Songs like Aguirre II by Popol Vuh
Based on a tempo of (+/- 10%) and a similar genre
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Roy Montgomery
Downtown to Vesuvio
99 bpm • E Maj • 01:45 • -19.44db
30% Popularity • 27% Danceability • 32% Energy • 12% Liveness
89% Instrumentalness • 33% Positiveness
30% Popularity • 27% Danceability • 32% Energy • 12% Liveness
89% Instrumentalness • 33% Positiveness
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Basil Kirchin
Shuttered Room 5
99 bpm • G Maj • 01:06 • -19.11db
34% Popularity • 64% Danceability • 3% Energy • 8% Liveness
50% Instrumentalness • 13% Positiveness
34% Popularity • 64% Danceability • 3% Energy • 8% Liveness
50% Instrumentalness • 13% Positiveness
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Popol Vuh
Aguirre II
99 bpm • D# Maj • 06:15 • -16.02db
20% Popularity • 27% Danceability • 16% Energy • 10% Liveness
19% Instrumentalness • 4% Positiveness
20% Popularity • 27% Danceability • 16% Energy • 10% Liveness
19% Instrumentalness • 4% Positiveness
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The Durutti Column
Without Mercy 2
98 bpm • E Maj • 07:06 • -11.71db
8% Popularity • 30% Danceability • 42% Energy • 11% Liveness
86% Instrumentalness • 19% Positiveness
8% Popularity • 30% Danceability • 42% Energy • 11% Liveness
86% Instrumentalness • 19% Positiveness
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Agitation Free
In the Silence of the Morning Sunrise
98 bpm • A Maj • 06:37 • -13db
24% Popularity • 46% Danceability • 42% Energy • 10% Liveness
88% Instrumentalness • 44% Positiveness
24% Popularity • 46% Danceability • 42% Energy • 10% Liveness
88% Instrumentalness • 44% Positiveness
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Ernest Hood
August Haze
100 bpm • F Maj • 08:09 • -18.53db
17% Popularity • 36% Danceability • 20% Energy • 70% Liveness
0% Instrumentalness • 8% Positiveness
17% Popularity • 36% Danceability • 20% Energy • 70% Liveness
0% Instrumentalness • 8% Positiveness
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The Focus Group
Kinky Korner Klub
98 bpm • C# Maj • 02:24 • -13.54db
19% Popularity • 30% Danceability • 57% Energy • 36% Liveness
19% Instrumentalness • 61% Positiveness
19% Popularity • 30% Danceability • 57% Energy • 36% Liveness
19% Instrumentalness • 61% Positiveness
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Nico
Janitor Of Lunacy
100 bpm • G# min • 04:03 • -10.97db
32% Popularity • 14% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 21% Positiveness
32% Popularity • 14% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 21% Positiveness
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Popol Vuh
Through Pain to Heaven
100 bpm • B Maj • 03:47 • -14.6db
14% Popularity • 30% Danceability • 47% Energy • 75% Liveness
51% Instrumentalness • 8% Positiveness
14% Popularity • 30% Danceability • 47% Energy • 75% Liveness
51% Instrumentalness • 8% Positiveness
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Harry Partch
Eleven Intrusions I: Study on Olympos' P...
100 bpm • D# Maj • 01:20 • -19db
28% Popularity • 65% Danceability • 18% Energy • 35% Liveness
72% Instrumentalness • 34% Positiveness
28% Popularity • 65% Danceability • 18% Energy • 35% Liveness
72% Instrumentalness • 34% Positiveness
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Suzanne Ciani
The Second Wave - Sirens
100 bpm • B Maj • 07:17 • -23db
23% Popularity • 23% Danceability • 28% Energy • 89% Liveness
83% Instrumentalness • 6% Positiveness
23% Popularity • 23% Danceability • 28% Energy • 89% Liveness
83% Instrumentalness • 6% Positiveness
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Woo
Into
98 bpm • G# Maj • 01:01 • -15.08db
34% Popularity • 69% Danceability • 33% Energy • 10% Liveness
84% Instrumentalness • 15% Positiveness
34% Popularity • 69% Danceability • 33% Energy • 10% Liveness
84% Instrumentalness • 15% Positiveness
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Robert Fripp
Evening Star
97 bpm • D Maj • 07:50 • -16.48db
33% Popularity • 27% Danceability • 13% Energy • 7% Liveness
7% Instrumentalness • 4% Positiveness
33% Popularity • 27% Danceability • 13% Energy • 7% Liveness
7% Instrumentalness • 4% Positiveness
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Agitation Free
Malesch
101 bpm • F Maj • 08:36 • -14.01db
16% Popularity • 36% Danceability • 50% Energy • 72% Liveness
75% Instrumentalness • 5% Positiveness
16% Popularity • 36% Danceability • 50% Energy • 72% Liveness
75% Instrumentalness • 5% Positiveness
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Deux Filles
Los Estrellas - Remastered
101 bpm • C min • 01:07 • -14.13db
33% Popularity • 54% Danceability • 41% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
33% Popularity • 54% Danceability • 41% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
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Raymond Scott
Sleepy Time
101 bpm • C Maj • 04:27 • -20.89db
23% Popularity • 35% Danceability • 28% Energy • 8% Liveness
86% Instrumentalness • 57% Positiveness
23% Popularity • 35% Danceability • 28% Energy • 8% Liveness
86% Instrumentalness • 57% Positiveness
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Jon Hassell
Toucan Ocean
96 bpm • G min • 03:49 • -12.51db
30% Popularity • 58% Danceability • 40% Energy • 16% Liveness
42% Instrumentalness • 24% Positiveness
30% Popularity • 58% Danceability • 40% Energy • 16% Liveness
42% Instrumentalness • 24% Positiveness
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Faust
Giggy Smile - 2006 Digital Remaster
102 bpm • C Maj • 07:46 • -10.53db
21% Popularity • 34% Danceability • 76% Energy • 24% Liveness
6% Instrumentalness • 71% Positiveness
21% Popularity • 34% Danceability • 76% Energy • 24% Liveness
6% Instrumentalness • 71% Positiveness
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Brian Eno
Spirits Drifting - 2004 Remaster
102 bpm • A min • 02:36 • -22.72db
32% Popularity • 24% Danceability • 13% Energy • 9% Liveness
93% Instrumentalness • 5% Positiveness
32% Popularity • 24% Danceability • 13% Energy • 9% Liveness
93% Instrumentalness • 5% Positiveness
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Henry Cow
Solemn Music
96 bpm • B Maj • 01:11 • -16.27db
21% Popularity • 29% Danceability • 6% Energy • 8% Liveness
98% Instrumentalness • 4% Positiveness
21% Popularity • 29% Danceability • 6% Energy • 8% Liveness
98% Instrumentalness • 4% Positiveness
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Captain Beefheart & His Magic Band
A Carrot Is As Close As A Rabbit Gets To...
102 bpm • C Maj • 01:38 • -16.2db
37% Popularity • 77% Danceability • 11% Energy • 7% Liveness
86% Instrumentalness • 67% Positiveness
37% Popularity • 77% Danceability • 11% Energy • 7% Liveness
86% Instrumentalness • 67% Positiveness
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Robert Wyatt
Alifib
96 bpm • B Maj • 06:55 • -23.14db
2% Popularity • 18% Danceability • 7% Energy • 10% Liveness
4% Instrumentalness • 4% Positiveness
2% Popularity • 18% Danceability • 7% Energy • 10% Liveness
4% Instrumentalness • 4% Positiveness
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Ashra
Ice Train
96 bpm • B min • 07:41 • -9.07db
15% Popularity • 52% Danceability • 88% Energy • 16% Liveness
67% Instrumentalness • 78% Positiveness
15% Popularity • 52% Danceability • 88% Energy • 16% Liveness
67% Instrumentalness • 78% Positiveness
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Jon Hassell
Caracas Night September 11, 1975
96 bpm • F min • 02:07 • -22db
33% Popularity • 32% Danceability • 30% Energy • 29% Liveness
3% Instrumentalness • 56% Positiveness
33% Popularity • 32% Danceability • 30% Energy • 29% Liveness
3% Instrumentalness • 56% Positiveness
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K. Leimer
Facing East
103 bpm • A Maj • 02:10 • -8.48db
29% Popularity • 19% Danceability • 51% Energy • 23% Liveness
85% Instrumentalness • 3% Positiveness
29% Popularity • 19% Danceability • 51% Energy • 23% Liveness
85% Instrumentalness • 3% Positiveness
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Brian Eno
Foreign Affairs
95 bpm • C# Maj • 03:31 • -17db
20% Popularity • 50% Danceability • 24% Energy • 26% Liveness
84% Instrumentalness • 45% Positiveness
20% Popularity • 50% Danceability • 24% Energy • 26% Liveness
84% Instrumentalness • 45% Positiveness
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Woo
Upside Down
95 bpm • G# Maj • 03:37 • -18.37db
17% Popularity • 66% Danceability • 48% Energy • 10% Liveness
88% Instrumentalness • 54% Positiveness
17% Popularity • 66% Danceability • 48% Energy • 10% Liveness
88% Instrumentalness • 54% Positiveness
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Third Ear Band
Ghetto Raga - 2019 Remaster
103 bpm • C Maj • 10:29 • -11.23db
8% Popularity • 32% Danceability • 39% Energy • 9% Liveness
90% Instrumentalness • 7% Positiveness
8% Popularity • 32% Danceability • 39% Energy • 9% Liveness
90% Instrumentalness • 7% Positiveness
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Faust
Lauft...Heisst Das Es Lauft Oder Es Komm...
95 bpm • D Maj • 08:07 • -18db
21% Popularity • 45% Danceability • 27% Energy • 9% Liveness
33% Instrumentalness • 6% Positiveness
21% Popularity • 45% Danceability • 27% Energy • 9% Liveness
33% Instrumentalness • 6% Positiveness
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Brainticket
Jardins
103 bpm • E min • 02:09 • -10.95db
11% Popularity • 19% Danceability • 46% Energy • 41% Liveness
0% Instrumentalness • 32% Positiveness
11% Popularity • 19% Danceability • 46% Energy • 41% Liveness
0% Instrumentalness • 32% Positiveness
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K. Leimer
Porcelain
95 bpm • C Maj • 02:11 • -14.02db
35% Popularity • 22% Danceability • 22% Energy • 12% Liveness
90% Instrumentalness • 8% Positiveness
35% Popularity • 22% Danceability • 22% Energy • 12% Liveness
90% Instrumentalness • 8% Positiveness
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Ashra
Morgana Da Capo
103 bpm • D min • 05:30 • -13.63db
19% Popularity • 45% Danceability • 56% Energy • 9% Liveness
93% Instrumentalness • 46% Positiveness
19% Popularity • 45% Danceability • 56% Energy • 9% Liveness
93% Instrumentalness • 46% Positiveness
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Roedelius
Gewiß
104 bpm • D Maj • 04:48 • -18.22db
12% Popularity • 18% Danceability • 8% Energy • 10% Liveness
94% Instrumentalness • 18% Positiveness
12% Popularity • 18% Danceability • 8% Energy • 10% Liveness
94% Instrumentalness • 18% Positiveness
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Brian Eno
Broken Head
104 bpm • A# min • 05:22 • -14db
17% Popularity • 63% Danceability • 43% Energy • 12% Liveness
84% Instrumentalness • 56% Positiveness
17% Popularity • 63% Danceability • 43% Energy • 12% Liveness
84% Instrumentalness • 56% Positiveness
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Faust
Giggy Smile
103 bpm • D Maj • 04:28 • -18.06db
17% Popularity • 71% Danceability • 40% Energy • 8% Liveness
28% Instrumentalness • 32% Positiveness
17% Popularity • 71% Danceability • 40% Energy • 8% Liveness
28% Instrumentalness • 32% Positiveness
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Popol Vuh
... Als Lebten Die Engel Auf Erden
94 bpm • G Maj • 02:12 • -17.62db
17% Popularity • 44% Danceability • 28% Energy • 16% Liveness
99% Instrumentalness • 19% Positiveness
17% Popularity • 44% Danceability • 28% Energy • 16% Liveness
99% Instrumentalness • 19% Positiveness
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Jon Hassell
Blues Nile
104 bpm • G min • 09:54 • -12.86db
27% Popularity • 16% Danceability • 34% Energy • 16% Liveness
89% Instrumentalness • 3% Positiveness
27% Popularity • 16% Danceability • 34% Energy • 16% Liveness
89% Instrumentalness • 3% Positiveness
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Harmonia & Eno '76
Vamos Companeros
94 bpm • E Maj • 04:33 • -11.09db
17% Popularity • 47% Danceability • 74% Energy • 46% Liveness
88% Instrumentalness • 84% Positiveness
17% Popularity • 47% Danceability • 74% Energy • 46% Liveness
88% Instrumentalness • 84% Positiveness
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K. Leimer
Ceylon
104 bpm • C Maj • 02:51 • -14.75db
35% Popularity • 34% Danceability • 10% Energy • 13% Liveness
91% Instrumentalness • 13% Positiveness
35% Popularity • 34% Danceability • 10% Energy • 13% Liveness
91% Instrumentalness • 13% Positiveness
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Mythos
Dedicated to Wernher Von Braun
94 bpm • A min • 06:00 • -25.08db
11% Popularity • 46% Danceability • 5% Energy • 12% Liveness
64% Instrumentalness • 10% Positiveness
11% Popularity • 46% Danceability • 5% Energy • 12% Liveness
64% Instrumentalness • 10% Positiveness
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Michael Stearns
“Toto, I’ve a feeling we’re not In...
105 bpm • D Maj • 06:22 • -19.61db
16% Popularity • 21% Danceability • 33% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
16% Popularity • 21% Danceability • 33% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
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Tangerine Dream
Sunrise in the Third System
94 bpm • A min • 04:21 • -12.28db
22% Popularity • 13% Danceability • 26% Energy • 41% Liveness
53% Instrumentalness • 3% Positiveness
22% Popularity • 13% Danceability • 26% Energy • 41% Liveness
53% Instrumentalness • 3% Positiveness
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Penguin Cafe Orchestra
Hugebaby - 2008 Digital Remaster
105 bpm • D Maj • 04:52 • -17.7db
20% Popularity • 32% Danceability • 13% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
20% Popularity • 32% Danceability • 13% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Harmonia & Eno '76
By The Riverside
94 bpm • G Maj • 09:31 • -17.57db
15% Popularity • 43% Danceability • 17% Energy • 15% Liveness
2% Instrumentalness • 22% Positiveness
15% Popularity • 43% Danceability • 17% Energy • 15% Liveness
2% Instrumentalness • 22% Positiveness
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Embryo
Got No Time - Remastered
93 bpm • D Maj • 01:34 • -13.92db
23% Popularity • 61% Danceability • 29% Energy • 10% Liveness
83% Instrumentalness • 18% Positiveness
23% Popularity • 61% Danceability • 29% Energy • 10% Liveness
83% Instrumentalness • 18% Positiveness
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Cluster
Schöne Hände
105 bpm • B Maj • 03:05 • -24db
39% Popularity • 62% Danceability • 23% Energy • 7% Liveness
91% Instrumentalness • 5% Positiveness
39% Popularity • 62% Danceability • 23% Energy • 7% Liveness
91% Instrumentalness • 5% Positiveness
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Brian Eno
Light Arms
93 bpm • D Maj • 01:32 • -17.24db
21% Popularity • 64% Danceability • 15% Energy • 10% Liveness
95% Instrumentalness • 37% Positiveness
21% Popularity • 64% Danceability • 15% Energy • 10% Liveness
95% Instrumentalness • 37% Positiveness
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Bo Hansson
The Old Forest - Tom Bombadil
93 bpm • D min • 03:43 • -17.72db
24% Popularity • 22% Danceability • 14% Energy • 17% Liveness
95% Instrumentalness • 6% Positiveness
24% Popularity • 22% Danceability • 14% Energy • 17% Liveness
95% Instrumentalness • 6% Positiveness
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Harald Grosskopf
Synthesist
105 bpm • C# Maj • 07:39 • -10db
22% Popularity • 43% Danceability • 70% Energy • 9% Liveness
88% Instrumentalness • 80% Positiveness
22% Popularity • 43% Danceability • 70% Energy • 9% Liveness
88% Instrumentalness • 80% Positiveness
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Harmonia & Eno '76
Weird Dream
104 bpm • G# Maj • 06:41 • -25.32db
10% Popularity • 27% Danceability • 21% Energy • 16% Liveness
94% Instrumentalness • 4% Positiveness
10% Popularity • 27% Danceability • 21% Energy • 16% Liveness
94% Instrumentalness • 4% Positiveness
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Brainticket
Places Of Light
93 bpm • D Maj • 04:05 • -12.79db
21% Popularity • 55% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
21% Popularity • 55% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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Cluster
Avanti
93 bpm • G Maj • 04:47 • -17.56db
26% Popularity • 54% Danceability • 17% Energy • 39% Liveness
94% Instrumentalness • 9% Positiveness
26% Popularity • 54% Danceability • 17% Energy • 39% Liveness
94% Instrumentalness • 9% Positiveness
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Vladimir Ussachevsky
Sonic Contours
106 bpm • C Maj • 01:13 • -48db
16% Popularity • 22% Danceability • 2% Energy • 30% Liveness
0% Instrumentalness • 7% Positiveness
16% Popularity • 22% Danceability • 2% Energy • 30% Liveness
0% Instrumentalness • 7% Positiveness
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Brian Eno
Little Fishes - 2004 Remaster
93 bpm • C Maj • 01:34 • -26.78db
32% Popularity • 34% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
32% Popularity • 34% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Harold Budd
A Child In A Sylvan Field
106 bpm • F Maj • 03:36 • -22db
19% Popularity • 26% Danceability • 7% Energy • 12% Liveness
92% Instrumentalness • 3% Positiveness
19% Popularity • 26% Danceability • 7% Energy • 12% Liveness
92% Instrumentalness • 3% Positiveness
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The Durutti Column
Detail For Paul
106 bpm • F# Maj • 01:55 • -13.61db
21% Popularity • 72% Danceability • 46% Energy • 14% Liveness
94% Instrumentalness • 56% Positiveness
21% Popularity • 72% Danceability • 46% Energy • 14% Liveness
94% Instrumentalness • 56% Positiveness
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Popol Vuh
In Deine Hände
92 bpm • C Maj • 03:01 • -10.02db
12% Popularity • 29% Danceability • 48% Energy • 14% Liveness
47% Instrumentalness • 24% Positiveness
12% Popularity • 29% Danceability • 48% Energy • 14% Liveness
47% Instrumentalness • 24% Positiveness
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Tangerine Dream
Sequent 'C' - Remastered 2018
92 bpm • D min • 02:21 • -28.47db
36% Popularity • 11% Danceability • 2% Energy • 8% Liveness
99% Instrumentalness • 4% Positiveness
36% Popularity • 11% Danceability • 2% Energy • 8% Liveness
99% Instrumentalness • 4% Positiveness
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Agitation Free
Sahara City
107 bpm • E Maj • 07:50 • -14.78db
17% Popularity • 37% Danceability • 54% Energy • 9% Liveness
62% Instrumentalness • 22% Positiveness
17% Popularity • 37% Danceability • 54% Energy • 9% Liveness
62% Instrumentalness • 22% Positiveness
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Asmus Tietchens
Falter-Lamento
91 bpm • C min • 06:18 • -9.99db
13% Popularity • 16% Danceability • 44% Energy • 9% Liveness
98% Instrumentalness • 3% Positiveness
13% Popularity • 16% Danceability • 44% Energy • 9% Liveness
98% Instrumentalness • 3% Positiveness
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Iasos
Libra Sunrise
107 bpm • A min • 01:33 • -13db
33% Popularity • 32% Danceability • 49% Energy • 82% Liveness
89% Instrumentalness • 24% Positiveness
33% Popularity • 32% Danceability • 49% Energy • 82% Liveness
89% Instrumentalness • 24% Positiveness
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The Durutti Column
In "D"
92 bpm • D Maj • 02:27 • -22.7db
31% Popularity • 40% Danceability • 4% Energy • 22% Liveness
1% Instrumentalness • 16% Positiveness
31% Popularity • 40% Danceability • 4% Energy • 22% Liveness
1% Instrumentalness • 16% Positiveness
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Popol Vuh
Aguirre I (L'Acrime Di Rei)
107 bpm • G min • 07:22 • -18.97db
27% Popularity • 25% Danceability • 15% Energy • 13% Liveness
95% Instrumentalness • 6% Positiveness
27% Popularity • 25% Danceability • 15% Energy • 13% Liveness
95% Instrumentalness • 6% Positiveness
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Amon Düül II
Gulp a Sonata
107 bpm • D# Maj • 00:46 • -13.7db
26% Popularity • 44% Danceability • 34% Energy • 20% Liveness
31% Instrumentalness • 7% Positiveness
26% Popularity • 44% Danceability • 34% Energy • 20% Liveness
31% Instrumentalness • 7% Positiveness
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Jon Hassell
Aurora
91 bpm • D Maj • 05:22 • -31db
26% Popularity • 12% Danceability • 9% Energy • 16% Liveness
96% Instrumentalness • 38% Positiveness
26% Popularity • 12% Danceability • 9% Energy • 16% Liveness
96% Instrumentalness • 38% Positiveness
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Robert Wyatt
Alife
108 bpm • E Maj • 06:31 • -16.6db
1% Popularity • 30% Danceability • 48% Energy • 16% Liveness
17% Instrumentalness • 13% Positiveness
1% Popularity • 30% Danceability • 48% Energy • 16% Liveness
17% Instrumentalness • 13% Positiveness
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Kosmischer Läufer
Der Traum des Jungen
108 bpm • A Maj • 03:42 • -12.76db
17% Popularity • 47% Danceability • 47% Energy • 53% Liveness
92% Instrumentalness • 4% Positiveness
17% Popularity • 47% Danceability • 47% Energy • 53% Liveness
92% Instrumentalness • 4% Positiveness
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Robert Fripp
An Index Of Metals III
91 bpm • C Maj • 03:51 • -17.48db
21% Popularity • 14% Danceability • 24% Energy • 39% Liveness
85% Instrumentalness • 2% Positiveness
21% Popularity • 14% Danceability • 24% Energy • 39% Liveness
85% Instrumentalness • 2% Positiveness
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Popol Vuh
Dort Ist Der Weg
106 bpm • B min • 04:29 • -7.5db
9% Popularity • 27% Danceability • 67% Energy • 11% Liveness
91% Instrumentalness • 10% Positiveness
9% Popularity • 27% Danceability • 67% Energy • 11% Liveness
91% Instrumentalness • 10% Positiveness
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Deux Filles
She Slides - Remastered
108 bpm • B Maj • 03:05 • -17.28db
16% Popularity • 72% Danceability • 56% Energy • 7% Liveness
94% Instrumentalness • 97% Positiveness
16% Popularity • 72% Danceability • 56% Energy • 7% Liveness
94% Instrumentalness • 97% Positiveness
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Jon Hassell
Chemistry
108 bpm • E min • 06:54 • -29db
22% Popularity • 62% Danceability • 18% Energy • 13% Liveness
88% Instrumentalness • 29% Positiveness
22% Popularity • 62% Danceability • 18% Energy • 13% Liveness
88% Instrumentalness • 29% Positiveness
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Faust
It's A Rainy Day Sunshine Girl
109 bpm • C Maj • 07:27 • -10.57db
20% Popularity • 66% Danceability • 68% Energy • 7% Liveness
55% Instrumentalness • 96% Positiveness
20% Popularity • 66% Danceability • 68% Energy • 7% Liveness
55% Instrumentalness • 96% Positiveness
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Ashra
Oasis
109 bpm • D Maj • 03:46 • -20.74db
36% Popularity • 70% Danceability • 15% Energy • 11% Liveness
77% Instrumentalness • 60% Positiveness
36% Popularity • 70% Danceability • 15% Energy • 11% Liveness
77% Instrumentalness • 60% Positiveness
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Basil Kirchin
Sketch Two
90 bpm • E min • 03:22 • -14db
18% Popularity • 54% Danceability • 27% Energy • 64% Liveness
84% Instrumentalness • 24% Positiveness
18% Popularity • 54% Danceability • 27% Energy • 64% Liveness
84% Instrumentalness • 24% Positiveness
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Popol Vuh
Circledance
109 bpm • B Maj • 02:34 • -12.95db
12% Popularity • 47% Danceability • 53% Energy • 13% Liveness
90% Instrumentalness • 44% Positiveness
12% Popularity • 47% Danceability • 53% Energy • 13% Liveness
90% Instrumentalness • 44% Positiveness
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Deux Filles
Silence & Wisdom - Remastered
108 bpm • D Maj • 03:46 • -26.85db
14% Popularity • 24% Danceability • 23% Energy • 22% Liveness
88% Instrumentalness • 4% Positiveness
14% Popularity • 24% Danceability • 23% Energy • 22% Liveness
88% Instrumentalness • 4% Positiveness
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Roedelius
Draußen vorbei
90 bpm • A# min • 04:14 • -14.25db
13% Popularity • 71% Danceability • 34% Energy • 24% Liveness
93% Instrumentalness • 62% Positiveness
13% Popularity • 71% Danceability • 34% Energy • 24% Liveness
93% Instrumentalness • 62% Positiveness
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Amon Düül II
Green Bubble Raincoated Man
89 bpm • D Maj • 05:03 • -8.98db
18% Popularity • 27% Danceability • 71% Energy • 29% Liveness
0% Instrumentalness • 39% Positiveness
18% Popularity • 27% Danceability • 71% Energy • 29% Liveness
0% Instrumentalness • 39% Positiveness
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Ashra
Shuttle Cock
109 bpm • A min • 08:31 • -11.71db
25% Popularity • 61% Danceability • 64% Energy • 9% Liveness
87% Instrumentalness • 94% Positiveness
25% Popularity • 61% Danceability • 64% Energy • 9% Liveness
87% Instrumentalness • 94% Positiveness
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The Durutti Column
Piece for an Ideal
109 bpm • D min • 02:08 • -16.33db
14% Popularity • 47% Danceability • 27% Energy • 8% Liveness
92% Instrumentalness • 26% Positiveness
14% Popularity • 47% Danceability • 27% Energy • 8% Liveness
92% Instrumentalness • 26% Positiveness
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Popol Vuh
Das Schloss Des Irrtums
109 bpm • E min • 05:37 • -20.25db
16% Popularity • 47% Danceability • 15% Energy • 10% Liveness
73% Instrumentalness • 19% Positiveness
16% Popularity • 47% Danceability • 15% Energy • 10% Liveness
73% Instrumentalness • 19% Positiveness
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Embryo
A Place To Go
110 bpm • G min • 04:08 • -12.87db
12% Popularity • 43% Danceability • 72% Energy • 15% Liveness
72% Instrumentalness • 78% Positiveness
12% Popularity • 43% Danceability • 72% Energy • 15% Liveness
72% Instrumentalness • 78% Positiveness
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Roedelius
Fou fou
110 bpm • A Maj • 03:54 • -19.57db
10% Popularity • 61% Danceability • 29% Energy • 11% Liveness
91% Instrumentalness • 80% Positiveness
10% Popularity • 61% Danceability • 29% Energy • 11% Liveness
91% Instrumentalness • 80% Positiveness
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Stuart Dempster
Deep Hockets
89 bpm • D min • 03:42 • -27db
23% Popularity • 13% Danceability • 8% Energy • 17% Liveness
97% Instrumentalness • 13% Positiveness
23% Popularity • 13% Danceability • 8% Energy • 17% Liveness
97% Instrumentalness • 13% Positiveness
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Robert Wyatt
Vandalusia
89 bpm • G Maj • 02:44 • -18.96db
12% Popularity • 15% Danceability • 9% Energy • 12% Liveness
43% Instrumentalness • 4% Positiveness
12% Popularity • 15% Danceability • 9% Energy • 12% Liveness
43% Instrumentalness • 4% Positiveness
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Nuno Canavarro
Bruma
110 bpm • B min • 01:44 • -22.37db
24% Popularity • 39% Danceability • 8% Energy • 35% Liveness
78% Instrumentalness • 17% Positiveness
24% Popularity • 39% Danceability • 8% Energy • 35% Liveness
78% Instrumentalness • 17% Positiveness
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Popol Vuh
Kyrie
110 bpm • A# Maj • 05:23 • -14.74db
25% Popularity • 25% Danceability • 24% Energy • 9% Liveness
75% Instrumentalness • 6% Positiveness
25% Popularity • 25% Danceability • 24% Energy • 9% Liveness
75% Instrumentalness • 6% Positiveness
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Laurence Vanay
Evening Colours
110 bpm • C min • 03:01 • -23db
15% Popularity • 30% Danceability • 20% Energy • 22% Liveness
92% Instrumentalness • 10% Positiveness
15% Popularity • 30% Danceability • 20% Energy • 22% Liveness
92% Instrumentalness • 10% Positiveness
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David Byrne
Light Bath
110 bpm • C Maj • 01:11 • -23.47db
28% Popularity • 58% Danceability • 20% Energy • 13% Liveness
98% Instrumentalness • 48% Positiveness
28% Popularity • 58% Danceability • 20% Energy • 13% Liveness
98% Instrumentalness • 48% Positiveness
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Jon Hassell
Ba-benzélé
89 bpm • C Maj • 06:17 • -29.44db
24% Popularity • 22% Danceability • 11% Energy • 33% Liveness
92% Instrumentalness • 29% Positiveness
24% Popularity • 22% Danceability • 11% Energy • 33% Liveness
92% Instrumentalness • 29% Positiveness
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Robert Fripp
The Heavenly Music Corporation II
89 bpm • C# min • 03:08 • -15.69db
24% Popularity • 14% Danceability • 30% Energy • 10% Liveness
34% Instrumentalness • 7% Positiveness
24% Popularity • 14% Danceability • 30% Energy • 10% Liveness
34% Instrumentalness • 7% Positiveness
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Amon Düül II
Pale Gallery
111 bpm • C Maj • 02:12 • -15.75db
23% Popularity • 42% Danceability • 40% Energy • 12% Liveness
97% Instrumentalness • 38% Positiveness
23% Popularity • 42% Danceability • 40% Energy • 12% Liveness
97% Instrumentalness • 38% Positiveness
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Popol Vuh
Würfelspiel
89 bpm • C Maj • 03:09 • -9.38db
18% Popularity • 29% Danceability • 73% Energy • 10% Liveness
47% Instrumentalness • 22% Positiveness
18% Popularity • 29% Danceability • 73% Energy • 10% Liveness
47% Instrumentalness • 22% Positiveness
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Brian Eno
The Belldog
111 bpm • B Maj • 06:19 • -12.83db
29% Popularity • 41% Danceability • 43% Energy • 10% Liveness
92% Instrumentalness • 14% Positiveness
29% Popularity • 41% Danceability • 43% Energy • 10% Liveness
92% Instrumentalness • 14% Positiveness
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Faust
It's A Bit Of A Pain - 2006 Digital Rema...
111 bpm • E Maj • 03:08 • -15.34db
25% Popularity • 35% Danceability • 36% Energy • 8% Liveness
2% Instrumentalness • 23% Positiveness
25% Popularity • 35% Danceability • 36% Energy • 8% Liveness
2% Instrumentalness • 23% Positiveness
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Peter Baumann
Meadow Of Infinity - Pt. 2
111 bpm • A Maj • 06:45 • -18.66db
10% Popularity • 29% Danceability • 16% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
10% Popularity • 29% Danceability • 16% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
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Roedelius
Lustwandel
88 bpm • C# min • 03:49 • -18.57db
11% Popularity • 20% Danceability • 9% Energy • 11% Liveness
94% Instrumentalness • 10% Positiveness
11% Popularity • 20% Danceability • 9% Energy • 11% Liveness
94% Instrumentalness • 10% Positiveness
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Conrad Schnitzler
16 - Bonus Track
112 bpm • C# Maj • 01:32 • -9.66db
19% Popularity • 59% Danceability • 97% Energy • 12% Liveness
91% Instrumentalness • 64% Positiveness
19% Popularity • 59% Danceability • 97% Energy • 12% Liveness
91% Instrumentalness • 64% Positiveness
