Songs like Aida (1997 - Remaster): Pur ti riveggo, mia dolce Aida by Giuseppe Verdi
Based on a tempo of (+/- 10%) and a similar genre
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Giuseppe Verdi
Aida: Act II: Marcia
112 bpm • G# Maj • 01:34 • -20.16db
47% Popularity • 31% Danceability • 11% Energy • 13% Liveness
96% Instrumentalness • 32% Positiveness
47% Popularity • 31% Danceability • 11% Energy • 13% Liveness
96% Instrumentalness • 32% Positiveness
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Georges Bizet
Carmen / Act II: Toreador Song: "Votre t...
112 bpm • A# min • 03:49 • -12.54db
43% Popularity • 47% Danceability • 36% Energy • 15% Liveness
23% Instrumentalness • 58% Positiveness
43% Popularity • 47% Danceability • 36% Energy • 15% Liveness
23% Instrumentalness • 58% Positiveness
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Agnes Baltsa
Carmen (Act I, Sequedille)
112 bpm • D Maj • 02:04 • -14.83db
20% Popularity • 44% Danceability • 19% Energy • 69% Liveness
0% Instrumentalness • 21% Positiveness
20% Popularity • 44% Danceability • 19% Energy • 69% Liveness
0% Instrumentalness • 21% Positiveness
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Giacomo Puccini
Turandot / Act 1: Non piangere Liù
111 bpm • D# min • 05:03 • -12.13db
33% Popularity • 27% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
33% Popularity • 27% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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![La Traviata · Oper in 3 Akten · Arien und Szenen in deutscher Sprache (2001 - Remaster), Erster Akt: - Vorspiel [Preludio] (Orchester) cover art](https://i.scdn.co/image/ab67616d00001e02909a0eb4f0dcd06850ec55f6)
Francesco Maria Piave
La Traviata · Oper in 3 Akten · Arien ...
114 bpm • E Maj • 03:54 • -23.55db
7% Popularity • 30% Danceability • 8% Energy • 34% Liveness
87% Instrumentalness • 4% Positiveness
7% Popularity • 30% Danceability • 8% Energy • 34% Liveness
87% Instrumentalness • 4% Positiveness
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Johann Strauss II
Die Fledermaus: Overture
109 bpm • D Maj • 07:40 • -14.49db
42% Popularity • 39% Danceability • 24% Energy • 5% Liveness
78% Instrumentalness • 20% Positiveness
42% Popularity • 39% Danceability • 24% Energy • 5% Liveness
78% Instrumentalness • 20% Positiveness
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Giuseppe Verdi
Rigoletto, Act III: Duca! Duca!
112 bpm • A Maj • 02:30 • -20db
7% Popularity • 49% Danceability • 14% Energy • 19% Liveness
0% Instrumentalness • 33% Positiveness
7% Popularity • 49% Danceability • 14% Energy • 19% Liveness
0% Instrumentalness • 33% Positiveness
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Georges Bizet
Bizet: Carmen, Act 2: "Votre toast, je p...
113 bpm • F Maj • 04:53 • -15.69db
23% Popularity • 42% Danceability • 28% Energy • 64% Liveness
0% Instrumentalness • 40% Positiveness
23% Popularity • 42% Danceability • 28% Energy • 64% Liveness
0% Instrumentalness • 40% Positiveness
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Pietro Mascagni
Cavalleria rusticana: Ave Maria
109 bpm • E Maj • 03:49 • -23.34db
26% Popularity • 23% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 3% Positiveness
26% Popularity • 23% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 3% Positiveness
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Vincenzo Bellini
La Sonnambula / Act 1: Viva! Viva Amina!
116 bpm • F# min • 01:06 • -30db
35% Popularity • 25% Danceability • 10% Energy • 16% Liveness
30% Instrumentalness • 5% Positiveness
35% Popularity • 25% Danceability • 10% Energy • 16% Liveness
30% Instrumentalness • 5% Positiveness
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Charles Gounod
Gounod : Faust : Act 1 "Le veau d'or" [M...
108 bpm • G# Maj • 02:06 • -17.15db
15% Popularity • 47% Danceability • 40% Energy • 55% Liveness
0% Instrumentalness • 48% Positiveness
15% Popularity • 47% Danceability • 40% Energy • 55% Liveness
0% Instrumentalness • 48% Positiveness
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Gioachino Rossini
Péchés de vieillesse / Vol. III: Tiran...
117 bpm • C Maj • 04:28 • -17.42db
37% Popularity • 43% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
37% Popularity • 43% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Giuseppe Verdi
Macbeth: Act IV: Una macchia e qui tutt'...
113 bpm • C# Maj • 06:20 • -23.8db
16% Popularity • 41% Danceability • 8% Energy • 75% Liveness
0% Instrumentalness • 5% Positiveness
16% Popularity • 41% Danceability • 8% Energy • 75% Liveness
0% Instrumentalness • 5% Positiveness
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Georges Bizet
Carmen Suite No. 1 (Arr. E. Guiraud): II...
117 bpm • D min • 02:18 • -26db
45% Popularity • 34% Danceability • 4% Energy • 28% Liveness
12% Instrumentalness • 46% Positiveness
45% Popularity • 34% Danceability • 4% Energy • 28% Liveness
12% Instrumentalness • 46% Positiveness
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Leo Nucci
Miniera
119 bpm • A Maj • 03:36 • -12db
35% Popularity • 40% Danceability • 21% Energy • 13% Liveness
1% Instrumentalness • 29% Positiveness
35% Popularity • 40% Danceability • 21% Energy • 13% Liveness
1% Instrumentalness • 29% Positiveness
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Richard Wagner
Das Liebesverbot: Overture
120 bpm • G Maj • 08:52 • -13.92db
24% Popularity • 36% Danceability • 56% Energy • 18% Liveness
88% Instrumentalness • 22% Positiveness
24% Popularity • 36% Danceability • 56% Energy • 18% Liveness
88% Instrumentalness • 22% Positiveness
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Vincenzo Bellini
I puritani: Qui la voce sua soave
103 bpm • G# Maj • 05:27 • -16db
24% Popularity • 33% Danceability • 8% Energy • 30% Liveness
0% Instrumentalness • 9% Positiveness
24% Popularity • 33% Danceability • 8% Energy • 30% Liveness
0% Instrumentalness • 9% Positiveness
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Bedřich Smetana
The Bartered Bride, Act I Scene V: Intro...
103 bpm • C Maj • 04:39 • -18db
30% Popularity • 44% Danceability • 25% Energy • 11% Liveness
5% Instrumentalness • 44% Positiveness
30% Popularity • 44% Danceability • 25% Energy • 11% Liveness
5% Instrumentalness • 44% Positiveness
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Giuseppe Verdi
Aida: Act II: Gloria all'Egitto
111 bpm • A# Maj • 03:19 • -19.37db
19% Popularity • 29% Danceability • 9% Energy • 53% Liveness
3% Instrumentalness • 18% Positiveness
19% Popularity • 29% Danceability • 9% Energy • 53% Liveness
3% Instrumentalness • 18% Positiveness
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Georges Bizet
Bizet: Carmen, WD 31, Act 1: "Sur la pla...
107 bpm • A# Maj • 01:54 • -25db
26% Popularity • 39% Danceability • 8% Energy • 16% Liveness
11% Instrumentalness • 40% Positiveness
26% Popularity • 39% Danceability • 8% Energy • 16% Liveness
11% Instrumentalness • 40% Positiveness
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Gaetano Donizetti
Don Pasquale / Act 3: "Com'è gentil...t...
102 bpm • A Maj • 03:49 • -10.78db
31% Popularity • 38% Danceability • 24% Energy • 5% Liveness
0% Instrumentalness • 30% Positiveness
31% Popularity • 38% Danceability • 24% Energy • 5% Liveness
0% Instrumentalness • 30% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann (1989 Digital Rema...
101 bpm • C Maj • 01:12 • -31.8db
38% Popularity • 43% Danceability • 4% Energy • 9% Liveness
56% Instrumentalness • 44% Positiveness
38% Popularity • 43% Danceability • 4% Energy • 9% Liveness
56% Instrumentalness • 44% Positiveness
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London Philharmonic Orchestra
Nabucco: Chorus of the Hebrew Slaves, "V...
124 bpm • C# Maj • 04:59 • -16.48db
35% Popularity • 22% Danceability • 9% Energy • 10% Liveness
76% Instrumentalness • 6% Positiveness
35% Popularity • 22% Danceability • 9% Energy • 10% Liveness
76% Instrumentalness • 6% Positiveness
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Giacomo Puccini
Puccini: La bohème, Act 1: "O soave fan...
101 bpm • C Maj • 04:06 • -24.95db
15% Popularity • 16% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
15% Popularity • 16% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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Giuseppe Verdi
La traviata / Act I: "Libiamo ne'lieti c...
111 bpm • A# Maj • 02:49 • -22.12db
31% Popularity • 47% Danceability • 13% Energy • 63% Liveness
0% Instrumentalness • 36% Positiveness
31% Popularity • 47% Danceability • 13% Energy • 63% Liveness
0% Instrumentalness • 36% Positiveness
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Georges Bizet
Carmen: Act II: Couplets: Votre toast, j...
105 bpm • F Maj • 05:00 • -15.83db
11% Popularity • 40% Danceability • 30% Energy • 11% Liveness
2% Instrumentalness • 37% Positiveness
11% Popularity • 40% Danceability • 30% Energy • 11% Liveness
2% Instrumentalness • 37% Positiveness
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Gaetano Donizetti
Donizetti: L'elisir d'amore, Act 2: No. ...
126 bpm • A# Maj • 04:27 • -18.14db
29% Popularity • 31% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
29% Popularity • 31% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act 4: "Belle nu...
101 bpm • D Maj • 03:45 • -27db
30% Popularity • 22% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
30% Popularity • 22% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
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Richard Wagner
Wesendonck Lieder, WWV 91: Der Engel
126 bpm • G Maj • 03:11 • -18.84db
25% Popularity • 26% Danceability • 18% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
25% Popularity • 26% Danceability • 18% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
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Gioachino Rossini
Rossini : La Cenerentola : Act 2 "Non pi...
127 bpm • E Maj • 03:11 • -18db
17% Popularity • 43% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
17% Popularity • 43% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Giuseppe Verdi
La traviata / Act 1: "Libiamo ne'lieti c...
111 bpm • A# Maj • 03:01 • -17.06db
25% Popularity • 42% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
25% Popularity • 42% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Georges Bizet
Bizet: Carmen, WD 31, Act 1: "L'amour es...
104 bpm • D Maj • 04:17 • -23.98db
24% Popularity • 40% Danceability • 3% Energy • 37% Liveness
0% Instrumentalness • 20% Positiveness
24% Popularity • 40% Danceability • 3% Energy • 37% Liveness
0% Instrumentalness • 20% Positiveness
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Francesco Maria Piave
La Traviata · Oper in 3 Akten · Arien ...
98 bpm • D min • 01:29 • -11db
8% Popularity • 48% Danceability • 37% Energy • 64% Liveness
0% Instrumentalness • 59% Positiveness
8% Popularity • 48% Danceability • 37% Energy • 64% Liveness
0% Instrumentalness • 59% Positiveness
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Pietro Mascagni
Cavalleria rusticana: "Il cavallo scalpi...
128 bpm • F# Maj • 02:29 • -15db
26% Popularity • 49% Danceability • 34% Energy • 71% Liveness
2% Instrumentalness • 39% Positiveness
26% Popularity • 49% Danceability • 34% Energy • 71% Liveness
2% Instrumentalness • 39% Positiveness
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Renata Tebaldi
Un Bel Di Vedremo (Madame Butterfly)
128 bpm • C# Maj • 04:52 • -10.89db
29% Popularity • 31% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
29% Popularity • 31% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Gioachino Rossini
Il barbiere di Siviglia (The Barber of S...
99 bpm • C Maj • 05:00 • -18db
49% Popularity • 48% Danceability • 27% Energy • 22% Liveness
1% Instrumentalness • 40% Positiveness
49% Popularity • 48% Danceability • 27% Energy • 22% Liveness
1% Instrumentalness • 40% Positiveness
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Giuseppe Verdi
Rigoletto / Act 3: "La donna è mobile"
127 bpm • B Maj • 03:04 • -18.4db
15% Popularity • 42% Danceability • 16% Energy • 14% Liveness
1% Instrumentalness • 23% Positiveness
15% Popularity • 42% Danceability • 16% Energy • 14% Liveness
1% Instrumentalness • 23% Positiveness
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Georges Bizet
Bizet: Carmen, WD 31, Act 1: Habanera. "...
124 bpm • D Maj • 04:35 • -22db
43% Popularity • 36% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
43% Popularity • 36% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Giacomo Puccini
Gianni Schicchi: O mio babbino caro
98 bpm • G# Maj • 02:49 • -21.23db
50% Popularity • 21% Danceability • 16% Energy • 51% Liveness
38% Instrumentalness • 9% Positiveness
50% Popularity • 21% Danceability • 16% Energy • 51% Liveness
38% Instrumentalness • 9% Positiveness
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Umberto Giordano
Fedora: Amor ti vieta
96 bpm • C Maj • 01:46 • -13.68db
39% Popularity • 21% Danceability • 28% Energy • 12% Liveness
57% Instrumentalness • 12% Positiveness
39% Popularity • 21% Danceability • 28% Energy • 12% Liveness
57% Instrumentalness • 12% Positiveness
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Amilcare Ponchielli
La Gioconda, Op. 9: Cielo e mar!
96 bpm • D# Maj • 04:23 • -16.56db
36% Popularity • 24% Danceability • 25% Energy • 12% Liveness
3% Instrumentalness • 5% Positiveness
36% Popularity • 24% Danceability • 25% Energy • 12% Liveness
3% Instrumentalness • 5% Positiveness
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Gioachino Rossini
Il barbiere di Siviglia: Overture (Sinfo...
98 bpm • E Maj • 06:59 • -15.16db
27% Popularity • 35% Danceability • 26% Energy • 9% Liveness
90% Instrumentalness • 45% Positiveness
27% Popularity • 35% Danceability • 26% Energy • 9% Liveness
90% Instrumentalness • 45% Positiveness
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Giuseppe Verdi
Macbeth, Act I: Due vaticini compiuti or...
97 bpm • F Maj • 03:22 • -19.65db
11% Popularity • 34% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
11% Popularity • 34% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Georges Bizet
Bizet: Carmen, WD 31: Prélude
129 bpm • D min • 03:33 • -16.85db
37% Popularity • 26% Danceability • 27% Energy • 6% Liveness
86% Instrumentalness • 23% Positiveness
37% Popularity • 26% Danceability • 27% Energy • 6% Liveness
86% Instrumentalness • 23% Positiveness
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Pietro Mascagni
Cavalleria rusticana: Voi lo sapete
96 bpm • E min • 03:15 • -14.07db
29% Popularity • 24% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
29% Popularity • 24% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
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Giacomo Puccini
Puccini: La bohème, Act 2: "Quando me'n...
132 bpm • A Maj • 04:40 • -16db
29% Popularity • 33% Danceability • 18% Energy • 18% Liveness
0% Instrumentalness • 16% Positiveness
29% Popularity • 33% Danceability • 18% Energy • 18% Liveness
0% Instrumentalness • 16% Positiveness
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Richard Wagner
Wesendonck Lieder, WWV 91: Schmerzen
132 bpm • C min • 02:31 • -19.33db
31% Popularity • 27% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
31% Popularity • 27% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Eduardo di Capua
'O sole mio (Arr. Chiaramello)
135 bpm • A Maj • 03:22 • -14db
52% Popularity • 23% Danceability • 27% Energy • 16% Liveness
4% Instrumentalness • 29% Positiveness
52% Popularity • 23% Danceability • 27% Energy • 16% Liveness
4% Instrumentalness • 29% Positiveness
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Giuseppe Verdi
Verdi: Messa da Requiem: XXI. Libera me,...
113 bpm • C Maj • 06:23 • -17db
17% Popularity • 27% Danceability • 25% Energy • 9% Liveness
1% Instrumentalness • 11% Positiveness
17% Popularity • 27% Danceability • 25% Energy • 9% Liveness
1% Instrumentalness • 11% Positiveness
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Georges Bizet
Bizet: Carmen: Prélude
125 bpm • A Maj • 02:14 • -13db
32% Popularity • 32% Danceability • 46% Energy • 18% Liveness
10% Instrumentalness • 66% Positiveness
32% Popularity • 32% Danceability • 46% Energy • 18% Liveness
10% Instrumentalness • 66% Positiveness
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Francesco Maria Piave
La Traviata · Oper in 3 Akten · Arien ...
136 bpm • F min • 01:57 • -10.62db
6% Popularity • 45% Danceability • 25% Energy • 30% Liveness
0% Instrumentalness • 20% Positiveness
6% Popularity • 45% Danceability • 25% Energy • 30% Liveness
0% Instrumentalness • 20% Positiveness
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Giacomo Puccini
Puccini: Turandot, Act 3: "Nessun dorma"...
134 bpm • D Maj • 03:26 • -12db
25% Popularity • 22% Danceability • 38% Energy • 32% Liveness
36% Instrumentalness • 10% Positiveness
25% Popularity • 22% Danceability • 38% Energy • 32% Liveness
36% Instrumentalness • 10% Positiveness
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Gioachino Rossini
La Gazza Ladra - La Urraca Ladrona Obert...
138 bpm • E Maj • 03:04 • -15.42db
35% Popularity • 37% Danceability • 15% Energy • 15% Liveness
91% Instrumentalness • 30% Positiveness
35% Popularity • 37% Danceability • 15% Energy • 15% Liveness
91% Instrumentalness • 30% Positiveness
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Vincenzo Bellini
Bellini: Norma, Act 1: "Casta diva" (Nor...
140 bpm • F Maj • 07:00 • -20db
26% Popularity • 22% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
26% Popularity • 22% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
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Giuseppe Verdi
La traviata / Act I: Libiamo ne'lieti ca...
113 bpm • A# Maj • 02:55 • -17.69db
59% Popularity • 42% Danceability • 21% Energy • 68% Liveness
0% Instrumentalness • 28% Positiveness
59% Popularity • 42% Danceability • 21% Energy • 68% Liveness
0% Instrumentalness • 28% Positiveness
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Georges Bizet
Bizet: Carmen, WD 31, Act 3, Scene 1: "J...
126 bpm • D# Maj • 05:04 • -20db
24% Popularity • 29% Danceability • 9% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
24% Popularity • 29% Danceability • 9% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
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Alfred Scholz
The Marriage Of Figaro KV.592
142 bpm • D Maj • 04:15 • -21.11db
38% Popularity • 34% Danceability • 10% Energy • 10% Liveness
86% Instrumentalness • 25% Positiveness
38% Popularity • 34% Danceability • 10% Energy • 10% Liveness
86% Instrumentalness • 25% Positiveness
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Giacomo Puccini
Turandot / Act 1: "Popoli di Pekino!"
134 bpm • G# Maj • 05:35 • -15.95db
20% Popularity • 34% Danceability • 28% Energy • 11% Liveness
5% Instrumentalness • 6% Positiveness
20% Popularity • 34% Danceability • 28% Energy • 11% Liveness
5% Instrumentalness • 6% Positiveness
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Gioachino Rossini
Il barbiere di Siviglia, Act I: No. 2, A...
142 bpm • C Maj • 04:39 • -14.33db
26% Popularity • 50% Danceability • 34% Energy • 9% Liveness
23% Instrumentalness • 56% Positiveness
26% Popularity • 50% Danceability • 34% Energy • 9% Liveness
23% Instrumentalness • 56% Positiveness
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Gaetano Donizetti
Linda di Chamounix, A. 62, Act I Scene 3...
144 bpm • D Maj • 01:23 • -22.33db
43% Popularity • 29% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
43% Popularity • 29% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Giuseppe Verdi
Rigoletto / Act 2: "Povero Rigoletto!......
110 bpm • E min • 03:35 • -15.88db
17% Popularity • 41% Danceability • 21% Energy • 18% Liveness
0% Instrumentalness • 20% Positiveness
17% Popularity • 41% Danceability • 21% Energy • 18% Liveness
0% Instrumentalness • 20% Positiveness
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Georges Bizet
Carmen, WD 31 / Act 1: "L'amour est un o...
129 bpm • D Maj • 04:14 • -15db
23% Popularity • 39% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
23% Popularity • 39% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Anonymous
Rigoletto, Act IV: La donna e mobile (ar...
155 bpm • A# Maj • 01:45 • -17db
45% Popularity • 30% Danceability • 12% Energy • 21% Liveness
91% Instrumentalness • 32% Positiveness
45% Popularity • 30% Danceability • 12% Energy • 21% Liveness
91% Instrumentalness • 32% Positiveness
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Giacomo Puccini
Madama Butterfly, SC 74, Act II: Addio f...
137 bpm • C# Maj • 02:07 • -13.2db
39% Popularity • 19% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
39% Popularity • 19% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
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Gioachino Rossini
Il barbiere di Siviglia / Act I: No. 2 C...
148 bpm • C Maj • 04:58 • -15.22db
28% Popularity • 39% Danceability • 29% Energy • 7% Liveness
10% Instrumentalness • 39% Positiveness
28% Popularity • 39% Danceability • 29% Energy • 7% Liveness
10% Instrumentalness • 39% Positiveness
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Richard Wagner
Tannhauser, Act III: Begluckt darf nun d...
164 bpm • D# Maj • 03:49 • -23db
31% Popularity • 9% Danceability • 4% Energy • 11% Liveness
3% Instrumentalness • 6% Positiveness
31% Popularity • 9% Danceability • 4% Energy • 11% Liveness
3% Instrumentalness • 6% Positiveness
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Giuseppe Verdi
Sanctus
114 bpm • F Maj • 02:43 • -14db
15% Popularity • 33% Danceability • 32% Energy • 5% Liveness
66% Instrumentalness • 21% Positiveness
15% Popularity • 33% Danceability • 32% Energy • 5% Liveness
66% Instrumentalness • 21% Positiveness
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Georges Bizet
Bizet: Carmen, Act 1: "L'amour est un oi...
134 bpm • D Maj • 04:22 • -17.33db
49% Popularity • 36% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
49% Popularity • 36% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
► Preview
Pietro Mascagni
Cavalleria rusticana: "Voi lo sapete, o ...
168 bpm • E min • 03:38 • -17.19db
32% Popularity • 21% Danceability • 18% Energy • 17% Liveness
0% Instrumentalness • 4% Positiveness
32% Popularity • 21% Danceability • 18% Energy • 17% Liveness
0% Instrumentalness • 4% Positiveness
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Luigi Arditi
Il bacio
173 bpm • G Maj • 03:54 • -18.53db
29% Popularity • 39% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
29% Popularity • 39% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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Gioachino Rossini
Il barbiere di Siviglia (The Barber of S...
171 bpm • E Maj • 07:46 • -24.15db
38% Popularity • 29% Danceability • 8% Energy • 8% Liveness
44% Instrumentalness • 27% Positiveness
38% Popularity • 29% Danceability • 8% Energy • 8% Liveness
44% Instrumentalness • 27% Positiveness
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Richard Wagner
Tannhäuser, WWV 70, Act II: Dich, teure...
172 bpm • E min • 03:41 • -13.09db
23% Popularity • 23% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
23% Popularity • 23% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Giuseppe Verdi
Requiem: XIV. Agnus Dei
173 bpm • C Maj • 04:27 • -38.58db
24% Popularity • 9% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
24% Popularity • 9% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Georges Bizet
Bizet: Carmen, WD 31, Act 2: Chanson boh...
137 bpm • C Maj • 04:36 • -17.88db
11% Popularity • 39% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
11% Popularity • 39% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
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Gaetano Donizetti
L'elisir d'amore / Act 2: "Una furtiva l...
175 bpm • F min • 06:40 • -20db
43% Popularity • 24% Danceability • 6% Energy • 29% Liveness
0% Instrumentalness • 9% Positiveness
43% Popularity • 24% Danceability • 6% Energy • 29% Liveness
0% Instrumentalness • 9% Positiveness
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Vincenzo Bellini
Norma / Act 1 Scene 1: "Casta Diva" (Cri...
176 bpm • F Maj • 06:30 • -20.45db
35% Popularity • 21% Danceability • 9% Energy • 9% Liveness
30% Instrumentalness • 4% Positiveness
35% Popularity • 21% Danceability • 9% Energy • 9% Liveness
30% Instrumentalness • 4% Positiveness
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Franz Lehár
Lehár: Die lustige Witwe, Act 2: Vilja-...
176 bpm • G Maj • 04:53 • -19.67db
21% Popularity • 21% Danceability • 10% Energy • 30% Liveness
0% Instrumentalness • 8% Positiveness
21% Popularity • 21% Danceability • 10% Energy • 30% Liveness
0% Instrumentalness • 8% Positiveness
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Giacomo Puccini
La fanciulla del West: "Ch'ella mi creda...
179 bpm • F# Maj • 02:02 • -15.64db
32% Popularity • 12% Danceability • 25% Energy • 28% Liveness
1% Instrumentalness • 19% Positiveness
32% Popularity • 12% Danceability • 25% Energy • 28% Liveness
1% Instrumentalness • 19% Positiveness
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Giuseppe Verdi
Verdi: Macbeth, Act 1: "Schiudi, inferno...
110 bpm • C# Maj • 05:32 • -13.29db
8% Popularity • 26% Danceability • 28% Energy • 18% Liveness
1% Instrumentalness • 9% Positiveness
8% Popularity • 26% Danceability • 28% Energy • 18% Liveness
1% Instrumentalness • 9% Positiveness
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Georges Bizet
Bizet: Carmen, WD 31, Act 2: "Votre toas...
175 bpm • F Maj • 04:55 • -14.38db
20% Popularity • 34% Danceability • 31% Energy • 7% Liveness
1% Instrumentalness • 39% Positiveness
20% Popularity • 34% Danceability • 31% Energy • 7% Liveness
1% Instrumentalness • 39% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act 2: "Les oise...
178 bpm • G# Maj • 05:29 • -20db
19% Popularity • 30% Danceability • 5% Energy • 18% Liveness
0% Instrumentalness • 14% Positiveness
19% Popularity • 30% Danceability • 5% Energy • 18% Liveness
0% Instrumentalness • 14% Positiveness
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Francesco Maria Piave
La Traviata · Oper in 3 Akten · Arien ...
180 bpm • F Maj • 03:44 • -14.85db
4% Popularity • 31% Danceability • 11% Energy • 23% Liveness
0% Instrumentalness • 12% Positiveness
4% Popularity • 31% Danceability • 11% Energy • 23% Liveness
0% Instrumentalness • 12% Positiveness
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Carl Maria von Weber
Der Freischütz, J. 277 / Act I: Walzer
182 bpm • A Maj • 01:13 • -20db
43% Popularity • 28% Danceability • 44% Energy • 8% Liveness
88% Instrumentalness • 52% Positiveness
43% Popularity • 28% Danceability • 44% Energy • 8% Liveness
88% Instrumentalness • 52% Positiveness
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Pyotr Ilyich Tchaikovsky
Eugene Onegin, Op. 24, TH 5 / Act III: P...
203 bpm • G Maj • 04:50 • -13.71db
25% Popularity • 34% Danceability • 28% Energy • 6% Liveness
94% Instrumentalness • 42% Positiveness
25% Popularity • 34% Danceability • 28% Energy • 6% Liveness
94% Instrumentalness • 42% Positiveness
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Giuseppe Verdi
Aida, Act II: Grand March
110 bpm • D# Maj • 01:35 • -23.76db
40% Popularity • 54% Danceability • 4% Energy • 16% Liveness
97% Instrumentalness • 37% Positiveness
40% Popularity • 54% Danceability • 4% Energy • 16% Liveness
97% Instrumentalness • 37% Positiveness
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Giuseppe Verdi
La traviata / Act 1: Libiamo ne'lieti ca...
110 bpm • A# Maj • 02:47 • -16.6db
51% Popularity • 40% Danceability • 25% Energy • 50% Liveness
0% Instrumentalness • 21% Positiveness
51% Popularity • 40% Danceability • 25% Energy • 50% Liveness
0% Instrumentalness • 21% Positiveness
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Giuseppe Verdi
Verdi: Messa da Requiem: XI. Lacrymosa
110 bpm • A# min • 06:28 • -25.43db
4% Popularity • 19% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
4% Popularity • 19% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Giuseppe Verdi
La traviata / Act II: "Di Provenza il ma...
114 bpm • C# Maj • 03:59 • -20.58db
28% Popularity • 30% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
28% Popularity • 30% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
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Giuseppe Verdi
Aida / Act 2: "Gloria all'Egitto"
114 bpm • D# Maj • 03:52 • -14.95db
9% Popularity • 33% Danceability • 18% Energy • 9% Liveness
28% Instrumentalness • 24% Positiveness
9% Popularity • 33% Danceability • 18% Energy • 9% Liveness
28% Instrumentalness • 24% Positiveness
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Giuseppe Verdi
Verdi: La traviata, Act 1: "Sempre liber...
115 bpm • G# Maj • 04:01 • -12.68db
17% Popularity • 40% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
17% Popularity • 40% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Giuseppe Verdi
Macbeth, Act III: Chorus and Ballet. Ond...
109 bpm • G Maj • 04:03 • -32.89db
7% Popularity • 53% Danceability • 3% Energy • 13% Liveness
11% Instrumentalness • 24% Positiveness
7% Popularity • 53% Danceability • 3% Energy • 13% Liveness
11% Instrumentalness • 24% Positiveness
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Giuseppe Verdi
Aida / Act 1: "Celeste Aida"
109 bpm • A# Maj • 03:36 • -17.48db
24% Popularity • 27% Danceability • 18% Energy • 18% Liveness
0% Instrumentalness • 10% Positiveness
24% Popularity • 27% Danceability • 18% Energy • 18% Liveness
0% Instrumentalness • 10% Positiveness
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Giuseppe Verdi
Macbeth, Act I: Chorus. S'allontanarono!...
115 bpm • A Maj • 04:16 • -19.07db
12% Popularity • 45% Danceability • 16% Energy • 16% Liveness
0% Instrumentalness • 8% Positiveness
12% Popularity • 45% Danceability • 16% Energy • 16% Liveness
0% Instrumentalness • 8% Positiveness
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Giuseppe Verdi
Nabucco / Act IV: Oh, dischiuso è il fi...
108 bpm • F Maj • 03:04 • -20.22db
19% Popularity • 30% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
19% Popularity • 30% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
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Giuseppe Verdi
La traviata / Act I: "Libiamo ne'lieti c...
116 bpm • A# Maj • 03:04 • -19.04db
39% Popularity • 40% Danceability • 15% Energy • 55% Liveness
0% Instrumentalness • 36% Positiveness
39% Popularity • 40% Danceability • 15% Energy • 55% Liveness
0% Instrumentalness • 36% Positiveness
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Giuseppe Verdi
Requiem: VI. Rex Tremendae
108 bpm • C min • 03:35 • -21.62db
28% Popularity • 21% Danceability • 15% Energy • 28% Liveness
3% Instrumentalness • 6% Positiveness
28% Popularity • 21% Danceability • 15% Energy • 28% Liveness
3% Instrumentalness • 6% Positiveness
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Giuseppe Verdi
Nabucco / Act II: Che si vuol? / Il male...
116 bpm • E min • 02:33 • -14.88db
20% Popularity • 44% Danceability • 32% Energy • 64% Liveness
44% Instrumentalness • 28% Positiveness
20% Popularity • 44% Danceability • 32% Energy • 64% Liveness
44% Instrumentalness • 28% Positiveness
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Giuseppe Verdi
Macbeth: Preludio
116 bpm • A# min • 02:53 • -24.15db
26% Popularity • 37% Danceability • 4% Energy • 37% Liveness
9% Instrumentalness • 10% Positiveness
26% Popularity • 37% Danceability • 4% Energy • 37% Liveness
9% Instrumentalness • 10% Positiveness
