm • A min • 01:50 • -29.53db
47% Popularity • 20% Danceability • 11% Energy • 8% Liveness
93% Instrumentalness • 10% Positiveness
47% Popularity • 20% Danceability • 11% Energy • 8% Liveness
93% Instrumentalness • 10% Positiveness
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Hauschka
Daybreak over Covent Garden
138 bpm • C min • 04:04 • -18.67db
11% Popularity • 25% Danceability • 17% Energy • 12% Liveness
80% Instrumentalness • 9% Positiveness
11% Popularity • 25% Danceability • 17% Energy • 12% Liveness
80% Instrumentalness • 9% Positiveness
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Tim Linghaus
We Will Never Come Back Here Again
151 bpm • C min • 01:56 • -22.72db
42% Popularity • 59% Danceability • 17% Energy • 11% Liveness
97% Instrumentalness • 40% Positiveness
42% Popularity • 59% Danceability • 17% Energy • 11% Liveness
97% Instrumentalness • 40% Positiveness
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Tomat
Virus et Homo
137 bpm • A min • 03:07 • -26.39db
23% Popularity • 15% Danceability • 3% Energy • 8% Liveness
89% Instrumentalness • 3% Positiveness
23% Popularity • 15% Danceability • 3% Energy • 8% Liveness
89% Instrumentalness • 3% Positiveness
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Dustin O'Halloran
Family
137 bpm • G min • 01:04 • -21db
47% Popularity • 38% Danceability • 10% Energy • 11% Liveness
92% Instrumentalness • 5% Positiveness
47% Popularity • 38% Danceability • 10% Energy • 11% Liveness
92% Instrumentalness • 5% Positiveness
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Edouard Cheritel
Suite No. 1: III. –
152 bpm • B Maj • 03:26 • -14.43db
16% Popularity • 58% Danceability • 37% Energy • 31% Liveness
94% Instrumentalness • 4% Positiveness
16% Popularity • 58% Danceability • 37% Energy • 31% Liveness
94% Instrumentalness • 4% Positiveness
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Volker Bertelmann
Sunny and George
136 bpm • A min • 01:37 • -25.23db
17% Popularity • 15% Danceability • 4% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
17% Popularity • 15% Danceability • 4% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
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Jean-Michel Blais
Les feuilles mortes
136 bpm • C min • 01:37 • -23.74db
42% Popularity • 28% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
42% Popularity • 28% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Josh Kramer
Story of You
136 bpm • C# min • 02:19 • -19.77db
45% Popularity • 38% Danceability • 12% Energy • 10% Liveness
95% Instrumentalness • 46% Positiveness
45% Popularity • 38% Danceability • 12% Energy • 10% Liveness
95% Instrumentalness • 46% Positiveness
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Chad Lawson
This Is Not Our Home
152 bpm • G min • 05:12 • -27.21db
16% Popularity • 39% Danceability • 8% Energy • 17% Liveness
91% Instrumentalness • 4% Positiveness
16% Popularity • 39% Danceability • 8% Energy • 17% Liveness
91% Instrumentalness • 4% Positiveness
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Dustin O'Halloran
Home
137 bpm • A min • 02:40 • -21db
50% Popularity • 33% Danceability • 7% Energy • 34% Liveness
92% Instrumentalness • 4% Positiveness
50% Popularity • 33% Danceability • 7% Energy • 34% Liveness
92% Instrumentalness • 4% Positiveness
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Joep Beving
Hanging D
153 bpm • A min • 05:31 • -17.53db
32% Popularity • 26% Danceability • 44% Energy • 8% Liveness
86% Instrumentalness • 8% Positiveness
32% Popularity • 26% Danceability • 44% Energy • 8% Liveness
86% Instrumentalness • 8% Positiveness
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Job Roggeveen
LO
136 bpm • G# Maj • 03:25 • -23.23db
23% Popularity • 40% Danceability • 13% Energy • 11% Liveness
94% Instrumentalness • 17% Positiveness
23% Popularity • 40% Danceability • 13% Energy • 11% Liveness
94% Instrumentalness • 17% Positiveness
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Kjartan Sveinsson
The Last Farm 4
153 bpm • G Maj • 01:16 • -12.72db
26% Popularity • 15% Danceability • 27% Energy • 16% Liveness
67% Instrumentalness • 13% Positiveness
26% Popularity • 15% Danceability • 27% Energy • 16% Liveness
67% Instrumentalness • 13% Positiveness
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Maki Namekawa
Suite from "The Hours" - Movement III
135 bpm • G min • 06:26 • -23.98db
20% Popularity • 23% Danceability • 5% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
20% Popularity • 23% Danceability • 5% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Jim Perkins
Swans
135 bpm • C Maj • 02:05 • -24db
45% Popularity • 48% Danceability • 3% Energy • 12% Liveness
95% Instrumentalness • 7% Positiveness
45% Popularity • 48% Danceability • 3% Energy • 12% Liveness
95% Instrumentalness • 7% Positiveness
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Jef Martens
Inventing Light
135 bpm • G min • 03:02 • -25.04db
29% Popularity • 46% Danceability • 14% Energy • 12% Liveness
95% Instrumentalness • 30% Positiveness
29% Popularity • 46% Danceability • 14% Energy • 12% Liveness
95% Instrumentalness • 30% Positiveness
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Joep Beving
Ab Ovo
135 bpm • A min • 04:48 • -25.73db
52% Popularity • 39% Danceability • 4% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
52% Popularity • 39% Danceability • 4% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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Richard Luke
Bookmarks
135 bpm • D min • 01:45 • -16.97db
33% Popularity • 52% Danceability • 6% Energy • 13% Liveness
91% Instrumentalness • 26% Positiveness
33% Popularity • 52% Danceability • 6% Energy • 13% Liveness
91% Instrumentalness • 26% Positiveness
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Hania Rani
Inquieto
154 bpm • G min • 04:28 • -21db
25% Popularity • 36% Danceability • 21% Energy • 20% Liveness
86% Instrumentalness • 6% Positiveness
25% Popularity • 36% Danceability • 21% Energy • 20% Liveness
86% Instrumentalness • 6% Positiveness
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Akira Kosemura
Shadow
154 bpm • A# min • 02:17 • -23.67db
19% Popularity • 34% Danceability • 20% Energy • 14% Liveness
92% Instrumentalness • 23% Positiveness
19% Popularity • 34% Danceability • 20% Energy • 14% Liveness
92% Instrumentalness • 23% Positiveness
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Dustin O'Halloran
Train in New York
135 bpm • C# Maj • 02:49 • -14.25db
43% Popularity • 30% Danceability • 18% Energy • 11% Liveness
84% Instrumentalness • 6% Positiveness
43% Popularity • 30% Danceability • 18% Energy • 11% Liveness
84% Instrumentalness • 6% Positiveness
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Danny Mulhern
Opening Titles
154 bpm • B min • 02:30 • -31.79db
23% Popularity • 43% Danceability • 3% Energy • 26% Liveness
78% Instrumentalness • 11% Positiveness
23% Popularity • 43% Danceability • 3% Energy • 26% Liveness
78% Instrumentalness • 11% Positiveness
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Joep Beving
Midwayer
135 bpm • C Maj • 05:45 • -25db
50% Popularity • 33% Danceability • 7% Energy • 5% Liveness
87% Instrumentalness • 9% Positiveness
50% Popularity • 33% Danceability • 7% Energy • 5% Liveness
87% Instrumentalness • 9% Positiveness
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Kate Moore
Zomer
134 bpm • D# min • 04:01 • -37.98db
12% Popularity • 46% Danceability • 0% Energy • 8% Liveness
97% Instrumentalness • 42% Positiveness
12% Popularity • 46% Danceability • 0% Energy • 8% Liveness
97% Instrumentalness • 42% Positiveness
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Mike Lazarev
Ajar
134 bpm • D min • 02:26 • -24db
32% Popularity • 30% Danceability • 21% Energy • 15% Liveness
89% Instrumentalness • 4% Positiveness
32% Popularity • 30% Danceability • 21% Energy • 15% Liveness
89% Instrumentalness • 4% Positiveness
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Annelie
Lost
134 bpm • A# min • 02:41 • -22.46db
34% Popularity • 38% Danceability • 10% Energy • 11% Liveness
93% Instrumentalness • 7% Positiveness
34% Popularity • 38% Danceability • 10% Energy • 11% Liveness
93% Instrumentalness • 7% Positiveness
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Dustin O'Halloran
Opus 20 - Silfur Version
134 bpm • F min • 06:42 • -25.71db
17% Popularity • 39% Danceability • 3% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
17% Popularity • 39% Danceability • 3% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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Nils Frahm
Because This Must Be
133 bpm • C min • 02:45 • -29.62db
61% Popularity • 19% Danceability • 6% Energy • 12% Liveness
84% Instrumentalness • 9% Positiveness
61% Popularity • 19% Danceability • 6% Energy • 12% Liveness
84% Instrumentalness • 9% Positiveness
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Joep Beving
Day Dream
135 bpm • G min • 04:04 • -24.73db
40% Popularity • 37% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 22% Positiveness
40% Popularity • 37% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 22% Positiveness
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Pêtr Aleksänder
Triptych 1 for Piano
133 bpm • F Maj • 02:39 • -24.41db
46% Popularity • 29% Danceability • 16% Energy • 12% Liveness
91% Instrumentalness • 39% Positiveness
46% Popularity • 29% Danceability • 16% Energy • 12% Liveness
91% Instrumentalness • 39% Positiveness
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Hildur Guðnadóttir
Til baka
133 bpm • D min • 02:17 • -20.23db
23% Popularity • 16% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
23% Popularity • 16% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
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Daigo Hanada
And This Is How It Ends
133 bpm • C# min • 04:09 • -25.42db
31% Popularity • 42% Danceability • 7% Energy • 11% Liveness
88% Instrumentalness • 18% Positiveness
31% Popularity • 42% Danceability • 7% Energy • 11% Liveness
88% Instrumentalness • 18% Positiveness
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Doeke
Morgen
133 bpm • F Maj • 02:45 • -26.83db
40% Popularity • 44% Danceability • 2% Energy • 7% Liveness
81% Instrumentalness • 15% Positiveness
40% Popularity • 44% Danceability • 2% Energy • 7% Liveness
81% Instrumentalness • 15% Positiveness
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Martin Kohlstedt
EJA
133 bpm • A# min • 04:59 • -24.45db
18% Popularity • 39% Danceability • 8% Energy • 33% Liveness
95% Instrumentalness • 15% Positiveness
18% Popularity • 39% Danceability • 8% Energy • 33% Liveness
95% Instrumentalness • 15% Positiveness
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Joep Beving
Kawakaari
133 bpm • E min • 05:32 • -24.43db
27% Popularity • 38% Danceability • 3% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
27% Popularity • 38% Danceability • 3% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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Julia Kent
Carapace
132 bpm • E min • 03:31 • -14.01db
15% Popularity • 48% Danceability • 32% Energy • 10% Liveness
75% Instrumentalness • 22% Positiveness
15% Popularity • 48% Danceability • 32% Energy • 10% Liveness
75% Instrumentalness • 22% Positiveness
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Nils Frahm
About Coming and Leaving
132 bpm • C Maj • 02:07 • -32db
43% Popularity • 55% Danceability • 0% Energy • 6% Liveness
70% Instrumentalness • 32% Positiveness
43% Popularity • 55% Danceability • 0% Energy • 6% Liveness
70% Instrumentalness • 32% Positiveness
► Preview
Hior Chronik
Words Are Gone
132 bpm • A Maj • 02:33 • -20.1db
38% Popularity • 56% Danceability • 9% Energy • 9% Liveness
92% Instrumentalness • 10% Positiveness
38% Popularity • 56% Danceability • 9% Energy • 9% Liveness
92% Instrumentalness • 10% Positiveness
► Preview
Sophie Hutchings
Promise Of Sun
132 bpm • F min • 03:00 • -31.7db
37% Popularity • 33% Danceability • 8% Energy • 12% Liveness
96% Instrumentalness • 51% Positiveness
37% Popularity • 33% Danceability • 8% Energy • 12% Liveness
96% Instrumentalness • 51% Positiveness
► Preview
Dmitry Evgrafov
Apple Sunset
132 bpm • D# Maj • 03:07 • -33.22db
35% Popularity • 40% Danceability • 1% Energy • 11% Liveness
90% Instrumentalness • 6% Positiveness
35% Popularity • 40% Danceability • 1% Energy • 11% Liveness
90% Instrumentalness • 6% Positiveness
► Preview
Joep Beving
Pippa's Theme
132 bpm • C# Maj • 03:17 • -26.95db
26% Popularity • 27% Danceability • 12% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
26% Popularity • 27% Danceability • 12% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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EydÃs Evensen
Innsti Kjarni og Tilbrigði
131 bpm • C# Maj • 03:47 • -16.78db
22% Popularity • 28% Danceability • 27% Energy • 11% Liveness
89% Instrumentalness • 22% Positiveness
22% Popularity • 28% Danceability • 27% Energy • 11% Liveness
89% Instrumentalness • 22% Positiveness
► Preview
Hauschka
Hands in the Anthill
131 bpm • C min • 04:23 • -18.25db
12% Popularity • 24% Danceability • 27% Energy • 8% Liveness
87% Instrumentalness • 15% Positiveness
12% Popularity • 24% Danceability • 27% Energy • 8% Liveness
87% Instrumentalness • 15% Positiveness
► Preview
Chad Lawson
Islands
159 bpm • F min • 03:08 • -19.37db
32% Popularity • 11% Danceability • 12% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
32% Popularity • 11% Danceability • 12% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
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Nils Frahm
Nils Has a New Piano
129 bpm • C min • 04:05 • -34.48db
48% Popularity • 34% Danceability • 3% Energy • 6% Liveness
96% Instrumentalness • 19% Positiveness
48% Popularity • 34% Danceability • 3% Energy • 6% Liveness
96% Instrumentalness • 19% Positiveness
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Maxence Cyrin
Voyage
130 bpm • A min • 02:01 • -19db
30% Popularity • 47% Danceability • 26% Energy • 11% Liveness
90% Instrumentalness • 16% Positiveness
30% Popularity • 47% Danceability • 26% Energy • 11% Liveness
90% Instrumentalness • 16% Positiveness
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Joep Beving
Noumenon
131 bpm • G min • 05:37 • -19.55db
14% Popularity • 17% Danceability • 15% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
14% Popularity • 17% Danceability • 15% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
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Moux
come with me
129 bpm • G# min • 02:09 • -18db
38% Popularity • 28% Danceability • 20% Energy • 10% Liveness
97% Instrumentalness • 14% Positiveness
38% Popularity • 28% Danceability • 20% Energy • 10% Liveness
97% Instrumentalness • 14% Positiveness
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Oskar Schuster
Elodie
129 bpm • F Maj • 04:17 • -21.92db
32% Popularity • 43% Danceability • 6% Energy • 10% Liveness
94% Instrumentalness • 18% Positiveness
32% Popularity • 43% Danceability • 6% Energy • 10% Liveness
94% Instrumentalness • 18% Positiveness
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Sophie Hutchings
The Road
129 bpm • D# min • 04:20 • -15.67db
10% Popularity • 33% Danceability • 25% Energy • 13% Liveness
88% Instrumentalness • 36% Positiveness
10% Popularity • 33% Danceability • 25% Energy • 13% Liveness
88% Instrumentalness • 36% Positiveness
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Nils Frahm
Went Missing
129 bpm • G# min • 03:30 • -27.47db
25% Popularity • 24% Danceability • 8% Energy • 10% Liveness
81% Instrumentalness • 7% Positiveness
25% Popularity • 24% Danceability • 8% Energy • 10% Liveness
81% Instrumentalness • 7% Positiveness
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Kjartan Sveinsson
The Last Farm 2
161 bpm • B min • 01:44 • -13.81db
25% Popularity • 10% Danceability • 26% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
25% Popularity • 10% Danceability • 26% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
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Joep Beving
Saturday Morning
129 bpm • G min • 03:30 • -20.37db
35% Popularity • 46% Danceability • 2% Energy • 29% Liveness
94% Instrumentalness • 13% Positiveness
35% Popularity • 46% Danceability • 2% Energy • 29% Liveness
94% Instrumentalness • 13% Positiveness
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Erland Cooper
Skreevar
128 bpm • A min • 05:38 • -12.97db
30% Popularity • 17% Danceability • 39% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
30% Popularity • 17% Danceability • 39% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
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Akira Kosemura
Asymptote
128 bpm • E min • 02:42 • -20.2db
35% Popularity • 50% Danceability • 10% Energy • 11% Liveness
89% Instrumentalness • 12% Positiveness
35% Popularity • 50% Danceability • 10% Energy • 11% Liveness
89% Instrumentalness • 12% Positiveness
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Daigo Hanada
Butterfly
128 bpm • C min • 02:07 • -23.9db
42% Popularity • 38% Danceability • 7% Energy • 12% Liveness
94% Instrumentalness • 52% Positiveness
42% Popularity • 38% Danceability • 7% Energy • 12% Liveness
94% Instrumentalness • 52% Positiveness
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Felix Rösch
Ostinato
128 bpm • D min • 04:28 • -19db
36% Popularity • 29% Danceability • 20% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
36% Popularity • 29% Danceability • 20% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Chad Lawson
And Yet
162 bpm • A min • 03:41 • -28.97db
20% Popularity • 40% Danceability • 8% Energy • 8% Liveness
91% Instrumentalness • 9% Positiveness
20% Popularity • 40% Danceability • 8% Energy • 8% Liveness
91% Instrumentalness • 9% Positiveness
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EydÃs Evensen
Dawn is Near
128 bpm • G# min • 04:52 • -19.84db
25% Popularity • 26% Danceability • 14% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
25% Popularity • 26% Danceability • 14% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
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Hania Rani
Waiting - from At Home
128 bpm • D min • 01:40 • -32.77db
32% Popularity • 52% Danceability • 6% Energy • 10% Liveness
94% Instrumentalness • 58% Positiveness
32% Popularity • 52% Danceability • 6% Energy • 10% Liveness
94% Instrumentalness • 58% Positiveness
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Søndag Søndag
Lørdag
163 bpm • F# Maj • 01:52 • -30.96db
25% Popularity • 17% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 21% Positiveness
25% Popularity • 17% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 21% Positiveness
