Songs like Aerial by David Binney
Based on a tempo of (+/- 10%) and a similar genre
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David Binney
Tide
156 bpm • F# Maj • 02:40 • -12.07db
0% Popularity • 58% Danceability • 49% Energy • 11% Liveness
62% Instrumentalness • 39% Positiveness
0% Popularity • 58% Danceability • 49% Energy • 11% Liveness
62% Instrumentalness • 39% Positiveness
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Ari Joshua
Tooth and Nail
156 bpm • G# min • 01:28 • -12.32db
22% Popularity • 56% Danceability • 58% Energy • 13% Liveness
87% Instrumentalness • 43% Positiveness
22% Popularity • 56% Danceability • 58% Energy • 13% Liveness
87% Instrumentalness • 43% Positiveness
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Jacky Terrasson
Love Light
156 bpm • C Maj • 04:55 • -16.8db
17% Popularity • 38% Danceability • 24% Energy • 11% Liveness
33% Instrumentalness • 12% Positiveness
17% Popularity • 38% Danceability • 24% Energy • 11% Liveness
33% Instrumentalness • 12% Positiveness
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Olli Ahvenlahti
The Redwood Story
155 bpm • C min • 04:19 • -12.15db
11% Popularity • 43% Danceability • 38% Energy • 9% Liveness
69% Instrumentalness • 15% Positiveness
11% Popularity • 43% Danceability • 38% Energy • 9% Liveness
69% Instrumentalness • 15% Positiveness
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Helge Lien Trio
Adam
155 bpm • F min • 08:18 • -18.08db
14% Popularity • 36% Danceability • 26% Energy • 11% Liveness
90% Instrumentalness • 19% Positiveness
14% Popularity • 36% Danceability • 26% Energy • 11% Liveness
90% Instrumentalness • 19% Positiveness
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Cassia Noir
Harlem Nocturne Whispers
157 bpm • F# Maj • 01:10 • -20.46db
16% Popularity • 52% Danceability • 45% Energy • 11% Liveness
84% Instrumentalness • 59% Positiveness
16% Popularity • 52% Danceability • 45% Energy • 11% Liveness
84% Instrumentalness • 59% Positiveness
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André Murraças
Regularmente Irregular
157 bpm • C min • 05:36 • -13.67db
13% Popularity • 37% Danceability • 56% Energy • 7% Liveness
78% Instrumentalness • 67% Positiveness
13% Popularity • 37% Danceability • 56% Energy • 7% Liveness
78% Instrumentalness • 67% Positiveness
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John Zorn
Behold the Night of Our Solemnities
154 bpm • C Maj • 06:03 • -12.76db
9% Popularity • 37% Danceability • 49% Energy • 11% Liveness
88% Instrumentalness • 45% Positiveness
9% Popularity • 37% Danceability • 49% Energy • 11% Liveness
88% Instrumentalness • 45% Positiveness
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Spider's Egg
Better Now (Live)
158 bpm • A min • 07:32 • -6.95db
1% Popularity • 33% Danceability • 80% Energy • 75% Liveness
0% Instrumentalness • 54% Positiveness
1% Popularity • 33% Danceability • 80% Energy • 75% Liveness
0% Instrumentalness • 54% Positiveness
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BRUUT!
Hive
158 bpm • C# Maj • 01:00 • -9.15db
22% Popularity • 43% Danceability • 73% Energy • 42% Liveness
7% Instrumentalness • 42% Positiveness
22% Popularity • 43% Danceability • 73% Energy • 42% Liveness
7% Instrumentalness • 42% Positiveness
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Ansgar Striepens
Sometimes
154 bpm • G min • 09:11 • -23.59db
27% Popularity • 23% Danceability • 4% Energy • 8% Liveness
83% Instrumentalness • 11% Positiveness
27% Popularity • 23% Danceability • 4% Energy • 8% Liveness
83% Instrumentalness • 11% Positiveness
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Enoch Lee
What Are You Looking For?
154 bpm • G# Maj • 03:30 • -10.68db
1% Popularity • 41% Danceability • 52% Energy • 11% Liveness
84% Instrumentalness • 20% Positiveness
1% Popularity • 41% Danceability • 52% Energy • 11% Liveness
84% Instrumentalness • 20% Positiveness
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André Murraças
Old Stuff Can Be Good
158 bpm • F min • 06:06 • -15.53db
22% Popularity • 48% Danceability • 24% Energy • 11% Liveness
21% Instrumentalness • 61% Positiveness
22% Popularity • 48% Danceability • 24% Energy • 11% Liveness
21% Instrumentalness • 61% Positiveness
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Taylor Eigsti
Bad Sport Lobby
159 bpm • C# Maj • 02:45 • -15.4db
17% Popularity • 43% Danceability • 44% Energy • 20% Liveness
38% Instrumentalness • 67% Positiveness
17% Popularity • 43% Danceability • 44% Energy • 20% Liveness
38% Instrumentalness • 67% Positiveness
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Ralph Towner
Oceanus
154 bpm • B Maj • 10:58 • -15.34db
17% Popularity • 22% Danceability • 43% Energy • 28% Liveness
23% Instrumentalness • 13% Positiveness
17% Popularity • 22% Danceability • 43% Energy • 28% Liveness
23% Instrumentalness • 13% Positiveness
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Adam Ratner
Sun Streak
159 bpm • G# min • 07:15 • -10.79db
11% Popularity • 34% Danceability • 45% Energy • 13% Liveness
80% Instrumentalness • 23% Positiveness
11% Popularity • 34% Danceability • 45% Energy • 13% Liveness
80% Instrumentalness • 23% Positiveness
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Bill Laurance
Round House
160 bpm • C Maj • 05:12 • -17db
30% Popularity • 54% Danceability • 28% Energy • 11% Liveness
93% Instrumentalness • 57% Positiveness
30% Popularity • 54% Danceability • 28% Energy • 11% Liveness
93% Instrumentalness • 57% Positiveness
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Rui Hallvares Andrade Paes
Dansanta dansare dansar dansant
152 bpm • C Maj • 05:23 • -17.53db
11% Popularity • 38% Danceability • 23% Energy • 10% Liveness
87% Instrumentalness • 49% Positiveness
11% Popularity • 38% Danceability • 23% Energy • 10% Liveness
87% Instrumentalness • 49% Positiveness
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Ari Joshua
Enchanted Forrest
152 bpm • F# Maj • 01:12 • -16db
19% Popularity • 65% Danceability • 35% Energy • 11% Liveness
87% Instrumentalness • 82% Positiveness
19% Popularity • 65% Danceability • 35% Energy • 11% Liveness
87% Instrumentalness • 82% Positiveness
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James Nolan
Patterns
160 bpm • D Maj • 04:10 • -9.26db
2% Popularity • 49% Danceability • 82% Energy • 65% Liveness
68% Instrumentalness • 18% Positiveness
2% Popularity • 49% Danceability • 82% Energy • 65% Liveness
68% Instrumentalness • 18% Positiveness
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Mortality
Mortality, Pt. II
152 bpm • C min • 08:04 • -13.06db
9% Popularity • 37% Danceability • 46% Energy • 8% Liveness
93% Instrumentalness • 28% Positiveness
9% Popularity • 37% Danceability • 46% Energy • 8% Liveness
93% Instrumentalness • 28% Positiveness
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Adam Ratner
Tropospheres
160 bpm • A# Maj • 07:49 • -11.63db
6% Popularity • 30% Danceability • 57% Energy • 20% Liveness
85% Instrumentalness • 32% Positiveness
6% Popularity • 30% Danceability • 57% Energy • 20% Liveness
85% Instrumentalness • 32% Positiveness
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Nypan Trio
Rainbird
160 bpm • C# Maj • 05:12 • -19.6db
9% Popularity • 35% Danceability • 21% Energy • 12% Liveness
92% Instrumentalness • 32% Positiveness
9% Popularity • 35% Danceability • 21% Energy • 12% Liveness
92% Instrumentalness • 32% Positiveness
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Astor Piazzolla
Violentango
152 bpm • C Maj • 05:14 • -10.97db
9% Popularity • 40% Danceability • 55% Energy • 39% Liveness
72% Instrumentalness • 37% Positiveness
9% Popularity • 40% Danceability • 55% Energy • 39% Liveness
72% Instrumentalness • 37% Positiveness
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Jacky Terrasson
Theme from New York, New York
151 bpm • C Maj • 00:53 • -10.84db
17% Popularity • 48% Danceability • 52% Energy • 30% Liveness
90% Instrumentalness • 62% Positiveness
17% Popularity • 48% Danceability • 52% Energy • 30% Liveness
90% Instrumentalness • 62% Positiveness
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Benjamin Koppel
Die Dänen Raus
152 bpm • A# min • 01:47 • -7.4db
9% Popularity • 56% Danceability • 88% Energy • 9% Liveness
28% Instrumentalness • 72% Positiveness
9% Popularity • 56% Danceability • 88% Energy • 9% Liveness
28% Instrumentalness • 72% Positiveness
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Filipe Rosset
LUA
151 bpm • C Maj • 05:51 • -9.37db
32% Popularity • 32% Danceability • 75% Energy • 30% Liveness
53% Instrumentalness • 31% Positiveness
32% Popularity • 32% Danceability • 75% Energy • 30% Liveness
53% Instrumentalness • 31% Positiveness
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Anat Fort Trio
First Dance
151 bpm • D Maj • 04:52 • -16.54db
8% Popularity • 34% Danceability • 38% Energy • 35% Liveness
75% Instrumentalness • 35% Positiveness
8% Popularity • 34% Danceability • 38% Energy • 35% Liveness
75% Instrumentalness • 35% Positiveness
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Fabian Supancic Organ Trio
Improvisation #1: Overture
151 bpm • G Maj • 01:44 • -14db
20% Popularity • 34% Danceability • 44% Energy • 10% Liveness
91% Instrumentalness • 32% Positiveness
20% Popularity • 34% Danceability • 44% Energy • 10% Liveness
91% Instrumentalness • 32% Positiveness
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Ramon Valle
Puentes
150 bpm • B min • 05:57 • -14.19db
15% Popularity • 53% Danceability • 45% Energy • 10% Liveness
94% Instrumentalness • 63% Positiveness
15% Popularity • 53% Danceability • 45% Energy • 10% Liveness
94% Instrumentalness • 63% Positiveness
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David Binney
When Love Goes
150 bpm • D# min • 07:07 • -9.63db
4% Popularity • 44% Danceability • 83% Energy • 8% Liveness
54% Instrumentalness • 4% Positiveness
4% Popularity • 44% Danceability • 83% Energy • 8% Liveness
54% Instrumentalness • 4% Positiveness
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Steve Dyer
TransAtlantic
150 bpm • C# Maj • 07:22 • -13.33db
17% Popularity • 49% Danceability • 36% Energy • 12% Liveness
86% Instrumentalness • 43% Positiveness
17% Popularity • 49% Danceability • 36% Energy • 12% Liveness
86% Instrumentalness • 43% Positiveness
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Jacob Karlzon
Lullaby for Runaways
150 bpm • C# min • 06:50 • -13.61db
4% Popularity • 47% Danceability • 54% Energy • 8% Liveness
92% Instrumentalness • 20% Positiveness
4% Popularity • 47% Danceability • 54% Energy • 8% Liveness
92% Instrumentalness • 20% Positiveness
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Thomas Carbou
Touareg
150 bpm • E min • 03:42 • -13.82db
0% Popularity • 52% Danceability • 57% Energy • 29% Liveness
75% Instrumentalness • 33% Positiveness
0% Popularity • 52% Danceability • 57% Energy • 29% Liveness
75% Instrumentalness • 33% Positiveness
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Will Vinson
Firenze
163 bpm • G# Maj • 09:23 • -11.51db
9% Popularity • 44% Danceability • 53% Energy • 7% Liveness
8% Instrumentalness • 52% Positiveness
9% Popularity • 44% Danceability • 53% Energy • 7% Liveness
8% Instrumentalness • 52% Positiveness
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Kit Downes
Castles Made of Sand
150 bpm • C# Maj • 04:53 • -26.84db
9% Popularity • 34% Danceability • 11% Energy • 11% Liveness
88% Instrumentalness • 17% Positiveness
9% Popularity • 34% Danceability • 11% Energy • 11% Liveness
88% Instrumentalness • 17% Positiveness
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David Binney
Action
150 bpm • A Maj • 02:36 • -9.09db
9% Popularity • 55% Danceability • 67% Energy • 17% Liveness
11% Instrumentalness • 79% Positiveness
9% Popularity • 55% Danceability • 67% Energy • 17% Liveness
11% Instrumentalness • 79% Positiveness
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Logan Kane
Where Within
149 bpm • F min • 05:50 • -8.53db
2% Popularity • 55% Danceability • 57% Energy • 9% Liveness
30% Instrumentalness • 40% Positiveness
2% Popularity • 55% Danceability • 57% Energy • 9% Liveness
30% Instrumentalness • 40% Positiveness
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Alan Pasqua
Milagro - Short Cut - theme
149 bpm • E min • 01:48 • -16.82db
19% Popularity • 36% Danceability • 33% Energy • 12% Liveness
91% Instrumentalness • 23% Positiveness
19% Popularity • 36% Danceability • 33% Energy • 12% Liveness
91% Instrumentalness • 23% Positiveness
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Giuseppe Millaci
Bad Fortune
149 bpm • C# Maj • 05:09 • -15.99db
19% Popularity • 38% Danceability • 30% Energy • 12% Liveness
94% Instrumentalness • 39% Positiveness
19% Popularity • 38% Danceability • 30% Energy • 12% Liveness
94% Instrumentalness • 39% Positiveness
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Donny McCaslin
Hold Me Tight
149 bpm • C# Maj • 04:31 • -9.33db
13% Popularity • 36% Danceability • 61% Energy • 14% Liveness
86% Instrumentalness • 14% Positiveness
13% Popularity • 36% Danceability • 61% Energy • 14% Liveness
86% Instrumentalness • 14% Positiveness
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Dave Douglas
Day Dream
148 bpm • C Maj • 04:39 • -12.67db
13% Popularity • 50% Danceability • 40% Energy • 8% Liveness
75% Instrumentalness • 35% Positiveness
13% Popularity • 50% Danceability • 40% Energy • 8% Liveness
75% Instrumentalness • 35% Positiveness
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Adam Ratner
Dreamscape 2023
165 bpm • A# min • 06:12 • -9.09db
6% Popularity • 45% Danceability • 81% Energy • 14% Liveness
90% Instrumentalness • 70% Positiveness
6% Popularity • 45% Danceability • 81% Energy • 14% Liveness
90% Instrumentalness • 70% Positiveness
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David Binney Quartet
Blue Sky
148 bpm • D min • 05:44 • -13.73db
1% Popularity • 40% Danceability • 28% Energy • 10% Liveness
40% Instrumentalness • 25% Positiveness
1% Popularity • 40% Danceability • 28% Energy • 10% Liveness
40% Instrumentalness • 25% Positiveness
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Curtis Taylor
Kham's Dilemma
166 bpm • C min • 07:49 • -12.34db
13% Popularity • 36% Danceability • 50% Energy • 35% Liveness
87% Instrumentalness • 38% Positiveness
13% Popularity • 36% Danceability • 50% Energy • 35% Liveness
87% Instrumentalness • 38% Positiveness
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Logan Kane
Labor Day for Machines
166 bpm • A# min • 03:26 • -6.43db
1% Popularity • 42% Danceability • 88% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
1% Popularity • 42% Danceability • 88% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
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Enoch Lee
In the Battle
168 bpm • C# Maj • 04:55 • -7.3db
0% Popularity • 38% Danceability • 72% Energy • 18% Liveness
78% Instrumentalness • 57% Positiveness
0% Popularity • 38% Danceability • 72% Energy • 18% Liveness
78% Instrumentalness • 57% Positiveness
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David Binney
Tangles Outcome
145 bpm • C# min • 03:44 • -11.4db
0% Popularity • 36% Danceability • 44% Energy • 34% Liveness
9% Instrumentalness • 27% Positiveness
0% Popularity • 36% Danceability • 44% Energy • 34% Liveness
9% Instrumentalness • 27% Positiveness
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Adam Ratner
Dreamscape - Remix
145 bpm • B Maj • 03:13 • -9.16db
13% Popularity • 63% Danceability • 67% Energy • 12% Liveness
89% Instrumentalness • 23% Positiveness
13% Popularity • 63% Danceability • 67% Energy • 12% Liveness
89% Instrumentalness • 23% Positiveness
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Will Vinson
Strasbourg St. Denis
145 bpm • A# min • 04:36 • -9.12db
19% Popularity • 44% Danceability • 48% Energy • 9% Liveness
74% Instrumentalness • 49% Positiveness
19% Popularity • 44% Danceability • 48% Energy • 9% Liveness
74% Instrumentalness • 49% Positiveness
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Joe Lovano
Grace Notes
145 bpm • G Maj • 08:42 • -20.45db
11% Popularity • 26% Danceability • 26% Energy • 9% Liveness
77% Instrumentalness • 7% Positiveness
11% Popularity • 26% Danceability • 26% Energy • 9% Liveness
77% Instrumentalness • 7% Positiveness
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Dimitris Terpizis
Eleftheria
168 bpm • C# Maj • 08:09 • -12.85db
5% Popularity • 47% Danceability • 44% Energy • 10% Liveness
85% Instrumentalness • 50% Positiveness
5% Popularity • 47% Danceability • 44% Energy • 10% Liveness
85% Instrumentalness • 50% Positiveness
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Ben Allison
Safe Passage
145 bpm • D min • 05:03 • -18.92db
14% Popularity • 33% Danceability • 26% Energy • 11% Liveness
93% Instrumentalness • 19% Positiveness
14% Popularity • 33% Danceability • 26% Energy • 11% Liveness
93% Instrumentalness • 19% Positiveness
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Nicole Glover
The Fox
144 bpm • F# Maj • 04:47 • -7.45db
31% Popularity • 38% Danceability • 74% Energy • 11% Liveness
2% Instrumentalness • 60% Positiveness
31% Popularity • 38% Danceability • 74% Energy • 11% Liveness
2% Instrumentalness • 60% Positiveness
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Tomasz DÄ…browski
Concerns
144 bpm • D Maj • 03:46 • -10.94db
10% Popularity • 49% Danceability • 44% Energy • 12% Liveness
71% Instrumentalness • 37% Positiveness
10% Popularity • 49% Danceability • 44% Energy • 12% Liveness
71% Instrumentalness • 37% Positiveness
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Todd B
Blue Lightnin'
144 bpm • A# min • 02:23 • -7.57db
13% Popularity • 60% Danceability • 94% Energy • 5% Liveness
90% Instrumentalness • 97% Positiveness
13% Popularity • 60% Danceability • 94% Energy • 5% Liveness
90% Instrumentalness • 97% Positiveness
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Joel Lyssarides
Gowns of Dark
170 bpm • E min • 03:12 • -19.22db
41% Popularity • 29% Danceability • 46% Energy • 12% Liveness
87% Instrumentalness • 52% Positiveness
41% Popularity • 29% Danceability • 46% Energy • 12% Liveness
87% Instrumentalness • 52% Positiveness
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David Binney
Modern Courtesy
170 bpm • C# Maj • 06:56 • -11.08db
3% Popularity • 44% Danceability • 49% Energy • 20% Liveness
89% Instrumentalness • 16% Positiveness
3% Popularity • 44% Danceability • 49% Energy • 20% Liveness
89% Instrumentalness • 16% Positiveness
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Whit Dickey
Blue Threads
143 bpm • C min • 03:30 • -11db
15% Popularity • 37% Danceability • 54% Energy • 10% Liveness
37% Instrumentalness • 58% Positiveness
15% Popularity • 37% Danceability • 54% Energy • 10% Liveness
37% Instrumentalness • 58% Positiveness
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Ansgar Striepens
Maybe Later Tonight
143 bpm • C Maj • 08:18 • -14.5db
28% Popularity • 45% Danceability • 31% Energy • 36% Liveness
72% Instrumentalness • 38% Positiveness
28% Popularity • 45% Danceability • 31% Energy • 36% Liveness
72% Instrumentalness • 38% Positiveness
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Mátyás Szandai Quartet
Nine Pines
143 bpm • A Maj • 02:58 • -10.63db
17% Popularity • 40% Danceability • 57% Energy • 10% Liveness
58% Instrumentalness • 43% Positiveness
17% Popularity • 40% Danceability • 57% Energy • 10% Liveness
58% Instrumentalness • 43% Positiveness
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Dayna Stephens
Te
143 bpm • A Maj • 05:47 • -11.34db
8% Popularity • 37% Danceability • 31% Energy • 16% Liveness
0% Instrumentalness • 16% Positiveness
8% Popularity • 37% Danceability • 31% Energy • 16% Liveness
0% Instrumentalness • 16% Positiveness
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Andreas Hourdakis
Protos Syrtos
143 bpm • G min • 07:31 • -14.97db
8% Popularity • 41% Danceability • 46% Energy • 10% Liveness
88% Instrumentalness • 70% Positiveness
8% Popularity • 41% Danceability • 46% Energy • 10% Liveness
88% Instrumentalness • 70% Positiveness
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David Binney Quartet
Craig
170 bpm • E min • 03:08 • -21.73db
1% Popularity • 14% Danceability • 18% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
1% Popularity • 14% Danceability • 18% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
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Domas Žeromskas
Of Water and Spirit
171 bpm • D min • 07:56 • -12.81db
12% Popularity • 31% Danceability • 34% Energy • 10% Liveness
50% Instrumentalness • 18% Positiveness
12% Popularity • 31% Danceability • 34% Energy • 10% Liveness
50% Instrumentalness • 18% Positiveness
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Sébastien Lovato
Video Games
171 bpm • C# Maj • 02:17 • -10.94db
19% Popularity • 31% Danceability • 62% Energy • 11% Liveness
98% Instrumentalness • 52% Positiveness
19% Popularity • 31% Danceability • 62% Energy • 11% Liveness
98% Instrumentalness • 52% Positiveness
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Furio Di Castri
Caribbian Love
142 bpm • F min • 01:43 • -24db
34% Popularity • 36% Danceability • 2% Energy • 9% Liveness
11% Instrumentalness • 32% Positiveness
34% Popularity • 36% Danceability • 2% Energy • 9% Liveness
11% Instrumentalness • 32% Positiveness
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Anna Gréta
Nowhere
142 bpm • F min • 03:54 • -15.9db
12% Popularity • 38% Danceability • 36% Energy • 22% Liveness
22% Instrumentalness • 44% Positiveness
12% Popularity • 38% Danceability • 36% Energy • 22% Liveness
22% Instrumentalness • 44% Positiveness
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Sasha Berliner
Boom's Epilogue
172 bpm • C# min • 01:22 • -21.1db
27% Popularity • 29% Danceability • 6% Energy • 13% Liveness
75% Instrumentalness • 13% Positiveness
27% Popularity • 29% Danceability • 6% Energy • 13% Liveness
75% Instrumentalness • 13% Positiveness
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Alexis Valet
Myrtle
142 bpm • F min • 05:27 • -9.84db
9% Popularity • 37% Danceability • 62% Energy • 13% Liveness
53% Instrumentalness • 57% Positiveness
9% Popularity • 37% Danceability • 62% Energy • 13% Liveness
53% Instrumentalness • 57% Positiveness
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Brian Blade & The Fellowship Band
Embers
172 bpm • G Maj • 02:21 • -17.52db
44% Popularity • 44% Danceability • 23% Energy • 14% Liveness
95% Instrumentalness • 33% Positiveness
44% Popularity • 44% Danceability • 23% Energy • 14% Liveness
95% Instrumentalness • 33% Positiveness
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Mika Pohjola
Tom's Favorite Treats - Original Version
141 bpm • B Maj • 03:58 • -18.43db
14% Popularity • 57% Danceability • 37% Energy • 11% Liveness
88% Instrumentalness • 57% Positiveness
14% Popularity • 57% Danceability • 37% Energy • 11% Liveness
88% Instrumentalness • 57% Positiveness
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Furio Di Castri
Urlo
172 bpm • G# Maj • 03:14 • -19.6db
10% Popularity • 9% Danceability • 17% Energy • 9% Liveness
97% Instrumentalness • 7% Positiveness
10% Popularity • 9% Danceability • 17% Energy • 9% Liveness
97% Instrumentalness • 7% Positiveness
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Jakob Davidsen
7-Isolation (Edvard Munch)
141 bpm • D min • 03:55 • -27db
10% Popularity • 32% Danceability • 2% Energy • 7% Liveness
64% Instrumentalness • 3% Positiveness
10% Popularity • 32% Danceability • 2% Energy • 7% Liveness
64% Instrumentalness • 3% Positiveness
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Francesco Petreni
Segment
172 bpm • A# min • 04:04 • -17.25db
1% Popularity • 49% Danceability • 32% Energy • 25% Liveness
91% Instrumentalness • 74% Positiveness
1% Popularity • 49% Danceability • 32% Energy • 25% Liveness
91% Instrumentalness • 74% Positiveness
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Matteo Burci
Song for Mary
173 bpm • G Maj • 05:39 • -14.32db
14% Popularity • 32% Danceability • 40% Energy • 15% Liveness
89% Instrumentalness • 52% Positiveness
14% Popularity • 32% Danceability • 40% Energy • 15% Liveness
89% Instrumentalness • 52% Positiveness
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Magnus Öström
Tuesday Wonderland
173 bpm • D Maj • 10:14 • -17.06db
25% Popularity • 33% Danceability • 41% Energy • 12% Liveness
92% Instrumentalness • 59% Positiveness
25% Popularity • 33% Danceability • 41% Energy • 12% Liveness
92% Instrumentalness • 59% Positiveness
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David Binney
Southpaw
141 bpm • G# Maj • 06:29 • -10.31db
1% Popularity • 51% Danceability • 39% Energy • 17% Liveness
36% Instrumentalness • 29% Positiveness
1% Popularity • 51% Danceability • 39% Energy • 17% Liveness
36% Instrumentalness • 29% Positiveness
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Ralph Alessi
Hypnagogic
141 bpm • E min • 03:06 • -24.78db
9% Popularity • 33% Danceability • 3% Energy • 8% Liveness
90% Instrumentalness • 13% Positiveness
9% Popularity • 33% Danceability • 3% Energy • 8% Liveness
90% Instrumentalness • 13% Positiveness
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Joel Harrison
Here Comes the Sun
173 bpm • A min • 05:59 • -11.78db
1% Popularity • 39% Danceability • 44% Energy • 10% Liveness
50% Instrumentalness • 27% Positiveness
1% Popularity • 39% Danceability • 44% Energy • 10% Liveness
50% Instrumentalness • 27% Positiveness
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Jonnathan Green
Trails Ahead
141 bpm • B Maj • 01:48 • -21.67db
21% Popularity • 43% Danceability • 18% Energy • 11% Liveness
97% Instrumentalness • 53% Positiveness
21% Popularity • 43% Danceability • 18% Energy • 11% Liveness
97% Instrumentalness • 53% Positiveness
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Thomas Carbou
À bientôt
140 bpm • B min • 03:57 • -11.76db
1% Popularity • 58% Danceability • 28% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
1% Popularity • 58% Danceability • 28% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
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Larry Goldings
Napoleon Contest
140 bpm • G# min • 00:59 • -13.23db
15% Popularity • 36% Danceability • 18% Energy • 9% Liveness
93% Instrumentalness • 12% Positiveness
15% Popularity • 36% Danceability • 18% Energy • 9% Liveness
93% Instrumentalness • 12% Positiveness
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Walter Smith III
Shine
140 bpm • D Maj • 01:40 • -12.72db
33% Popularity • 62% Danceability • 12% Energy • 11% Liveness
80% Instrumentalness • 46% Positiveness
33% Popularity • 62% Danceability • 12% Energy • 11% Liveness
80% Instrumentalness • 46% Positiveness
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David Binney
Outer Moat
140 bpm • G Maj • 02:51 • -10.34db
5% Popularity • 55% Danceability • 87% Energy • 42% Liveness
93% Instrumentalness • 54% Positiveness
5% Popularity • 55% Danceability • 87% Energy • 42% Liveness
93% Instrumentalness • 54% Positiveness
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Reinier Baas
Fuga
140 bpm • C Maj • 01:00 • -16.78db
13% Popularity • 63% Danceability • 24% Energy • 10% Liveness
84% Instrumentalness • 63% Positiveness
13% Popularity • 63% Danceability • 24% Energy • 10% Liveness
84% Instrumentalness • 63% Positiveness
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ARCANA
Gone Tomorrow
140 bpm • E min • 09:38 • -7.85db
13% Popularity • 18% Danceability • 85% Energy • 12% Liveness
8% Instrumentalness • 11% Positiveness
13% Popularity • 18% Danceability • 85% Energy • 12% Liveness
8% Instrumentalness • 11% Positiveness
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Benjamin Koppel
Absurd
140 bpm • C Maj • 08:03 • -9.44db
8% Popularity • 38% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
8% Popularity • 38% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Anthony Fung
El Paso
140 bpm • F min • 05:09 • -10.19db
1% Popularity • 37% Danceability • 53% Energy • 15% Liveness
48% Instrumentalness • 32% Positiveness
1% Popularity • 37% Danceability • 53% Energy • 15% Liveness
48% Instrumentalness • 32% Positiveness
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Andreas Hourdakis
Gateway Xero
139 bpm • A min • 06:57 • -13.83db
13% Popularity • 43% Danceability • 44% Energy • 10% Liveness
87% Instrumentalness • 32% Positiveness
13% Popularity • 43% Danceability • 44% Energy • 10% Liveness
87% Instrumentalness • 32% Positiveness
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Jacky Terrasson
Go Round
140 bpm • A# min • 02:16 • -14.7db
18% Popularity • 47% Danceability • 32% Energy • 11% Liveness
92% Instrumentalness • 56% Positiveness
18% Popularity • 47% Danceability • 32% Energy • 11% Liveness
92% Instrumentalness • 56% Positiveness
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Magic trio
The Inner Room
139 bpm • F min • 03:29 • -17.85db
22% Popularity • 53% Danceability • 45% Energy • 10% Liveness
95% Instrumentalness • 54% Positiveness
22% Popularity • 53% Danceability • 45% Energy • 10% Liveness
95% Instrumentalness • 54% Positiveness
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Marcelo Bucater
After the Storm
139 bpm • D Maj • 06:54 • -11.44db
12% Popularity • 42% Danceability • 47% Energy • 10% Liveness
88% Instrumentalness • 18% Positiveness
12% Popularity • 42% Danceability • 47% Energy • 10% Liveness
88% Instrumentalness • 18% Positiveness
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Joel Harrison
Isn't It a Pity
139 bpm • C Maj • 05:49 • -13.18db
0% Popularity • 47% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
0% Popularity • 47% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Hamrå Orkester
The Moon
139 bpm • D min • 05:55 • -12.82db
16% Popularity • 37% Danceability • 32% Energy • 11% Liveness
91% Instrumentalness • 21% Positiveness
16% Popularity • 37% Danceability • 32% Energy • 11% Liveness
91% Instrumentalness • 21% Positiveness
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Spider's Egg
Mad Man (Live)
139 bpm • A# Maj • 10:55 • -7.71db
1% Popularity • 35% Danceability • 71% Energy • 26% Liveness
10% Instrumentalness • 29% Positiveness
1% Popularity • 35% Danceability • 71% Energy • 26% Liveness
10% Instrumentalness • 29% Positiveness
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Nick Campbell Destroys
Intermission
138 bpm • F# min • 01:00 • -31.29db
17% Popularity • 33% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 22% Positiveness
17% Popularity • 33% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 22% Positiveness
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Lars Danielsson
The Fifth Grade
138 bpm • A min • 08:20 • -15.78db
9% Popularity • 35% Danceability • 40% Energy • 7% Liveness
92% Instrumentalness • 24% Positiveness
9% Popularity • 35% Danceability • 40% Energy • 7% Liveness
92% Instrumentalness • 24% Positiveness
