Songs like Aeropuerto by Los Violines Románticos De Cuba
Based on a tempo of (+/- 10%) and a similar genre
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Alfonso Cid
La Media Vuelta - Saxofón
90 bpm • F# Maj • 02:52 • -9.22db
38% Popularity • 75% Danceability • 51% Energy • 13% Liveness
10% Instrumentalness • 58% Positiveness
38% Popularity • 75% Danceability • 51% Energy • 13% Liveness
10% Instrumentalness • 58% Positiveness
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EDDY GUIRAO
La Barca
90 bpm • C Maj • 03:25 • -9.3db
38% Popularity • 59% Danceability • 49% Energy • 20% Liveness
35% Instrumentalness • 43% Positiveness
38% Popularity • 59% Danceability • 49% Energy • 20% Liveness
35% Instrumentalness • 43% Positiveness
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Los Violines Románticos De Cuba
Aeropuerto
90 bpm • C Maj • 04:49 • -7.28db
20% Popularity • 63% Danceability • 50% Energy • 10% Liveness
86% Instrumentalness • 16% Positiveness
20% Popularity • 63% Danceability • 50% Energy • 10% Liveness
86% Instrumentalness • 16% Positiveness
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Richard Clay
Y - Instrumentales
90 bpm • E Maj • 02:54 • -8.68db
22% Popularity • 56% Danceability • 56% Energy • 17% Liveness
93% Instrumentalness • 52% Positiveness
22% Popularity • 56% Danceability • 56% Energy • 17% Liveness
93% Instrumentalness • 52% Positiveness
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Glen Lucas
Only You
90 bpm • B Maj • 03:35 • -11db
40% Popularity • 58% Danceability • 38% Energy • 36% Liveness
89% Instrumentalness • 57% Positiveness
40% Popularity • 58% Danceability • 38% Energy • 36% Liveness
89% Instrumentalness • 57% Positiveness
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Discovey Light Orchestra
No Llores por Mi Argentina
90 bpm • D Maj • 03:03 • -15db
49% Popularity • 51% Danceability • 27% Energy • 10% Liveness
90% Instrumentalness • 33% Positiveness
49% Popularity • 51% Danceability • 27% Energy • 10% Liveness
90% Instrumentalness • 33% Positiveness
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Manuel Olivera Almada
Lamento Borincano
90 bpm • F# min • 03:28 • -8.8db
41% Popularity • 71% Danceability • 82% Energy • 19% Liveness
79% Instrumentalness • 94% Positiveness
41% Popularity • 71% Danceability • 82% Energy • 19% Liveness
79% Instrumentalness • 94% Positiveness
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EDDY GUIRAO
Sabor A Mi
90 bpm • C min • 03:01 • -9.73db
44% Popularity • 56% Danceability • 50% Energy • 30% Liveness
87% Instrumentalness • 56% Positiveness
44% Popularity • 56% Danceability • 50% Energy • 30% Liveness
87% Instrumentalness • 56% Positiveness
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Jorge Espinoza Y Su Violin
2 Mov. Concierto De aranjuez Frag
90 bpm • B min • 03:49 • -13.1db
40% Popularity • 13% Danceability • 36% Energy • 9% Liveness
90% Instrumentalness • 12% Positiveness
40% Popularity • 13% Danceability • 36% Energy • 9% Liveness
90% Instrumentalness • 12% Positiveness
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Los Violines Románticos De Cuba
Adoro
91 bpm • F# min • 02:37 • -7db
33% Popularity • 34% Danceability • 54% Energy • 3% Liveness
2% Instrumentalness • 44% Positiveness
33% Popularity • 34% Danceability • 54% Energy • 3% Liveness
2% Instrumentalness • 44% Positiveness
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Manuel Angel y Su Arpa Maravillosa
Sellado Con un Beso
89 bpm • E min • 02:29 • -12.1db
19% Popularity • 61% Danceability • 49% Energy • 11% Liveness
59% Instrumentalness • 84% Positiveness
19% Popularity • 61% Danceability • 49% Energy • 11% Liveness
59% Instrumentalness • 84% Positiveness
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François Gilbert
Caminemos
91 bpm • D min • 03:46 • -11db
19% Popularity • 40% Danceability • 29% Energy • 6% Liveness
64% Instrumentalness • 27% Positiveness
19% Popularity • 40% Danceability • 29% Energy • 6% Liveness
64% Instrumentalness • 27% Positiveness
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Manuel Olivera Almada
Noche De Ronda
90 bpm • D Maj • 02:50 • -13db
52% Popularity • 70% Danceability • 37% Energy • 18% Liveness
79% Instrumentalness • 54% Positiveness
52% Popularity • 70% Danceability • 37% Energy • 18% Liveness
79% Instrumentalness • 54% Positiveness
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Richard Clay
Amor Eterno - Instrumentales
89 bpm • C Maj • 03:39 • -6.8db
27% Popularity • 67% Danceability • 45% Energy • 20% Liveness
81% Instrumentalness • 54% Positiveness
27% Popularity • 67% Danceability • 45% Energy • 20% Liveness
81% Instrumentalness • 54% Positiveness
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Marc Ross
Sellado Por Un Beso
89 bpm • C min • 03:37 • -15.62db
35% Popularity • 65% Danceability • 27% Energy • 10% Liveness
74% Instrumentalness • 52% Positiveness
35% Popularity • 65% Danceability • 27% Energy • 10% Liveness
74% Instrumentalness • 52% Positiveness
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Piano Marico
La Barca / Mucho Corazón
89 bpm • C Maj • 06:17 • -14.33db
31% Popularity • 33% Danceability • 27% Energy • 10% Liveness
92% Instrumentalness • 37% Positiveness
31% Popularity • 33% Danceability • 27% Energy • 10% Liveness
92% Instrumentalness • 37% Positiveness
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Johnny Days Orchestra
Una Probada de Miel
88 bpm • C min • 02:44 • -10.18db
38% Popularity • 64% Danceability • 43% Energy • 25% Liveness
87% Instrumentalness • 59% Positiveness
38% Popularity • 64% Danceability • 43% Energy • 25% Liveness
87% Instrumentalness • 59% Positiveness
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François Gilbert
Sigamos Pecando
88 bpm • G# Maj • 02:57 • -12db
35% Popularity • 42% Danceability • 25% Energy • 13% Liveness
70% Instrumentalness • 34% Positiveness
35% Popularity • 42% Danceability • 25% Energy • 13% Liveness
70% Instrumentalness • 34% Positiveness
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Coral de Arpa latina
Chiquitita
92 bpm • F Maj • 03:39 • -4.86db
29% Popularity • 50% Danceability • 64% Energy • 21% Liveness
86% Instrumentalness • 51% Positiveness
29% Popularity • 50% Danceability • 64% Energy • 21% Liveness
86% Instrumentalness • 51% Positiveness
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Grandes Violines Románticos
El Amor Es Triste
88 bpm • E min • 03:04 • -7.29db
25% Popularity • 56% Danceability • 57% Energy • 13% Liveness
81% Instrumentalness • 46% Positiveness
25% Popularity • 56% Danceability • 57% Energy • 13% Liveness
81% Instrumentalness • 46% Positiveness
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Orquesta Sonidos Infinitos
Sueno Imposible
92 bpm • C Maj • 03:00 • -8.39db
28% Popularity • 29% Danceability • 33% Energy • 20% Liveness
82% Instrumentalness • 16% Positiveness
28% Popularity • 29% Danceability • 33% Energy • 20% Liveness
82% Instrumentalness • 16% Positiveness
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Richard Clay
Hasta Que Te Conoci - Instrumentales
92 bpm • C min • 03:43 • -10.27db
31% Popularity • 41% Danceability • 37% Energy • 7% Liveness
82% Instrumentalness • 43% Positiveness
31% Popularity • 41% Danceability • 37% Energy • 7% Liveness
82% Instrumentalness • 43% Positiveness
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Eddie Fernandez Quintet
Sabor a Mi
92 bpm • G Maj • 03:04 • -13db
25% Popularity • 74% Danceability • 44% Energy • 24% Liveness
95% Instrumentalness • 74% Positiveness
25% Popularity • 74% Danceability • 44% Energy • 24% Liveness
95% Instrumentalness • 74% Positiveness
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Jorge Espinoza Y Su Violin
Morir De Amor
88 bpm • A# min • 03:29 • -8.55db
30% Popularity • 44% Danceability • 63% Energy • 19% Liveness
3% Instrumentalness • 50% Positiveness
30% Popularity • 44% Danceability • 63% Energy • 19% Liveness
3% Instrumentalness • 50% Positiveness
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Grupo Karibe
Acércate Más
88 bpm • F Maj • 03:53 • -6db
14% Popularity • 53% Danceability • 71% Energy • 13% Liveness
88% Instrumentalness • 27% Positiveness
14% Popularity • 53% Danceability • 71% Energy • 13% Liveness
88% Instrumentalness • 27% Positiveness
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Pierre Charlon
Woman in Love
88 bpm • C Maj • 03:57 • -12.05db
40% Popularity • 64% Danceability • 44% Energy • 10% Liveness
95% Instrumentalness • 22% Positiveness
40% Popularity • 64% Danceability • 44% Energy • 10% Liveness
95% Instrumentalness • 22% Positiveness
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Francis Pourcel Orchestra
Estás Sola Esta Noche?
88 bpm • G Maj • 02:42 • -13.01db
32% Popularity • 40% Danceability • 22% Energy • 11% Liveness
88% Instrumentalness • 26% Positiveness
32% Popularity • 40% Danceability • 22% Energy • 11% Liveness
88% Instrumentalness • 26% Positiveness
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Manuel Olivera Almada
La Media Vuelta
92 bpm • C Maj • 02:31 • -11db
49% Popularity • 72% Danceability • 40% Energy • 11% Liveness
92% Instrumentalness • 66% Positiveness
49% Popularity • 72% Danceability • 40% Energy • 11% Liveness
92% Instrumentalness • 66% Positiveness
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Roy Etzel
Extraños en la Noche
92 bpm • A min • 02:47 • -15.56db
11% Popularity • 24% Danceability • 44% Energy • 65% Liveness
91% Instrumentalness • 66% Positiveness
11% Popularity • 24% Danceability • 44% Energy • 65% Liveness
91% Instrumentalness • 66% Positiveness
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Jorge Espinoza Y Su Violin
El Amor Es Una Cosa Esplendorosa
88 bpm • C min • 03:41 • -8.41db
37% Popularity • 20% Danceability • 49% Energy • 14% Liveness
55% Instrumentalness • 11% Positiveness
37% Popularity • 20% Danceability • 49% Energy • 14% Liveness
55% Instrumentalness • 11% Positiveness
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Zantalino and his Orchestra
Greensleeves
88 bpm • F min • 02:58 • -10db
26% Popularity • 23% Danceability • 32% Energy • 11% Liveness
75% Instrumentalness • 14% Positiveness
26% Popularity • 23% Danceability • 32% Energy • 11% Liveness
75% Instrumentalness • 14% Positiveness
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Jorge Zapata
Murio la Flor & Volveré
92 bpm • C min • 04:06 • -8.17db
15% Popularity • 48% Danceability • 47% Energy • 31% Liveness
0% Instrumentalness • 46% Positiveness
15% Popularity • 48% Danceability • 47% Energy • 31% Liveness
0% Instrumentalness • 46% Positiveness
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Los Violines Románticos De Cuba
Chiquitita
87 bpm • A Maj • 03:32 • -18.26db
9% Popularity • 46% Danceability • 18% Energy • 12% Liveness
91% Instrumentalness • 42% Positiveness
9% Popularity • 46% Danceability • 18% Energy • 12% Liveness
91% Instrumentalness • 42% Positiveness
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Richard Clay
El Dia Que Me Quieras
93 bpm • C Maj • 03:39 • -6.52db
15% Popularity • 46% Danceability • 33% Energy • 12% Liveness
92% Instrumentalness • 16% Positiveness
15% Popularity • 46% Danceability • 33% Energy • 12% Liveness
92% Instrumentalness • 16% Positiveness
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Manuel Olivera Almada
Contigo Aprendi
93 bpm • G Maj • 02:49 • -9.56db
49% Popularity • 70% Danceability • 46% Energy • 10% Liveness
88% Instrumentalness • 69% Positiveness
49% Popularity • 70% Danceability • 46% Energy • 10% Liveness
88% Instrumentalness • 69% Positiveness
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Johnny Pearson Y Su Orquesta
Matandome suavemente (Con su cancion)
93 bpm • F min • 03:53 • -16.22db
34% Popularity • 30% Danceability • 22% Energy • 21% Liveness
89% Instrumentalness • 17% Positiveness
34% Popularity • 30% Danceability • 22% Energy • 21% Liveness
89% Instrumentalness • 17% Positiveness
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Zantalino and his Orchestra
My Way
87 bpm • C# Maj • 04:02 • -14db
27% Popularity • 22% Danceability • 23% Energy • 6% Liveness
1% Instrumentalness • 7% Positiveness
27% Popularity • 22% Danceability • 23% Energy • 6% Liveness
1% Instrumentalness • 7% Positiveness
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Jorge Espinoza Y Su Violin
Estudio Anonimo
87 bpm • D# Maj • 02:36 • -8.98db
44% Popularity • 18% Danceability • 39% Energy • 19% Liveness
65% Instrumentalness • 23% Positiveness
44% Popularity • 18% Danceability • 39% Energy • 19% Liveness
65% Instrumentalness • 23% Positiveness
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Los Violines Románticos De Cuba
Tu Me Acostumbraste
93 bpm • F Maj • 03:15 • -12.86db
21% Popularity • 56% Danceability • 37% Energy • 19% Liveness
93% Instrumentalness • 70% Positiveness
21% Popularity • 56% Danceability • 37% Energy • 19% Liveness
93% Instrumentalness • 70% Positiveness
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Richard Clay
Maria Bonita
87 bpm • A Maj • 02:18 • -11.58db
33% Popularity • 54% Danceability • 28% Energy • 32% Liveness
0% Instrumentalness • 36% Positiveness
33% Popularity • 54% Danceability • 28% Energy • 32% Liveness
0% Instrumentalness • 36% Positiveness
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Manuel Olivera Almada
El Reloj
93 bpm • A Maj • 02:43 • -11.85db
51% Popularity • 72% Danceability • 36% Energy • 10% Liveness
90% Instrumentalness • 74% Positiveness
51% Popularity • 72% Danceability • 36% Energy • 10% Liveness
90% Instrumentalness • 74% Positiveness
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Aldo Livorno Y Su Acordeón Napolitano
Al Di La
94 bpm • F Maj • 02:39 • -10.85db
35% Popularity • 19% Danceability • 36% Energy • 32% Liveness
0% Instrumentalness • 12% Positiveness
35% Popularity • 19% Danceability • 36% Energy • 32% Liveness
0% Instrumentalness • 12% Positiveness
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Jean Paul Ventura Orchestra
Aranjuez Mon Amour
86 bpm • B min • 04:18 • -16.97db
21% Popularity • 45% Danceability • 11% Energy • 9% Liveness
84% Instrumentalness • 4% Positiveness
21% Popularity • 45% Danceability • 11% Energy • 9% Liveness
84% Instrumentalness • 4% Positiveness
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Jorge Espinoza Y Su Violin
Munequita Linda
94 bpm • C Maj • 02:58 • -10.36db
31% Popularity • 40% Danceability • 44% Energy • 29% Liveness
95% Instrumentalness • 28% Positiveness
31% Popularity • 40% Danceability • 44% Energy • 29% Liveness
95% Instrumentalness • 28% Positiveness
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Carlos Velasco
VÃrgenes del Sol
95 bpm • G min • 02:43 • -11.58db
32% Popularity • 63% Danceability • 46% Energy • 8% Liveness
23% Instrumentalness • 33% Positiveness
32% Popularity • 63% Danceability • 46% Energy • 8% Liveness
23% Instrumentalness • 33% Positiveness
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Saxo
Puente Sobre Aguas Turbulentas
86 bpm • D# Maj • 03:18 • -12db
23% Popularity • 36% Danceability • 27% Energy • 12% Liveness
64% Instrumentalness • 20% Positiveness
23% Popularity • 36% Danceability • 27% Energy • 12% Liveness
64% Instrumentalness • 20% Positiveness
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Nini Rosso
El Sueño Imposible
95 bpm • A# Maj • 02:40 • -16.37db
19% Popularity • 33% Danceability • 22% Energy • 26% Liveness
98% Instrumentalness • 32% Positiveness
19% Popularity • 33% Danceability • 22% Energy • 26% Liveness
98% Instrumentalness • 32% Positiveness
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Maxximo
La Media Vuelta
95 bpm • G Maj • 02:48 • -7.34db
15% Popularity • 46% Danceability • 64% Energy • 38% Liveness
75% Instrumentalness • 60% Positiveness
15% Popularity • 46% Danceability • 64% Energy • 38% Liveness
75% Instrumentalness • 60% Positiveness
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Manuel Olivera Almada
Tu Me Acostumbraste
95 bpm • D Maj • 02:28 • -10db
50% Popularity • 70% Danceability • 40% Energy • 10% Liveness
82% Instrumentalness • 53% Positiveness
50% Popularity • 70% Danceability • 40% Energy • 10% Liveness
82% Instrumentalness • 53% Positiveness
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Richard Abel
Chiquitita
85 bpm • C Maj • 05:35 • -13.34db
31% Popularity • 58% Danceability • 40% Energy • 12% Liveness
94% Instrumentalness • 39% Positiveness
31% Popularity • 58% Danceability • 40% Energy • 12% Liveness
94% Instrumentalness • 39% Positiveness
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Los Violines Románticos De Cuba
Aranjuez, Mi Amor
85 bpm • B min • 02:45 • -9.46db
22% Popularity • 13% Danceability • 36% Energy • 10% Liveness
76% Instrumentalness • 16% Positiveness
22% Popularity • 13% Danceability • 36% Energy • 10% Liveness
76% Instrumentalness • 16% Positiveness
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Francis Pourcel Orchestra
Dejé Mi Corazón en San Francisco
96 bpm • F min • 02:53 • -15db
29% Popularity • 41% Danceability • 38% Energy • 13% Liveness
91% Instrumentalness • 33% Positiveness
29% Popularity • 41% Danceability • 38% Energy • 13% Liveness
91% Instrumentalness • 33% Positiveness
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Piano Marico
Miénteme / Tu Me Acostumbraste / Contig...
96 bpm • C Maj • 06:17 • -12.1db
23% Popularity • 57% Danceability • 33% Energy • 8% Liveness
66% Instrumentalness • 62% Positiveness
23% Popularity • 57% Danceability • 33% Energy • 8% Liveness
66% Instrumentalness • 62% Positiveness
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Aldo Livorno Y Su Acordeón Napolitano
Mademoiselle de Paris
96 bpm • C Maj • 02:54 • -7.97db
27% Popularity • 50% Danceability • 53% Energy • 8% Liveness
33% Instrumentalness • 47% Positiveness
27% Popularity • 50% Danceability • 53% Energy • 8% Liveness
33% Instrumentalness • 47% Positiveness
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Richard Clay
Si Nos Dejan - Instrumentales
96 bpm • C Maj • 02:46 • -9db
32% Popularity • 62% Danceability • 49% Energy • 13% Liveness
91% Instrumentalness • 56% Positiveness
32% Popularity • 62% Danceability • 49% Energy • 13% Liveness
91% Instrumentalness • 56% Positiveness
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Coral de Arpa latina
Mis Noches Sin Ti (Recuerdos De Ypacarai...
84 bpm • F Maj • 03:52 • -7db
19% Popularity • 70% Danceability • 46% Energy • 11% Liveness
80% Instrumentalness • 66% Positiveness
19% Popularity • 70% Danceability • 46% Energy • 11% Liveness
80% Instrumentalness • 66% Positiveness
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Los Violines Románticos De Cuba
Usted
96 bpm • D Maj • 02:52 • -8.55db
29% Popularity • 72% Danceability • 49% Energy • 29% Liveness
91% Instrumentalness • 69% Positiveness
29% Popularity • 72% Danceability • 49% Energy • 29% Liveness
91% Instrumentalness • 69% Positiveness
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Maxximo
Inolvidable
97 bpm • G# Maj • 04:20 • -8.23db
7% Popularity • 61% Danceability • 55% Energy • 6% Liveness
8% Instrumentalness • 72% Positiveness
7% Popularity • 61% Danceability • 55% Energy • 6% Liveness
8% Instrumentalness • 72% Positiveness
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Zantalino and his Orchestra
Key West Romantic
83 bpm • F# Maj • 03:04 • -11.54db
10% Popularity • 17% Danceability • 27% Energy • 18% Liveness
57% Instrumentalness • 19% Positiveness
10% Popularity • 17% Danceability • 27% Energy • 18% Liveness
57% Instrumentalness • 19% Positiveness
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Discovey Light Orchestra
Melodia Desencadena
97 bpm • C Maj • 03:41 • -13.82db
50% Popularity • 26% Danceability • 34% Energy • 14% Liveness
97% Instrumentalness • 23% Positiveness
50% Popularity • 26% Danceability • 34% Energy • 14% Liveness
97% Instrumentalness • 23% Positiveness
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Edda Batista
Para Que No Me Olvides
97 bpm • C Maj • 03:55 • -11db
33% Popularity • 49% Danceability • 37% Energy • 8% Liveness
27% Instrumentalness • 41% Positiveness
33% Popularity • 49% Danceability • 37% Energy • 8% Liveness
27% Instrumentalness • 41% Positiveness
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Angel
Historia de un amor (Boleero instrumenta...
83 bpm • A min • 03:45 • -9.26db
28% Popularity • 58% Danceability • 43% Energy • 21% Liveness
64% Instrumentalness • 26% Positiveness
28% Popularity • 58% Danceability • 43% Energy • 21% Liveness
64% Instrumentalness • 26% Positiveness
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Francis Pourcel Orchestra
Un Extraño en la Playa
98 bpm • A# Maj • 02:51 • -13.3db
31% Popularity • 35% Danceability • 26% Energy • 12% Liveness
83% Instrumentalness • 30% Positiveness
31% Popularity • 35% Danceability • 26% Energy • 12% Liveness
83% Instrumentalness • 30% Positiveness
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Maxximo
Historia de un Amor
83 bpm • A min • 03:41 • -7.97db
10% Popularity • 62% Danceability • 55% Energy • 24% Liveness
94% Instrumentalness • 14% Positiveness
10% Popularity • 62% Danceability • 55% Energy • 24% Liveness
94% Instrumentalness • 14% Positiveness
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Piano Marico
Amor Eterno
98 bpm • C Maj • 04:58 • -16db
39% Popularity • 51% Danceability • 22% Energy • 12% Liveness
91% Instrumentalness • 40% Positiveness
39% Popularity • 51% Danceability • 22% Energy • 12% Liveness
91% Instrumentalness • 40% Positiveness
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Mario Gonzales Guerra
Concierto para una Sola Voz
83 bpm • B min • 02:54 • -8.22db
34% Popularity • 42% Danceability • 44% Energy • 10% Liveness
83% Instrumentalness • 22% Positiveness
34% Popularity • 42% Danceability • 44% Energy • 10% Liveness
83% Instrumentalness • 22% Positiveness
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Manuel Angel y Su Arpa Maravillosa
La Vida en Rosa
83 bpm • G Maj • 03:09 • -8.8db
15% Popularity • 41% Danceability • 55% Energy • 11% Liveness
1% Instrumentalness • 65% Positiveness
15% Popularity • 41% Danceability • 55% Energy • 11% Liveness
1% Instrumentalness • 65% Positiveness
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François Gilbert
Contigo
83 bpm • C min • 03:27 • -12.4db
19% Popularity • 39% Danceability • 25% Energy • 9% Liveness
77% Instrumentalness • 34% Positiveness
19% Popularity • 39% Danceability • 25% Energy • 9% Liveness
77% Instrumentalness • 34% Positiveness
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Glen Lucas
Take Me Breath Away
98 bpm • C# Maj • 04:20 • -14db
40% Popularity • 55% Danceability • 39% Energy • 14% Liveness
86% Instrumentalness • 35% Positiveness
40% Popularity • 55% Danceability • 39% Energy • 14% Liveness
86% Instrumentalness • 35% Positiveness
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Johnny Days Orchestra
Inolvidable
98 bpm • G# Maj • 04:03 • -9.26db
26% Popularity • 65% Danceability • 62% Energy • 7% Liveness
53% Instrumentalness • 83% Positiveness
26% Popularity • 65% Danceability • 62% Energy • 7% Liveness
53% Instrumentalness • 83% Positiveness
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Giovanni Vivanco
Dejame Llorar
98 bpm • C Maj • 04:25 • -11db
43% Popularity • 64% Danceability • 43% Energy • 11% Liveness
91% Instrumentalness • 19% Positiveness
43% Popularity • 64% Danceability • 43% Energy • 11% Liveness
91% Instrumentalness • 19% Positiveness
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Pierre Charlon
Feelings
83 bpm • E min • 03:36 • -15.12db
45% Popularity • 59% Danceability • 21% Energy • 10% Liveness
94% Instrumentalness • 19% Positiveness
45% Popularity • 59% Danceability • 21% Energy • 10% Liveness
94% Instrumentalness • 19% Positiveness
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Los Violines Románticos De Cuba
Esta Tarde Vi Llover
82 bpm • C Maj • 02:40 • -7.62db
28% Popularity • 48% Danceability • 46% Energy • 6% Liveness
91% Instrumentalness • 40% Positiveness
28% Popularity • 48% Danceability • 46% Energy • 6% Liveness
91% Instrumentalness • 40% Positiveness
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Jorge Espinoza Y Su Violin
Extranos En La Noche
82 bpm • C Maj • 03:39 • -12.9db
30% Popularity • 42% Danceability • 38% Energy • 14% Liveness
80% Instrumentalness • 26% Positiveness
30% Popularity • 42% Danceability • 38% Energy • 14% Liveness
80% Instrumentalness • 26% Positiveness
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Adrian Perticone
Somos
82 bpm • A min • 03:38 • -15db
32% Popularity • 56% Danceability • 33% Energy • 9% Liveness
73% Instrumentalness • 24% Positiveness
32% Popularity • 56% Danceability • 33% Energy • 9% Liveness
73% Instrumentalness • 24% Positiveness
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Jorge Espinoza Carrizales
Pidele Al Tiempo Que Vuelva
82 bpm • C Maj • 03:22 • -9.32db
39% Popularity • 12% Danceability • 39% Energy • 14% Liveness
72% Instrumentalness • 6% Positiveness
39% Popularity • 12% Danceability • 39% Energy • 14% Liveness
72% Instrumentalness • 6% Positiveness
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Giovanni Vivanco
Inolvidable
98 bpm • G# Maj • 04:02 • -16db
45% Popularity • 62% Danceability • 48% Energy • 5% Liveness
79% Instrumentalness • 84% Positiveness
45% Popularity • 62% Danceability • 48% Energy • 5% Liveness
79% Instrumentalness • 84% Positiveness
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Richard Mayner
Eres Tu
82 bpm • D Maj • 03:27 • -18.34db
31% Popularity • 57% Danceability • 26% Energy • 13% Liveness
28% Instrumentalness • 54% Positiveness
31% Popularity • 57% Danceability • 26% Energy • 13% Liveness
28% Instrumentalness • 54% Positiveness
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Rubén Ochoa
Solamente una Vez
82 bpm • F Maj • 03:27 • -10db
20% Popularity • 35% Danceability • 28% Energy • 6% Liveness
82% Instrumentalness • 35% Positiveness
20% Popularity • 35% Danceability • 28% Energy • 6% Liveness
82% Instrumentalness • 35% Positiveness
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Jorge Espinoza Y Su Violin
Sueno Imposible
99 bpm • C Maj • 04:26 • -10.88db
36% Popularity • 43% Danceability • 47% Energy • 11% Liveness
82% Instrumentalness • 21% Positiveness
36% Popularity • 43% Danceability • 47% Energy • 11% Liveness
82% Instrumentalness • 21% Positiveness
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Los Violines Románticos De Cuba
Reloj
99 bpm • C Maj • 03:23 • -9.11db
31% Popularity • 72% Danceability • 49% Energy • 10% Liveness
86% Instrumentalness • 67% Positiveness
31% Popularity • 72% Danceability • 49% Energy • 10% Liveness
86% Instrumentalness • 67% Positiveness
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Alfonso Cid
Perfidia - Saxofón
99 bpm • A min • 02:21 • -6.43db
36% Popularity • 75% Danceability • 56% Energy • 27% Liveness
12% Instrumentalness • 38% Positiveness
36% Popularity • 75% Danceability • 56% Energy • 27% Liveness
12% Instrumentalness • 38% Positiveness
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Giovanni Vivanco
Quiero Amanecer Con Alguien
82 bpm • E min • 03:51 • -7.91db
45% Popularity • 54% Danceability • 55% Energy • 24% Liveness
38% Instrumentalness • 17% Positiveness
45% Popularity • 54% Danceability • 55% Energy • 24% Liveness
38% Instrumentalness • 17% Positiveness
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Richard Clay
Nostalgias - Instrumentales
99 bpm • D min • 03:44 • -6.14db
13% Popularity • 41% Danceability • 33% Energy • 19% Liveness
37% Instrumentalness • 26% Positiveness
13% Popularity • 41% Danceability • 33% Energy • 19% Liveness
37% Instrumentalness • 26% Positiveness
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Rubén Ochoa
Anónimo Veneciano (Pasión de un Gran A...
99 bpm • F min • 03:01 • -12.83db
19% Popularity • 53% Danceability • 34% Energy • 20% Liveness
1% Instrumentalness • 25% Positiveness
19% Popularity • 53% Danceability • 34% Energy • 20% Liveness
1% Instrumentalness • 25% Positiveness
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Pierre Charlon
Dolannes Melodie
82 bpm • E Maj • 03:33 • -13.3db
48% Popularity • 52% Danceability • 30% Energy • 24% Liveness
96% Instrumentalness • 47% Positiveness
48% Popularity • 52% Danceability • 30% Energy • 24% Liveness
96% Instrumentalness • 47% Positiveness
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Los Violines Románticos De Cuba
Peregrina
99 bpm • A# min • 02:52 • -14.03db
20% Popularity • 60% Danceability • 16% Energy • 11% Liveness
83% Instrumentalness • 25% Positiveness
20% Popularity • 60% Danceability • 16% Energy • 11% Liveness
83% Instrumentalness • 25% Positiveness
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Saxo
Venecia Sin Ti
99 bpm • G# Maj • 02:52 • -13db
24% Popularity • 34% Danceability • 37% Energy • 34% Liveness
92% Instrumentalness • 38% Positiveness
24% Popularity • 34% Danceability • 37% Energy • 34% Liveness
92% Instrumentalness • 38% Positiveness
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Juan Torres
Extraños En La Noche
99 bpm • D min • 02:51 • -13.15db
36% Popularity • 54% Danceability • 17% Energy • 24% Liveness
3% Instrumentalness • 44% Positiveness
36% Popularity • 54% Danceability • 17% Energy • 24% Liveness
3% Instrumentalness • 44% Positiveness
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Edda Batista
RÃo Rebelde
100 bpm • G Maj • 02:29 • -7.01db
18% Popularity • 48% Danceability • 53% Energy • 22% Liveness
1% Instrumentalness • 68% Positiveness
18% Popularity • 48% Danceability • 53% Energy • 22% Liveness
1% Instrumentalness • 68% Positiveness
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Zantalino and his Orchestra
La Riviera
100 bpm • G# min • 03:28 • -6db
21% Popularity • 45% Danceability • 47% Energy • 75% Liveness
37% Instrumentalness • 21% Positiveness
21% Popularity • 45% Danceability • 47% Energy • 75% Liveness
37% Instrumentalness • 21% Positiveness
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Discovey Light Orchestra
Angelica
100 bpm • C Maj • 03:02 • -13db
51% Popularity • 58% Danceability • 35% Energy • 10% Liveness
92% Instrumentalness • 63% Positiveness
51% Popularity • 58% Danceability • 35% Energy • 10% Liveness
92% Instrumentalness • 63% Positiveness
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Los Violines Románticos De Cuba
Demasiado Tarde
82 bpm • D Maj • 02:37 • -12.16db
18% Popularity • 45% Danceability • 31% Energy • 10% Liveness
92% Instrumentalness • 31% Positiveness
18% Popularity • 45% Danceability • 31% Energy • 10% Liveness
92% Instrumentalness • 31% Positiveness
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Rubén Ochoa
Nosotros
100 bpm • G min • 03:21 • -11.32db
28% Popularity • 51% Danceability • 34% Energy • 19% Liveness
57% Instrumentalness • 45% Positiveness
28% Popularity • 51% Danceability • 34% Energy • 19% Liveness
57% Instrumentalness • 45% Positiveness
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Stars Magical Orchestra
As Long as You Love Me
100 bpm • C Maj • 03:42 • -14db
27% Popularity • 69% Danceability • 50% Energy • 26% Liveness
88% Instrumentalness • 65% Positiveness
27% Popularity • 69% Danceability • 50% Energy • 26% Liveness
88% Instrumentalness • 65% Positiveness
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Manuel Angel
Huapango de Moncayo
81 bpm • G Maj • 09:49 • -7.08db
17% Popularity • 34% Danceability • 68% Energy • 13% Liveness
37% Instrumentalness • 54% Positiveness
17% Popularity • 34% Danceability • 68% Energy • 13% Liveness
37% Instrumentalness • 54% Positiveness
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Marc Ross
Moon River
100 bpm • C Maj • 02:59 • -15.65db
20% Popularity • 53% Danceability • 21% Energy • 7% Liveness
96% Instrumentalness • 14% Positiveness
20% Popularity • 53% Danceability • 21% Energy • 7% Liveness
96% Instrumentalness • 14% Positiveness
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Giovanni Vivanco
No Se Tu
81 bpm • A Maj • 03:32 • -13.11db
42% Popularity • 47% Danceability • 38% Energy • 11% Liveness
1% Instrumentalness • 11% Positiveness
42% Popularity • 47% Danceability • 38% Energy • 11% Liveness
1% Instrumentalness • 11% Positiveness
