Songs like After You've Gone by Gene Krupa & His Orchestra
Based on a tempo of (+/- 10%) and a similar genre
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Lew Stone & His Band
Anything Goes
183 bpm • C Maj • 02:51 • -20db
17% Popularity • 65% Danceability • 19% Energy • 5% Liveness
27% Instrumentalness • 90% Positiveness
17% Popularity • 65% Danceability • 19% Energy • 5% Liveness
27% Instrumentalness • 90% Positiveness
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Woody Herman & His Orchestra
Dallas Blues
183 bpm • C# Maj • 02:58 • -11.31db
16% Popularity • 60% Danceability • 42% Energy • 35% Liveness
0% Instrumentalness • 70% Positiveness
16% Popularity • 60% Danceability • 42% Energy • 35% Liveness
0% Instrumentalness • 70% Positiveness
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The Merry Macs
Jingle, Jangle, Jingle
183 bpm • C# Maj • 02:53 • -12db
24% Popularity • 75% Danceability • 30% Energy • 21% Liveness
0% Instrumentalness • 82% Positiveness
24% Popularity • 75% Danceability • 30% Energy • 21% Liveness
0% Instrumentalness • 82% Positiveness
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Les Brown
Just One Of Those Things
184 bpm • C min • 02:40 • -9.65db
7% Popularity • 43% Danceability • 38% Energy • 21% Liveness
20% Instrumentalness • 58% Positiveness
7% Popularity • 43% Danceability • 38% Energy • 21% Liveness
20% Instrumentalness • 58% Positiveness
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Bob Crosby & The Bob Cats
Coquette
183 bpm • D# Maj • 03:08 • -10.13db
30% Popularity • 49% Danceability • 58% Energy • 23% Liveness
94% Instrumentalness • 96% Positiveness
30% Popularity • 49% Danceability • 58% Energy • 23% Liveness
94% Instrumentalness • 96% Positiveness
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Pee Wee Russell
Love Is Just Around The Corner
182 bpm • C Maj • 03:08 • -10.1db
29% Popularity • 52% Danceability • 50% Energy • 10% Liveness
15% Instrumentalness • 92% Positiveness
29% Popularity • 52% Danceability • 50% Energy • 10% Liveness
15% Instrumentalness • 92% Positiveness
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Ambrose & His Orchestra
Anything Goes
182 bpm • E Maj • 03:07 • -15.06db
20% Popularity • 64% Danceability • 30% Energy • 20% Liveness
44% Instrumentalness • 85% Positiveness
20% Popularity • 64% Danceability • 30% Energy • 20% Liveness
44% Instrumentalness • 85% Positiveness
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Cab Calloway
I Gotta Go Places And Do Things
181 bpm • G min • 02:47 • -12.93db
11% Popularity • 62% Danceability • 36% Energy • 22% Liveness
1% Instrumentalness • 93% Positiveness
11% Popularity • 62% Danceability • 36% Energy • 22% Liveness
1% Instrumentalness • 93% Positiveness
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The Merry Macs
Jingle Jangle Jingle (Alternate Take)
183 bpm • C# Maj • 02:53 • -14db
22% Popularity • 76% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
22% Popularity • 76% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
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Charlie Barnet
Spanish Kick
181 bpm • D# Maj • 02:49 • -11db
32% Popularity • 53% Danceability • 36% Energy • 10% Liveness
82% Instrumentalness • 92% Positiveness
32% Popularity • 53% Danceability • 36% Energy • 10% Liveness
82% Instrumentalness • 92% Positiveness
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Glen Gray
Hindustan
185 bpm • D# Maj • 03:07 • -11.6db
18% Popularity • 45% Danceability • 28% Energy • 31% Liveness
73% Instrumentalness • 76% Positiveness
18% Popularity • 45% Danceability • 28% Energy • 31% Liveness
73% Instrumentalness • 76% Positiveness
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Les Brown & His Orchestra
Flip Lid
186 bpm • D# Maj • 02:30 • -13.74db
10% Popularity • 53% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
10% Popularity • 53% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
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Glen Gray & The Casa Loma Orchestra
In the Mood
180 bpm • G# Maj • 03:11 • -12.16db
9% Popularity • 55% Danceability • 34% Energy • 16% Liveness
84% Instrumentalness • 73% Positiveness
9% Popularity • 55% Danceability • 34% Energy • 16% Liveness
84% Instrumentalness • 73% Positiveness
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Bunny Berigan
Heigh-Ho (The Dwarfs Marching Song)
186 bpm • G# Maj • 02:48 • -9.73db
16% Popularity • 55% Danceability • 38% Energy • 9% Liveness
1% Instrumentalness • 96% Positiveness
16% Popularity • 55% Danceability • 38% Energy • 9% Liveness
1% Instrumentalness • 96% Positiveness
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The Merry Macs
I'm Forever Blowing Bubbles
185 bpm • F Maj • 02:36 • -15.47db
25% Popularity • 60% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
25% Popularity • 60% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Charlie Barnet
The Right Idea
185 bpm • G min • 03:15 • -7db
25% Popularity • 43% Danceability • 64% Energy • 16% Liveness
93% Instrumentalness • 89% Positiveness
25% Popularity • 43% Danceability • 64% Energy • 16% Liveness
93% Instrumentalness • 89% Positiveness
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Gene Krupa & His Orchestra
Blue Lou
180 bpm • F Maj • 03:19 • -11.3db
0% Popularity • 49% Danceability • 25% Energy • 21% Liveness
28% Instrumentalness • 75% Positiveness
0% Popularity • 49% Danceability • 25% Energy • 21% Liveness
28% Instrumentalness • 75% Positiveness
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Woody Herman & His Orchestra
Woodchopper's Ball
180 bpm • F min • 03:14 • -8.67db
35% Popularity • 61% Danceability • 44% Energy • 16% Liveness
48% Instrumentalness • 90% Positiveness
35% Popularity • 61% Danceability • 44% Energy • 16% Liveness
48% Instrumentalness • 90% Positiveness
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Jimmy Dorsey & His Orchestra
Slap That Bass
186 bpm • G# Maj • 03:06 • -15.18db
16% Popularity • 64% Danceability • 30% Energy • 10% Liveness
68% Instrumentalness • 94% Positiveness
16% Popularity • 64% Danceability • 30% Energy • 10% Liveness
68% Instrumentalness • 94% Positiveness
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Guy Lombardo & His Royal Canadians
You Were Meant for Me
180 bpm • G min • 02:16 • -14.16db
15% Popularity • 37% Danceability • 12% Energy • 31% Liveness
48% Instrumentalness • 52% Positiveness
15% Popularity • 37% Danceability • 12% Energy • 31% Liveness
48% Instrumentalness • 52% Positiveness
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Bunny Berigan
It Ain't Right
186 bpm • C min • 02:38 • -11.68db
16% Popularity • 52% Danceability • 32% Energy • 20% Liveness
32% Instrumentalness • 68% Positiveness
16% Popularity • 52% Danceability • 32% Energy • 20% Liveness
32% Instrumentalness • 68% Positiveness
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Larry Clinton
Whistle While You Work
180 bpm • D# Maj • 02:58 • -9.39db
21% Popularity • 55% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
21% Popularity • 55% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
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Freddy Martin
Symphony
179 bpm • G Maj • 03:17 • -11db
10% Popularity • 18% Danceability • 22% Energy • 15% Liveness
31% Instrumentalness • 17% Positiveness
10% Popularity • 18% Danceability • 22% Energy • 15% Liveness
31% Instrumentalness • 17% Positiveness
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Isham Jones
It Had to Be You
178 bpm • G Maj • 03:04 • -6db
24% Popularity • 45% Danceability • 46% Energy • 20% Liveness
85% Instrumentalness • 87% Positiveness
24% Popularity • 45% Danceability • 46% Energy • 20% Liveness
85% Instrumentalness • 87% Positiveness
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Bob Crosby & The Bob Cats
Cecilia
178 bpm • C min • 03:15 • -9db
24% Popularity • 49% Danceability • 45% Energy • 10% Liveness
31% Instrumentalness • 87% Positiveness
24% Popularity • 49% Danceability • 45% Energy • 10% Liveness
31% Instrumentalness • 87% Positiveness
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Guy Lombardo & His Royal Canadians
Music! Music! Music!
178 bpm • G# min • 02:57 • -12db
22% Popularity • 65% Danceability • 23% Energy • 5% Liveness
46% Instrumentalness • 88% Positiveness
22% Popularity • 65% Danceability • 23% Energy • 5% Liveness
46% Instrumentalness • 88% Positiveness
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Larry Clinton & His Orchestra
Martha
178 bpm • F Maj • 03:21 • -21db
22% Popularity • 47% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
22% Popularity • 47% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Larry Clinton
Dipsy Doodle
179 bpm • B Maj • 02:58 • -13db
14% Popularity • 53% Danceability • 40% Energy • 38% Liveness
0% Instrumentalness • 86% Positiveness
14% Popularity • 53% Danceability • 40% Energy • 38% Liveness
0% Instrumentalness • 86% Positiveness
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Anita O'Day
Drum Boogie
189 bpm • D# Maj • 03:23 • -10.17db
0% Popularity • 31% Danceability • 64% Energy • 7% Liveness
2% Instrumentalness • 62% Positiveness
0% Popularity • 31% Danceability • 64% Energy • 7% Liveness
2% Instrumentalness • 62% Positiveness
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Eddie Condon
Madame Dynamite
177 bpm • G# Maj • 03:00 • -10.66db
18% Popularity • 60% Danceability • 41% Energy • 8% Liveness
78% Instrumentalness • 78% Positiveness
18% Popularity • 60% Danceability • 41% Energy • 8% Liveness
78% Instrumentalness • 78% Positiveness
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King Oliver
Don't You Think I Love You
177 bpm • A# Maj • 02:45 • -4.26db
25% Popularity • 68% Danceability • 54% Energy • 14% Liveness
93% Instrumentalness • 95% Positiveness
25% Popularity • 68% Danceability • 54% Energy • 14% Liveness
93% Instrumentalness • 95% Positiveness
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Bunny Berigan
Ain't She Sweet
177 bpm • C min • 02:39 • -10.28db
23% Popularity • 62% Danceability • 42% Energy • 6% Liveness
91% Instrumentalness • 94% Positiveness
23% Popularity • 62% Danceability • 42% Energy • 6% Liveness
91% Instrumentalness • 94% Positiveness
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Larry Clinton & His Orchestra
I Want To Rock
177 bpm • G min • 02:35 • -21.57db
20% Popularity • 51% Danceability • 12% Energy • 16% Liveness
16% Instrumentalness • 78% Positiveness
20% Popularity • 51% Danceability • 12% Energy • 16% Liveness
16% Instrumentalness • 78% Positiveness
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Guy Lombardo Trio
This Cant Be Love
177 bpm • G Maj • 02:25 • -14db
26% Popularity • 55% Danceability • 22% Energy • 34% Liveness
37% Instrumentalness • 92% Positiveness
26% Popularity • 55% Danceability • 22% Energy • 34% Liveness
37% Instrumentalness • 92% Positiveness
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Glen Gray
Tuxedo Junction
176 bpm • F Maj • 03:05 • -12.43db
14% Popularity • 54% Danceability • 42% Energy • 10% Liveness
94% Instrumentalness • 92% Positiveness
14% Popularity • 54% Danceability • 42% Energy • 10% Liveness
94% Instrumentalness • 92% Positiveness
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Betty Hutton
Doctor, Lawyer, Indian Chief
176 bpm • G# Maj • 03:06 • -10db
34% Popularity • 70% Danceability • 29% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
34% Popularity • 70% Danceability • 29% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
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Annette Hanshaw
Lovable and Sweet
176 bpm • G Maj • 02:57 • -13.32db
15% Popularity • 61% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
15% Popularity • 61% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Bunny Berigan
Ain't She Sweet
176 bpm • C min • 02:35 • -6.98db
30% Popularity • 65% Danceability • 48% Energy • 9% Liveness
51% Instrumentalness • 86% Positiveness
30% Popularity • 65% Danceability • 48% Energy • 9% Liveness
51% Instrumentalness • 86% Positiveness
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Wingy Manone
Alexander'S Ragtime Band
175 bpm • G min • 02:18 • -13.98db
20% Popularity • 64% Danceability • 40% Energy • 6% Liveness
75% Instrumentalness • 88% Positiveness
20% Popularity • 64% Danceability • 40% Energy • 6% Liveness
75% Instrumentalness • 88% Positiveness
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Bob Crosby
Bye Bye Baby
175 bpm • G# Maj • 01:46 • -10db
33% Popularity • 52% Danceability • 31% Energy • 30% Liveness
4% Instrumentalness • 79% Positiveness
33% Popularity • 52% Danceability • 31% Energy • 30% Liveness
4% Instrumentalness • 79% Positiveness
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Erskine Hawkins & His Orchestra
Rockin' Rollers' Jubilee
175 bpm • F Maj • 02:45 • -12.06db
9% Popularity • 58% Danceability • 32% Energy • 10% Liveness
62% Instrumentalness • 60% Positiveness
9% Popularity • 58% Danceability • 32% Energy • 10% Liveness
62% Instrumentalness • 60% Positiveness
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Anita O'Day
Bolero at the Savoy
175 bpm • G# Maj • 02:55 • -9.98db
0% Popularity • 47% Danceability • 46% Energy • 6% Liveness
10% Instrumentalness • 73% Positiveness
0% Popularity • 47% Danceability • 46% Energy • 6% Liveness
10% Instrumentalness • 73% Positiveness
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Charlie Barnet
Long Ago and Far Away
191 bpm • G# Maj • 02:22 • -6.31db
16% Popularity • 53% Danceability • 50% Energy • 4% Liveness
32% Instrumentalness • 95% Positiveness
16% Popularity • 53% Danceability • 50% Energy • 4% Liveness
32% Instrumentalness • 95% Positiveness
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Fletcher Henderson
King Porter Stomp
174 bpm • C# Maj • 02:56 • -11.28db
16% Popularity • 54% Danceability • 37% Energy • 16% Liveness
24% Instrumentalness • 84% Positiveness
16% Popularity • 54% Danceability • 37% Energy • 16% Liveness
24% Instrumentalness • 84% Positiveness
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Larry Clinton
Remember
174 bpm • C min • 02:46 • -9.78db
30% Popularity • 55% Danceability • 36% Energy • 12% Liveness
2% Instrumentalness • 77% Positiveness
30% Popularity • 55% Danceability • 36% Energy • 12% Liveness
2% Instrumentalness • 77% Positiveness
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Guy Lombardo & His Royal Canadians
Sweet Georgia Brown
174 bpm • F Maj • 02:00 • -12.02db
31% Popularity • 68% Danceability • 21% Energy • 69% Liveness
82% Instrumentalness • 78% Positiveness
31% Popularity • 68% Danceability • 21% Energy • 69% Liveness
82% Instrumentalness • 78% Positiveness
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Larry Clinton & His Orchestra
Dipsy Doodle
174 bpm • A# Maj • 03:02 • -21.07db
25% Popularity • 55% Danceability • 20% Energy • 28% Liveness
0% Instrumentalness • 89% Positiveness
25% Popularity • 55% Danceability • 20% Energy • 28% Liveness
0% Instrumentalness • 89% Positiveness
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Gene Krupa & His Orchestra
Wire Brush Stomp
173 bpm • C min • 02:13 • -13.24db
0% Popularity • 45% Danceability • 49% Energy • 7% Liveness
91% Instrumentalness • 85% Positiveness
0% Popularity • 45% Danceability • 49% Energy • 7% Liveness
91% Instrumentalness • 85% Positiveness
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Charlie Barnet & His Orchestra
Cherokee
172 bpm • A# Maj • 03:21 • -14.14db
30% Popularity • 56% Danceability • 28% Energy • 22% Liveness
46% Instrumentalness • 78% Positiveness
30% Popularity • 56% Danceability • 28% Energy • 22% Liveness
46% Instrumentalness • 78% Positiveness
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Glen Gray
Sometimes I'm Happy
172 bpm • F Maj • 02:34 • -12.77db
14% Popularity • 46% Danceability • 26% Energy • 10% Liveness
46% Instrumentalness • 60% Positiveness
14% Popularity • 46% Danceability • 26% Energy • 10% Liveness
46% Instrumentalness • 60% Positiveness
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Bunny Berigan
Sweet Madness
172 bpm • F min • 02:54 • -12db
19% Popularity • 52% Danceability • 21% Energy • 12% Liveness
9% Instrumentalness • 64% Positiveness
19% Popularity • 52% Danceability • 21% Energy • 12% Liveness
9% Instrumentalness • 64% Positiveness
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Jimmie Lunceford
Baby, Won't You Please Come Home
171 bpm • F Maj • 02:55 • -11.49db
18% Popularity • 63% Danceability • 38% Energy • 8% Liveness
72% Instrumentalness • 90% Positiveness
18% Popularity • 63% Danceability • 38% Energy • 8% Liveness
72% Instrumentalness • 90% Positiveness
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Larry Clinton
Chris and His Gang
170 bpm • D# Maj • 02:41 • -10.59db
12% Popularity • 50% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 72% Positiveness
12% Popularity • 50% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 72% Positiveness
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Gene Krupa & His Orchestra
King Porter Stomp
171 bpm • F min • 02:58 • -8.66db
0% Popularity • 39% Danceability • 50% Energy • 8% Liveness
16% Instrumentalness • 82% Positiveness
0% Popularity • 39% Danceability • 50% Energy • 8% Liveness
16% Instrumentalness • 82% Positiveness
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Jimmie Lunceford & His Orchestra
My Blue Heaven
171 bpm • F Maj • 03:17 • -8.8db
10% Popularity • 63% Danceability • 40% Energy • 30% Liveness
21% Instrumentalness • 77% Positiveness
10% Popularity • 63% Danceability • 40% Energy • 30% Liveness
21% Instrumentalness • 77% Positiveness
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Les Brown
'S Wonderful
170 bpm • A Maj • 03:05 • -9.77db
9% Popularity • 57% Danceability • 36% Energy • 3% Liveness
0% Instrumentalness • 54% Positiveness
9% Popularity • 57% Danceability • 36% Energy • 3% Liveness
0% Instrumentalness • 54% Positiveness
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Bunny Berigan
Peg O' My Heart
172 bpm • F min • 02:59 • -8.08db
11% Popularity • 56% Danceability • 42% Energy • 8% Liveness
51% Instrumentalness • 95% Positiveness
11% Popularity • 56% Danceability • 42% Energy • 8% Liveness
51% Instrumentalness • 95% Positiveness
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Vaughn Monroe
Rum & Coca-Cola
170 bpm • C Maj • 03:14 • -9.16db
17% Popularity • 49% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
17% Popularity • 49% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Jimmy Dorsey & His Orchestra
Don't Be That Way
170 bpm • C min • 03:00 • -10.24db
23% Popularity • 62% Danceability • 48% Energy • 53% Liveness
73% Instrumentalness • 57% Positiveness
23% Popularity • 62% Danceability • 48% Energy • 53% Liveness
73% Instrumentalness • 57% Positiveness
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Gene Krupa & His Orchestra
What's This?
170 bpm • A# Maj • 02:37 • -8.61db
0% Popularity • 37% Danceability • 42% Energy • 14% Liveness
30% Instrumentalness • 56% Positiveness
0% Popularity • 37% Danceability • 42% Energy • 14% Liveness
30% Instrumentalness • 56% Positiveness
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Larry Clinton & His Orchestra
Hollywood Pastime
170 bpm • D# Maj • 03:05 • -21.27db
20% Popularity • 50% Danceability • 15% Energy • 12% Liveness
77% Instrumentalness • 82% Positiveness
20% Popularity • 50% Danceability • 15% Energy • 12% Liveness
77% Instrumentalness • 82% Positiveness
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Glenn Miller & The Army Air Force Band
Peggy, The Pin-up Girl - Remastered 2001
198 bpm • G# Maj • 03:21 • -10.98db
22% Popularity • 51% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
22% Popularity • 51% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Bunny Berigan
Peg O'my Heart
195 bpm • F min • 03:15 • -10.38db
17% Popularity • 51% Danceability • 62% Energy • 30% Liveness
65% Instrumentalness • 90% Positiveness
17% Popularity • 51% Danceability • 62% Energy • 30% Liveness
65% Instrumentalness • 90% Positiveness
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Judy Garland
Stompin' At The Savoy - Single Version
169 bpm • C# Maj • 02:22 • -11.55db
18% Popularity • 56% Danceability • 28% Energy • 33% Liveness
0% Instrumentalness • 77% Positiveness
18% Popularity • 56% Danceability • 28% Energy • 33% Liveness
0% Instrumentalness • 77% Positiveness
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Cab Calloway
Boo-Wah Boo-Wah
198 bpm • D# Maj • 02:46 • -8.64db
24% Popularity • 45% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
24% Popularity • 45% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
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Gene Krupa & His Orchestra
King Porter Stomp
169 bpm • F min • 03:05 • -11.21db
0% Popularity • 41% Danceability • 38% Energy • 11% Liveness
94% Instrumentalness • 84% Positiveness
0% Popularity • 41% Danceability • 38% Energy • 11% Liveness
94% Instrumentalness • 84% Positiveness
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Bennie Moten
Kansas City Shuffle (Alternate Take)
169 bpm • D# Maj • 02:53 • -11.08db
21% Popularity • 62% Danceability • 49% Energy • 15% Liveness
88% Instrumentalness • 93% Positiveness
21% Popularity • 62% Danceability • 49% Energy • 15% Liveness
88% Instrumentalness • 93% Positiveness
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Stan Kenton
SCOTCH AND WATER
199 bpm • G# Maj • 02:56 • -8.65db
8% Popularity • 39% Danceability • 47% Energy • 15% Liveness
63% Instrumentalness • 86% Positiveness
8% Popularity • 39% Danceability • 47% Energy • 15% Liveness
63% Instrumentalness • 86% Positiveness
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Bunny Berigan
On the Beach With You
169 bpm • D# Maj • 03:05 • -9.42db
17% Popularity • 58% Danceability • 34% Energy • 21% Liveness
1% Instrumentalness • 76% Positiveness
17% Popularity • 58% Danceability • 34% Energy • 21% Liveness
1% Instrumentalness • 76% Positiveness
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The Merry Macs
Johnson Rag
168 bpm • G min • 02:40 • -10.06db
18% Popularity • 69% Danceability • 40% Energy • 23% Liveness
0% Instrumentalness • 63% Positiveness
18% Popularity • 69% Danceability • 40% Energy • 23% Liveness
0% Instrumentalness • 63% Positiveness
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Paul Whiteman
Song of India
200 bpm • A# Maj • 02:36 • -13db
7% Popularity • 25% Danceability • 22% Energy • 11% Liveness
89% Instrumentalness • 51% Positiveness
7% Popularity • 25% Danceability • 22% Energy • 11% Liveness
89% Instrumentalness • 51% Positiveness
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Lee Wiley
Down with Love
168 bpm • G min • 02:46 • -16.31db
23% Popularity • 53% Danceability • 16% Energy • 11% Liveness
61% Instrumentalness • 71% Positiveness
23% Popularity • 53% Danceability • 16% Energy • 11% Liveness
61% Instrumentalness • 71% Positiveness
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Harry Babbitt
On A Slow Boat To China
168 bpm • G Maj • 03:17 • -9.45db
28% Popularity • 48% Danceability • 22% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
28% Popularity • 48% Danceability • 22% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
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Gene Krupa & His Orchestra
All By Myself
167 bpm • G min • 02:44 • -10.24db
0% Popularity • 37% Danceability • 34% Energy • 8% Liveness
90% Instrumentalness • 67% Positiveness
0% Popularity • 37% Danceability • 34% Energy • 8% Liveness
90% Instrumentalness • 67% Positiveness
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Cab Calloway & His Orchestra
Take the 'A' Train
167 bpm • C# Maj • 03:01 • -11.8db
9% Popularity • 49% Danceability • 24% Energy • 32% Liveness
76% Instrumentalness • 60% Positiveness
9% Popularity • 49% Danceability • 24% Energy • 32% Liveness
76% Instrumentalness • 60% Positiveness
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Bob Crosby & The Bob Cats
Down Argentina Way - Remastered
166 bpm • G Maj • 02:35 • -4.71db
24% Popularity • 60% Danceability • 68% Energy • 7% Liveness
1% Instrumentalness • 88% Positiveness
24% Popularity • 60% Danceability • 68% Energy • 7% Liveness
1% Instrumentalness • 88% Positiveness
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Jimmy Dorsey & His Orchestra
Parade Of The Milk Bottle Caps
167 bpm • C Maj • 03:07 • -11.78db
16% Popularity • 61% Danceability • 39% Energy • 19% Liveness
93% Instrumentalness • 65% Positiveness
16% Popularity • 61% Danceability • 39% Energy • 19% Liveness
93% Instrumentalness • 65% Positiveness
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Fletcher Henderson
Blue Lou
202 bpm • D Maj • 03:10 • -11.84db
19% Popularity • 60% Danceability • 29% Energy • 12% Liveness
89% Instrumentalness • 88% Positiveness
19% Popularity • 60% Danceability • 29% Energy • 12% Liveness
89% Instrumentalness • 88% Positiveness
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Larry Clinton & His Orchestra
I Double Dare You
201 bpm • E min • 02:48 • -21.2db
29% Popularity • 54% Danceability • 18% Energy • 19% Liveness
1% Instrumentalness • 84% Positiveness
29% Popularity • 54% Danceability • 18% Energy • 19% Liveness
1% Instrumentalness • 84% Positiveness
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Don Redman
Swingin' With The Fat man (05-28-37)
202 bpm • G# Maj • 02:55 • -12.01db
11% Popularity • 47% Danceability • 68% Energy • 13% Liveness
91% Instrumentalness • 90% Positiveness
11% Popularity • 47% Danceability • 68% Energy • 13% Liveness
91% Instrumentalness • 90% Positiveness
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Ambrose & His Orchestra
Yes, Yes (My Baby Said Yes)
204 bpm • C# Maj • 02:45 • -15db
19% Popularity • 55% Danceability • 40% Energy • 18% Liveness
35% Instrumentalness • 72% Positiveness
19% Popularity • 55% Danceability • 40% Energy • 18% Liveness
35% Instrumentalness • 72% Positiveness
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Lawrence Welk
Don't Sweetheart Me
164 bpm • G Maj • 02:43 • -12.63db
8% Popularity • 73% Danceability • 26% Energy • 5% Liveness
7% Instrumentalness • 80% Positiveness
8% Popularity • 73% Danceability • 26% Energy • 5% Liveness
7% Instrumentalness • 80% Positiveness
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Jimmie Lunceford
Annie Laurie
164 bpm • D# Maj • 03:15 • -1.62db
6% Popularity • 58% Danceability • 72% Energy • 8% Liveness
76% Instrumentalness • 71% Positiveness
6% Popularity • 58% Danceability • 72% Energy • 8% Liveness
76% Instrumentalness • 71% Positiveness
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Gene Krupa & His Orchestra
Bolero At The Savoy
163 bpm • A min • 03:09 • -10.16db
12% Popularity • 49% Danceability • 55% Energy • 22% Liveness
0% Instrumentalness • 52% Positiveness
12% Popularity • 49% Danceability • 55% Energy • 22% Liveness
0% Instrumentalness • 52% Positiveness
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Bob Crosby
Half a Heart
206 bpm • C Maj • 02:10 • -13.28db
17% Popularity • 51% Danceability • 36% Energy • 5% Liveness
92% Instrumentalness • 96% Positiveness
17% Popularity • 51% Danceability • 36% Energy • 5% Liveness
92% Instrumentalness • 96% Positiveness
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Adrian Rollini
It Had To Be You
162 bpm • G min • 03:05 • -14.34db
13% Popularity • 65% Danceability • 17% Energy • 38% Liveness
0% Instrumentalness • 80% Positiveness
13% Popularity • 65% Danceability • 17% Energy • 38% Liveness
0% Instrumentalness • 80% Positiveness
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Charlie Barnet & His Orchestra
The Gal From Joe's
162 bpm • A# min • 03:22 • -12db
29% Popularity • 68% Danceability • 17% Energy • 8% Liveness
25% Instrumentalness • 84% Positiveness
29% Popularity • 68% Danceability • 17% Energy • 8% Liveness
25% Instrumentalness • 84% Positiveness
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Lester Lanin
Mountain Greenery
207 bpm • D min • 01:24 • -12.92db
18% Popularity • 63% Danceability • 33% Energy • 32% Liveness
0% Instrumentalness • 98% Positiveness
18% Popularity • 63% Danceability • 33% Energy • 32% Liveness
0% Instrumentalness • 98% Positiveness
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Jimmie Lunceford
Tain't What You Do (It's The Way That Yo...
161 bpm • G# Maj • 03:03 • -14.71db
37% Popularity • 65% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
37% Popularity • 65% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Ella Fitzgerald and Her Savoy Eight
Organ Grinder's Swing
161 bpm • D Maj • 02:51 • -12.64db
14% Popularity • 75% Danceability • 23% Energy • 23% Liveness
0% Instrumentalness • 92% Positiveness
14% Popularity • 75% Danceability • 23% Energy • 23% Liveness
0% Instrumentalness • 92% Positiveness
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Bob Crosby
Charley, My Boy
206 bpm • D# Maj • 02:31 • -9.84db
26% Popularity • 45% Danceability • 49% Energy • 24% Liveness
4% Instrumentalness • 90% Positiveness
26% Popularity • 45% Danceability • 49% Energy • 24% Liveness
4% Instrumentalness • 90% Positiveness
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Jimmy Dorsey & His Orchestra
Begin The Beguine
161 bpm • C Maj • 02:50 • -7.92db
20% Popularity • 51% Danceability • 40% Energy • 19% Liveness
88% Instrumentalness • 89% Positiveness
20% Popularity • 51% Danceability • 40% Energy • 19% Liveness
88% Instrumentalness • 89% Positiveness
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Isham Jones
I'll See You in My Dreams
208 bpm • E min • 02:55 • -11db
22% Popularity • 30% Danceability • 34% Energy • 15% Liveness
12% Instrumentalness • 68% Positiveness
22% Popularity • 30% Danceability • 34% Energy • 15% Liveness
12% Instrumentalness • 68% Positiveness
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Gene Krupa & His Orchestra
Love's In My Heart
160 bpm • F Maj • 02:39 • -17.82db
0% Popularity • 52% Danceability • 16% Energy • 8% Liveness
92% Instrumentalness • 78% Positiveness
0% Popularity • 52% Danceability • 16% Energy • 8% Liveness
92% Instrumentalness • 78% Positiveness
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Ray Anthony & His Orchestra
Mr. Anthony's Boogie
160 bpm • C# Maj • 02:31 • -10db
17% Popularity • 40% Danceability • 52% Energy • 32% Liveness
10% Instrumentalness • 80% Positiveness
17% Popularity • 40% Danceability • 52% Energy • 32% Liveness
10% Instrumentalness • 80% Positiveness
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Jimmie Lunceford
Honeydripper
160 bpm • A# min • 02:48 • -11.78db
14% Popularity • 64% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
14% Popularity • 64% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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Bob Crosby
Rag Mop
162 bpm • G# Maj • 02:15 • -10.33db
23% Popularity • 74% Danceability • 33% Energy • 5% Liveness
93% Instrumentalness • 96% Positiveness
23% Popularity • 74% Danceability • 33% Energy • 5% Liveness
93% Instrumentalness • 96% Positiveness
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Jimmy Dorsey & His Orchestra
Stompin' At The Savoy
160 bpm • C# Maj • 03:10 • -12db
28% Popularity • 67% Danceability • 45% Energy • 7% Liveness
86% Instrumentalness • 70% Positiveness
28% Popularity • 67% Danceability • 45% Energy • 7% Liveness
86% Instrumentalness • 70% Positiveness
