Songs like Agora pra Sempre by Antonio Loureiro
Based on a tempo of (+/- 10%) and a similar genre
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Antonio Loureiro
Agora pra Sempre
98 bpm • F min • 05:11 • -9.12db
1% Popularity • 31% Danceability • 55% Energy • 13% Liveness
20% Instrumentalness • 32% Positiveness
1% Popularity • 31% Danceability • 55% Energy • 13% Liveness
20% Instrumentalness • 32% Positiveness
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Mateo Ottonello
Fue un viento
98 bpm • G Maj • 04:12 • -12.61db
17% Popularity • 44% Danceability • 34% Energy • 18% Liveness
90% Instrumentalness • 11% Positiveness
17% Popularity • 44% Danceability • 34% Energy • 18% Liveness
90% Instrumentalness • 11% Positiveness
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Manu Codjia
Phase I
98 bpm • C Maj • 02:09 • -18.82db
25% Popularity • 46% Danceability • 6% Energy • 9% Liveness
60% Instrumentalness • 24% Positiveness
25% Popularity • 46% Danceability • 6% Energy • 9% Liveness
60% Instrumentalness • 24% Positiveness
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Nick Campbell Destroys
Modern Jazz Is A Bloodsport
98 bpm • F# min • 03:10 • -8.57db
11% Popularity • 36% Danceability • 64% Energy • 37% Liveness
0% Instrumentalness • 79% Positiveness
11% Popularity • 36% Danceability • 64% Energy • 37% Liveness
0% Instrumentalness • 79% Positiveness
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Antônio Neves
Forte Apache
98 bpm • F# min • 05:55 • -12.99db
9% Popularity • 31% Danceability • 59% Energy • 28% Liveness
94% Instrumentalness • 36% Positiveness
9% Popularity • 31% Danceability • 59% Energy • 28% Liveness
94% Instrumentalness • 36% Positiveness
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André Mehmari
Um Mapa de Tres Pontas
98 bpm • G Maj • 06:38 • -13.98db
1% Popularity • 32% Danceability • 25% Energy • 10% Liveness
90% Instrumentalness • 13% Positiveness
1% Popularity • 32% Danceability • 25% Energy • 10% Liveness
90% Instrumentalness • 13% Positiveness
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Antonio Loureiro
Qui Nem Quiabo
98 bpm • A min • 03:32 • -10.13db
0% Popularity • 80% Danceability • 47% Energy • 7% Liveness
89% Instrumentalness • 81% Positiveness
0% Popularity • 80% Danceability • 47% Energy • 7% Liveness
89% Instrumentalness • 81% Positiveness
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Otis Sandsjö
Tremendoce
98 bpm • C# min • 04:14 • -11.26db
29% Popularity • 65% Danceability • 59% Energy • 18% Liveness
78% Instrumentalness • 24% Positiveness
29% Popularity • 65% Danceability • 59% Energy • 18% Liveness
78% Instrumentalness • 24% Positiveness
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Patrick Booth
Inch by Inch
98 bpm • D min • 05:06 • -11.57db
8% Popularity • 47% Danceability • 40% Energy • 26% Liveness
52% Instrumentalness • 62% Positiveness
8% Popularity • 47% Danceability • 40% Energy • 26% Liveness
52% Instrumentalness • 62% Positiveness
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VEGA VIBE05
A Night in Hanoi
98 bpm • C Maj • 03:21 • -7.76db
19% Popularity • 47% Danceability • 73% Energy • 24% Liveness
74% Instrumentalness • 18% Positiveness
19% Popularity • 47% Danceability • 73% Energy • 24% Liveness
74% Instrumentalness • 18% Positiveness
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Oran Etkin
Pro Carnaval Voltar
99 bpm • G min • 08:01 • -11.78db
6% Popularity • 55% Danceability • 38% Energy • 12% Liveness
25% Instrumentalness • 7% Positiveness
6% Popularity • 55% Danceability • 38% Energy • 12% Liveness
25% Instrumentalness • 7% Positiveness
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Shai Maestro
In a Sentimental Mood
99 bpm • C Maj • 05:47 • -19db
20% Popularity • 61% Danceability • 25% Energy • 6% Liveness
87% Instrumentalness • 50% Positiveness
20% Popularity • 61% Danceability • 25% Energy • 6% Liveness
87% Instrumentalness • 50% Positiveness
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Letieres Leite Quinteto
Casa do Pai
99 bpm • C Maj • 07:36 • -15.17db
21% Popularity • 59% Danceability • 29% Energy • 31% Liveness
84% Instrumentalness • 46% Positiveness
21% Popularity • 59% Danceability • 29% Energy • 31% Liveness
84% Instrumentalness • 46% Positiveness
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Laura Jurd
Sleepless
97 bpm • B min • 06:18 • -12.68db
8% Popularity • 55% Danceability • 36% Energy • 11% Liveness
88% Instrumentalness • 16% Positiveness
8% Popularity • 55% Danceability • 36% Energy • 11% Liveness
88% Instrumentalness • 16% Positiveness
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Walter Smith III
Type Rider
97 bpm • C Maj • 03:21 • -11.07db
21% Popularity • 53% Danceability • 47% Energy • 18% Liveness
85% Instrumentalness • 26% Positiveness
21% Popularity • 53% Danceability • 47% Energy • 18% Liveness
85% Instrumentalness • 26% Positiveness
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Patrick Booth
Skipping Stones
99 bpm • C Maj • 06:49 • -12.28db
8% Popularity • 39% Danceability • 34% Energy • 9% Liveness
66% Instrumentalness • 18% Positiveness
8% Popularity • 39% Danceability • 34% Energy • 9% Liveness
66% Instrumentalness • 18% Positiveness
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Minhwi Lee
Tarot
99 bpm • G min • 01:07 • -19.49db
20% Popularity • 47% Danceability • 18% Energy • 11% Liveness
96% Instrumentalness • 55% Positiveness
20% Popularity • 47% Danceability • 18% Energy • 11% Liveness
96% Instrumentalness • 55% Positiveness
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Munir Hossn
Não para
97 bpm • E min • 03:19 • -15.96db
21% Popularity • 63% Danceability • 41% Energy • 38% Liveness
82% Instrumentalness • 60% Positiveness
21% Popularity • 63% Danceability • 41% Energy • 38% Liveness
82% Instrumentalness • 60% Positiveness
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Pedro Gomes
Mosaico
97 bpm • E Maj • 05:45 • -10.31db
1% Popularity • 67% Danceability • 49% Energy • 11% Liveness
91% Instrumentalness • 40% Positiveness
1% Popularity • 67% Danceability • 49% Energy • 11% Liveness
91% Instrumentalness • 40% Positiveness
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Gabriel Bruce
ABISSAL
97 bpm • A# Maj • 03:17 • -11.68db
4% Popularity • 48% Danceability • 86% Energy • 10% Liveness
88% Instrumentalness • 25% Positiveness
4% Popularity • 48% Danceability • 86% Energy • 10% Liveness
88% Instrumentalness • 25% Positiveness
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Elliavir
Elliavir's dream
99 bpm • A min • 05:59 • -13.15db
15% Popularity • 43% Danceability • 23% Energy • 12% Liveness
8% Instrumentalness • 23% Positiveness
15% Popularity • 43% Danceability • 23% Energy • 12% Liveness
8% Instrumentalness • 23% Positiveness
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Christian Houmann
Nordic Afro
99 bpm • A Maj • 05:03 • -14.32db
11% Popularity • 55% Danceability • 49% Energy • 11% Liveness
90% Instrumentalness • 71% Positiveness
11% Popularity • 55% Danceability • 49% Energy • 11% Liveness
90% Instrumentalness • 71% Positiveness
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Félix Zurstrassen
Spring Air
99 bpm • D min • 03:23 • -13.1db
12% Popularity • 43% Danceability • 46% Energy • 18% Liveness
87% Instrumentalness • 32% Positiveness
12% Popularity • 43% Danceability • 46% Energy • 18% Liveness
87% Instrumentalness • 32% Positiveness
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Amaro Freitas
Estudo 0
99 bpm • B Maj • 07:37 • -14.66db
8% Popularity • 39% Danceability • 24% Energy • 11% Liveness
14% Instrumentalness • 4% Positiveness
8% Popularity • 39% Danceability • 24% Energy • 11% Liveness
14% Instrumentalness • 4% Positiveness
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Little North
Running Down The Park
100 bpm • G# Maj • 05:32 • -14.16db
12% Popularity • 50% Danceability • 57% Energy • 11% Liveness
86% Instrumentalness • 37% Positiveness
12% Popularity • 50% Danceability • 57% Energy • 11% Liveness
86% Instrumentalness • 37% Positiveness
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Quartetinho
Onde Anda Você
100 bpm • A# Maj • 03:26 • -9.66db
8% Popularity • 61% Danceability • 50% Energy • 14% Liveness
47% Instrumentalness • 50% Positiveness
8% Popularity • 61% Danceability • 50% Energy • 14% Liveness
47% Instrumentalness • 50% Positiveness
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Vladimir Torres
She comes and goes
100 bpm • D Maj • 06:27 • -10.19db
16% Popularity • 45% Danceability • 39% Energy • 12% Liveness
90% Instrumentalness • 38% Positiveness
16% Popularity • 45% Danceability • 39% Energy • 12% Liveness
90% Instrumentalness • 38% Positiveness
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Mauro Rodrigues
Tema Curto
100 bpm • C# Maj • 01:29 • -15.97db
0% Popularity • 37% Danceability • 17% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
0% Popularity • 37% Danceability • 17% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
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Hugo Fattoruso
Botijas
96 bpm • D min • 05:17 • -13.18db
11% Popularity • 51% Danceability • 79% Energy • 36% Liveness
86% Instrumentalness • 63% Positiveness
11% Popularity • 51% Danceability • 79% Energy • 36% Liveness
86% Instrumentalness • 63% Positiveness
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Pedro Gomes
Fugindo do Sete
100 bpm • D min • 05:00 • -9.83db
4% Popularity • 64% Danceability • 45% Energy • 9% Liveness
95% Instrumentalness • 64% Positiveness
4% Popularity • 64% Danceability • 45% Energy • 9% Liveness
95% Instrumentalness • 64% Positiveness
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Dalmo Mota
Afoxé Obá
100 bpm • E min • 05:35 • -10.97db
7% Popularity • 43% Danceability • 47% Energy • 20% Liveness
0% Instrumentalness • 45% Positiveness
7% Popularity • 43% Danceability • 47% Energy • 20% Liveness
0% Instrumentalness • 45% Positiveness
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Ron Korb
Isla Grande
100 bpm • E min • 04:15 • -6.45db
21% Popularity • 53% Danceability • 75% Energy • 19% Liveness
30% Instrumentalness • 27% Positiveness
21% Popularity • 53% Danceability • 75% Energy • 19% Liveness
30% Instrumentalness • 27% Positiveness
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Jesús Gómez
10 Años de melancolía (Homenaje a Paco...
100 bpm • B min • 05:26 • -8.81db
7% Popularity • 69% Danceability • 67% Energy • 36% Liveness
76% Instrumentalness • 37% Positiveness
7% Popularity • 69% Danceability • 67% Energy • 36% Liveness
76% Instrumentalness • 37% Positiveness
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Petter Eldh
HAWK MOUNTAIN Eric Harland
96 bpm • A# min • 06:24 • -11.82db
9% Popularity • 43% Danceability • 52% Energy • 34% Liveness
88% Instrumentalness • 33% Positiveness
9% Popularity • 43% Danceability • 52% Energy • 34% Liveness
88% Instrumentalness • 33% Positiveness
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Thiago Delegado
Cansei de Ser Enganado
100 bpm • E min • 03:34 • -8.66db
12% Popularity • 71% Danceability • 60% Energy • 15% Liveness
89% Instrumentalness • 61% Positiveness
12% Popularity • 71% Danceability • 60% Energy • 15% Liveness
89% Instrumentalness • 61% Positiveness
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Amaro Freitas
Ayeye
100 bpm • G min • 06:15 • -12.85db
24% Popularity • 62% Danceability • 49% Energy • 12% Liveness
94% Instrumentalness • 47% Positiveness
24% Popularity • 62% Danceability • 49% Energy • 12% Liveness
94% Instrumentalness • 47% Positiveness
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Mauro Rodrigues
O Fio D'Água e a Serpente
100 bpm • D Maj • 08:11 • -13.67db
0% Popularity • 64% Danceability • 29% Energy • 9% Liveness
84% Instrumentalness • 30% Positiveness
0% Popularity • 64% Danceability • 29% Energy • 9% Liveness
84% Instrumentalness • 30% Positiveness
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Danae Olano
Thinking About That Name
100 bpm • F Maj • 03:54 • -12.31db
10% Popularity • 54% Danceability • 65% Energy • 17% Liveness
89% Instrumentalness • 72% Positiveness
10% Popularity • 54% Danceability • 65% Energy • 17% Liveness
89% Instrumentalness • 72% Positiveness
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Antônio Neves
Summertime
100 bpm • F Maj • 04:12 • -15.04db
10% Popularity • 58% Danceability • 53% Energy • 8% Liveness
73% Instrumentalness • 32% Positiveness
10% Popularity • 58% Danceability • 53% Energy • 8% Liveness
73% Instrumentalness • 32% Positiveness
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Leonardo Areco
Picada Azul
100 bpm • D Maj • 07:14 • -14.78db
15% Popularity • 48% Danceability • 55% Energy • 11% Liveness
94% Instrumentalness • 83% Positiveness
15% Popularity • 48% Danceability • 55% Energy • 11% Liveness
94% Instrumentalness • 83% Positiveness
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Antonio Loureiro
Nova
100 bpm • E min • 04:55 • -14.17db
0% Popularity • 65% Danceability • 18% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
0% Popularity • 65% Danceability • 18% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
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Berkan Alpan
Calculus
100 bpm • G Maj • 04:00 • -11.18db
8% Popularity • 73% Danceability • 45% Energy • 16% Liveness
82% Instrumentalness • 45% Positiveness
8% Popularity • 73% Danceability • 45% Energy • 16% Liveness
82% Instrumentalness • 45% Positiveness
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Fábio Gouvea
Infancia
96 bpm • F# min • 05:05 • -16.15db
6% Popularity • 41% Danceability • 27% Energy • 10% Liveness
87% Instrumentalness • 21% Positiveness
6% Popularity • 41% Danceability • 27% Energy • 10% Liveness
87% Instrumentalness • 21% Positiveness
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Spirale
Peaches En Regalia
100 bpm • G Maj • 05:10 • -11.01db
11% Popularity • 54% Danceability • 56% Energy • 10% Liveness
2% Instrumentalness • 40% Positiveness
11% Popularity • 54% Danceability • 56% Energy • 10% Liveness
2% Instrumentalness • 40% Positiveness
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Jasmine Myra
Morningtide
96 bpm • D min • 06:30 • -11.54db
32% Popularity • 36% Danceability • 36% Energy • 8% Liveness
94% Instrumentalness • 18% Positiveness
32% Popularity • 36% Danceability • 36% Energy • 8% Liveness
94% Instrumentalness • 18% Positiveness
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Beto Paciello
7 Seas
96 bpm • G min • 08:29 • -11.99db
11% Popularity • 57% Danceability • 50% Energy • 9% Liveness
76% Instrumentalness • 14% Positiveness
11% Popularity • 57% Danceability • 50% Energy • 9% Liveness
76% Instrumentalness • 14% Positiveness
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Antonio Loureiro
Meu Filho Nasceu!
96 bpm • D Maj • 04:43 • -11.15db
2% Popularity • 55% Danceability • 50% Energy • 12% Liveness
23% Instrumentalness • 30% Positiveness
2% Popularity • 55% Danceability • 50% Energy • 12% Liveness
23% Instrumentalness • 30% Positiveness
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Amaro Freitas
Paço
100 bpm • B Maj • 04:23 • -19.87db
14% Popularity • 43% Danceability • 23% Energy • 14% Liveness
82% Instrumentalness • 49% Positiveness
14% Popularity • 43% Danceability • 23% Energy • 14% Liveness
82% Instrumentalness • 49% Positiveness
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Ricardo Herz
Quinem Quiabo
100 bpm • D min • 03:54 • -12.94db
0% Popularity • 59% Danceability • 18% Energy • 14% Liveness
1% Instrumentalness • 38% Positiveness
0% Popularity • 59% Danceability • 18% Energy • 14% Liveness
1% Instrumentalness • 38% Positiveness
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DAES
Chopping Block
100 bpm • B Maj • 06:11 • -10.14db
9% Popularity • 45% Danceability • 61% Energy • 12% Liveness
62% Instrumentalness • 42% Positiveness
9% Popularity • 45% Danceability • 61% Energy • 12% Liveness
62% Instrumentalness • 42% Positiveness
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Zela Margossian Quintet
The Road
96 bpm • A min • 07:40 • -16db
15% Popularity • 55% Danceability • 33% Energy • 8% Liveness
89% Instrumentalness • 33% Positiveness
15% Popularity • 55% Danceability • 33% Energy • 8% Liveness
89% Instrumentalness • 33% Positiveness
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Pedro Martins
Liberdade
95 bpm • A min • 03:34 • -9.28db
21% Popularity • 50% Danceability • 66% Energy • 23% Liveness
59% Instrumentalness • 41% Positiveness
21% Popularity • 50% Danceability • 66% Energy • 23% Liveness
59% Instrumentalness • 41% Positiveness
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Antonio Loureiro
Caipira
95 bpm • B min • 05:40 • -13.17db
2% Popularity • 60% Danceability • 45% Energy • 11% Liveness
80% Instrumentalness • 23% Positiveness
2% Popularity • 60% Danceability • 45% Energy • 11% Liveness
80% Instrumentalness • 23% Positiveness
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Bruno Pernadas
Granado Wire
101 bpm • B Maj • 08:40 • -9.96db
12% Popularity • 41% Danceability • 52% Energy • 7% Liveness
53% Instrumentalness • 24% Positiveness
12% Popularity • 41% Danceability • 52% Energy • 7% Liveness
53% Instrumentalness • 24% Positiveness
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Kit Downes
Liability
101 bpm • D Maj • 02:12 • -13.24db
24% Popularity • 54% Danceability • 53% Energy • 8% Liveness
90% Instrumentalness • 61% Positiveness
24% Popularity • 54% Danceability • 53% Energy • 8% Liveness
90% Instrumentalness • 61% Positiveness
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Camila Meza
Amazon Farewell
95 bpm • D min • 06:32 • -12.78db
8% Popularity • 31% Danceability • 38% Energy • 11% Liveness
2% Instrumentalness • 16% Positiveness
8% Popularity • 31% Danceability • 38% Energy • 11% Liveness
2% Instrumentalness • 16% Positiveness
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Jayden Villarreal
Enneadic
95 bpm • E min • 04:32 • -12.71db
10% Popularity • 56% Danceability • 36% Energy • 14% Liveness
39% Instrumentalness • 45% Positiveness
10% Popularity • 56% Danceability • 36% Energy • 14% Liveness
39% Instrumentalness • 45% Positiveness
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Shai Maestro
The Stone Skipper
95 bpm • A# min • 05:11 • -14.93db
11% Popularity • 51% Danceability • 54% Energy • 9% Liveness
92% Instrumentalness • 87% Positiveness
11% Popularity • 51% Danceability • 54% Energy • 9% Liveness
92% Instrumentalness • 87% Positiveness
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Pedro Martins
Origem
95 bpm • F# min • 04:29 • -9.95db
9% Popularity • 49% Danceability • 61% Energy • 32% Liveness
0% Instrumentalness • 55% Positiveness
9% Popularity • 49% Danceability • 61% Energy • 32% Liveness
0% Instrumentalness • 55% Positiveness
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Dee's Pecularities
Wahh
95 bpm • C Maj • 01:53 • -13.89db
15% Popularity • 65% Danceability • 39% Energy • 11% Liveness
91% Instrumentalness • 57% Positiveness
15% Popularity • 65% Danceability • 39% Energy • 11% Liveness
91% Instrumentalness • 57% Positiveness
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Amaro Freitas
Baquaqua
101 bpm • F min • 04:02 • -12.72db
25% Popularity • 42% Danceability • 49% Energy • 11% Liveness
93% Instrumentalness • 40% Positiveness
25% Popularity • 42% Danceability • 49% Energy • 11% Liveness
93% Instrumentalness • 40% Positiveness
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Antonio Loureiro
Oriente
95 bpm • C# Maj • 02:46 • -12.16db
1% Popularity • 68% Danceability • 59% Energy • 7% Liveness
2% Instrumentalness • 60% Positiveness
1% Popularity • 68% Danceability • 59% Energy • 7% Liveness
2% Instrumentalness • 60% Positiveness
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Fredrik Kronkvist
Abstract Move
95 bpm • E Maj • 01:00 • -14.8db
20% Popularity • 50% Danceability • 39% Energy • 11% Liveness
75% Instrumentalness • 20% Positiveness
20% Popularity • 50% Danceability • 39% Energy • 11% Liveness
75% Instrumentalness • 20% Positiveness
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Daniel Santiago
Maracatu
101 bpm • F# min • 02:20 • -10.19db
19% Popularity • 47% Danceability • 36% Energy • 13% Liveness
17% Instrumentalness • 44% Positiveness
19% Popularity • 47% Danceability • 36% Energy • 13% Liveness
17% Instrumentalness • 44% Positiveness
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André Mehmari
A Brisa
102 bpm • F min • 05:24 • -15.21db
1% Popularity • 39% Danceability • 20% Energy • 12% Liveness
92% Instrumentalness • 9% Positiveness
1% Popularity • 39% Danceability • 20% Energy • 12% Liveness
92% Instrumentalness • 9% Positiveness
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Hermeto Pascoal
Rede
101 bpm • G# min • 06:30 • -10.35db
16% Popularity • 45% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 21% Positiveness
16% Popularity • 45% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 21% Positiveness
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Erivangd
Déjà Vu
102 bpm • D Maj • 05:06 • -16.76db
9% Popularity • 43% Danceability • 30% Energy • 11% Liveness
88% Instrumentalness • 36% Positiveness
9% Popularity • 43% Danceability • 30% Energy • 11% Liveness
88% Instrumentalness • 36% Positiveness
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Antonio Loureiro
Canção da Voz
95 bpm • G# Maj • 04:45 • -11.53db
0% Popularity • 58% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
0% Popularity • 58% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Gilad Hekselman
Magic Chord
94 bpm • D Maj • 08:29 • -7.85db
7% Popularity • 34% Danceability • 75% Energy • 13% Liveness
3% Instrumentalness • 28% Positiveness
7% Popularity • 34% Danceability • 75% Energy • 13% Liveness
3% Instrumentalness • 28% Positiveness
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Chano Dominguez
Chumbulum
94 bpm • C Maj • 03:56 • -13.01db
8% Popularity • 61% Danceability • 39% Energy • 9% Liveness
82% Instrumentalness • 49% Positiveness
8% Popularity • 61% Danceability • 39% Energy • 9% Liveness
82% Instrumentalness • 49% Positiveness
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Munir Hossn
Yahlee
102 bpm • C# min • 05:12 • -16.78db
11% Popularity • 65% Danceability • 32% Energy • 33% Liveness
79% Instrumentalness • 33% Positiveness
11% Popularity • 65% Danceability • 32% Energy • 33% Liveness
79% Instrumentalness • 33% Positiveness
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David Binney
Birth
102 bpm • F# Maj • 04:20 • -11.44db
22% Popularity • 48% Danceability • 58% Energy • 12% Liveness
69% Instrumentalness • 13% Positiveness
22% Popularity • 48% Danceability • 58% Energy • 12% Liveness
69% Instrumentalness • 13% Positiveness
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Cleber Almeida
Ijexá Mulher
94 bpm • A min • 03:04 • -11db
10% Popularity • 65% Danceability • 52% Energy • 18% Liveness
81% Instrumentalness • 69% Positiveness
10% Popularity • 65% Danceability • 52% Energy • 18% Liveness
81% Instrumentalness • 69% Positiveness
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Antonio Loureiro
Imaginário
95 bpm • F Maj • 03:16 • -16.89db
0% Popularity • 24% Danceability • 9% Energy • 10% Liveness
93% Instrumentalness • 8% Positiveness
0% Popularity • 24% Danceability • 9% Energy • 10% Liveness
93% Instrumentalness • 8% Positiveness
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Fábio Gouvea
Vida que segue
102 bpm • D Maj • 05:57 • -15.86db
12% Popularity • 60% Danceability • 42% Energy • 13% Liveness
74% Instrumentalness • 51% Positiveness
12% Popularity • 60% Danceability • 42% Energy • 13% Liveness
74% Instrumentalness • 51% Positiveness
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Quasimode
Closing Time
94 bpm • C# min • 01:25 • -18.17db
21% Popularity • 43% Danceability • 33% Energy • 9% Liveness
85% Instrumentalness • 36% Positiveness
21% Popularity • 43% Danceability • 33% Energy • 9% Liveness
85% Instrumentalness • 36% Positiveness
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Ed Motta
Awunism
102 bpm • G# Maj • 05:38 • -9.26db
11% Popularity • 38% Danceability • 65% Energy • 31% Liveness
61% Instrumentalness • 50% Positiveness
11% Popularity • 38% Danceability • 65% Energy • 31% Liveness
61% Instrumentalness • 50% Positiveness
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Fabiano do Nascimento
Just Piano
102 bpm • C# Maj • 01:08 • -20.02db
18% Popularity • 48% Danceability • 3% Energy • 18% Liveness
95% Instrumentalness • 4% Positiveness
18% Popularity • 48% Danceability • 3% Energy • 18% Liveness
95% Instrumentalness • 4% Positiveness
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Daniel Santiago
Terra Molhada
94 bpm • E min • 04:32 • -17.16db
11% Popularity • 51% Danceability • 13% Energy • 12% Liveness
89% Instrumentalness • 27% Positiveness
11% Popularity • 51% Danceability • 13% Energy • 12% Liveness
89% Instrumentalness • 27% Positiveness
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none
Facist
103 bpm • G Maj • 05:43 • -15.39db
27% Popularity • 43% Danceability • 33% Energy • 20% Liveness
88% Instrumentalness • 33% Positiveness
27% Popularity • 43% Danceability • 33% Energy • 20% Liveness
88% Instrumentalness • 33% Positiveness
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Antonio Loureiro
Lindeza
103 bpm • D Maj • 05:26 • -11.06db
3% Popularity • 57% Danceability • 53% Energy • 8% Liveness
67% Instrumentalness • 41% Positiveness
3% Popularity • 57% Danceability • 53% Energy • 8% Liveness
67% Instrumentalness • 41% Positiveness
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Amaro Freitas
Mantra
103 bpm • C Maj • 07:07 • -16.34db
12% Popularity • 54% Danceability • 43% Energy • 18% Liveness
87% Instrumentalness • 66% Positiveness
12% Popularity • 54% Danceability • 43% Energy • 18% Liveness
87% Instrumentalness • 66% Positiveness
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Otis Sandsjö
oisters
103 bpm • B Maj • 03:50 • -11.02db
13% Popularity • 53% Danceability • 62% Energy • 11% Liveness
10% Instrumentalness • 49% Positiveness
13% Popularity • 53% Danceability • 62% Energy • 11% Liveness
10% Instrumentalness • 49% Positiveness
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Jam Maschine
Just Walking Again
103 bpm • C Maj • 04:50 • -22.49db
9% Popularity • 55% Danceability • 11% Energy • 11% Liveness
90% Instrumentalness • 8% Positiveness
9% Popularity • 55% Danceability • 11% Energy • 11% Liveness
90% Instrumentalness • 8% Positiveness
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Magic trio
Wake up blues
93 bpm • C# Maj • 03:25 • -14.68db
23% Popularity • 48% Danceability • 36% Energy • 8% Liveness
86% Instrumentalness • 63% Positiveness
23% Popularity • 48% Danceability • 36% Energy • 8% Liveness
86% Instrumentalness • 63% Positiveness
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Ed Motta
Malumbulo
103 bpm • A min • 03:58 • -19.75db
9% Popularity • 44% Danceability • 28% Energy • 9% Liveness
91% Instrumentalness • 53% Positiveness
9% Popularity • 44% Danceability • 28% Energy • 9% Liveness
91% Instrumentalness • 53% Positiveness
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Hugo Fattoruso
Llamada Insólita
93 bpm • B min • 06:22 • -15.28db
9% Popularity • 37% Danceability • 63% Energy • 28% Liveness
89% Instrumentalness • 53% Positiveness
9% Popularity • 37% Danceability • 63% Energy • 28% Liveness
89% Instrumentalness • 53% Positiveness
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Nair Mirabrat
Hermano
93 bpm • E Maj • 03:19 • -13.94db
5% Popularity • 61% Danceability • 32% Energy • 12% Liveness
36% Instrumentalness • 14% Positiveness
5% Popularity • 61% Danceability • 32% Energy • 12% Liveness
36% Instrumentalness • 14% Positiveness
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Omar Sosa
Y Loves
93 bpm • D# Maj • 04:10 • -19.64db
13% Popularity • 73% Danceability • 21% Energy • 11% Liveness
64% Instrumentalness • 27% Positiveness
13% Popularity • 73% Danceability • 21% Energy • 11% Liveness
64% Instrumentalness • 27% Positiveness
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Fabiano do Nascimento
Malandro
103 bpm • E min • 04:31 • -17.7db
9% Popularity • 40% Danceability • 30% Energy • 11% Liveness
92% Instrumentalness • 69% Positiveness
9% Popularity • 40% Danceability • 30% Energy • 11% Liveness
92% Instrumentalness • 69% Positiveness
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Pino Palladino
Chris Dave
93 bpm • G Maj • 03:22 • -10db
29% Popularity • 80% Danceability • 60% Energy • 10% Liveness
89% Instrumentalness • 28% Positiveness
29% Popularity • 80% Danceability • 60% Energy • 10% Liveness
89% Instrumentalness • 28% Positiveness
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Letieres Leite
Coisa nº 8 - Part. Joander Cruz, saxofo...
93 bpm • F min • 07:32 • -13.11db
15% Popularity • 41% Danceability • 26% Energy • 13% Liveness
94% Instrumentalness • 23% Positiveness
15% Popularity • 41% Danceability • 26% Energy • 13% Liveness
94% Instrumentalness • 23% Positiveness
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Daniel Santiago
Chorando e Sorrindo
93 bpm • D min • 05:39 • -18.46db
8% Popularity • 46% Danceability • 13% Energy • 12% Liveness
90% Instrumentalness • 42% Positiveness
8% Popularity • 46% Danceability • 13% Energy • 12% Liveness
90% Instrumentalness • 42% Positiveness
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Antonio Loureiro
Pelas Águas
103 bpm • F# Maj • 08:38 • -14.41db
6% Popularity • 42% Danceability • 38% Energy • 9% Liveness
68% Instrumentalness • 18% Positiveness
6% Popularity • 42% Danceability • 38% Energy • 9% Liveness
68% Instrumentalness • 18% Positiveness
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Nik Bärtsch
Modul 35
93 bpm • F min • 09:11 • -15.61db
7% Popularity • 53% Danceability • 51% Energy • 8% Liveness
86% Instrumentalness • 61% Positiveness
7% Popularity • 53% Danceability • 51% Energy • 8% Liveness
86% Instrumentalness • 61% Positiveness
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Ricardo Herz
Sambito
104 bpm • A# min • 03:00 • -14.22db
0% Popularity • 56% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
0% Popularity • 56% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Hermeto Pascoal
Fatima
104 bpm • G Maj • 05:37 • -10.26db
16% Popularity • 58% Danceability • 52% Energy • 20% Liveness
77% Instrumentalness • 50% Positiveness
16% Popularity • 58% Danceability • 52% Energy • 20% Liveness
77% Instrumentalness • 50% Positiveness
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Amaro Freitas
Cazumbá
93 bpm • G Maj • 08:09 • -13.89db
18% Popularity • 36% Danceability • 41% Energy • 13% Liveness
89% Instrumentalness • 11% Positiveness
18% Popularity • 36% Danceability • 41% Energy • 13% Liveness
89% Instrumentalness • 11% Positiveness