Songs like Ah Maria, Mari by Comedian Harmonists
Based on a tempo of (+/- 10%) and a similar genre
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Willy Schneider
Alle Tage Ist Kein Sonntag
83 bpm • G# Maj • 03:03 • -13db
11% Popularity • 20% Danceability • 21% Energy • 13% Liveness
1% Instrumentalness • 17% Positiveness
11% Popularity • 20% Danceability • 21% Energy • 13% Liveness
1% Instrumentalness • 17% Positiveness
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Sonja Ziemann
Es grünt so grün
83 bpm • F Maj • 02:32 • -15.92db
14% Popularity • 45% Danceability • 26% Energy • 45% Liveness
0% Instrumentalness • 59% Positiveness
14% Popularity • 45% Danceability • 26% Energy • 45% Liveness
0% Instrumentalness • 59% Positiveness
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Comedian Harmonists
Die Dorfmusik
83 bpm • C# Maj • 02:57 • -14.69db
8% Popularity • 63% Danceability • 25% Energy • 19% Liveness
0% Instrumentalness • 80% Positiveness
8% Popularity • 63% Danceability • 25% Energy • 19% Liveness
0% Instrumentalness • 80% Positiveness
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Végh Quartet
String Quartet In D Major, Op. 18 No. 3 ...
83 bpm • C min • 02:46 • -12db
11% Popularity • 64% Danceability • 34% Energy • 13% Liveness
1% Instrumentalness • 89% Positiveness
11% Popularity • 64% Danceability • 34% Energy • 13% Liveness
1% Instrumentalness • 89% Positiveness
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Udo Jürgens
Lieb Vaterland
84 bpm • G Maj • 04:10 • -7db
9% Popularity • 49% Danceability • 59% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
9% Popularity • 49% Danceability • 59% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
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Lale Andersen
Unter einem Regenschirm am Abend
84 bpm • G# Maj • 03:15 • -11.34db
10% Popularity • 41% Danceability • 37% Energy • 34% Liveness
0% Instrumentalness • 45% Positiveness
10% Popularity • 41% Danceability • 37% Energy • 34% Liveness
0% Instrumentalness • 45% Positiveness
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Willy Schneider
Schütt' die Sorgen in ein Gläschen Wei...
84 bpm • A# Maj • 03:08 • -10.4db
14% Popularity • 34% Danceability • 31% Energy • 33% Liveness
0% Instrumentalness • 31% Positiveness
14% Popularity • 34% Danceability • 31% Energy • 33% Liveness
0% Instrumentalness • 31% Positiveness
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Otto Reutter
Der Ãœberzieher - Original 1925 Remaster...
84 bpm • D# Maj • 03:20 • -11.24db
10% Popularity • 63% Danceability • 33% Energy • 19% Liveness
0% Instrumentalness • 88% Positiveness
10% Popularity • 63% Danceability • 33% Energy • 19% Liveness
0% Instrumentalness • 88% Positiveness
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Hans Albers
La Paloma
82 bpm • G Maj • 03:20 • -13db
30% Popularity • 50% Danceability • 24% Energy • 35% Liveness
5% Instrumentalness • 65% Positiveness
30% Popularity • 50% Danceability • 24% Energy • 35% Liveness
5% Instrumentalness • 65% Positiveness
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Lys Assia
O mein Papa
82 bpm • E Maj • 03:08 • -10.31db
12% Popularity • 37% Danceability • 23% Energy • 44% Liveness
6% Instrumentalness • 36% Positiveness
12% Popularity • 37% Danceability • 23% Energy • 44% Liveness
6% Instrumentalness • 36% Positiveness
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Max Raabe & Palast Orchester
Ich bin nur wegen Dir hier
82 bpm • F Maj • 02:34 • -9.41db
24% Popularity • 77% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
24% Popularity • 77% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Johanna von Koczian
Das bisschen Haushalt... sagt mein Mann
84 bpm • F Maj • 03:07 • -8.52db
23% Popularity • 65% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
23% Popularity • 65% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
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Lale Andersen
Lili Marleen
84 bpm • A Maj • 02:53 • -7db
38% Popularity • 48% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
38% Popularity • 48% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Hans Moser
I marschier mit mein Duli-Dulieh
82 bpm • G Maj • 02:34 • -10db
11% Popularity • 44% Danceability • 27% Energy • 30% Liveness
0% Instrumentalness • 62% Positiveness
11% Popularity • 44% Danceability • 27% Energy • 30% Liveness
0% Instrumentalness • 62% Positiveness
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Georg Kreisler
Barbara
84 bpm • A# Maj • 03:03 • -15.56db
15% Popularity • 57% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
15% Popularity • 57% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Zarah Leander
Kann denn Liebe Sünde sein
84 bpm • G Maj • 03:00 • -16db
28% Popularity • 56% Danceability • 18% Energy • 41% Liveness
43% Instrumentalness • 57% Positiveness
28% Popularity • 56% Danceability • 18% Energy • 41% Liveness
43% Instrumentalness • 57% Positiveness
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Hildegard Knef
Ich hab' noch einen Koffer in Berlin
82 bpm • D# Maj • 02:37 • -10db
25% Popularity • 34% Danceability • 36% Energy • 37% Liveness
0% Instrumentalness • 57% Positiveness
25% Popularity • 34% Danceability • 36% Energy • 37% Liveness
0% Instrumentalness • 57% Positiveness
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Bertolt Brecht
Die moritat von mackie messer
85 bpm • G# min • 02:55 • -14db
21% Popularity • 41% Danceability • 13% Energy • 21% Liveness
3% Instrumentalness • 49% Positiveness
21% Popularity • 41% Danceability • 13% Energy • 21% Liveness
3% Instrumentalness • 49% Positiveness
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Comedian Harmonists
Die Liebe Kommt, Die Liebe Geht
85 bpm • A# min • 03:11 • -29.8db
11% Popularity • 41% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
11% Popularity • 41% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Vicky Leandros
Du, du liegst mir im Herzen
81 bpm • F min • 03:10 • -9.64db
23% Popularity • 28% Danceability • 19% Energy • 15% Liveness
0% Instrumentalness • 13% Positiveness
23% Popularity • 28% Danceability • 19% Energy • 15% Liveness
0% Instrumentalness • 13% Positiveness
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Trude Herr
Ich will keine Schokolade
81 bpm • C# Maj • 02:24 • -9.99db
47% Popularity • 61% Danceability • 47% Energy • 36% Liveness
0% Instrumentalness • 86% Positiveness
47% Popularity • 61% Danceability • 47% Energy • 36% Liveness
0% Instrumentalness • 86% Positiveness
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Zarah Leander
Ich Weiß, Es Wird Einmal Ein Wunder Ges...
85 bpm • C# min • 03:29 • -9db
8% Popularity • 27% Danceability • 42% Energy • 38% Liveness
0% Instrumentalness • 26% Positiveness
8% Popularity • 27% Danceability • 42% Energy • 38% Liveness
0% Instrumentalness • 26% Positiveness
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Max Raabe & Palast Orchester
Du weißt nichts von Liebe
81 bpm • F Maj • 03:11 • -14.23db
10% Popularity • 36% Danceability • 11% Energy • 10% Liveness
2% Instrumentalness • 24% Positiveness
10% Popularity • 36% Danceability • 11% Energy • 10% Liveness
2% Instrumentalness • 24% Positiveness
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Hildegard Knef
Er war nie ein Kavalier
81 bpm • F Maj • 02:46 • -13.27db
7% Popularity • 49% Danceability • 36% Energy • 27% Liveness
0% Instrumentalness • 60% Positiveness
7% Popularity • 49% Danceability • 36% Energy • 27% Liveness
0% Instrumentalness • 60% Positiveness
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Freddy
Sie hieß Mary-Ann
81 bpm • D Maj • 02:13 • -12.17db
12% Popularity • 73% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 71% Positiveness
12% Popularity • 73% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 71% Positiveness
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Biermösl Blosn
's Rehragout
81 bpm • C Maj • 02:52 • -12db
29% Popularity • 64% Danceability • 20% Energy • 4% Liveness
1% Instrumentalness • 96% Positiveness
29% Popularity • 64% Danceability • 20% Energy • 4% Liveness
1% Instrumentalness • 96% Positiveness
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Gustaf Grundgens
Die Nacht ist nicht allein zum Schlafen ...
80 bpm • F min • 02:35 • -13.73db
9% Popularity • 24% Danceability • 78% Energy • 15% Liveness
20% Instrumentalness • 8% Positiveness
9% Popularity • 24% Danceability • 78% Energy • 15% Liveness
20% Instrumentalness • 8% Positiveness
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Zarah Leander
Kann denn Liebe Sünde sein?
85 bpm • G Maj • 03:02 • -16.71db
17% Popularity • 62% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
17% Popularity • 62% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
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Wum's Gesang
Ich wünsch' mir 'ne kleine Miezekatze
80 bpm • G Maj • 02:44 • -10db
12% Popularity • 82% Danceability • 42% Energy • 23% Liveness
0% Instrumentalness • 83% Positiveness
12% Popularity • 82% Danceability • 42% Energy • 23% Liveness
0% Instrumentalness • 83% Positiveness
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Georg Kreisler
Der General
86 bpm • G# Maj • 04:07 • -11.81db
16% Popularity • 59% Danceability • 64% Energy • 26% Liveness
0% Instrumentalness • 79% Positiveness
16% Popularity • 59% Danceability • 64% Energy • 26% Liveness
0% Instrumentalness • 79% Positiveness
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Johannes Heesters
Liebling, was wird nun aus uns beiden
80 bpm • G# Maj • 02:08 • -11db
10% Popularity • 43% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
10% Popularity • 43% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
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Comedian Harmonists
Guter Mond du gehst so stille
80 bpm • B Maj • 02:57 • -16.38db
17% Popularity • 33% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
17% Popularity • 33% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Ulrich Roski
Es kann der Frömmste nicht in Frieden l...
80 bpm • A# Maj • 06:13 • -10.9db
9% Popularity • 55% Danceability • 50% Energy • 95% Liveness
0% Instrumentalness • 28% Positiveness
9% Popularity • 55% Danceability • 50% Energy • 95% Liveness
0% Instrumentalness • 28% Positiveness
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Zarah Leander
Eine Frau wird erst schön durch die Lie...
86 bpm • A# Maj • 02:47 • -10.3db
15% Popularity • 43% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
15% Popularity • 43% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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Vico Torriani
Ski Twist
86 bpm • G Maj • 02:31 • -9.44db
20% Popularity • 66% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
20% Popularity • 66% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
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Claire Waldoff
Wer schmeisst denn da mit Lehm
87 bpm • F Maj • 03:14 • -10db
20% Popularity • 64% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
20% Popularity • 64% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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Hans Moser
Mei Naserl ist so rot, weil ich so blau ...
87 bpm • D# Maj • 02:56 • -11.56db
13% Popularity • 44% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
13% Popularity • 44% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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Willy Schneider
Man müsste nochmal zwanzig sein
79 bpm • C# Maj • 04:21 • -11db
13% Popularity • 35% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
13% Popularity • 35% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Max Raabe & Palast Orchester
Küssen kann man nicht alleine
79 bpm • C min • 02:57 • -13db
28% Popularity • 68% Danceability • 27% Energy • 12% Liveness
15% Instrumentalness • 54% Positiveness
28% Popularity • 68% Danceability • 27% Energy • 12% Liveness
15% Instrumentalness • 54% Positiveness
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Georg Kreisler
Wien ohne Wiener
87 bpm • C Maj • 04:55 • -14.48db
12% Popularity • 61% Danceability • 20% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
12% Popularity • 61% Danceability • 20% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
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Hildegard Knef
Aber schön war es doch - 1963 Version
87 bpm • A Maj • 03:04 • -7.8db
24% Popularity • 52% Danceability • 42% Energy • 47% Liveness
0% Instrumentalness • 61% Positiveness
24% Popularity • 52% Danceability • 42% Energy • 47% Liveness
0% Instrumentalness • 61% Positiveness
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Comedian Harmonists
Du Bist Nicht Die Erste
88 bpm • F Maj • 03:16 • -26.76db
10% Popularity • 37% Danceability • 4% Energy • 11% Liveness
9% Instrumentalness • 20% Positiveness
10% Popularity • 37% Danceability • 4% Energy • 11% Liveness
9% Instrumentalness • 20% Positiveness
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Hans Moser
Die Reblaus
79 bpm • D# Maj • 03:06 • -18.2db
14% Popularity • 52% Danceability • 19% Energy • 27% Liveness
3% Instrumentalness • 47% Positiveness
14% Popularity • 52% Danceability • 19% Energy • 27% Liveness
3% Instrumentalness • 47% Positiveness
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Lys Assia
Mamatschi (Schenk mir ein Pferdchen)
79 bpm • F Maj • 03:29 • -8.76db
13% Popularity • 39% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
13% Popularity • 39% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Horst Winter
Zwei in einer grossen Stadt
78 bpm • C min • 02:46 • -9db
13% Popularity • 58% Danceability • 36% Energy • 8% Liveness
64% Instrumentalness • 76% Positiveness
13% Popularity • 58% Danceability • 36% Energy • 8% Liveness
64% Instrumentalness • 76% Positiveness
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Alfred Schieske
My Fair Lady: Bin Ein Mann Wie Jeder Man...
88 bpm • A# Maj • 03:39 • -17.68db
9% Popularity • 57% Danceability • 36% Energy • 26% Liveness
0% Instrumentalness • 49% Positiveness
9% Popularity • 57% Danceability • 36% Energy • 26% Liveness
0% Instrumentalness • 49% Positiveness
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Wilhelm Strienz
Heimat, Deine Sterne
78 bpm • F Maj • 03:16 • -16db
13% Popularity • 28% Danceability • 21% Energy • 14% Liveness
12% Instrumentalness • 36% Positiveness
13% Popularity • 28% Danceability • 21% Energy • 14% Liveness
12% Instrumentalness • 36% Positiveness
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Comedian Harmonists
Eine kleine Frühlingsweise
88 bpm • F Maj • 02:42 • -15.17db
21% Popularity • 53% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
21% Popularity • 53% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Willi Forst
Du hast Glück bei den Frau'n Bel Ami
78 bpm • D# Maj • 02:45 • -14db
20% Popularity • 59% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
20% Popularity • 59% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Heinz Erhardt
Sie wohnt im 3. Stock (Luisenstraße 13)
78 bpm • C Maj • 01:52 • -12.18db
14% Popularity • 76% Danceability • 35% Energy • 35% Liveness
0% Instrumentalness • 96% Positiveness
14% Popularity • 76% Danceability • 35% Energy • 35% Liveness
0% Instrumentalness • 96% Positiveness
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Werner Veidt
I möcht' amol wieder a Lausbua sei
77 bpm • D# Maj • 03:49 • -20db
13% Popularity • 48% Danceability • 22% Energy • 23% Liveness
0% Instrumentalness • 62% Positiveness
13% Popularity • 48% Danceability • 22% Energy • 23% Liveness
0% Instrumentalness • 62% Positiveness
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Trude Herr
Französisch sprechen kann ich fast gar ...
77 bpm • A# Maj • 02:19 • -11db
12% Popularity • 42% Danceability • 43% Energy • 34% Liveness
0% Instrumentalness • 88% Positiveness
12% Popularity • 42% Danceability • 43% Energy • 34% Liveness
0% Instrumentalness • 88% Positiveness
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Vocal Heroes
Die Gedanken Sind Frei
77 bpm • G Maj • 03:16 • -8db
21% Popularity • 69% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
21% Popularity • 69% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
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Comedian Harmonists
In der Bar zum Krokodil
78 bpm • C# Maj • 03:06 • -14.42db
11% Popularity • 62% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
11% Popularity • 62% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
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Willi Forst
Sag' beim Abschied leise Servus
78 bpm • G Maj • 03:10 • -16db
10% Popularity • 30% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
10% Popularity • 30% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Tanzorchester Géza Komor
Wenn der weisse Flieder wieder blüht
89 bpm • G Maj • 02:46 • -15.37db
13% Popularity • 36% Danceability • 35% Energy • 16% Liveness
46% Instrumentalness • 67% Positiveness
13% Popularity • 36% Danceability • 35% Energy • 16% Liveness
46% Instrumentalness • 67% Positiveness
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Hildegard Knef
Seeräuberjenny
77 bpm • A Maj • 04:02 • -8.54db
16% Popularity • 61% Danceability • 49% Energy • 35% Liveness
0% Instrumentalness • 50% Positiveness
16% Popularity • 61% Danceability • 49% Energy • 35% Liveness
0% Instrumentalness • 50% Positiveness
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Paul Kuhn
Der Mann am Klavier
90 bpm • G Maj • 02:06 • -10db
29% Popularity • 70% Danceability • 41% Energy • 4% Liveness
0% Instrumentalness • 77% Positiveness
29% Popularity • 70% Danceability • 41% Energy • 4% Liveness
0% Instrumentalness • 77% Positiveness
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Alexandra
Mein Freund, der Baum
77 bpm • A min • 03:40 • -11db
35% Popularity • 29% Danceability • 33% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
35% Popularity • 29% Danceability • 33% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
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Comedian Harmonists
Eine Kleine Fruelingsweise
89 bpm • F Maj • 02:41 • -13.97db
0% Popularity • 49% Danceability • 15% Energy • 17% Liveness
0% Instrumentalness • 53% Positiveness
0% Popularity • 49% Danceability • 15% Energy • 17% Liveness
0% Instrumentalness • 53% Positiveness
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Georg Kreisler
Mein Weib will mich verlassen
77 bpm • D# Maj • 02:01 • -16db
25% Popularity • 78% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
25% Popularity • 78% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
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Harald Juhnke
Straßen von Berlin (Strangers In The Ni...
90 bpm • C Maj • 02:55 • -9.78db
15% Popularity • 48% Danceability • 55% Energy • 29% Liveness
0% Instrumentalness • 25% Positiveness
15% Popularity • 48% Danceability • 55% Energy • 29% Liveness
0% Instrumentalness • 25% Positiveness
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Michael Jary
J'attendrai (Komm zurück nach Berlin)
76 bpm • G# Maj • 02:44 • -14.07db
16% Popularity • 42% Danceability • 16% Energy • 8% Liveness
1% Instrumentalness • 45% Positiveness
16% Popularity • 42% Danceability • 16% Energy • 8% Liveness
1% Instrumentalness • 45% Positiveness
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Hanns Eisler
Das Lied von der Moldau
76 bpm • G min • 01:55 • -20db
16% Popularity • 58% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
16% Popularity • 58% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Illo Schieder
Sieben einsame Tage
90 bpm • C# Maj • 02:07 • -10.3db
15% Popularity • 69% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
15% Popularity • 69% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
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Comedian Harmonists
Eine kleine Frühlingsweise - 1990 Digit...
89 bpm • F Maj • 02:42 • -18.84db
9% Popularity • 52% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
9% Popularity • 52% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Lilian Harvey
Irgendwo auf der Welt
91 bpm • D Maj • 03:10 • -11db
17% Popularity • 45% Danceability • 31% Energy • 25% Liveness
0% Instrumentalness • 40% Positiveness
17% Popularity • 45% Danceability • 31% Energy • 25% Liveness
0% Instrumentalness • 40% Positiveness
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Wolfgang Neuss
Lied Vom Wirtschaftswunder
76 bpm • A# Maj • 02:38 • -7.87db
16% Popularity • 69% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 42% Positiveness
16% Popularity • 69% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 42% Positiveness
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Georg Kreisler
Zwei Alte Tanten tanzen Tango
75 bpm • C Maj • 05:13 • -14.06db
12% Popularity • 66% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
12% Popularity • 66% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
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Bill Ramsey
Ohne Krimi geht die Mimi nie ins
76 bpm • D Maj • 03:01 • -5.92db
18% Popularity • 59% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
18% Popularity • 59% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
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Paul Hörbiger
Stell Dir Vor, Es Geht Das Licht Aus
75 bpm • A# Maj • 02:42 • -10db
17% Popularity • 46% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
17% Popularity • 46% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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Reinhard Mey
Die heiße Schlacht am kalten Büffet
75 bpm • E min • 03:19 • -12db
26% Popularity • 64% Danceability • 45% Energy • 30% Liveness
0% Instrumentalness • 90% Positiveness
26% Popularity • 64% Danceability • 45% Energy • 30% Liveness
0% Instrumentalness • 90% Positiveness
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Anton Günther
Wu de Wälder haamlich rauschen
92 bpm • G Maj • 03:11 • -13.28db
9% Popularity • 66% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
9% Popularity • 66% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Heinz Erhardt
Ach, Wenn Ich Doch Im Lotto
75 bpm • G Maj • 02:12 • -11db
17% Popularity • 49% Danceability • 57% Energy • 31% Liveness
0% Instrumentalness • 96% Positiveness
17% Popularity • 49% Danceability • 57% Energy • 31% Liveness
0% Instrumentalness • 96% Positiveness
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Pirron und Knapp
Im Tröpferlbad
75 bpm • B min • 02:15 • -15db
22% Popularity • 70% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
22% Popularity • 70% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Otto Berco
In meiner Badewanne bin ich Kapitan
92 bpm • G Maj • 02:39 • -18.37db
27% Popularity • 78% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
27% Popularity • 78% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Georg Kreisler
Bidlah Buh
93 bpm • A# Maj • 03:30 • -12.31db
19% Popularity • 64% Danceability • 53% Energy • 21% Liveness
0% Instrumentalness • 85% Positiveness
19% Popularity • 64% Danceability • 53% Energy • 21% Liveness
0% Instrumentalness • 85% Positiveness
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Shantychor der Polizei
Hamborger Veermaster
93 bpm • C Maj • 02:39 • -14.11db
19% Popularity • 44% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
19% Popularity • 44% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
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Lonny Kellner
Bum-Budi-Bum, das kann gefährlich sein
93 bpm • G Maj • 03:01 • -11db
12% Popularity • 55% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
12% Popularity • 55% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
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Lys Assia
Gelbe Rose dort in Texas
94 bpm • G# Maj • 02:11 • -6.8db
13% Popularity • 73% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
13% Popularity • 73% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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Lizzi Waldmoeller
Du hast Gluck bei den Frau'n Bel Ami
74 bpm • D# Maj • 03:09 • -8.62db
12% Popularity • 54% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
12% Popularity • 54% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Comedian Harmonists
Ohne dich (Stormy Weather)
94 bpm • F Maj • 03:16 • -18.11db
5% Popularity • 34% Danceability • 9% Energy • 9% Liveness
13% Instrumentalness • 35% Positiveness
5% Popularity • 34% Danceability • 9% Energy • 9% Liveness
13% Instrumentalness • 35% Positiveness
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Heidi Kabel
An de Eck steiht'n Jung mit 'nem Tüddel...
73 bpm • C Maj • 02:17 • -13db
36% Popularity • 82% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
36% Popularity • 82% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
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Caterina Valente
Ganz Paris träumt von der Liebe
73 bpm • A Maj • 02:53 • -9.97db
27% Popularity • 32% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
27% Popularity • 32% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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Alexandra
Illusionen
95 bpm • E min • 02:55 • -9db
24% Popularity • 28% Danceability • 42% Energy • 38% Liveness
0% Instrumentalness • 18% Positiveness
24% Popularity • 28% Danceability • 42% Energy • 38% Liveness
0% Instrumentalness • 18% Positiveness
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Ralf Bendix
Sie hiess Mary Ann
73 bpm • A Maj • 02:38 • -9db
17% Popularity • 65% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
17% Popularity • 65% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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Fischer Choere
Schleswig-Holstein, meerumschlungen
95 bpm • G Maj • 03:19 • -14.57db
15% Popularity • 44% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
15% Popularity • 44% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Comedian Harmonists
Der Onkel Bumba aus Kalumba tanzt nur Ru...
95 bpm • A# min • 02:28 • -15.71db
9% Popularity • 65% Danceability • 40% Energy • 16% Liveness
1% Instrumentalness • 78% Positiveness
9% Popularity • 65% Danceability • 40% Energy • 16% Liveness
1% Instrumentalness • 78% Positiveness
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Heidi Kabel
In Hamburg sagt man „tschüss“
94 bpm • A# Maj • 02:40 • -9.17db
25% Popularity • 45% Danceability • 39% Energy • 25% Liveness
0% Instrumentalness • 75% Positiveness
25% Popularity • 45% Danceability • 39% Energy • 25% Liveness
0% Instrumentalness • 75% Positiveness
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Kurt Weill
Die Dreigroschenoper: Akt III, Das Lied ...
72 bpm • A min • 02:14 • -22.49db
12% Popularity • 55% Danceability • 10% Energy • 24% Liveness
0% Instrumentalness • 48% Positiveness
12% Popularity • 55% Danceability • 10% Energy • 24% Liveness
0% Instrumentalness • 48% Positiveness
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Hanns Eisler
Hymne der DDR
95 bpm • F Maj • 02:53 • -14db
22% Popularity • 39% Danceability • 26% Energy • 10% Liveness
19% Instrumentalness • 39% Positiveness
22% Popularity • 39% Danceability • 26% Energy • 10% Liveness
19% Instrumentalness • 39% Positiveness
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Zarah Leander
Bei Mir Bist Du Schoen
95 bpm • D min • 02:46 • -16.82db
22% Popularity • 74% Danceability • 19% Energy • 9% Liveness
32% Instrumentalness • 62% Positiveness
22% Popularity • 74% Danceability • 19% Energy • 9% Liveness
32% Instrumentalness • 62% Positiveness
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Großer Chor Des Berliner Rundfunks
Nationalhymne der DDR (1949)
95 bpm • F Maj • 02:54 • -12.96db
25% Popularity • 38% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
25% Popularity • 38% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Comedian Harmonists
Liebling, mein Herz lässt dich grüßen...
95 bpm • A# Maj • 03:27 • -18.58db
15% Popularity • 30% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
15% Popularity • 30% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Lilian Harvey
Das gibt's nur einmal (Christels Lied)
95 bpm • D# Maj • 03:07 • -12.15db
12% Popularity • 39% Danceability • 25% Energy • 15% Liveness
11% Instrumentalness • 47% Positiveness
12% Popularity • 39% Danceability • 25% Energy • 15% Liveness
11% Instrumentalness • 47% Positiveness
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Heinz Erhardt
Die Made
96 bpm • D Maj • 01:09 • -9.52db
38% Popularity • 65% Danceability • 69% Energy • 82% Liveness
0% Instrumentalness • 72% Positiveness
38% Popularity • 65% Danceability • 69% Energy • 82% Liveness
0% Instrumentalness • 72% Positiveness
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Erich-Weinert-Ensemble
Auferstanden aus Ruinen
96 bpm • F Maj • 02:54 • -9db
40% Popularity • 36% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
40% Popularity • 36% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Bettina Wegner
Soldaten
96 bpm • F Maj • 02:49 • -6db
29% Popularity • 65% Danceability • 52% Energy • 69% Liveness
0% Instrumentalness • 55% Positiveness
29% Popularity • 65% Danceability • 52% Energy • 69% Liveness
0% Instrumentalness • 55% Positiveness
