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Aftermath
Songs like
Aftermath
by
David Wingo
Based on a tempo of (+/- 10%) and a similar genre
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Fil Eisler
Lighthouse Breakout
142 bpm • F min • 02:00 • -20.26db
10% Popularity • 52% Danceability • 54% Energy • 44% Liveness
78% Instrumentalness • 37% Positiveness
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David Wingo
Doak And Levi
142 bpm • D Maj • 01:57 • -25.7db
4% Popularity • 14% Danceability • 8% Energy • 7% Liveness
89% Instrumentalness • 3% Positiveness
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Rebecca Jean Rossi
Amber
142 bpm • A# Maj • 02:47 • -26.69db
11% Popularity • 30% Danceability • 16% Energy • 10% Liveness
95% Instrumentalness • 25% Positiveness
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Michael Andrews
The Ferry
143 bpm • F# min • 01:10 • -11.28db
22% Popularity • 46% Danceability • 19% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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Kevin Smuts
There She Is
141 bpm • E min • 02:19 • -22db
28% Popularity • 28% Danceability • 6% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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Craig Wedren
Gad Ko
141 bpm • D min • 01:58 • -20.45db
23% Popularity • 31% Danceability • 22% Energy • 7% Liveness
98% Instrumentalness • 12% Positiveness
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Jordan Seigel
Love of My Life
141 bpm • E Maj • 03:03 • -20.59db
36% Popularity • 16% Danceability • 5% Energy • 8% Liveness
73% Instrumentalness • 5% Positiveness
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David Wingo
Aftermath
142 bpm • D Maj • 02:17 • -28.92db
19% Popularity • 14% Danceability • 4% Energy • 8% Liveness
97% Instrumentalness • 3% Positiveness
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Keyvan Safarzadeh
Demanding
141 bpm • D min • 02:30 • -15.14db
24% Popularity • 14% Danceability • 19% Energy • 10% Liveness
89% Instrumentalness • 6% Positiveness
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The Memories
Gently
143 bpm • C Maj • 02:42 • -12.13db
24% Popularity • 42% Danceability • 30% Energy • 16% Liveness
78% Instrumentalness • 24% Positiveness
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Pieter de Graaf
Rise and Shine
141 bpm • D Maj • 04:25 • -16.52db
11% Popularity • 32% Danceability • 20% Energy • 12% Liveness
93% Instrumentalness • 5% Positiveness
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Jeff Russo
Sunrise Transition
140 bpm • A# Maj • 04:23 • -13.11db
15% Popularity • 29% Danceability • 25% Energy • 6% Liveness
85% Instrumentalness • 9% Positiveness
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Minismus
Fusion
140 bpm • D min • 05:06 • -22.07db
7% Popularity • 32% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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David Wingo
D.C.
141 bpm • B min • 02:10 • -24.37db
18% Popularity • 55% Danceability • 17% Energy • 10% Liveness
94% Instrumentalness • 8% Positiveness
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Matthew D. Morgan
Return Trip
140 bpm • C Maj • 03:49 • -25.48db
11% Popularity • 35% Danceability • 9% Energy • 7% Liveness
94% Instrumentalness • 11% Positiveness
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Jeff McIlwain
Joe And Connie
140 bpm • C min • 03:56 • -26.59db
4% Popularity • 38% Danceability • 5% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
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Marco Beltrami
Wide View
140 bpm • F# Maj • 01:35 • -19db
28% Popularity • 16% Danceability • 22% Energy • 10% Liveness
81% Instrumentalness • 6% Positiveness
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Chad Lawson
The Fairest Things
140 bpm • A# min • 04:40 • -27db
12% Popularity • 53% Danceability • 29% Energy • 12% Liveness
93% Instrumentalness • 52% Positiveness
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Alex Somers
A Good Day
140 bpm • C Maj • 03:05 • -13.47db
20% Popularity • 25% Danceability • 45% Energy • 10% Liveness
70% Instrumentalness • 4% Positiveness
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David Wingo
Until Our Next Adventure
140 bpm • G Maj • 01:20 • -20db
23% Popularity • 64% Danceability • 9% Energy • 14% Liveness
94% Instrumentalness • 41% Positiveness
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Jan Uve
Heading to Dreamland
139 bpm • F Maj • 04:06 • -20.6db
18% Popularity • 30% Danceability • 8% Energy • 12% Liveness
93% Instrumentalness • 17% Positiveness
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Lord Cobra
Down the River
145 bpm • B min • 03:17 • -4.88db
20% Popularity • 66% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Howard Harper-Barnes
Micro Evolution
145 bpm • C Maj • 02:13 • -15.68db
15% Popularity • 55% Danceability • 53% Energy • 12% Liveness
86% Instrumentalness • 30% Positiveness
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Brique a Braq
Pillow Clouds
139 bpm • F Maj • 01:54 • -16.34db
13% Popularity • 15% Danceability • 12% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Trevor Kowalski
The Best Way Out Is Through
138 bpm • G Maj • 03:00 • -18.34db
18% Popularity • 47% Danceability • 17% Energy • 12% Liveness
92% Instrumentalness • 14% Positiveness
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David Wingo
I Think I Should Start At The Beginning
144 bpm • G Maj • 02:23 • -26.42db
21% Popularity • 42% Danceability • 15% Energy • 12% Liveness
89% Instrumentalness • 12% Positiveness
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Agatha Kaspar
Preservationists By Nature
138 bpm • G# Maj • 01:09 • -27.15db
8% Popularity • 19% Danceability • 6% Energy • 8% Liveness
96% Instrumentalness • 3% Positiveness
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Gavin Luke
Paradigm Shift
138 bpm • C Maj • 02:03 • -14.18db
33% Popularity • 57% Danceability • 27% Energy • 16% Liveness
64% Instrumentalness • 29% Positiveness
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Carlos Rafael Rivera
Mary Agnes & Callie
146 bpm • D# min • 01:21 • -24.21db
31% Popularity • 28% Danceability • 1% Energy • 11% Liveness
96% Instrumentalness • 8% Positiveness
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Marcelo Zarvos
Sea of Boxes
138 bpm • D min • 01:14 • -28.7db
22% Popularity • 26% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 17% Positiveness
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Yehezkel Raz
Emerald
146 bpm • G# Maj • 01:07 • -35.27db
41% Popularity • 29% Danceability • 2% Energy • 12% Liveness
93% Instrumentalness • 3% Positiveness
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David Wingo
Sevier and Alton
138 bpm • B min • 03:02 • -26.33db
3% Popularity • 15% Danceability • 16% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
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Jan Uve
Peaceful Places
138 bpm • G min • 03:14 • -20.05db
17% Popularity • 35% Danceability • 28% Energy • 16% Liveness
90% Instrumentalness • 27% Positiveness
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The Echelon Effect
One Day We'll Have a Fireplace of Our Ow...
137 bpm • C Maj • 03:49 • -16.49db
27% Popularity • 49% Danceability • 26% Energy • 10% Liveness
94% Instrumentalness • 16% Positiveness
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Atticus Ross
Elsewhere
147 bpm • D Maj • 10:01 • -12.61db
15% Popularity • 16% Danceability • 41% Energy • 8% Liveness
86% Instrumentalness • 5% Positiveness
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HerdÃs Stefánsdóttir
Natasha Steps
137 bpm • D# Maj • 00:59 • -26db
20% Popularity • 51% Danceability • 4% Energy • 7% Liveness
96% Instrumentalness • 3% Positiveness
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The Album Leaf
Complications
136 bpm • D Maj • 03:25 • -23.21db
35% Popularity • 19% Danceability • 16% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
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Nick Bampton
Dear Vinta, Pt. 1
136 bpm • A Maj • 03:43 • -14.69db
18% Popularity • 51% Danceability • 12% Energy • 12% Liveness
58% Instrumentalness • 16% Positiveness
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Edward Abela
Waltz in to Eden
136 bpm • C# Maj • 03:11 • -19.53db
9% Popularity • 23% Danceability • 24% Energy • 9% Liveness
91% Instrumentalness • 15% Positiveness
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Jordan Critz
Ocean Wild
136 bpm • F Maj • 04:28 • -18.01db
24% Popularity • 18% Danceability • 28% Energy • 7% Liveness
90% Instrumentalness • 13% Positiveness
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Gavin Luke
Into That Great Goodnight
136 bpm • A Maj • 02:29 • -20.35db
20% Popularity • 17% Danceability • 14% Energy • 9% Liveness
88% Instrumentalness • 16% Positiveness
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Carlos Rafael Rivera
The Lake - Cincinnati
136 bpm • F min • 01:48 • -25.72db
36% Popularity • 23% Danceability • 1% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
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Craig Wedren
Leo Talks To The Judge
136 bpm • D min • 02:05 • -31.92db
24% Popularity • 21% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 6% Positiveness
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Philip G Anderson
Moss
136 bpm • G Maj • 02:34 • -19.2db
16% Popularity • 37% Danceability • 12% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Brian Tyler
Expectations
136 bpm • C Maj • 02:47 • -18.96db
12% Popularity • 22% Danceability • 16% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Stephen Rennicks
Much Prettier Girls in School
135 bpm • G# Maj • 04:07 • -27.44db
41% Popularity • 15% Danceability • 9% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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Jakob Balogh
Aprilregen
135 bpm • F min • 03:36 • -25db
9% Popularity • 24% Danceability • 7% Energy • 12% Liveness
96% Instrumentalness • 12% Positiveness
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Fil Eisler
Kook In Love
135 bpm • A min • 02:30 • -14.06db
26% Popularity • 48% Danceability • 39% Energy • 11% Liveness
68% Instrumentalness • 21% Positiveness
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Zachary Dawes
Belly Wishes She Was With Conrad
135 bpm • C Maj • 01:02 • -23.66db
14% Popularity • 32% Danceability • 23% Energy • 14% Liveness
96% Instrumentalness • 14% Positiveness
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Federico Albanese
The Twelve Theme
135 bpm • C# Maj • 03:18 • -28.55db
41% Popularity • 40% Danceability • 4% Energy • 10% Liveness
91% Instrumentalness • 6% Positiveness
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David Wingo
You're My Friend
150 bpm • F Maj • 02:06 • -20.85db
22% Popularity • 41% Danceability • 22% Energy • 11% Liveness
80% Instrumentalness • 12% Positiveness
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Lonesome Rhodes
Time Lost
135 bpm • C# Maj • 02:38 • -24.16db
16% Popularity • 42% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 49% Positiveness
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Eric Kinny
Daydream in A for Piano
134 bpm • E Maj • 03:34 • -25.22db
29% Popularity • 27% Danceability • 8% Energy • 7% Liveness
87% Instrumentalness • 8% Positiveness
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Nicholas Britell
There Is A Comet
134 bpm • C# min • 01:17 • -33.69db
19% Popularity • 15% Danceability • 2% Energy • 7% Liveness
96% Instrumentalness • 3% Positiveness
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Trevor Ransom
The Lamp Kept Us Warm, but Now We Walk
134 bpm • G Maj • 04:46 • -18.1db
9% Popularity • 26% Danceability • 23% Energy • 35% Liveness
0% Instrumentalness • 6% Positiveness
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Jordan Seigel
The Final Puzzle
134 bpm • C Maj • 00:59 • -29.1db
41% Popularity • 19% Danceability • 4% Energy • 8% Liveness
98% Instrumentalness • 4% Positiveness
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The Echelon Effect
Outbound
134 bpm • G# Maj • 02:34 • -14.89db
34% Popularity • 26% Danceability • 33% Energy • 8% Liveness
88% Instrumentalness • 6% Positiveness
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Ryan Lott
Forget the Miracle Ever Happened
134 bpm • C Maj • 01:45 • -18.81db
31% Popularity • 52% Danceability • 33% Energy • 12% Liveness
94% Instrumentalness • 19% Positiveness
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Lowercase Noises
The First Glimmer of Wind
151 bpm • F# Maj • 05:54 • -14.73db
36% Popularity • 12% Danceability • 25% Energy • 25% Liveness
92% Instrumentalness • 3% Positiveness
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Lovett
Came Here To Die
133 bpm • G Maj • 03:14 • -21.02db
20% Popularity • 22% Danceability • 5% Energy • 10% Liveness
79% Instrumentalness • 12% Positiveness
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Trevor Gureckis
Hobart & Blackwell
151 bpm • D# min • 01:53 • -22.31db
15% Popularity • 22% Danceability • 15% Energy • 9% Liveness
93% Instrumentalness • 9% Positiveness
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Cornbread Compton
What If We Get Sick of Each Other
133 bpm • D min • 01:27 • -36.49db
24% Popularity • 16% Danceability • 2% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
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David Wingo
New World
133 bpm • D# Maj • 04:19 • -20.14db
11% Popularity • 16% Danceability • 15% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Fabrizio Paterlini
Week No. 3
152 bpm • A min • 02:22 • -16.54db
9% Popularity • 14% Danceability • 12% Energy • 10% Liveness
75% Instrumentalness • 4% Positiveness
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Eric Kinny
Meadow Song in G for Birds and Piano
152 bpm • G Maj • 05:44 • -15.92db
13% Popularity • 46% Danceability • 32% Energy • 4% Liveness
47% Instrumentalness • 6% Positiveness
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Explosions In The Sky
Rain
132 bpm • F# Maj • 01:08 • -18.15db
38% Popularity • 37% Danceability • 4% Energy • 10% Liveness
82% Instrumentalness • 23% Positiveness
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Evan Handyside
Outer Banks: Midsummers (guitar theme)
131 bpm • E min • 01:21 • -22.01db
36% Popularity • 33% Danceability • 21% Energy • 11% Liveness
80% Instrumentalness • 9% Positiveness
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Henry Jackman
When Life Was Beginning, I Saw You
131 bpm • E Maj • 02:51 • -19.43db
21% Popularity • 21% Danceability • 6% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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David Wingo
Bird Attack
133 bpm • A# min • 01:14 • -19.02db
3% Popularity • 19% Danceability • 26% Energy • 13% Liveness
86% Instrumentalness • 19% Positiveness
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Yonder Dale
Life As One
154 bpm • D# min • 02:53 • -19.71db
18% Popularity • 23% Danceability • 26% Energy • 10% Liveness
91% Instrumentalness • 10% Positiveness
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Alex Somers
I Want You To Be Here
154 bpm • D min • 02:06 • -20.74db
9% Popularity • 26% Danceability • 14% Energy • 13% Liveness
92% Instrumentalness • 14% Positiveness
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Stephen Rennicks
HNY
130 bpm • C Maj • 01:03 • -21db
46% Popularity • 41% Danceability • 0% Energy • 10% Liveness
80% Instrumentalness • 22% Positiveness
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Christopher Dicker
A Holy Movement
154 bpm • E Maj • 04:01 • -25.23db
11% Popularity • 26% Danceability • 13% Energy • 9% Liveness
73% Instrumentalness • 4% Positiveness
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Andrew Land
Daughters
130 bpm • D Maj • 03:59 • -13.56db
15% Popularity • 42% Danceability • 11% Energy • 10% Liveness
42% Instrumentalness • 6% Positiveness
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David Wingo
Under Siege
132 bpm • A# min • 01:35 • -24.21db
3% Popularity • 16% Danceability • 22% Energy • 14% Liveness
72% Instrumentalness • 5% Positiveness
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Stefano Tore
Un incontro impossibile
130 bpm • F min • 02:43 • -22.42db
13% Popularity • 51% Danceability • 13% Energy • 9% Liveness
96% Instrumentalness • 9% Positiveness
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Explosions In The Sky
Dear Madison
130 bpm • A# Maj • 01:47 • -12db
41% Popularity • 49% Danceability • 38% Energy • 9% Liveness
83% Instrumentalness • 14% Positiveness
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Edward Abela
Pieces
130 bpm • G min • 04:20 • -25db
12% Popularity • 50% Danceability • 10% Energy • 10% Liveness
94% Instrumentalness • 41% Positiveness
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Chelsea McGough
Narrow Time
130 bpm • A min • 02:59 • -6.33db
10% Popularity • 73% Danceability • 45% Energy • 10% Liveness
80% Instrumentalness • 23% Positiveness
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AShamaluevMusic
Beautiful
130 bpm • D Maj • 02:40 • -18.35db
22% Popularity • 46% Danceability • 19% Energy • 6% Liveness
22% Instrumentalness • 8% Positiveness
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David Wingo
Leaving Jail
131 bpm • F# Maj • 01:26 • -24.44db
11% Popularity • 21% Danceability • 10% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
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Carlos Rafael Rivera
Playing Girev I
130 bpm • F min • 02:01 • -22.94db
36% Popularity • 32% Danceability • 12% Energy • 12% Liveness
88% Instrumentalness • 20% Positiveness
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Craig Wedren
Let's Be Doctors Again
156 bpm • F Maj • 01:04 • -28.67db
15% Popularity • 79% Danceability • 16% Energy • 10% Liveness
28% Instrumentalness • 39% Positiveness
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Mattia Vlad Morleo
A Tree into the Gray
129 bpm • C# min • 03:38 • -32.58db
19% Popularity • 34% Danceability • 0% Energy • 9% Liveness
93% Instrumentalness • 7% Positiveness
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HerdÃs Stefánsdóttir
Five Years Later
128 bpm • B Maj • 03:48 • -20.79db
16% Popularity • 29% Danceability • 16% Energy • 10% Liveness
84% Instrumentalness • 12% Positiveness
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Jef Martens
Sketching Over Coffee
128 bpm • E min • 00:54 • -24db
20% Popularity • 36% Danceability • 19% Energy • 11% Liveness
95% Instrumentalness • 38% Positiveness
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David Wingo
Ending
131 bpm • D Maj • 02:06 • -23.09db
11% Popularity • 36% Danceability • 6% Energy • 6% Liveness
84% Instrumentalness • 4% Positiveness
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Carlos Rafael Rivera
First Day At School
156 bpm • D min • 01:12 • -24db
53% Popularity • 32% Danceability • 15% Energy • 19% Liveness
64% Instrumentalness • 30% Positiveness
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Daniel Ketchum
Sha
128 bpm • D Maj • 01:38 • -32.93db
16% Popularity • 42% Danceability • 6% Energy • 30% Liveness
88% Instrumentalness • 8% Positiveness
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Sugar Fed Leopards
Sabina
157 bpm • F# min • 02:39 • -9.97db
23% Popularity • 48% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
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Trevor Kowalski
The Mountain Disconnect
128 bpm • F# min • 03:06 • -22db
24% Popularity • 45% Danceability • 4% Energy • 13% Liveness
93% Instrumentalness • 6% Positiveness
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Anton Sanko
Moron
128 bpm • B Maj • 01:35 • -20.83db
26% Popularity • 26% Danceability • 8% Energy • 21% Liveness
82% Instrumentalness • 6% Positiveness
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David Wingo
Dan Walks Away
130 bpm • C Maj • 03:33 • -21.31db
7% Popularity • 42% Danceability • 14% Energy • 6% Liveness
91% Instrumentalness • 4% Positiveness
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Lambert
Doug
127 bpm • G# Maj • 01:53 • -29.17db
43% Popularity • 29% Danceability • 8% Energy • 10% Liveness
91% Instrumentalness • 56% Positiveness
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The Album Leaf
A Look Back
127 bpm • A# Maj • 03:30 • -21db
36% Popularity • 47% Danceability • 19% Energy • 10% Liveness
96% Instrumentalness • 23% Positiveness
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Jimmy Lavalle
Louise
161 bpm • D Maj • 01:44 • -16.21db
39% Popularity • 25% Danceability • 21% Energy • 8% Liveness
96% Instrumentalness • 7% Positiveness
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HerdÃs Stefánsdóttir
Multiverse
160 bpm • D# Maj • 01:09 • -21.69db
19% Popularity • 43% Danceability • 21% Energy • 7% Liveness
96% Instrumentalness • 3% Positiveness
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Kevin Smuts
The Wonders of Nature
125 bpm • E min • 02:59 • -23.64db
32% Popularity • 17% Danceability • 6% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
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David Wingo
Escape
130 bpm • G Maj • 01:25 • -23.4db
22% Popularity • 43% Danceability • 17% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Cornbread Compton
Let's Just Get It Over With
124 bpm • C# min • 01:25 • -28db
24% Popularity • 44% Danceability • 3% Energy • 10% Liveness
88% Instrumentalness • 26% Positiveness
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Aftermath