Songs like Aggrophobe by PINS
Based on a tempo of (+/- 10%) and a similar genre
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Snapped Ankles
Hanging With the Moon
130 bpm • B min • 03:40 • -10db
29% Popularity • 62% Danceability • 79% Energy • 10% Liveness
50% Instrumentalness • 42% Positiveness
29% Popularity • 62% Danceability • 79% Energy • 10% Liveness
50% Instrumentalness • 42% Positiveness
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Public Image Ltd.
Bettie Page
130 bpm • D Maj • 03:21 • -8.33db
14% Popularity • 67% Danceability • 54% Energy • 28% Liveness
0% Instrumentalness • 55% Positiveness
14% Popularity • 67% Danceability • 54% Energy • 28% Liveness
0% Instrumentalness • 55% Positiveness
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Dan Sartain
Pass This On
130 bpm • G min • 03:47 • -7.93db
33% Popularity • 75% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
33% Popularity • 75% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
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Ride
Cali
130 bpm • C Maj • 06:29 • -3.28db
26% Popularity • 38% Danceability • 89% Energy • 14% Liveness
53% Instrumentalness • 43% Positiveness
26% Popularity • 38% Danceability • 89% Energy • 14% Liveness
53% Instrumentalness • 43% Positiveness
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Anna Calvi
Indies or Paradise
130 bpm • G Maj • 04:41 • -8db
21% Popularity • 57% Danceability • 73% Energy • 23% Liveness
0% Instrumentalness • 48% Positiveness
21% Popularity • 57% Danceability • 73% Energy • 23% Liveness
0% Instrumentalness • 48% Positiveness
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Fat White Family
Tinfoil Deathstar
130 bpm • A min • 03:59 • -8.26db
19% Popularity • 48% Danceability • 73% Energy • 58% Liveness
69% Instrumentalness • 27% Positiveness
19% Popularity • 48% Danceability • 73% Energy • 58% Liveness
69% Instrumentalness • 27% Positiveness
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Eddy Current Suppression Ring
Colour Television
130 bpm • E Maj • 04:54 • -5.02db
24% Popularity • 56% Danceability • 87% Energy • 10% Liveness
75% Instrumentalness • 48% Positiveness
24% Popularity • 56% Danceability • 87% Energy • 10% Liveness
75% Instrumentalness • 48% Positiveness
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The Lovely Eggs
I, Moron
130 bpm • A Maj • 03:16 • -6.77db
14% Popularity • 44% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
14% Popularity • 44% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Thee Oh Sees
Plastic Plant
130 bpm • F min • 05:39 • -9db
26% Popularity • 39% Danceability • 75% Energy • 27% Liveness
41% Instrumentalness • 10% Positiveness
26% Popularity • 39% Danceability • 75% Energy • 27% Liveness
41% Instrumentalness • 10% Positiveness
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Grinderman
When My Love Comes Down
130 bpm • A# min • 03:32 • -6.82db
23% Popularity • 38% Danceability • 82% Energy • 32% Liveness
67% Instrumentalness • 22% Positiveness
23% Popularity • 38% Danceability • 82% Energy • 32% Liveness
67% Instrumentalness • 22% Positiveness
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PINS
Aggrophobe
130 bpm • C Maj • 03:24 • -7.58db
16% Popularity • 71% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
16% Popularity • 71% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
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Iggy Pop
The Endless Sea
130 bpm • C Maj • 04:51 • -10.44db
29% Popularity • 60% Danceability • 43% Energy • 10% Liveness
12% Instrumentalness • 34% Positiveness
29% Popularity • 60% Danceability • 43% Energy • 10% Liveness
12% Instrumentalness • 34% Positiveness
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Desert Sessions
Crawl Home
129 bpm • C Maj • 03:00 • -5.07db
34% Popularity • 46% Danceability • 92% Energy • 20% Liveness
5% Instrumentalness • 28% Positiveness
34% Popularity • 46% Danceability • 92% Energy • 20% Liveness
5% Instrumentalness • 28% Positiveness
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The Surfing Magazines
New Day
129 bpm • B min • 02:34 • -5.54db
16% Popularity • 52% Danceability • 79% Energy • 71% Liveness
0% Instrumentalness • 83% Positiveness
16% Popularity • 52% Danceability • 79% Energy • 71% Liveness
0% Instrumentalness • 83% Positiveness
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The Wytches
Bone -Weary
129 bpm • F Maj • 03:19 • -5.49db
11% Popularity • 36% Danceability • 94% Energy • 10% Liveness
1% Instrumentalness • 22% Positiveness
11% Popularity • 36% Danceability • 94% Energy • 10% Liveness
1% Instrumentalness • 22% Positiveness
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Föllakzoid
9
131 bpm • E Maj • 06:31 • -10.71db
24% Popularity • 57% Danceability • 71% Energy • 12% Liveness
94% Instrumentalness • 57% Positiveness
24% Popularity • 57% Danceability • 71% Energy • 12% Liveness
94% Instrumentalness • 57% Positiveness
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shame
Gold Hole
129 bpm • A Maj • 04:42 • -5.37db
14% Popularity • 34% Danceability • 91% Energy • 19% Liveness
3% Instrumentalness • 22% Positiveness
14% Popularity • 34% Danceability • 91% Energy • 19% Liveness
3% Instrumentalness • 22% Positiveness
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Iggy Pop
I'm Bored
130 bpm • B min • 02:47 • -6.04db
34% Popularity • 57% Danceability • 80% Energy • 32% Liveness
2% Instrumentalness • 86% Positiveness
34% Popularity • 57% Danceability • 80% Energy • 32% Liveness
2% Instrumentalness • 86% Positiveness
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Peter Perrett
An Epic Story
129 bpm • C Maj • 03:20 • -7.86db
11% Popularity • 49% Danceability • 62% Energy • 23% Liveness
0% Instrumentalness • 48% Positiveness
11% Popularity • 49% Danceability • 62% Energy • 23% Liveness
0% Instrumentalness • 48% Positiveness
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Drenge
Running Wild
129 bpm • G Maj • 03:45 • -3.84db
24% Popularity • 42% Danceability • 94% Energy • 12% Liveness
44% Instrumentalness • 15% Positiveness
24% Popularity • 42% Danceability • 94% Energy • 12% Liveness
44% Instrumentalness • 15% Positiveness
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Mattiel
Whites of Their Eyes
129 bpm • G Maj • 02:30 • -2.19db
26% Popularity • 57% Danceability • 92% Energy • 17% Liveness
30% Instrumentalness • 60% Positiveness
26% Popularity • 57% Danceability • 92% Energy • 17% Liveness
30% Instrumentalness • 60% Positiveness
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The Moonlandingz
Black hanz
131 bpm • F min • 04:21 • -4.78db
12% Popularity • 50% Danceability • 98% Energy • 68% Liveness
62% Instrumentalness • 52% Positiveness
12% Popularity • 50% Danceability • 98% Energy • 68% Liveness
62% Instrumentalness • 52% Positiveness
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Phobophobes
Where Is My Owner?
129 bpm • G Maj • 03:59 • -8.02db
9% Popularity • 55% Danceability • 84% Energy • 16% Liveness
77% Instrumentalness • 33% Positiveness
9% Popularity • 55% Danceability • 84% Energy • 16% Liveness
77% Instrumentalness • 33% Positiveness
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Edwyn Collins
The Campaign For Real Rock
129 bpm • G# min • 06:34 • -9db
27% Popularity • 37% Danceability • 56% Energy • 30% Liveness
7% Instrumentalness • 45% Positiveness
27% Popularity • 37% Danceability • 56% Energy • 30% Liveness
7% Instrumentalness • 45% Positiveness
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The Breeders
Nervous Mary
131 bpm • B min • 02:29 • -8db
27% Popularity • 60% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 8% Positiveness
27% Popularity • 60% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 8% Positiveness
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Gang Of Four
Paralysed
129 bpm • A min • 03:23 • -10.04db
31% Popularity • 67% Danceability • 64% Energy • 7% Liveness
74% Instrumentalness • 70% Positiveness
31% Popularity • 67% Danceability • 64% Energy • 7% Liveness
74% Instrumentalness • 70% Positiveness
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Escape-ism
Rome Wasn't Burnt in a Day
128 bpm • B min • 04:15 • -8.68db
12% Popularity • 71% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
12% Popularity • 71% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
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Heron Oblivion
Your Hollows
132 bpm • B min • 06:13 • -7.52db
8% Popularity • 36% Danceability • 48% Energy • 18% Liveness
4% Instrumentalness • 29% Positiveness
8% Popularity • 36% Danceability • 48% Energy • 18% Liveness
4% Instrumentalness • 29% Positiveness
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The Kills
Whirling Eye
132 bpm • F Maj • 03:34 • -6.24db
25% Popularity • 66% Danceability • 80% Energy • 22% Liveness
81% Instrumentalness • 60% Positiveness
25% Popularity • 66% Danceability • 80% Energy • 22% Liveness
81% Instrumentalness • 60% Positiveness
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The Fall
Touch Sensitive
128 bpm • C# min • 03:15 • -9.22db
22% Popularity • 52% Danceability • 78% Energy • 13% Liveness
11% Instrumentalness • 26% Positiveness
22% Popularity • 52% Danceability • 78% Energy • 13% Liveness
11% Instrumentalness • 26% Positiveness
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Lee Ranaldo
Waiting on a Dream
132 bpm • C min • 06:14 • -6db
24% Popularity • 37% Danceability • 90% Energy • 11% Liveness
52% Instrumentalness • 23% Positiveness
24% Popularity • 37% Danceability • 90% Energy • 11% Liveness
52% Instrumentalness • 23% Positiveness
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Black Lips
Can't Hold On
132 bpm • A min • 04:52 • -5db
25% Popularity • 31% Danceability • 91% Energy • 23% Liveness
1% Instrumentalness • 14% Positiveness
25% Popularity • 31% Danceability • 91% Energy • 23% Liveness
1% Instrumentalness • 14% Positiveness
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The Fiery Furnaces
Single Again
132 bpm • E Maj • 04:01 • -5.09db
23% Popularity • 88% Danceability • 69% Energy • 11% Liveness
1% Instrumentalness • 96% Positiveness
23% Popularity • 88% Danceability • 69% Energy • 11% Liveness
1% Instrumentalness • 96% Positiveness
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Thurston Moore
Cusp
128 bpm • A min • 06:33 • -7.36db
15% Popularity • 39% Danceability • 98% Energy • 4% Liveness
73% Instrumentalness • 29% Positiveness
15% Popularity • 39% Danceability • 98% Energy • 4% Liveness
73% Instrumentalness • 29% Positiveness
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PINS
Young Girls
128 bpm • C# Maj • 03:17 • -4.07db
13% Popularity • 56% Danceability • 88% Energy • 18% Liveness
12% Instrumentalness • 69% Positiveness
13% Popularity • 56% Danceability • 88% Energy • 18% Liveness
12% Instrumentalness • 69% Positiveness
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The Fall
Mountain Energei
128 bpm • D Maj • 03:22 • -6.31db
34% Popularity • 78% Danceability • 67% Energy • 13% Liveness
2% Instrumentalness • 65% Positiveness
34% Popularity • 78% Danceability • 67% Energy • 13% Liveness
2% Instrumentalness • 65% Positiveness
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The Lucid Dream
Bad Texan
128 bpm • C Maj • 06:32 • -5.05db
11% Popularity • 31% Danceability • 85% Energy • 34% Liveness
20% Instrumentalness • 43% Positiveness
11% Popularity • 31% Danceability • 85% Energy • 34% Liveness
20% Instrumentalness • 43% Positiveness
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Fat White Family
Connan Mockasin
128 bpm • D Maj • 02:17 • -7.64db
12% Popularity • 40% Danceability • 82% Energy • 33% Liveness
0% Instrumentalness • 31% Positiveness
12% Popularity • 40% Danceability • 82% Energy • 33% Liveness
0% Instrumentalness • 31% Positiveness
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MÃ¥neskin
I WANNA BE YOUR SLAVE
133 bpm • C# Maj • 02:51 • -3.84db
56% Popularity • 76% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
56% Popularity • 76% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Thurston Moore
The Best Day
132 bpm • G Maj • 04:29 • -6.67db
19% Popularity • 41% Danceability • 92% Energy • 10% Liveness
13% Instrumentalness • 65% Positiveness
19% Popularity • 41% Danceability • 92% Energy • 10% Liveness
13% Instrumentalness • 65% Positiveness
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Total Control
Flesh War
133 bpm • D min • 04:40 • -6.29db
14% Popularity • 56% Danceability • 74% Energy • 49% Liveness
94% Instrumentalness • 88% Positiveness
14% Popularity • 56% Danceability • 74% Energy • 49% Liveness
94% Instrumentalness • 88% Positiveness
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Yussuf Jerusalem
With You in Mind
133 bpm • F min • 02:50 • -2.32db
19% Popularity • 65% Danceability • 96% Energy • 14% Liveness
21% Instrumentalness • 57% Positiveness
19% Popularity • 65% Danceability • 96% Energy • 14% Liveness
21% Instrumentalness • 57% Positiveness
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The Orielles
Sugar Tastes Like Salt
127 bpm • G Maj • 08:24 • -6db
30% Popularity • 28% Danceability • 98% Energy • 32% Liveness
48% Instrumentalness • 49% Positiveness
30% Popularity • 28% Danceability • 98% Energy • 32% Liveness
48% Instrumentalness • 49% Positiveness
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Honeyblood
Choker
127 bpm • F# Maj • 03:50 • -3.77db
18% Popularity • 54% Danceability • 74% Energy • 13% Liveness
2% Instrumentalness • 12% Positiveness
18% Popularity • 54% Danceability • 74% Energy • 13% Liveness
2% Instrumentalness • 12% Positiveness
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PJ Harvey
The Community Of Hope
133 bpm • A Maj • 02:23 • -8db
34% Popularity • 61% Danceability • 88% Energy • 23% Liveness
0% Instrumentalness • 63% Positiveness
34% Popularity • 61% Danceability • 88% Energy • 23% Liveness
0% Instrumentalness • 63% Positiveness
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The Jesus and Mary Chain
All Things Pass
133 bpm • A Maj • 04:35 • -8db
35% Popularity • 58% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
35% Popularity • 58% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Apache Sun
Club Noir
133 bpm • G# Maj • 03:24 • -6.75db
35% Popularity • 57% Danceability • 72% Energy • 10% Liveness
81% Instrumentalness • 81% Positiveness
35% Popularity • 57% Danceability • 72% Energy • 10% Liveness
81% Instrumentalness • 81% Positiveness
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Singapore Sling
Let it Roll, Let it Rise
127 bpm • D Maj • 03:03 • -5db
25% Popularity • 49% Danceability • 95% Energy • 4% Liveness
62% Instrumentalness • 62% Positiveness
25% Popularity • 49% Danceability • 95% Energy • 4% Liveness
62% Instrumentalness • 62% Positiveness
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James Clarke Five
Sexbombe Ãœber Alles
133 bpm • D Maj • 03:58 • -5db
18% Popularity • 45% Danceability • 83% Energy • 28% Liveness
0% Instrumentalness • 35% Positiveness
18% Popularity • 45% Danceability • 83% Energy • 28% Liveness
0% Instrumentalness • 35% Positiveness
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Joy Division
No Love Lost - 2010 Remaster
133 bpm • A Maj • 03:42 • -11db
44% Popularity • 52% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
44% Popularity • 52% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
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Westbam
Iron Music
133 bpm • C# Maj • 05:54 • -15.72db
17% Popularity • 85% Danceability • 57% Energy • 6% Liveness
50% Instrumentalness • 46% Positiveness
17% Popularity • 85% Danceability • 57% Energy • 6% Liveness
50% Instrumentalness • 46% Positiveness
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The Jesus and Mary Chain
Get on Home
127 bpm • D Maj • 03:38 • -7.5db
19% Popularity • 42% Danceability • 96% Energy • 58% Liveness
0% Instrumentalness • 37% Positiveness
19% Popularity • 42% Danceability • 96% Energy • 58% Liveness
0% Instrumentalness • 37% Positiveness
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Meatraffle
The Horseshoe
127 bpm • G Maj • 04:40 • -7db
11% Popularity • 49% Danceability • 68% Energy • 19% Liveness
0% Instrumentalness • 67% Positiveness
11% Popularity • 49% Danceability • 68% Energy • 19% Liveness
0% Instrumentalness • 67% Positiveness
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Grinderman
Go Tell the Women
134 bpm • G Maj • 03:24 • -10.91db
37% Popularity • 74% Danceability • 39% Energy • 18% Liveness
0% Instrumentalness • 37% Positiveness
37% Popularity • 74% Danceability • 39% Energy • 18% Liveness
0% Instrumentalness • 37% Positiveness
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Meilyr Jones
How to Recognise a Work of Art
134 bpm • F Maj • 03:38 • -5.76db
13% Popularity • 62% Danceability • 86% Energy • 5% Liveness
1% Instrumentalness • 96% Positiveness
13% Popularity • 62% Danceability • 86% Energy • 5% Liveness
1% Instrumentalness • 96% Positiveness
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The Amazing Snakeheads
Where Is My Knife?
126 bpm • F min • 04:44 • -5.52db
15% Popularity • 46% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
15% Popularity • 46% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Magazine
The Light Pours Out of Me
134 bpm • D Maj • 05:12 • -8db
18% Popularity • 54% Danceability • 64% Energy • 60% Liveness
5% Instrumentalness • 33% Positiveness
18% Popularity • 54% Danceability • 64% Energy • 60% Liveness
5% Instrumentalness • 33% Positiveness
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John Cooper Clarke
Johnny Remember Me
134 bpm • F# min • 03:17 • -7.09db
15% Popularity • 56% Danceability • 88% Energy • 20% Liveness
5% Instrumentalness • 44% Positiveness
15% Popularity • 56% Danceability • 88% Energy • 20% Liveness
5% Instrumentalness • 44% Positiveness
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The Lovely Eggs
Wiggy Giggy
134 bpm • D Maj • 05:22 • -3.22db
19% Popularity • 59% Danceability • 97% Energy • 7% Liveness
0% Instrumentalness • 9% Positiveness
19% Popularity • 59% Danceability • 97% Energy • 7% Liveness
0% Instrumentalness • 9% Positiveness
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The Fall
The Quartet of Doc Shanley
126 bpm • C# Maj • 03:13 • -13.75db
7% Popularity • 73% Danceability • 73% Energy • 61% Liveness
7% Instrumentalness • 66% Positiveness
7% Popularity • 73% Danceability • 73% Energy • 61% Liveness
7% Instrumentalness • 66% Positiveness
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Jim Jones and the Righteous Mind
Boil Your Blood
126 bpm • G# Maj • 03:23 • -5.75db
11% Popularity • 58% Danceability • 90% Energy • 13% Liveness
1% Instrumentalness • 50% Positiveness
11% Popularity • 58% Danceability • 90% Energy • 13% Liveness
1% Instrumentalness • 50% Positiveness
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Death Valley Girls
Disco
134 bpm • G min • 03:15 • -4.52db
17% Popularity • 33% Danceability • 90% Energy • 37% Liveness
94% Instrumentalness • 74% Positiveness
17% Popularity • 33% Danceability • 90% Energy • 37% Liveness
94% Instrumentalness • 74% Positiveness
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Nadine Shah
Mother Fighter
134 bpm • F# min • 04:28 • -6.41db
15% Popularity • 64% Danceability • 76% Energy • 12% Liveness
26% Instrumentalness • 55% Positiveness
15% Popularity • 64% Danceability • 76% Energy • 12% Liveness
26% Instrumentalness • 55% Positiveness
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Night Beats
Power Child
134 bpm • D Maj • 03:23 • -6db
22% Popularity • 34% Danceability • 88% Energy • 32% Liveness
17% Instrumentalness • 49% Positiveness
22% Popularity • 34% Danceability • 88% Energy • 32% Liveness
17% Instrumentalness • 49% Positiveness
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Von Südenfed
The Rhinohead
126 bpm • C Maj • 04:16 • -3.97db
20% Popularity • 62% Danceability • 93% Energy • 6% Liveness
2% Instrumentalness • 30% Positiveness
20% Popularity • 62% Danceability • 93% Energy • 6% Liveness
2% Instrumentalness • 30% Positiveness
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Hookworms
On Leaving
126 bpm • F Maj • 06:02 • -8.59db
11% Popularity • 18% Danceability • 76% Energy • 26% Liveness
83% Instrumentalness • 11% Positiveness
11% Popularity • 18% Danceability • 76% Energy • 26% Liveness
83% Instrumentalness • 11% Positiveness
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Shopping
You Are a Sort (Don't Call Me)
126 bpm • C Maj • 02:20 • -4.95db
10% Popularity • 52% Danceability • 93% Energy • 10% Liveness
66% Instrumentalness • 88% Positiveness
10% Popularity • 52% Danceability • 93% Energy • 10% Liveness
66% Instrumentalness • 88% Positiveness
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Thurston Moore
Germs Burn
135 bpm • C Maj • 05:52 • -6db
22% Popularity • 37% Danceability • 94% Energy • 30% Liveness
62% Instrumentalness • 47% Positiveness
22% Popularity • 37% Danceability • 94% Energy • 30% Liveness
62% Instrumentalness • 47% Positiveness
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Singapore Sling
Overdriver
126 bpm • B min • 03:46 • -5.93db
22% Popularity • 43% Danceability • 80% Energy • 11% Liveness
82% Instrumentalness • 10% Positiveness
22% Popularity • 43% Danceability • 80% Energy • 11% Liveness
82% Instrumentalness • 10% Positiveness
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Goat Girl
Viper Fish
125 bpm • E Maj • 03:50 • -7.02db
30% Popularity • 39% Danceability • 67% Energy • 24% Liveness
21% Instrumentalness • 36% Positiveness
30% Popularity • 39% Danceability • 67% Energy • 24% Liveness
21% Instrumentalness • 36% Positiveness
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Fujiya & Miyagi
Swoon
135 bpm • C Maj • 03:24 • -9db
12% Popularity • 72% Danceability • 57% Energy • 10% Liveness
79% Instrumentalness • 37% Positiveness
12% Popularity • 72% Danceability • 57% Energy • 10% Liveness
79% Instrumentalness • 37% Positiveness
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The Lovely Eggs
Hello I Am Your Sun
135 bpm • E Maj • 03:12 • -4.87db
10% Popularity • 32% Danceability • 93% Energy • 23% Liveness
9% Instrumentalness • 3% Positiveness
10% Popularity • 32% Danceability • 93% Energy • 23% Liveness
9% Instrumentalness • 3% Positiveness
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Andrew Weatherall
Feathers
135 bpm • G# min • 06:10 • -7db
28% Popularity • 72% Danceability • 78% Energy • 9% Liveness
76% Instrumentalness • 64% Positiveness
28% Popularity • 72% Danceability • 78% Energy • 9% Liveness
76% Instrumentalness • 64% Positiveness
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Thurston Moore
Turn On
135 bpm • F Maj • 10:17 • -8.39db
15% Popularity • 36% Danceability • 77% Energy • 9% Liveness
54% Instrumentalness • 16% Positiveness
15% Popularity • 36% Danceability • 77% Energy • 9% Liveness
54% Instrumentalness • 16% Positiveness
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Cabbage
Celebration of a Disease
125 bpm • E min • 03:30 • -2.68db
8% Popularity • 43% Danceability • 89% Energy • 30% Liveness
0% Instrumentalness • 39% Positiveness
8% Popularity • 43% Danceability • 89% Energy • 30% Liveness
0% Instrumentalness • 39% Positiveness
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She Drew The Gun
Since You Were Not Mine
125 bpm • G Maj • 03:45 • -9db
27% Popularity • 63% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
27% Popularity • 63% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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The Dandy Warhols
All the Girls in London
125 bpm • G Maj • 02:44 • -6.11db
13% Popularity • 62% Danceability • 93% Energy • 49% Liveness
2% Instrumentalness • 67% Positiveness
13% Popularity • 62% Danceability • 93% Energy • 49% Liveness
2% Instrumentalness • 67% Positiveness
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The Jesus and Mary Chain
Cracking Up
125 bpm • E Maj • 04:41 • -9.23db
31% Popularity • 66% Danceability • 90% Energy • 13% Liveness
38% Instrumentalness • 83% Positiveness
31% Popularity • 66% Danceability • 90% Energy • 13% Liveness
38% Instrumentalness • 83% Positiveness
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Ulrika Spacek
Beta Male
125 bpm • D min • 06:20 • -7.5db
17% Popularity • 56% Danceability • 91% Energy • 29% Liveness
58% Instrumentalness • 44% Positiveness
17% Popularity • 56% Danceability • 91% Energy • 29% Liveness
58% Instrumentalness • 44% Positiveness
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The Fall
Lost in Music
125 bpm • G Maj • 03:50 • -6.22db
34% Popularity • 47% Danceability • 88% Energy • 86% Liveness
3% Instrumentalness • 53% Positiveness
34% Popularity • 47% Danceability • 88% Energy • 86% Liveness
3% Instrumentalness • 53% Positiveness
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Underworld
I Exhale
125 bpm • E min • 08:10 • -9.62db
36% Popularity • 65% Danceability • 62% Energy • 12% Liveness
83% Instrumentalness • 24% Positiveness
36% Popularity • 65% Danceability • 62% Energy • 12% Liveness
83% Instrumentalness • 24% Positiveness
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The Duke Spirit
Blue and Yellow Light
125 bpm • B min • 03:42 • -5db
14% Popularity • 28% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 10% Positiveness
14% Popularity • 28% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 10% Positiveness
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Hookworms
Negative Space
125 bpm • C Maj • 06:56 • -12db
22% Popularity • 58% Danceability • 34% Energy • 41% Liveness
89% Instrumentalness • 34% Positiveness
22% Popularity • 58% Danceability • 34% Energy • 41% Liveness
89% Instrumentalness • 34% Positiveness
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Thurston Moore
Aphrodite
125 bpm • G Maj • 08:07 • -6.87db
12% Popularity • 32% Danceability • 76% Energy • 10% Liveness
69% Instrumentalness • 18% Positiveness
12% Popularity • 32% Danceability • 76% Energy • 10% Liveness
69% Instrumentalness • 18% Positiveness
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Shopping
Discover
125 bpm • D Maj • 03:01 • -5.54db
8% Popularity • 70% Danceability • 77% Energy • 8% Liveness
87% Instrumentalness • 56% Positiveness
8% Popularity • 70% Danceability • 77% Energy • 8% Liveness
87% Instrumentalness • 56% Positiveness
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The Kills
The Good Ones
135 bpm • A Maj • 03:29 • -8.23db
29% Popularity • 74% Danceability • 56% Energy • 16% Liveness
1% Instrumentalness • 96% Positiveness
29% Popularity • 74% Danceability • 56% Energy • 16% Liveness
1% Instrumentalness • 96% Positiveness
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Mattiel
Not Today
136 bpm • A# min • 03:38 • -3.03db
18% Popularity • 45% Danceability • 91% Energy • 11% Liveness
1% Instrumentalness • 62% Positiveness
18% Popularity • 45% Danceability • 91% Energy • 11% Liveness
1% Instrumentalness • 62% Positiveness
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The Rapture
Olio
136 bpm • D min • 03:40 • -3.78db
18% Popularity • 57% Danceability • 74% Energy • 31% Liveness
0% Instrumentalness • 64% Positiveness
18% Popularity • 57% Danceability • 74% Energy • 31% Liveness
0% Instrumentalness • 64% Positiveness
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The Blind Shake
I Shot All the Birds
136 bpm • A# Maj • 03:46 • -5.8db
8% Popularity • 35% Danceability • 84% Energy • 36% Liveness
77% Instrumentalness • 43% Positiveness
8% Popularity • 35% Danceability • 84% Energy • 36% Liveness
77% Instrumentalness • 43% Positiveness
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Fujiya & Miyagi
Sick & Tired
136 bpm • G Maj • 07:51 • -7.9db
9% Popularity • 62% Danceability • 54% Energy • 11% Liveness
87% Instrumentalness • 17% Positiveness
9% Popularity • 62% Danceability • 54% Energy • 11% Liveness
87% Instrumentalness • 17% Positiveness
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The Horrors
Ghost
124 bpm • E min • 05:37 • -10.86db
23% Popularity • 49% Danceability • 43% Energy • 11% Liveness
68% Instrumentalness • 5% Positiveness
23% Popularity • 49% Danceability • 43% Energy • 11% Liveness
68% Instrumentalness • 5% Positiveness
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Desert Sessions
A Girl Like Me
136 bpm • C# Maj • 03:07 • -4.66db
22% Popularity • 45% Danceability • 88% Energy • 39% Liveness
18% Instrumentalness • 26% Positiveness
22% Popularity • 45% Danceability • 88% Energy • 39% Liveness
18% Instrumentalness • 26% Positiveness
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She Drew The Gun
Poem
136 bpm • A Maj • 04:17 • -13.58db
23% Popularity • 58% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
23% Popularity • 58% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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The Modern Lovers
Old World
136 bpm • A min • 04:00 • -8.67db
31% Popularity • 53% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
31% Popularity • 53% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
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Black Mountain
No Satisfaction
137 bpm • D Maj • 03:47 • -5.63db
18% Popularity • 45% Danceability • 94% Energy • 36% Liveness
61% Instrumentalness • 67% Positiveness
18% Popularity • 45% Danceability • 94% Energy • 36% Liveness
61% Instrumentalness • 67% Positiveness
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The Blind Shake
Broken Racehorse
137 bpm • C Maj • 03:20 • -7.2db
8% Popularity • 56% Danceability • 68% Energy • 11% Liveness
14% Instrumentalness • 26% Positiveness
8% Popularity • 56% Danceability • 68% Energy • 11% Liveness
14% Instrumentalness • 26% Positiveness
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Fujiya & Miyagi
Ankle Injuries
137 bpm • B min • 05:05 • -9db
40% Popularity • 77% Danceability • 67% Energy • 8% Liveness
75% Instrumentalness • 48% Positiveness
40% Popularity • 77% Danceability • 67% Energy • 8% Liveness
75% Instrumentalness • 48% Positiveness
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Desert Sessions
Powdered Wig Machine
124 bpm • E min • 02:40 • -5.22db
27% Popularity • 57% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
27% Popularity • 57% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
