Songs like Ahora by Sam Collins
Based on a tempo of (+/- 10%) and a similar genre
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NOYSE
Gotta Let Go
124 bpm • F# min • 02:26 • -4.17db
27% Popularity • 70% Danceability • 96% Energy • 38% Liveness
3% Instrumentalness • 63% Positiveness
27% Popularity • 70% Danceability • 96% Energy • 38% Liveness
3% Instrumentalness • 63% Positiveness
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Damien N-Drix
Babek
124 bpm • F Maj • 02:56 • -4.96db
20% Popularity • 70% Danceability • 96% Energy • 26% Liveness
88% Instrumentalness • 65% Positiveness
20% Popularity • 70% Danceability • 96% Energy • 26% Liveness
88% Instrumentalness • 65% Positiveness
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Boehm's Night Mode
Blow Your Mind
124 bpm • C Maj • 02:07 • -7db
31% Popularity • 90% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
31% Popularity • 90% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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Stupid Goldfish
Deck
124 bpm • C Maj • 02:17 • -5.15db
30% Popularity • 83% Danceability • 69% Energy • 5% Liveness
1% Instrumentalness • 37% Positiveness
30% Popularity • 83% Danceability • 69% Energy • 5% Liveness
1% Instrumentalness • 37% Positiveness
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WILL K
Promised Me
124 bpm • G min • 02:54 • -9.21db
39% Popularity • 84% Danceability • 65% Energy • 15% Liveness
15% Instrumentalness • 6% Positiveness
39% Popularity • 84% Danceability • 65% Energy • 15% Liveness
15% Instrumentalness • 6% Positiveness
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Kayote
Rakata
124 bpm • A min • 02:17 • -4.82db
52% Popularity • 84% Danceability • 82% Energy • 26% Liveness
7% Instrumentalness • 51% Positiveness
52% Popularity • 84% Danceability • 82% Energy • 26% Liveness
7% Instrumentalness • 51% Positiveness
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Tom Budin
She Wanna Dance
124 bpm • D Maj • 02:58 • -7.22db
12% Popularity • 72% Danceability • 86% Energy • 32% Liveness
79% Instrumentalness • 24% Positiveness
12% Popularity • 72% Danceability • 86% Energy • 32% Liveness
79% Instrumentalness • 24% Positiveness
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RSCL
All About U
124 bpm • C# Maj • 02:24 • -6db
39% Popularity • 71% Danceability • 89% Energy • 35% Liveness
1% Instrumentalness • 84% Positiveness
39% Popularity • 71% Danceability • 89% Energy • 35% Liveness
1% Instrumentalness • 84% Positiveness
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Marten Hørger
Over My Head
124 bpm • D Maj • 03:09 • -9.04db
22% Popularity • 86% Danceability • 82% Energy • 19% Liveness
7% Instrumentalness • 90% Positiveness
22% Popularity • 86% Danceability • 82% Energy • 19% Liveness
7% Instrumentalness • 90% Positiveness
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DanielDavid
Hennessy
124 bpm • G Maj • 01:46 • -11.99db
34% Popularity • 85% Danceability • 57% Energy • 9% Liveness
9% Instrumentalness • 65% Positiveness
34% Popularity • 85% Danceability • 57% Energy • 9% Liveness
9% Instrumentalness • 65% Positiveness
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Danny Avila
Chase The Sun - WILL K Remix
124 bpm • E min • 03:40 • -5.87db
50% Popularity • 67% Danceability • 90% Energy • 32% Liveness
37% Instrumentalness • 73% Positiveness
50% Popularity • 67% Danceability • 90% Energy • 32% Liveness
37% Instrumentalness • 73% Positiveness
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LATIM
Feeling
124 bpm • C Maj • 02:27 • -7.75db
37% Popularity • 80% Danceability • 89% Energy • 10% Liveness
84% Instrumentalness • 50% Positiveness
37% Popularity • 80% Danceability • 89% Energy • 10% Liveness
84% Instrumentalness • 50% Positiveness
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KOCHAM
Bossy
124 bpm • C# min • 02:54 • -5.04db
20% Popularity • 72% Danceability • 89% Energy • 8% Liveness
86% Instrumentalness • 41% Positiveness
20% Popularity • 72% Danceability • 89% Energy • 8% Liveness
86% Instrumentalness • 41% Positiveness
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Martial Simon
Go Bezerk
124 bpm • C min • 03:54 • -6.93db
25% Popularity • 82% Danceability • 93% Energy • 6% Liveness
47% Instrumentalness • 69% Positiveness
25% Popularity • 82% Danceability • 93% Energy • 6% Liveness
47% Instrumentalness • 69% Positiveness
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Swartchback
LIG
124 bpm • G Maj • 02:20 • -8.3db
24% Popularity • 83% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
24% Popularity • 83% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Fyex
Ponteme
124 bpm • A# min • 02:38 • -7db
25% Popularity • 80% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
25% Popularity • 80% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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Aaron Echo
Taking Me Home
124 bpm • D min • 02:24 • -6.93db
20% Popularity • 70% Danceability • 87% Energy • 8% Liveness
1% Instrumentalness • 73% Positiveness
20% Popularity • 70% Danceability • 87% Energy • 8% Liveness
1% Instrumentalness • 73% Positiveness
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SUBSHIFT
Pressure
124 bpm • E Maj • 02:56 • -5db
18% Popularity • 84% Danceability • 89% Energy • 12% Liveness
70% Instrumentalness • 23% Positiveness
18% Popularity • 84% Danceability • 89% Energy • 12% Liveness
70% Instrumentalness • 23% Positiveness
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Jean Juan
Puerto Rico
124 bpm • G Maj • 02:15 • -8.25db
41% Popularity • 86% Danceability • 72% Energy • 17% Liveness
27% Instrumentalness • 37% Positiveness
41% Popularity • 86% Danceability • 72% Energy • 17% Liveness
27% Instrumentalness • 37% Positiveness
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Tom & Jame
I'm So Fly
124 bpm • G# Maj • 03:19 • -6.77db
10% Popularity • 82% Danceability • 93% Energy • 5% Liveness
75% Instrumentalness • 62% Positiveness
10% Popularity • 82% Danceability • 93% Energy • 5% Liveness
75% Instrumentalness • 62% Positiveness
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CASHEW
Baby Baby
124 bpm • E Maj • 03:32 • -2.25db
34% Popularity • 84% Danceability • 90% Energy • 39% Liveness
64% Instrumentalness • 20% Positiveness
34% Popularity • 84% Danceability • 90% Energy • 39% Liveness
64% Instrumentalness • 20% Positiveness
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Gaudini
A Little Bit More
124 bpm • C# Maj • 02:25 • -10.34db
31% Popularity • 78% Danceability • 57% Energy • 6% Liveness
49% Instrumentalness • 20% Positiveness
31% Popularity • 78% Danceability • 57% Energy • 6% Liveness
49% Instrumentalness • 20% Positiveness
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Lazy Bear
Call2Kill
124 bpm • C Maj • 02:21 • -5.87db
31% Popularity • 68% Danceability • 96% Energy • 23% Liveness
17% Instrumentalness • 46% Positiveness
31% Popularity • 68% Danceability • 96% Energy • 23% Liveness
17% Instrumentalness • 46% Positiveness
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Swanky Tunes
Get Up On Your Feet
124 bpm • F# Maj • 02:20 • -6.78db
10% Popularity • 92% Danceability • 50% Energy • 11% Liveness
91% Instrumentalness • 39% Positiveness
10% Popularity • 92% Danceability • 50% Energy • 11% Liveness
91% Instrumentalness • 39% Positiveness
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Sidney Samson
Wanna Have It
124 bpm • C# Maj • 02:53 • -7.14db
11% Popularity • 80% Danceability • 84% Energy • 4% Liveness
62% Instrumentalness • 71% Positiveness
11% Popularity • 80% Danceability • 84% Energy • 4% Liveness
62% Instrumentalness • 71% Positiveness
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Roast Pang
Basement
124 bpm • F# min • 02:39 • -4.53db
24% Popularity • 75% Danceability • 90% Energy • 28% Liveness
10% Instrumentalness • 40% Positiveness
24% Popularity • 75% Danceability • 90% Energy • 28% Liveness
10% Instrumentalness • 40% Positiveness
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INGEK
MDMA
124 bpm • C# min • 02:56 • -5.9db
32% Popularity • 70% Danceability • 89% Energy • 20% Liveness
36% Instrumentalness • 32% Positiveness
32% Popularity • 70% Danceability • 89% Energy • 20% Liveness
36% Instrumentalness • 32% Positiveness
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N4C
What Ya Gonna Do
124 bpm • C Maj • 02:38 • -4.53db
26% Popularity • 88% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
26% Popularity • 88% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
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Mylonrae
All My Life
124 bpm • D Maj • 01:38 • -5.23db
39% Popularity • 68% Danceability • 90% Energy • 35% Liveness
18% Instrumentalness • 52% Positiveness
39% Popularity • 68% Danceability • 90% Energy • 35% Liveness
18% Instrumentalness • 52% Positiveness
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Sam Collins
Ahora
124 bpm • F# min • 02:30 • -6db
6% Popularity • 82% Danceability • 87% Energy • 19% Liveness
84% Instrumentalness • 23% Positiveness
6% Popularity • 82% Danceability • 87% Energy • 19% Liveness
84% Instrumentalness • 23% Positiveness
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OFFAIAH
Find A Way
124 bpm • G Maj • 01:53 • -5.22db
40% Popularity • 90% Danceability • 81% Energy • 15% Liveness
43% Instrumentalness • 61% Positiveness
40% Popularity • 90% Danceability • 81% Energy • 15% Liveness
43% Instrumentalness • 61% Positiveness
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Phil Harris
Quento
124 bpm • C# min • 02:36 • -6.26db
34% Popularity • 73% Danceability • 87% Energy • 5% Liveness
85% Instrumentalness • 36% Positiveness
34% Popularity • 73% Danceability • 87% Energy • 5% Liveness
85% Instrumentalness • 36% Positiveness
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NO SIGNE
Be Good
124 bpm • D Maj • 02:51 • -4.38db
42% Popularity • 82% Danceability • 83% Energy • 11% Liveness
27% Instrumentalness • 82% Positiveness
42% Popularity • 82% Danceability • 83% Energy • 11% Liveness
27% Instrumentalness • 82% Positiveness
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YouNotUs
Treat Myself
124 bpm • A min • 02:10 • -5.21db
31% Popularity • 81% Danceability • 88% Energy • 9% Liveness
1% Instrumentalness • 78% Positiveness
31% Popularity • 81% Danceability • 88% Energy • 9% Liveness
1% Instrumentalness • 78% Positiveness
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Rawdolff
La Locura
124 bpm • D Maj • 02:40 • -6.42db
19% Popularity • 78% Danceability • 72% Energy • 10% Liveness
28% Instrumentalness • 48% Positiveness
19% Popularity • 78% Danceability • 72% Energy • 10% Liveness
28% Instrumentalness • 48% Positiveness
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Toxic Joy
Bad Bitches
125 bpm • G# min • 02:29 • -6.95db
37% Popularity • 69% Danceability • 91% Energy • 35% Liveness
55% Instrumentalness • 65% Positiveness
37% Popularity • 69% Danceability • 91% Energy • 35% Liveness
55% Instrumentalness • 65% Positiveness
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jeonghyeon
The Block
123 bpm • B min • 03:16 • -5db
36% Popularity • 72% Danceability • 92% Energy • 31% Liveness
51% Instrumentalness • 34% Positiveness
36% Popularity • 72% Danceability • 92% Energy • 31% Liveness
51% Instrumentalness • 34% Positiveness
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Wasback
Jenny from the Block
123 bpm • E min • 02:16 • -7.43db
34% Popularity • 76% Danceability • 87% Energy • 33% Liveness
0% Instrumentalness • 66% Positiveness
34% Popularity • 76% Danceability • 87% Energy • 33% Liveness
0% Instrumentalness • 66% Positiveness
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Mr. Belt & Wezol
Fool
125 bpm • G Maj • 02:32 • -7.84db
45% Popularity • 70% Danceability • 73% Energy • 25% Liveness
0% Instrumentalness • 36% Positiveness
45% Popularity • 70% Danceability • 73% Energy • 25% Liveness
0% Instrumentalness • 36% Positiveness
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Beeskov
Elephants
125 bpm • A Maj • 02:22 • -5.1db
38% Popularity • 76% Danceability • 74% Energy • 9% Liveness
4% Instrumentalness • 7% Positiveness
38% Popularity • 76% Danceability • 74% Energy • 9% Liveness
4% Instrumentalness • 7% Positiveness
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Westend
Moderation (At Night)
125 bpm • F# Maj • 02:54 • -6.45db
34% Popularity • 67% Danceability • 86% Energy • 4% Liveness
1% Instrumentalness • 31% Positiveness
34% Popularity • 67% Danceability • 86% Energy • 4% Liveness
1% Instrumentalness • 31% Positiveness
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Iceleak
Name
125 bpm • G# Maj • 02:34 • -6.76db
20% Popularity • 77% Danceability • 88% Energy • 9% Liveness
4% Instrumentalness • 96% Positiveness
20% Popularity • 77% Danceability • 88% Energy • 9% Liveness
4% Instrumentalness • 96% Positiveness
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Andres Corkidi
A Weekend Thing
125 bpm • G# Maj • 02:50 • -6.36db
30% Popularity • 78% Danceability • 78% Energy • 43% Liveness
16% Instrumentalness • 42% Positiveness
30% Popularity • 78% Danceability • 78% Energy • 43% Liveness
16% Instrumentalness • 42% Positiveness
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Yves V
Bring It
125 bpm • C Maj • 02:20 • -6.5db
22% Popularity • 69% Danceability • 93% Energy • 44% Liveness
12% Instrumentalness • 42% Positiveness
22% Popularity • 69% Danceability • 93% Energy • 44% Liveness
12% Instrumentalness • 42% Positiveness
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SUBSHIFT
Club 95
125 bpm • C Maj • 03:09 • -5.28db
14% Popularity • 77% Danceability • 79% Energy • 21% Liveness
9% Instrumentalness • 77% Positiveness
14% Popularity • 77% Danceability • 79% Energy • 21% Liveness
9% Instrumentalness • 77% Positiveness
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Deerock
Fly Me To Tulum
125 bpm • F# Maj • 02:29 • -7.04db
27% Popularity • 70% Danceability • 75% Energy • 36% Liveness
46% Instrumentalness • 58% Positiveness
27% Popularity • 70% Danceability • 75% Energy • 36% Liveness
46% Instrumentalness • 58% Positiveness
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Södermalm
Fortaleza
125 bpm • C Maj • 02:50 • -11.17db
14% Popularity • 84% Danceability • 81% Energy • 34% Liveness
72% Instrumentalness • 66% Positiveness
14% Popularity • 84% Danceability • 81% Energy • 34% Liveness
72% Instrumentalness • 66% Positiveness
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Kideko
Al Chica - Baddies Only Remix
125 bpm • F# min • 02:03 • -5.21db
31% Popularity • 54% Danceability • 96% Energy • 14% Liveness
29% Instrumentalness • 26% Positiveness
31% Popularity • 54% Danceability • 96% Energy • 14% Liveness
29% Instrumentalness • 26% Positiveness
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Trace
Gas Pedal
125 bpm • G Maj • 03:42 • -6.77db
33% Popularity • 81% Danceability • 95% Energy • 34% Liveness
49% Instrumentalness • 78% Positiveness
33% Popularity • 81% Danceability • 95% Energy • 34% Liveness
49% Instrumentalness • 78% Positiveness
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zuezeu
Love Is The Rhythm
125 bpm • F# min • 03:31 • -4.79db
27% Popularity • 80% Danceability • 93% Energy • 8% Liveness
68% Instrumentalness • 45% Positiveness
27% Popularity • 80% Danceability • 93% Energy • 8% Liveness
68% Instrumentalness • 45% Positiveness
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AtcG
Don't Stop The Music
125 bpm • D Maj • 02:55 • -5.3db
35% Popularity • 85% Danceability • 74% Energy • 7% Liveness
3% Instrumentalness • 30% Positiveness
35% Popularity • 85% Danceability • 74% Energy • 7% Liveness
3% Instrumentalness • 30% Positiveness
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WILL K
Panorama
125 bpm • C# min • 03:35 • -4.91db
23% Popularity • 78% Danceability • 92% Energy • 3% Liveness
54% Instrumentalness • 80% Positiveness
23% Popularity • 78% Danceability • 92% Energy • 3% Liveness
54% Instrumentalness • 80% Positiveness
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Sam Collins
Your Feet
125 bpm • A Maj • 04:01 • -5.61db
3% Popularity • 80% Danceability • 88% Energy • 7% Liveness
82% Instrumentalness • 44% Positiveness
3% Popularity • 80% Danceability • 88% Energy • 7% Liveness
82% Instrumentalness • 44% Positiveness
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Shelco Garcia & Teenwolf
You're Makin' Me High
125 bpm • G Maj • 02:54 • -5.27db
24% Popularity • 73% Danceability • 86% Energy • 8% Liveness
1% Instrumentalness • 27% Positiveness
24% Popularity • 73% Danceability • 86% Energy • 8% Liveness
1% Instrumentalness • 27% Positiveness
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Finiq
Big Boss - Sam Collins Remix
125 bpm • C# Maj • 03:22 • -3.27db
0% Popularity • 85% Danceability • 84% Energy • 15% Liveness
34% Instrumentalness • 80% Positiveness
0% Popularity • 85% Danceability • 84% Energy • 15% Liveness
34% Instrumentalness • 80% Positiveness
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Dessic
Nights into Days
125 bpm • C min • 02:12 • -4.46db
27% Popularity • 74% Danceability • 68% Energy • 12% Liveness
65% Instrumentalness • 15% Positiveness
27% Popularity • 74% Danceability • 68% Energy • 12% Liveness
65% Instrumentalness • 15% Positiveness
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SUBSHIFT
Unexpected
125 bpm • G# Maj • 02:54 • -7.68db
17% Popularity • 73% Danceability • 88% Energy • 35% Liveness
78% Instrumentalness • 56% Positiveness
17% Popularity • 73% Danceability • 88% Energy • 35% Liveness
78% Instrumentalness • 56% Positiveness
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NO SIGNE
IDGAF
125 bpm • G# Maj • 03:00 • -3.69db
37% Popularity • 80% Danceability • 89% Energy • 16% Liveness
5% Instrumentalness • 29% Positiveness
37% Popularity • 80% Danceability • 89% Energy • 16% Liveness
5% Instrumentalness • 29% Positiveness
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JUNTARO
Amerindio
125 bpm • B Maj • 03:00 • -4.08db
37% Popularity • 77% Danceability • 93% Energy • 19% Liveness
60% Instrumentalness • 48% Positiveness
37% Popularity • 77% Danceability • 93% Energy • 19% Liveness
60% Instrumentalness • 48% Positiveness
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Jay Crusoe
Hey Jerry!
125 bpm • F min • 02:38 • -3.63db
20% Popularity • 85% Danceability • 95% Energy • 4% Liveness
80% Instrumentalness • 58% Positiveness
20% Popularity • 85% Danceability • 95% Energy • 4% Liveness
80% Instrumentalness • 58% Positiveness
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![Miami (Öwnboss Extended Remix) [feat. Nile Rodgers] cover art](https://i.scdn.co/image/ab67616d00001e026d5ed5a5afcf52c593c03af9)
Lola Audreys
Miami (Öwnboss Extended Remix)
125 bpm • C# Maj • 03:45 • -5.92db
34% Popularity • 78% Danceability • 85% Energy • 4% Liveness
1% Instrumentalness • 65% Positiveness
34% Popularity • 78% Danceability • 85% Energy • 4% Liveness
1% Instrumentalness • 65% Positiveness
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WZW
Somebody
125 bpm • C# Maj • 03:20 • -4.8db
17% Popularity • 80% Danceability • 80% Energy • 34% Liveness
26% Instrumentalness • 92% Positiveness
17% Popularity • 80% Danceability • 80% Energy • 34% Liveness
26% Instrumentalness • 92% Positiveness
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WAVES
Jalapeño
125 bpm • G# Maj • 02:18 • -3.85db
33% Popularity • 80% Danceability • 89% Energy • 56% Liveness
0% Instrumentalness • 39% Positiveness
33% Popularity • 80% Danceability • 89% Energy • 56% Liveness
0% Instrumentalness • 39% Positiveness
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Landis
Like Honey
125 bpm • A min • 02:18 • -4.13db
27% Popularity • 77% Danceability • 96% Energy • 16% Liveness
64% Instrumentalness • 54% Positiveness
27% Popularity • 77% Danceability • 96% Energy • 16% Liveness
64% Instrumentalness • 54% Positiveness
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Mr. Belt & Wezol
Work That
125 bpm • F# Maj • 02:24 • -8.26db
27% Popularity • 84% Danceability • 80% Energy • 35% Liveness
71% Instrumentalness • 86% Positiveness
27% Popularity • 84% Danceability • 80% Energy • 35% Liveness
71% Instrumentalness • 86% Positiveness
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Le Cheval
DJ
123 bpm • B Maj • 01:50 • -5db
38% Popularity • 87% Danceability • 77% Energy • 37% Liveness
0% Instrumentalness • 78% Positiveness
38% Popularity • 87% Danceability • 77% Energy • 37% Liveness
0% Instrumentalness • 78% Positiveness
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Tita Lau
Rock & Roll
123 bpm • F# min • 02:32 • -5.83db
35% Popularity • 81% Danceability • 90% Energy • 7% Liveness
59% Instrumentalness • 92% Positiveness
35% Popularity • 81% Danceability • 90% Energy • 7% Liveness
59% Instrumentalness • 92% Positiveness
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Sean Lafayette
Say Something
125 bpm • A min • 02:27 • -7.76db
20% Popularity • 66% Danceability • 93% Energy • 22% Liveness
56% Instrumentalness • 84% Positiveness
20% Popularity • 66% Danceability • 93% Energy • 22% Liveness
56% Instrumentalness • 84% Positiveness
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CASHEW
Gotta Do It
125 bpm • A# min • 03:23 • -5.73db
39% Popularity • 77% Danceability • 94% Energy • 37% Liveness
83% Instrumentalness • 78% Positiveness
39% Popularity • 77% Danceability • 94% Energy • 37% Liveness
83% Instrumentalness • 78% Positiveness
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Laidback Luke
Flexin' - MADDOW Remix
125 bpm • F# min • 02:37 • -7.47db
18% Popularity • 84% Danceability • 72% Energy • 5% Liveness
6% Instrumentalness • 92% Positiveness
18% Popularity • 84% Danceability • 72% Energy • 5% Liveness
6% Instrumentalness • 92% Positiveness
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The Holy
One Time
125 bpm • C# Maj • 03:38 • -6.8db
26% Popularity • 75% Danceability • 94% Energy • 10% Liveness
79% Instrumentalness • 31% Positiveness
26% Popularity • 75% Danceability • 94% Energy • 10% Liveness
79% Instrumentalness • 31% Positiveness
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Tujamo
IFLDM
125 bpm • C# Maj • 02:49 • -6db
29% Popularity • 70% Danceability • 94% Energy • 18% Liveness
58% Instrumentalness • 59% Positiveness
29% Popularity • 70% Danceability • 94% Energy • 18% Liveness
58% Instrumentalness • 59% Positiveness
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Paolo Pellegrino
Lento
125 bpm • F# Maj • 02:45 • -4.79db
15% Popularity • 81% Danceability • 100% Energy • 25% Liveness
40% Instrumentalness • 51% Positiveness
15% Popularity • 81% Danceability • 100% Energy • 25% Liveness
40% Instrumentalness • 51% Positiveness
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KOCHAM
Pump Is Like
125 bpm • C# min • 02:35 • -5.28db
31% Popularity • 80% Danceability • 98% Energy • 14% Liveness
84% Instrumentalness • 40% Positiveness
31% Popularity • 80% Danceability • 98% Energy • 14% Liveness
84% Instrumentalness • 40% Positiveness
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Kiro Prime
Tamborito
125 bpm • C# Maj • 03:22 • -3.61db
31% Popularity • 66% Danceability • 95% Energy • 28% Liveness
55% Instrumentalness • 65% Positiveness
31% Popularity • 66% Danceability • 95% Energy • 28% Liveness
55% Instrumentalness • 65% Positiveness
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Tom Enzy
Nord Try
125 bpm • B Maj • 03:08 • -7.49db
41% Popularity • 73% Danceability • 81% Energy • 28% Liveness
70% Instrumentalness • 35% Positiveness
41% Popularity • 73% Danceability • 81% Energy • 28% Liveness
70% Instrumentalness • 35% Positiveness
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Phil Harris
Ricca
125 bpm • G Maj • 03:06 • -4.78db
22% Popularity • 80% Danceability • 94% Energy • 27% Liveness
86% Instrumentalness • 58% Positiveness
22% Popularity • 80% Danceability • 94% Energy • 27% Liveness
86% Instrumentalness • 58% Positiveness
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Allergic
Da Dum Da
125 bpm • C# Maj • 02:49 • -8db
26% Popularity • 81% Danceability • 64% Energy • 12% Liveness
49% Instrumentalness • 44% Positiveness
26% Popularity • 81% Danceability • 64% Energy • 12% Liveness
49% Instrumentalness • 44% Positiveness
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CASHEW
House Head
125 bpm • B min • 02:22 • -4.71db
26% Popularity • 86% Danceability • 90% Energy • 8% Liveness
68% Instrumentalness • 62% Positiveness
26% Popularity • 86% Danceability • 90% Energy • 8% Liveness
68% Instrumentalness • 62% Positiveness
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Wave Wave
Trumpz
125 bpm • G Maj • 02:07 • -3.78db
43% Popularity • 72% Danceability • 91% Energy • 23% Liveness
75% Instrumentalness • 57% Positiveness
43% Popularity • 72% Danceability • 91% Energy • 23% Liveness
75% Instrumentalness • 57% Positiveness
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Otto Hood
Between Us
123 bpm • A Maj • 02:24 • -9.11db
25% Popularity • 77% Danceability • 92% Energy • 35% Liveness
56% Instrumentalness • 88% Positiveness
25% Popularity • 77% Danceability • 92% Energy • 35% Liveness
56% Instrumentalness • 88% Positiveness
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Sam Collins
That's Right - Extended Mix
125 bpm • G Maj • 04:21 • -5.76db
3% Popularity • 80% Danceability • 82% Energy • 6% Liveness
89% Instrumentalness • 83% Positiveness
3% Popularity • 80% Danceability • 82% Energy • 6% Liveness
89% Instrumentalness • 83% Positiveness
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Dante Klein
Flute Mimosa
125 bpm • E min • 02:47 • -6db
34% Popularity • 66% Danceability • 95% Energy • 7% Liveness
82% Instrumentalness • 34% Positiveness
34% Popularity • 66% Danceability • 95% Energy • 7% Liveness
82% Instrumentalness • 34% Positiveness
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Ravell
Siento
125 bpm • D Maj • 02:41 • -6db
23% Popularity • 80% Danceability • 79% Energy • 9% Liveness
38% Instrumentalness • 49% Positiveness
23% Popularity • 80% Danceability • 79% Energy • 9% Liveness
38% Instrumentalness • 49% Positiveness
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AdamDarling
Free My Body
125 bpm • E Maj • 02:50 • -5db
11% Popularity • 87% Danceability • 77% Energy • 35% Liveness
0% Instrumentalness • 70% Positiveness
11% Popularity • 87% Danceability • 77% Energy • 35% Liveness
0% Instrumentalness • 70% Positiveness
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Victor Martelli
Sexy Bitch
125 bpm • C Maj • 03:31 • -7.67db
19% Popularity • 74% Danceability • 85% Energy • 19% Liveness
77% Instrumentalness • 43% Positiveness
19% Popularity • 74% Danceability • 85% Energy • 19% Liveness
77% Instrumentalness • 43% Positiveness
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CASHEW
2009
125 bpm • C# Maj • 02:37 • -4.69db
26% Popularity • 77% Danceability • 90% Energy • 35% Liveness
86% Instrumentalness • 36% Positiveness
26% Popularity • 77% Danceability • 90% Energy • 35% Liveness
86% Instrumentalness • 36% Positiveness
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Groove Delight
Running
125 bpm • G Maj • 02:39 • -7.59db
44% Popularity • 68% Danceability • 98% Energy • 9% Liveness
68% Instrumentalness • 62% Positiveness
44% Popularity • 68% Danceability • 98% Energy • 9% Liveness
68% Instrumentalness • 62% Positiveness
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Yanoy
You Make Me Feel That
125 bpm • F# min • 02:54 • -6.18db
32% Popularity • 74% Danceability • 97% Energy • 22% Liveness
72% Instrumentalness • 97% Positiveness
32% Popularity • 74% Danceability • 97% Energy • 22% Liveness
72% Instrumentalness • 97% Positiveness
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Crunkz
Down
125 bpm • F# Maj • 02:39 • -5db
24% Popularity • 76% Danceability • 78% Energy • 11% Liveness
8% Instrumentalness • 37% Positiveness
24% Popularity • 76% Danceability • 78% Energy • 11% Liveness
8% Instrumentalness • 37% Positiveness
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Trace
Me & U
125 bpm • G Maj • 02:36 • -6.56db
36% Popularity • 76% Danceability • 96% Energy • 29% Liveness
75% Instrumentalness • 86% Positiveness
36% Popularity • 76% Danceability • 96% Energy • 29% Liveness
75% Instrumentalness • 86% Positiveness
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Sam Collins
Pancake
125 bpm • B min • 03:29 • -4db
14% Popularity • 87% Danceability • 91% Energy • 5% Liveness
10% Instrumentalness • 52% Positiveness
14% Popularity • 87% Danceability • 91% Energy • 5% Liveness
10% Instrumentalness • 52% Positiveness
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SWEETLOU
Get Me High
125 bpm • G Maj • 02:58 • -6.66db
16% Popularity • 72% Danceability • 86% Energy • 24% Liveness
1% Instrumentalness • 62% Positiveness
16% Popularity • 72% Danceability • 86% Energy • 24% Liveness
1% Instrumentalness • 62% Positiveness
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Control Room
Feeling Like 50 Again
125 bpm • B Maj • 02:10 • -4.25db
21% Popularity • 66% Danceability • 97% Energy • 44% Liveness
3% Instrumentalness • 76% Positiveness
21% Popularity • 66% Danceability • 97% Energy • 44% Liveness
3% Instrumentalness • 76% Positiveness
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Juan Galvis
Like U
125 bpm • F min • 02:27 • -5db
13% Popularity • 77% Danceability • 96% Energy • 34% Liveness
23% Instrumentalness • 71% Positiveness
13% Popularity • 77% Danceability • 96% Energy • 34% Liveness
23% Instrumentalness • 71% Positiveness
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Matt Steffanina
Drop The Mic
125 bpm • G Maj • 03:10 • -2.45db
23% Popularity • 81% Danceability • 98% Energy • 6% Liveness
11% Instrumentalness • 58% Positiveness
23% Popularity • 81% Danceability • 98% Energy • 6% Liveness
11% Instrumentalness • 58% Positiveness
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Kallaghan
TO (Todo)
125 bpm • C# Maj • 03:22 • -3.29db
26% Popularity • 82% Danceability • 88% Energy • 29% Liveness
65% Instrumentalness • 79% Positiveness
26% Popularity • 82% Danceability • 88% Energy • 29% Liveness
65% Instrumentalness • 79% Positiveness
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Sam Collins
Covid Rave
125 bpm • B Maj • 02:57 • -3.81db
5% Popularity • 67% Danceability • 96% Energy • 12% Liveness
27% Instrumentalness • 54% Positiveness
5% Popularity • 67% Danceability • 96% Energy • 12% Liveness
27% Instrumentalness • 54% Positiveness
