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Against the Clock - Remastered
Songs like
Against the Clock - Remastered
by
Allan Holdsworth
Based on a tempo of (+/- 10%) and a similar genre
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Cristiano Parato
Sunset Fly
115 bpm • D Maj • 01:40 • -21.69db
39% Popularity • 64% Danceability • 24% Energy • 11% Liveness
95% Instrumentalness • 27% Positiveness
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Cosmosquad
Epapo Funk
115 bpm • G Maj • 07:00 • -12db
19% Popularity • 71% Danceability • 65% Energy • 27% Liveness
84% Instrumentalness • 78% Positiveness
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Allan Holdsworth
How Deep Is the Ocean - Remastered
115 bpm • F min • 05:29 • -13.93db
9% Popularity • 37% Danceability • 55% Energy • 20% Liveness
90% Instrumentalness • 47% Positiveness
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Tal Wilkenfeld
Serendipity
115 bpm • G Maj • 05:02 • -6db
31% Popularity • 44% Danceability • 88% Energy • 10% Liveness
94% Instrumentalness • 82% Positiveness
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Uzeb
Noisy Nights
115 bpm • C# min • 04:30 • -15.24db
14% Popularity • 64% Danceability • 68% Energy • 5% Liveness
69% Instrumentalness • 78% Positiveness
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Shawn Lane
Black Market - Live
116 bpm • A# Maj • 08:54 • -9.53db
12% Popularity • 42% Danceability • 76% Energy • 81% Liveness
74% Instrumentalness • 55% Positiveness
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Cristiano Parato
Funny Bunny
115 bpm • A min • 04:57 • -7db
23% Popularity • 76% Danceability • 70% Energy • 5% Liveness
83% Instrumentalness • 98% Positiveness
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Tribal Tech
Stoopid
114 bpm • F min • 05:47 • -10.4db
17% Popularity • 77% Danceability • 70% Energy • 12% Liveness
53% Instrumentalness • 72% Positiveness
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Allan Holdsworth
Spokes - Remastered
114 bpm • A Maj • 03:32 • -9.91db
23% Popularity • 57% Danceability • 67% Energy • 10% Liveness
7% Instrumentalness • 48% Positiveness
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Cosmosquad
Slowburn
114 bpm • D min • 05:57 • -14db
17% Popularity • 48% Danceability • 29% Energy • 9% Liveness
71% Instrumentalness • 35% Positiveness
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Dennis Chambers
Virtual Life
116 bpm • F min • 07:19 • -8.51db
20% Popularity • 67% Danceability • 86% Energy • 7% Liveness
84% Instrumentalness • 31% Positiveness
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Michael Brecker
Escher Sketch (A Tale Of Two Rhythms)
116 bpm • G# Maj • 05:26 • -13.28db
22% Popularity • 69% Danceability • 52% Energy • 23% Liveness
45% Instrumentalness • 78% Positiveness
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Billy Cobham
Red And Yellow Cabriolet
116 bpm • G# Maj • 05:15 • -15db
13% Popularity • 51% Danceability • 47% Energy • 7% Liveness
88% Instrumentalness • 77% Positiveness
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Gavin Harrison
Transmutation Circle
113 bpm • A Maj • 05:05 • -11.76db
13% Popularity • 51% Danceability • 57% Energy • 33% Liveness
88% Instrumentalness • 45% Positiveness
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Bill Bruford
One Of A Kind - Part One
113 bpm • E Maj • 02:20 • -18db
32% Popularity • 59% Danceability • 41% Energy • 29% Liveness
54% Instrumentalness • 73% Positiveness
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Shawn Lane
I Only Want to Know (Bonus Track)
113 bpm • G# Maj • 04:19 • -7.54db
12% Popularity • 59% Danceability • 71% Energy • 11% Liveness
59% Instrumentalness • 53% Positiveness
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Steps Ahead
Islands
113 bpm • G# Maj • 06:24 • -18db
20% Popularity • 45% Danceability • 65% Energy • 10% Liveness
85% Instrumentalness • 75% Positiveness
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Brett Garsed
Swarming Goblets
113 bpm • E Maj • 07:24 • -6.05db
8% Popularity • 51% Danceability • 82% Energy • 59% Liveness
29% Instrumentalness • 51% Positiveness
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Dave Weckl Band
Watch Your Step
113 bpm • G# Maj • 05:29 • -8db
32% Popularity • 70% Danceability • 89% Energy • 8% Liveness
88% Instrumentalness • 89% Positiveness
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Brand X
Touch Wood
117 bpm • D Maj • 03:04 • -35.18db
32% Popularity • 39% Danceability • 8% Energy • 10% Liveness
63% Instrumentalness • 20% Positiveness
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Bill Bruford
Joe Frazier
117 bpm • E Maj • 04:45 • -17.4db
22% Popularity • 46% Danceability • 56% Energy • 11% Liveness
92% Instrumentalness • 82% Positiveness
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Lenny White
Heavy Metal Monster
113 bpm • A Maj • 04:39 • -9.59db
8% Popularity • 43% Danceability • 81% Energy • 14% Liveness
83% Instrumentalness • 76% Positiveness
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Steps Ahead
Magnetic Love (Reprise)
113 bpm • D# Maj • 01:26 • -10.23db
28% Popularity • 58% Danceability • 71% Energy • 30% Liveness
78% Instrumentalness • 60% Positiveness
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Wayne Krantz
One Of Two
113 bpm • E min • 04:17 • -21db
35% Popularity • 76% Danceability • 12% Energy • 10% Liveness
94% Instrumentalness • 22% Positiveness
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Allan Holdsworth
Against the Clock - Remastered
113 bpm • A min • 04:58 • -10.16db
12% Popularity • 39% Danceability • 63% Energy • 35% Liveness
0% Instrumentalness • 44% Positiveness
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Gary Willis
Hipmotize
118 bpm • D min • 05:29 • -13.37db
19% Popularity • 56% Danceability • 45% Energy • 12% Liveness
67% Instrumentalness • 30% Positiveness
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Pat Metheny
Round Trip / Broadway Blues
118 bpm • C# Maj • 05:00 • -16db
27% Popularity • 42% Danceability • 45% Energy • 15% Liveness
20% Instrumentalness • 62% Positiveness
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Anders Johansson
Mission: Possible
112 bpm • A Maj • 05:15 • -10db
8% Popularity • 40% Danceability • 45% Energy • 13% Liveness
10% Instrumentalness • 52% Positiveness
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Brand X
Rhesus Perplexus
112 bpm • D min • 04:01 • -19db
29% Popularity • 41% Danceability • 56% Energy • 32% Liveness
84% Instrumentalness • 38% Positiveness
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Umbra
Trail of Thought
112 bpm • F Maj • 06:17 • -7.46db
9% Popularity • 36% Danceability • 70% Energy • 12% Liveness
65% Instrumentalness • 19% Positiveness
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Tal Wilkenfeld
Oatmeal Bandage
112 bpm • D Maj • 07:53 • -6db
23% Popularity • 44% Danceability • 88% Energy • 9% Liveness
86% Instrumentalness • 78% Positiveness
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Allan Holdsworth
Home - Remastered
112 bpm • D Maj • 05:33 • -16.07db
21% Popularity • 54% Danceability • 24% Energy • 12% Liveness
30% Instrumentalness • 9% Positiveness
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The Dave Weckl Band
Swunk
119 bpm • B min • 04:49 • -8.74db
17% Popularity • 52% Danceability • 71% Energy • 5% Liveness
80% Instrumentalness • 65% Positiveness
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The Aristocrats
Pressure Relief
112 bpm • D Maj • 06:56 • -12.43db
16% Popularity • 65% Danceability • 43% Energy • 10% Liveness
80% Instrumentalness • 52% Positiveness
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Tribal Tech
Big Girl Blues
119 bpm • C# Maj • 06:15 • -10.94db
12% Popularity • 53% Danceability • 55% Energy • 25% Liveness
82% Instrumentalness • 47% Positiveness
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Return To Forever
Musicmagic
111 bpm • C min • 11:03 • -14.33db
15% Popularity • 48% Danceability • 38% Energy • 11% Liveness
14% Instrumentalness • 22% Positiveness
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Pat Metheny
Missouri Uncompromised
111 bpm • A Maj • 04:15 • -14.48db
30% Popularity • 40% Danceability • 50% Energy • 7% Liveness
59% Instrumentalness • 43% Positiveness
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Allan Holdsworth
Fast travel
111 bpm • F Maj • 11:13 • -17db
4% Popularity • 39% Danceability • 42% Energy • 68% Liveness
76% Instrumentalness • 32% Positiveness
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Tal Wilkenfeld
The River Of Life
111 bpm • E min • 07:44 • -5db
23% Popularity • 43% Danceability • 89% Energy • 5% Liveness
54% Instrumentalness • 45% Positiveness
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Gary Willis
Bent
119 bpm • C# Maj • 06:02 • -11.54db
21% Popularity • 79% Danceability • 54% Energy • 13% Liveness
87% Instrumentalness • 64% Positiveness
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Tribal Tech
After Hours
119 bpm • E min • 07:23 • -10.29db
14% Popularity • 48% Danceability • 57% Energy • 11% Liveness
76% Instrumentalness • 53% Positiveness
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Return To Forever
Sorceress - Instrumental
119 bpm • A# min • 07:33 • -11.16db
33% Popularity • 42% Danceability • 62% Energy • 21% Liveness
44% Instrumentalness • 72% Positiveness
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Alain Caron
Jack Cannon
111 bpm • C Maj • 05:00 • -7db
21% Popularity • 62% Danceability • 92% Energy • 10% Liveness
87% Instrumentalness • 96% Positiveness
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Allan Holdsworth
Halfway House
111 bpm • A# min • 10:27 • -20db
3% Popularity • 37% Danceability • 23% Energy • 71% Liveness
69% Instrumentalness • 11% Positiveness
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Tal Wilkenfeld
BC
119 bpm • D Maj • 06:21 • -6.25db
33% Popularity • 47% Danceability • 89% Energy • 11% Liveness
80% Instrumentalness • 78% Positiveness
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Steps Ahead
Something I Said
111 bpm • E min • 04:13 • -10.49db
13% Popularity • 63% Danceability • 42% Energy • 11% Liveness
7% Instrumentalness • 18% Positiveness
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Wayne Krantz
Shirts Off
119 bpm • A Maj • 07:30 • -10.46db
15% Popularity • 49% Danceability • 55% Energy • 33% Liveness
16% Instrumentalness • 53% Positiveness
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Al Di Meola
Land Of The Midnight Sun
119 bpm • B min • 09:10 • -14.18db
16% Popularity • 42% Danceability • 57% Energy • 68% Liveness
80% Instrumentalness • 74% Positiveness
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Wayne Krantz Trio
These Instrumental Pieces Were
120 bpm • D Maj • 02:03 • -20.2db
29% Popularity • 58% Danceability • 6% Energy • 12% Liveness
21% Instrumentalness • 22% Positiveness
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Allan Holdsworth
Joshua - Remastered
119 bpm • C Maj • 05:59 • -12.37db
21% Popularity • 43% Danceability • 52% Energy • 9% Liveness
65% Instrumentalness • 11% Positiveness
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Dave Weckl Band
Mixed Bag
120 bpm • G# Maj • 06:37 • -8.63db
23% Popularity • 52% Danceability • 87% Energy • 4% Liveness
85% Instrumentalness • 82% Positiveness
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Gary Willis
Do The Math
120 bpm • G Maj • 04:15 • -10.13db
14% Popularity • 69% Danceability • 65% Energy • 10% Liveness
73% Instrumentalness • 88% Positiveness
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Alain Caron
Slam the Clown
120 bpm • G Maj • 07:41 • -8db
12% Popularity • 71% Danceability • 86% Energy • 19% Liveness
90% Instrumentalness • 69% Positiveness
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Tony MacAlpine
Dennis
110 bpm • A# Maj • 05:15 • -12.02db
8% Popularity • 57% Danceability • 58% Energy • 31% Liveness
69% Instrumentalness • 75% Positiveness
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John Abercrombie
Remembering
120 bpm • A# min • 04:32 • -17.75db
16% Popularity • 41% Danceability • 23% Energy • 13% Liveness
79% Instrumentalness • 32% Positiveness
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Allan Holdsworth
The Sixteen Men of Tain - Remastered
111 bpm • F Maj • 06:26 • -8.99db
26% Popularity • 41% Danceability • 52% Energy • 12% Liveness
19% Instrumentalness • 18% Positiveness
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Scott Henderson
Nomad
120 bpm • E Maj • 07:17 • -13.21db
9% Popularity • 55% Danceability • 60% Energy • 14% Liveness
9% Instrumentalness • 58% Positiveness
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Matteo Mancuso
Polifemo
110 bpm • C min • 04:59 • -11.44db
33% Popularity • 58% Danceability • 57% Energy • 10% Liveness
90% Instrumentalness • 33% Positiveness
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Alain Caron
1-4-U
110 bpm • G# Maj • 06:57 • -9.04db
17% Popularity • 70% Danceability • 82% Energy • 24% Liveness
66% Instrumentalness • 96% Positiveness
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Bill Bruford's Earthworks
My Heart Declares A Holiday
120 bpm • G Maj • 04:40 • -15.74db
18% Popularity • 43% Danceability • 54% Energy • 7% Liveness
88% Instrumentalness • 59% Positiveness
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Derek Sherinian
Dragonfly
110 bpm • D# Maj • 03:44 • -8.76db
13% Popularity • 47% Danceability • 85% Energy • 21% Liveness
88% Instrumentalness • 52% Positiveness
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Allan Holdsworth
Sphere of Innocence - Remastered
110 bpm • F Maj • 05:58 • -12.64db
16% Popularity • 55% Danceability • 33% Energy • 8% Liveness
68% Instrumentalness • 11% Positiveness
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Senri Kawaguchi
The Phoenix
120 bpm • C min • 05:55 • -13.34db
10% Popularity • 37% Danceability • 44% Energy • 7% Liveness
90% Instrumentalness • 16% Positiveness
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Adam Nitti
Distraction
110 bpm • D Maj • 06:40 • -7db
12% Popularity • 65% Danceability • 64% Energy • 40% Liveness
85% Instrumentalness • 79% Positiveness
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Alain Caron
The Lost Foot
110 bpm • G Maj • 06:24 • -15db
30% Popularity • 59% Danceability • 71% Energy • 10% Liveness
64% Instrumentalness • 85% Positiveness
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Donny McCaslin
Stadium Jazz
120 bpm • E Maj • 07:17 • -8.74db
23% Popularity • 44% Danceability • 85% Energy • 24% Liveness
35% Instrumentalness • 26% Positiveness
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Dave LaRue
Hub City Kid
121 bpm • B min • 06:21 • -9.1db
8% Popularity • 60% Danceability • 72% Energy • 6% Liveness
80% Instrumentalness • 53% Positiveness
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Allan Holdsworth
Atavachron - Remastered
110 bpm • E Maj • 04:44 • -13.51db
18% Popularity • 45% Danceability • 56% Energy • 37% Liveness
49% Instrumentalness • 45% Positiveness
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Brand X
Black Moon
121 bpm • C Maj • 04:48 • -20db
28% Popularity • 59% Danceability • 32% Energy • 5% Liveness
78% Instrumentalness • 39% Positiveness
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Al Di Meola
Suite: Golden Dawn
121 bpm • B min • 09:49 • -13db
14% Popularity • 50% Danceability • 74% Energy • 31% Liveness
31% Instrumentalness • 68% Positiveness
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Alain Caron
Enhanced
110 bpm • C Maj • 05:20 • -11db
10% Popularity • 68% Danceability • 70% Energy • 10% Liveness
65% Instrumentalness • 79% Positiveness
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Tony Williams
What You Do to Me
121 bpm • G# Maj • 07:04 • -13.99db
10% Popularity • 44% Danceability • 63% Energy • 4% Liveness
32% Instrumentalness • 75% Positiveness
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Bozzio Levin Stevens
Falling in Circles
109 bpm • E Maj • 09:09 • -8.47db
9% Popularity • 51% Danceability • 91% Energy • 37% Liveness
84% Instrumentalness • 50% Positiveness
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Billy Cobham
Quadrant 4
121 bpm • F# Maj • 04:27 • -12.5db
30% Popularity • 40% Danceability • 81% Energy • 5% Liveness
90% Instrumentalness • 53% Positiveness
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Wayne Krantz Trio
Specific People, Places, Things or Ideas
121 bpm • D Maj • 06:41 • -17.84db
7% Popularity • 54% Danceability • 46% Energy • 13% Liveness
79% Instrumentalness • 60% Positiveness
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Steps Ahead
Both Sides of the Coin
122 bpm • F# Maj • 06:10 • -15.81db
16% Popularity • 50% Danceability • 51% Energy • 6% Liveness
64% Instrumentalness • 61% Positiveness
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Al Di Meola
Señor Mouse
109 bpm • C# Maj • 07:20 • -12.03db
9% Popularity • 59% Danceability • 54% Energy • 14% Liveness
64% Instrumentalness • 57% Positiveness
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Matteo Mancuso
Time To Leave
109 bpm • C# min • 05:19 • -14.92db
30% Popularity • 45% Danceability • 41% Energy • 7% Liveness
87% Instrumentalness • 44% Positiveness
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Steve Khan
Dr. Slump
109 bpm • E Maj • 08:21 • -17.55db
9% Popularity • 70% Danceability • 29% Energy • 5% Liveness
82% Instrumentalness • 32% Positiveness
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Allan Holdsworth
Downside Up - Remastered
122 bpm • D# min • 07:06 • -7.92db
16% Popularity • 46% Danceability • 61% Energy • 32% Liveness
68% Instrumentalness • 21% Positiveness
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Jeff Berlin
Joe Frazier (Part II)
109 bpm • A Maj • 06:10 • -12db
15% Popularity • 51% Danceability • 89% Energy • 7% Liveness
74% Instrumentalness • 67% Positiveness
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Bill Bruford's Earthworks
Making A Song And Dance
108 bpm • F Maj • 05:56 • -16.36db
12% Popularity • 50% Danceability • 44% Energy • 8% Liveness
83% Instrumentalness • 66% Positiveness
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Al Di Meola
Casino
122 bpm • A Maj • 09:27 • -12.5db
5% Popularity • 55% Danceability • 50% Energy • 9% Liveness
84% Instrumentalness • 45% Positiveness
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Snarky Puppy
Precipice
108 bpm • A min • 08:45 • -11.76db
15% Popularity • 38% Danceability • 40% Energy • 6% Liveness
72% Instrumentalness • 25% Positiveness
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Tony MacAlpine
Atamanashi
108 bpm • G Maj • 05:23 • -16.2db
9% Popularity • 60% Danceability • 48% Energy • 7% Liveness
85% Instrumentalness • 77% Positiveness
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Yellowjackets
It's Almost Gone
108 bpm • F# min • 06:00 • -16.24db
21% Popularity • 31% Danceability • 36% Energy • 7% Liveness
26% Instrumentalness • 25% Positiveness
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Shawn Lane
Art Tatum
108 bpm • B Maj • 02:05 • -9.95db
16% Popularity • 62% Danceability • 73% Energy • 10% Liveness
78% Instrumentalness • 80% Positiveness
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Tim Miller
RB
108 bpm • G Maj • 06:49 • -13.42db
7% Popularity • 58% Danceability • 55% Energy • 13% Liveness
90% Instrumentalness • 21% Positiveness
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Bill Bruford's Earthworks
It Needn't End In Tears
122 bpm • C Maj • 05:14 • -21.6db
8% Popularity • 34% Danceability • 7% Energy • 9% Liveness
83% Instrumentalness • 10% Positiveness
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Return To Forever
Space Circus - Pts. 1 & 2
108 bpm • A min • 05:42 • -5.97db
9% Popularity • 43% Danceability • 72% Energy • 12% Liveness
59% Instrumentalness • 18% Positiveness
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Soft Machine
Bundles - 2022 Remaster
123 bpm • D Maj • 03:14 • -10.35db
25% Popularity • 28% Danceability • 62% Energy • 59% Liveness
41% Instrumentalness • 67% Positiveness
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Tribal Tech
Dense Dance
108 bpm • A# min • 04:52 • -15.13db
13% Popularity • 49% Danceability • 57% Energy • 6% Liveness
58% Instrumentalness • 55% Positiveness
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Uzeb
Loose
123 bpm • F min • 07:18 • -13.15db
9% Popularity • 46% Danceability • 49% Energy • 7% Liveness
77% Instrumentalness • 56% Positiveness
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Shawn Lane
Kaiser Nancarrow
107 bpm • C# Maj • 04:43 • -9.31db
17% Popularity • 54% Danceability • 73% Energy • 11% Liveness
87% Instrumentalness • 77% Positiveness
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Jean-Luc Ponty
The Struggle of the Turtle to the Sea, P...
123 bpm • C# Maj • 06:03 • -13db
20% Popularity • 36% Danceability • 86% Energy • 11% Liveness
88% Instrumentalness • 48% Positiveness
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Alain Caron
Donna Lee
107 bpm • F min • 04:15 • -11.66db
16% Popularity • 71% Danceability • 57% Energy • 33% Liveness
85% Instrumentalness • 70% Positiveness
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Steve Khan
Where's Mumphrey?
124 bpm • F# min • 07:23 • -12.47db
12% Popularity • 65% Danceability • 76% Energy • 33% Liveness
80% Instrumentalness • 67% Positiveness
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Return To Forever
Medieval Overture - Instrumental
107 bpm • G Maj • 05:13 • -9.52db
33% Popularity • 44% Danceability • 77% Energy • 6% Liveness
36% Instrumentalness • 24% Positiveness
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Uzeb
Smiles and Chuckles
107 bpm • G Maj • 04:12 • -14.88db
14% Popularity • 63% Danceability • 38% Energy • 13% Liveness
89% Instrumentalness • 67% Positiveness
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Tony Williams
Snake Oil
107 bpm • F# min • 06:26 • -14db
29% Popularity • 44% Danceability • 70% Energy • 11% Liveness
90% Instrumentalness • 74% Positiveness
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Against the Clock - Remastered