Songs like Ai Du (with Ry Cooder) by Ali Farka Touré
Based on a tempo of (+/- 10%) and a similar genre
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Ali Farka Touré
Ai Du
152 bpm • F min • 07:09 • -17.17db
53% Popularity • 57% Danceability • 22% Energy • 7% Liveness
6% Instrumentalness • 41% Positiveness
53% Popularity • 57% Danceability • 22% Energy • 7% Liveness
6% Instrumentalness • 41% Positiveness
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Momo Wandel Soumah
Itinérance
152 bpm • A min • 08:03 • -11.27db
19% Popularity • 56% Danceability • 39% Energy • 8% Liveness
11% Instrumentalness • 76% Positiveness
19% Popularity • 56% Danceability • 39% Energy • 8% Liveness
11% Instrumentalness • 76% Positiveness
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Geoffrey Oryema
Piny Runa Woko
152 bpm • C Maj • 03:51 • -13.87db
21% Popularity • 58% Danceability • 39% Energy • 12% Liveness
2% Instrumentalness • 83% Positiveness
21% Popularity • 58% Danceability • 39% Energy • 12% Liveness
2% Instrumentalness • 83% Positiveness
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Afel Bocoum
Mali Men
151 bpm • B Maj • 03:44 • -8.36db
31% Popularity • 51% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
31% Popularity • 51% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
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Djelimady Tounkara
Gnima diala
154 bpm • C Maj • 05:08 • -8.79db
10% Popularity • 60% Danceability • 76% Energy • 22% Liveness
30% Instrumentalness • 79% Positiveness
10% Popularity • 60% Danceability • 76% Energy • 22% Liveness
30% Instrumentalness • 79% Positiveness
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Samba Touré
Ago Djamba
150 bpm • A min • 05:32 • -13.3db
17% Popularity • 77% Danceability • 32% Energy • 11% Liveness
38% Instrumentalness • 48% Positiveness
17% Popularity • 77% Danceability • 32% Energy • 11% Liveness
38% Instrumentalness • 48% Positiveness
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Vieux Farka Touré
The Secret
154 bpm • D Maj • 06:51 • -7.72db
24% Popularity • 50% Danceability • 57% Energy • 26% Liveness
94% Instrumentalness • 60% Positiveness
24% Popularity • 50% Danceability • 57% Energy • 26% Liveness
94% Instrumentalness • 60% Positiveness
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Kadialy Kouyate
Kontondiro
150 bpm • A# min • 05:30 • -12.09db
29% Popularity • 47% Danceability • 27% Energy • 12% Liveness
93% Instrumentalness • 35% Positiveness
29% Popularity • 47% Danceability • 27% Energy • 12% Liveness
93% Instrumentalness • 35% Positiveness
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Geoffrey Oryema
Lapwony
150 bpm • C# min • 03:57 • -16.76db
26% Popularity • 49% Danceability • 33% Energy • 12% Liveness
40% Instrumentalness • 71% Positiveness
26% Popularity • 49% Danceability • 33% Energy • 12% Liveness
40% Instrumentalness • 71% Positiveness
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Ali Farka Touré
Hanana
154 bpm • E Maj • 02:33 • -12.22db
22% Popularity • 57% Danceability • 40% Energy • 11% Liveness
89% Instrumentalness • 51% Positiveness
22% Popularity • 57% Danceability • 40% Energy • 11% Liveness
89% Instrumentalness • 51% Positiveness
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Terakaft
Talikoba
150 bpm • D Maj • 03:16 • -10.68db
32% Popularity • 63% Danceability • 50% Energy • 10% Liveness
5% Instrumentalness • 96% Positiveness
32% Popularity • 63% Danceability • 50% Energy • 10% Liveness
5% Instrumentalness • 96% Positiveness
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Ahmoudou Madassane
Zerzura Theme II
149 bpm • G# min • 04:23 • -7.97db
39% Popularity • 45% Danceability • 30% Energy • 12% Liveness
88% Instrumentalness • 26% Positiveness
39% Popularity • 45% Danceability • 30% Energy • 12% Liveness
88% Instrumentalness • 26% Positiveness
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Tamikrest
Mawarniha Tartit
155 bpm • A Maj • 03:38 • -10.97db
39% Popularity • 66% Danceability • 69% Energy • 14% Liveness
80% Instrumentalness • 94% Positiveness
39% Popularity • 66% Danceability • 69% Energy • 14% Liveness
80% Instrumentalness • 94% Positiveness
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Bassekou Kouyate
Bassekou
149 bpm • F min • 03:21 • -7.35db
22% Popularity • 50% Danceability • 76% Energy • 8% Liveness
1% Instrumentalness • 96% Positiveness
22% Popularity • 50% Danceability • 76% Energy • 8% Liveness
1% Instrumentalness • 96% Positiveness
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Nahawa Doumbia
Nianimanjougou
155 bpm • B min • 04:48 • -7.16db
10% Popularity • 58% Danceability • 41% Energy • 20% Liveness
0% Instrumentalness • 65% Positiveness
10% Popularity • 58% Danceability • 41% Energy • 20% Liveness
0% Instrumentalness • 65% Positiveness
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Girma Bèyènè
Tewèdjign Endèhu - Ahun Negèrign
148 bpm • C min • 03:34 • -12.82db
29% Popularity • 66% Danceability • 33% Energy • 8% Liveness
2% Instrumentalness • 93% Positiveness
29% Popularity • 66% Danceability • 33% Energy • 8% Liveness
2% Instrumentalness • 93% Positiveness
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N'Gou Bagayoko
Kulu
156 bpm • A Maj • 03:45 • -16.58db
53% Popularity • 48% Danceability • 26% Energy • 15% Liveness
1% Instrumentalness • 68% Positiveness
53% Popularity • 48% Danceability • 26% Energy • 15% Liveness
1% Instrumentalness • 68% Positiveness
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Kante Manfila
Agne Anko
148 bpm • E Maj • 04:41 • -14.22db
11% Popularity • 48% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
11% Popularity • 48% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
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Ali Farka Touré
Pieter Botha
157 bpm • B min • 03:20 • -15.59db
27% Popularity • 47% Danceability • 20% Energy • 12% Liveness
89% Instrumentalness • 47% Positiveness
27% Popularity • 47% Danceability • 20% Energy • 12% Liveness
89% Instrumentalness • 47% Positiveness
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Bassekou Kouyate
Moustafa
147 bpm • F min • 02:40 • -7.1db
26% Popularity • 69% Danceability • 81% Energy • 12% Liveness
6% Instrumentalness • 89% Positiveness
26% Popularity • 69% Danceability • 81% Energy • 12% Liveness
6% Instrumentalness • 89% Positiveness
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Moussa Diallo
333 Saints Blues
157 bpm • C# Maj • 02:55 • -11.27db
15% Popularity • 70% Danceability • 61% Energy • 9% Liveness
83% Instrumentalness • 78% Positiveness
15% Popularity • 70% Danceability • 61% Energy • 9% Liveness
83% Instrumentalness • 78% Positiveness
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Seckou Keita
Alpha Yaya
147 bpm • E Maj • 04:49 • -23.03db
27% Popularity • 45% Danceability • 12% Energy • 12% Liveness
89% Instrumentalness • 38% Positiveness
27% Popularity • 45% Danceability • 12% Energy • 12% Liveness
89% Instrumentalness • 38% Positiveness
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Malika Zarra
No Borders
147 bpm • G Maj • 03:43 • -13.53db
22% Popularity • 60% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
22% Popularity • 60% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Tamikrest
Wainan Adobat
158 bpm • G Maj • 04:32 • -10.46db
18% Popularity • 34% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
18% Popularity • 34% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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Arat Kilo
Dou Coula
146 bpm • B min • 04:43 • -7.94db
36% Popularity • 72% Danceability • 47% Energy • 7% Liveness
1% Instrumentalness • 71% Positiveness
36% Popularity • 72% Danceability • 47% Energy • 7% Liveness
1% Instrumentalness • 71% Positiveness
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Ayub Ogada
Harmonic
146 bpm • A Maj • 02:45 • -16.61db
27% Popularity • 50% Danceability • 35% Energy • 61% Liveness
0% Instrumentalness • 62% Positiveness
27% Popularity • 50% Danceability • 35% Energy • 61% Liveness
0% Instrumentalness • 62% Positiveness
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Afel Bocoum
Jeeny
146 bpm • D# Maj • 06:33 • -14.12db
27% Popularity • 53% Danceability • 38% Energy • 11% Liveness
30% Instrumentalness • 75% Positiveness
27% Popularity • 53% Danceability • 38% Energy • 11% Liveness
30% Instrumentalness • 75% Positiveness
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Djelimady Tounkara
Marigoundo
159 bpm • A min • 06:18 • -7db
26% Popularity • 64% Danceability • 71% Energy • 13% Liveness
52% Instrumentalness • 77% Positiveness
26% Popularity • 64% Danceability • 71% Energy • 13% Liveness
52% Instrumentalness • 77% Positiveness
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Erik Truffaz
Comptine
159 bpm • C min • 01:24 • -19db
29% Popularity • 33% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
29% Popularity • 33% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
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Bembeya Jazz National
Balake
145 bpm • C min • 08:09 • -8db
24% Popularity • 43% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
24% Popularity • 43% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
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Cheikh Lô
Jamm
160 bpm • A min • 04:48 • -11.04db
32% Popularity • 78% Danceability • 66% Energy • 9% Liveness
17% Instrumentalness • 88% Positiveness
32% Popularity • 78% Danceability • 66% Energy • 9% Liveness
17% Instrumentalness • 88% Positiveness
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Samba Touré
Be Ki Don
160 bpm • B Maj • 05:11 • -7db
36% Popularity • 55% Danceability • 58% Energy • 9% Liveness
63% Instrumentalness • 56% Positiveness
36% Popularity • 55% Danceability • 58% Energy • 9% Liveness
63% Instrumentalness • 56% Positiveness
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Afel Bocoum
Jaman Moro
145 bpm • F min • 04:17 • -11.08db
18% Popularity • 58% Danceability • 40% Energy • 9% Liveness
3% Instrumentalness • 89% Positiveness
18% Popularity • 58% Danceability • 40% Energy • 9% Liveness
3% Instrumentalness • 89% Positiveness
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Dawda Jobarteh
(Take My Hand And Let's Go To) The Red D...
160 bpm • B Maj • 03:52 • -12.24db
25% Popularity • 68% Danceability • 24% Energy • 11% Liveness
77% Instrumentalness • 46% Positiveness
25% Popularity • 68% Danceability • 24% Energy • 11% Liveness
77% Instrumentalness • 46% Positiveness
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Tamikrest
Aratane N' Adagh
144 bpm • A# min • 05:12 • -9.02db
19% Popularity • 48% Danceability • 38% Energy • 11% Liveness
91% Instrumentalness • 10% Positiveness
19% Popularity • 48% Danceability • 38% Energy • 11% Liveness
91% Instrumentalness • 10% Positiveness
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Ali Farka Touré
Hawa Dolo
161 bpm • C Maj • 05:47 • -15.96db
15% Popularity • 58% Danceability • 17% Energy • 7% Liveness
29% Instrumentalness • 33% Positiveness
15% Popularity • 58% Danceability • 17% Energy • 7% Liveness
29% Instrumentalness • 33% Positiveness
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Miriam Makeba
Quit It
143 bpm • B Maj • 04:00 • -7.73db
37% Popularity • 57% Danceability • 49% Energy • 4% Liveness
0% Instrumentalness • 48% Positiveness
37% Popularity • 57% Danceability • 49% Energy • 4% Liveness
0% Instrumentalness • 48% Positiveness
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Idrissa Soumaoro
Tilénén ya
162 bpm • G# min • 04:35 • -7.36db
25% Popularity • 63% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
25% Popularity • 63% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
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Ablaye Cissoko
Champion
143 bpm • A min • 04:35 • -9.85db
23% Popularity • 44% Danceability • 57% Energy • 10% Liveness
91% Instrumentalness • 82% Positiveness
23% Popularity • 44% Danceability • 57% Energy • 10% Liveness
91% Instrumentalness • 82% Positiveness
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Ismaël Lô
Tadieu Bone
163 bpm • A min • 04:23 • -15db
41% Popularity • 31% Danceability • 20% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
41% Popularity • 31% Danceability • 20% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
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Kandia Kouyate
Doninké
164 bpm • F Maj • 07:16 • -7db
23% Popularity • 47% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
23% Popularity • 47% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
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Ali Farka Touré
Diaraby
143 bpm • G min • 07:26 • -18.64db
37% Popularity • 56% Danceability • 28% Energy • 8% Liveness
7% Instrumentalness • 32% Positiveness
37% Popularity • 56% Danceability • 28% Energy • 8% Liveness
7% Instrumentalness • 32% Positiveness
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Momo Wandel Soumah
Midje
141 bpm • D# Maj • 05:07 • -17.89db
25% Popularity • 53% Danceability • 22% Energy • 10% Liveness
75% Instrumentalness • 62% Positiveness
25% Popularity • 53% Danceability • 22% Energy • 10% Liveness
75% Instrumentalness • 62% Positiveness
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Lobi Traoré
Moko ti y lamban don
142 bpm • D Maj • 04:29 • -9.18db
14% Popularity • 60% Danceability • 26% Energy • 9% Liveness
11% Instrumentalness • 68% Positiveness
14% Popularity • 60% Danceability • 26% Energy • 9% Liveness
11% Instrumentalness • 68% Positiveness
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Ablaye Cissoko
Soutouro
163 bpm • G# min • 03:38 • -11.99db
35% Popularity • 46% Danceability • 20% Energy • 10% Liveness
2% Instrumentalness • 49% Positiveness
35% Popularity • 46% Danceability • 20% Energy • 10% Liveness
2% Instrumentalness • 49% Positiveness
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Richard Bona
Dina Lam
164 bpm • A# min • 05:29 • -16.41db
29% Popularity • 51% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
29% Popularity • 51% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Titi Robin
La femme idéale
141 bpm • G Maj • 05:43 • -12.81db
22% Popularity • 58% Danceability • 41% Energy • 9% Liveness
22% Instrumentalness • 62% Positiveness
22% Popularity • 58% Danceability • 41% Energy • 9% Liveness
22% Instrumentalness • 62% Positiveness
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Vieux Diop
Yali
164 bpm • A Maj • 04:34 • -14.23db
19% Popularity • 38% Danceability • 25% Energy • 10% Liveness
46% Instrumentalness • 49% Positiveness
19% Popularity • 38% Danceability • 25% Energy • 10% Liveness
46% Instrumentalness • 49% Positiveness
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Samba Touré
Dani Dou
164 bpm • F# Maj • 06:12 • -10.03db
8% Popularity • 77% Danceability • 41% Energy • 10% Liveness
4% Instrumentalness • 45% Positiveness
8% Popularity • 77% Danceability • 41% Energy • 10% Liveness
4% Instrumentalness • 45% Positiveness
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Geoffrey Oryema
Land of Anaka
140 bpm • F Maj • 05:21 • -23db
43% Popularity • 38% Danceability • 15% Energy • 10% Liveness
88% Instrumentalness • 40% Positiveness
43% Popularity • 38% Danceability • 15% Energy • 10% Liveness
88% Instrumentalness • 40% Positiveness
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Dawda Jobarteh
Winter Trees Stand Sleeping
140 bpm • D Maj • 02:20 • -13.16db
39% Popularity • 44% Danceability • 16% Energy • 11% Liveness
94% Instrumentalness • 22% Positiveness
39% Popularity • 44% Danceability • 16% Energy • 11% Liveness
94% Instrumentalness • 22% Positiveness
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Ali Farka Touré
Amandrai
166 bpm • A# Maj • 09:23 • -21.01db
32% Popularity • 53% Danceability • 13% Energy • 9% Liveness
1% Instrumentalness • 40% Positiveness
32% Popularity • 53% Danceability • 13% Energy • 9% Liveness
1% Instrumentalness • 40% Positiveness
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Seckou Keita
Tatono
139 bpm • E min • 06:12 • -17.86db
32% Popularity • 34% Danceability • 21% Energy • 10% Liveness
91% Instrumentalness • 37% Positiveness
32% Popularity • 34% Danceability • 21% Energy • 10% Liveness
91% Instrumentalness • 37% Positiveness
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Bembeya Jazz National
Armée guinéenne
166 bpm • F Maj • 03:56 • -6db
29% Popularity • 51% Danceability • 60% Energy • 16% Liveness
3% Instrumentalness • 76% Positiveness
29% Popularity • 51% Danceability • 60% Energy • 16% Liveness
3% Instrumentalness • 76% Positiveness
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Samba Touré
Albala
140 bpm • A min • 03:11 • -13.6db
39% Popularity • 81% Danceability • 35% Energy • 17% Liveness
79% Instrumentalness • 25% Positiveness
39% Popularity • 81% Danceability • 35% Energy • 17% Liveness
79% Instrumentalness • 25% Positiveness
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Baka Beyond
Baka Play Baka
139 bpm • C min • 06:59 • -14.7db
19% Popularity • 82% Danceability • 62% Energy • 30% Liveness
86% Instrumentalness • 95% Positiveness
19% Popularity • 82% Danceability • 62% Energy • 30% Liveness
86% Instrumentalness • 95% Positiveness
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Sona Jobarteh
Saya
166 bpm • B Maj • 03:55 • -18db
50% Popularity • 48% Danceability • 26% Energy • 9% Liveness
2% Instrumentalness • 41% Positiveness
50% Popularity • 48% Danceability • 26% Energy • 9% Liveness
2% Instrumentalness • 41% Positiveness
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Ali Farka Touré
Yer Mali Gakoyoyo
138 bpm • F min • 04:50 • -16.57db
16% Popularity • 63% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
16% Popularity • 63% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Les Filles de Illighadad
Telillite
168 bpm • D# min • 08:43 • -7.15db
15% Popularity • 41% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
15% Popularity • 41% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
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Idrissa Soumaoro
N'tériou
168 bpm • G# min • 05:07 • -11db
9% Popularity • 54% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
9% Popularity • 54% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
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Samba Touré
Tamala
140 bpm • E Maj • 05:55 • -9.62db
12% Popularity • 73% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
12% Popularity • 73% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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N'Gou Bagayoko
Yala
168 bpm • E min • 03:50 • -14.03db
36% Popularity • 46% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
36% Popularity • 46% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Sona Jobarteh
Saya (Motherland - The Score)
166 bpm • C# min • 03:53 • -13.66db
48% Popularity • 35% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
48% Popularity • 35% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Ali Farka Touré
N'jarou
168 bpm • A Maj • 04:55 • -12.04db
18% Popularity • 55% Danceability • 40% Energy • 11% Liveness
76% Instrumentalness • 37% Positiveness
18% Popularity • 55% Danceability • 40% Energy • 11% Liveness
76% Instrumentalness • 37% Positiveness
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Bassekou Kouyate
Juru nani - Kasse Mady Diabate
137 bpm • C min • 05:41 • -7.96db
15% Popularity • 69% Danceability • 59% Energy • 9% Liveness
25% Instrumentalness • 92% Positiveness
15% Popularity • 69% Danceability • 59% Energy • 9% Liveness
25% Instrumentalness • 92% Positiveness
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Henri Texier
Amir
137 bpm • D min • 04:22 • -19.27db
30% Popularity • 50% Danceability • 31% Energy • 9% Liveness
95% Instrumentalness • 52% Positiveness
30% Popularity • 50% Danceability • 31% Energy • 9% Liveness
95% Instrumentalness • 52% Positiveness
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Geoffrey Oryema
Piri Wango Iya
137 bpm • C# Maj • 02:37 • -13.71db
29% Popularity • 60% Danceability • 34% Energy • 7% Liveness
1% Instrumentalness • 83% Positiveness
29% Popularity • 60% Danceability • 34% Energy • 7% Liveness
1% Instrumentalness • 83% Positiveness
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Titi Robin
Lila
136 bpm • G Maj • 03:03 • -16db
33% Popularity • 63% Danceability • 32% Energy • 12% Liveness
89% Instrumentalness • 81% Positiveness
33% Popularity • 63% Danceability • 32% Energy • 12% Liveness
89% Instrumentalness • 81% Positiveness
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Sona Jobarteh
Gainaako
138 bpm • B Maj • 04:40 • -11.16db
36% Popularity • 76% Danceability • 58% Energy • 6% Liveness
45% Instrumentalness • 58% Positiveness
36% Popularity • 76% Danceability • 58% Energy • 6% Liveness
45% Instrumentalness • 58% Positiveness
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Ali Farka Touré
Heygana
137 bpm • F min • 05:58 • -13.29db
30% Popularity • 49% Danceability • 54% Energy • 34% Liveness
0% Instrumentalness • 61% Positiveness
30% Popularity • 49% Danceability • 54% Energy • 34% Liveness
0% Instrumentalness • 61% Positiveness
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Amine Bouhafa
Timbuktu Fasso
136 bpm • D min • 03:37 • -13db
29% Popularity • 59% Danceability • 30% Energy • 11% Liveness
84% Instrumentalness • 46% Positiveness
29% Popularity • 59% Danceability • 30% Energy • 11% Liveness
84% Instrumentalness • 46% Positiveness
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Djelimady Tounkara
Ankaben
170 bpm • A min • 04:11 • -8db
22% Popularity • 35% Danceability • 63% Energy • 12% Liveness
91% Instrumentalness • 77% Positiveness
22% Popularity • 35% Danceability • 63% Energy • 12% Liveness
91% Instrumentalness • 77% Positiveness
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Geoffrey Oryema
Lajok
137 bpm • C# min • 02:48 • -13.85db
12% Popularity • 65% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
12% Popularity • 65% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
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Les Filles de Illighadad
Eghass Malan
136 bpm • A# min • 04:49 • -8db
29% Popularity • 51% Danceability • 82% Energy • 11% Liveness
57% Instrumentalness • 23% Positiveness
29% Popularity • 51% Danceability • 82% Energy • 11% Liveness
57% Instrumentalness • 23% Positiveness
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Sona Jobarteh
Mamaké
138 bpm • C# min • 05:08 • -13.25db
46% Popularity • 70% Danceability • 40% Energy • 10% Liveness
3% Instrumentalness • 31% Positiveness
46% Popularity • 70% Danceability • 40% Energy • 10% Liveness
3% Instrumentalness • 31% Positiveness
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Ali Farka Touré
Savane
136 bpm • E min • 07:43 • -10db
41% Popularity • 78% Danceability • 28% Energy • 6% Liveness
13% Instrumentalness • 51% Positiveness
41% Popularity • 78% Danceability • 28% Energy • 6% Liveness
13% Instrumentalness • 51% Positiveness
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Amine Bouhafa
Timbuktu Fasso
136 bpm • D min • 04:39 • -9.32db
34% Popularity • 48% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
34% Popularity • 48% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Hamza El Din
A Wish
135 bpm • G Maj • 09:04 • -12db
15% Popularity • 69% Danceability • 37% Energy • 10% Liveness
24% Instrumentalness • 73% Positiveness
15% Popularity • 69% Danceability • 37% Energy • 10% Liveness
24% Instrumentalness • 73% Positiveness
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Geoffrey Oryema
Jok Omako Nyako
137 bpm • F# Maj • 02:16 • -11.33db
22% Popularity • 60% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
22% Popularity • 60% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Dawda Jobarteh
I Met Her By The River
135 bpm • F# min • 04:26 • -12.18db
32% Popularity • 68% Danceability • 32% Energy • 9% Liveness
93% Instrumentalness • 47% Positiveness
32% Popularity • 68% Danceability • 32% Energy • 9% Liveness
93% Instrumentalness • 47% Positiveness
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Sona Jobarteh
Jarabi
137 bpm • F Maj • 05:05 • -10db
44% Popularity • 73% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
44% Popularity • 73% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Ali Farka Touré
Savane (2019 - Remaster)
136 bpm • E min • 05:19 • -8.44db
14% Popularity • 76% Danceability • 32% Energy • 8% Liveness
34% Instrumentalness • 37% Positiveness
14% Popularity • 76% Danceability • 32% Energy • 8% Liveness
34% Instrumentalness • 37% Positiveness
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Dobet Gnahoré
Issa
135 bpm • G# min • 03:09 • -9db
25% Popularity • 73% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
25% Popularity • 73% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Hamza El Din
Greetings
135 bpm • A min • 07:44 • -13db
26% Popularity • 52% Danceability • 29% Energy • 10% Liveness
47% Instrumentalness • 59% Positiveness
26% Popularity • 52% Danceability • 29% Energy • 10% Liveness
47% Instrumentalness • 59% Positiveness
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Catrin Finch
Future Strings
171 bpm • A# Maj • 07:31 • -20.29db
26% Popularity • 21% Danceability • 23% Energy • 10% Liveness
90% Instrumentalness • 26% Positiveness
26% Popularity • 21% Danceability • 23% Energy • 10% Liveness
90% Instrumentalness • 26% Positiveness
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Ba Cissoko
N'tenlebidgé
135 bpm • C# Maj • 04:17 • -7.17db
15% Popularity • 69% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
15% Popularity • 69% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
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Titi Robin
Sur tes pas
172 bpm • G Maj • 05:00 • -12.48db
10% Popularity • 59% Danceability • 53% Energy • 10% Liveness
71% Instrumentalness • 76% Positiveness
10% Popularity • 59% Danceability • 53% Energy • 10% Liveness
71% Instrumentalness • 76% Positiveness
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Ali Farka Touré
Penda Yoro
172 bpm • F Maj • 05:21 • -9.42db
24% Popularity • 51% Danceability • 64% Energy • 6% Liveness
26% Instrumentalness • 72% Positiveness
24% Popularity • 51% Danceability • 64% Energy • 6% Liveness
26% Instrumentalness • 72% Positiveness
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Stella Chiweshe
Huvhimi
134 bpm • D Maj • 08:17 • -11db
10% Popularity • 69% Danceability • 55% Energy • 12% Liveness
86% Instrumentalness • 75% Positiveness
10% Popularity • 69% Danceability • 55% Energy • 12% Liveness
86% Instrumentalness • 75% Positiveness
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Blick Bassy
Lon
172 bpm • A# Maj • 03:00 • -10db
26% Popularity • 56% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
26% Popularity • 56% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Rokia Traoré
Kanan neni
133 bpm • E min • 06:19 • -12.55db
28% Popularity • 63% Danceability • 38% Energy • 15% Liveness
1% Instrumentalness • 40% Positiveness
28% Popularity • 63% Danceability • 38% Energy • 15% Liveness
1% Instrumentalness • 40% Positiveness
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Kassé-Mady Diabaté
Ko Kuma Magni
174 bpm • G min • 06:49 • -15.46db
11% Popularity • 60% Danceability • 19% Energy • 9% Liveness
13% Instrumentalness • 67% Positiveness
11% Popularity • 60% Danceability • 19% Energy • 9% Liveness
13% Instrumentalness • 67% Positiveness
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Lobi Traoré
Mélodie Blues
132 bpm • D Maj • 02:04 • -8.78db
27% Popularity • 60% Danceability • 19% Energy • 10% Liveness
88% Instrumentalness • 56% Positiveness
27% Popularity • 60% Danceability • 19% Energy • 10% Liveness
88% Instrumentalness • 56% Positiveness
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Ali Farka Touré
Kenouna
174 bpm • B Maj • 05:02 • -16.88db
21% Popularity • 26% Danceability • 49% Energy • 5% Liveness
62% Instrumentalness • 86% Positiveness
21% Popularity • 26% Danceability • 49% Energy • 5% Liveness
62% Instrumentalness • 86% Positiveness
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Ba Cissoko
Manssani
175 bpm • D Maj • 05:01 • -7.93db
12% Popularity • 54% Danceability • 49% Energy • 22% Liveness
6% Instrumentalness • 39% Positiveness
12% Popularity • 54% Danceability • 49% Energy • 22% Liveness
6% Instrumentalness • 39% Positiveness
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Yom
Road Movie
131 bpm • G min • 05:50 • -11db
35% Popularity • 60% Danceability • 24% Energy • 12% Liveness
91% Instrumentalness • 5% Positiveness
35% Popularity • 60% Danceability • 24% Energy • 12% Liveness
91% Instrumentalness • 5% Positiveness
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Sona Jobarteh
Bannaya
130 bpm • C Maj • 04:18 • -9.58db
39% Popularity • 72% Danceability • 64% Energy • 7% Liveness
1% Instrumentalness • 62% Positiveness
39% Popularity • 72% Danceability • 64% Energy • 7% Liveness
1% Instrumentalness • 62% Positiveness
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Idrissa Soumaoro
M'mansaou
178 bpm • D# min • 04:01 • -10db
20% Popularity • 43% Danceability • 31% Energy • 7% Liveness
2% Instrumentalness • 34% Positiveness
20% Popularity • 43% Danceability • 31% Energy • 7% Liveness
2% Instrumentalness • 34% Positiveness
