Songs like Aida - Triumph Marsch by German Brass
Based on a tempo of (+/- 10%) and a similar genre
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German Brass
Aida - Triumph Marsch
115 bpm • D# Maj • 05:56 • -17.58db
9% Popularity • 40% Danceability • 17% Energy • 9% Liveness
88% Instrumentalness • 23% Positiveness
9% Popularity • 40% Danceability • 17% Energy • 9% Liveness
88% Instrumentalness • 23% Positiveness
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Georges Bizet
Bizet: Carmen
115 bpm • G Maj • 03:02 • -15.77db
10% Popularity • 41% Danceability • 18% Energy • 80% Liveness
87% Instrumentalness • 16% Positiveness
10% Popularity • 41% Danceability • 18% Energy • 80% Liveness
87% Instrumentalness • 16% Positiveness
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Otto M. Schwarz
Glory Fanfare
115 bpm • A# Maj • 03:00 • -11.33db
15% Popularity • 35% Danceability • 57% Energy • 73% Liveness
94% Instrumentalness • 26% Positiveness
15% Popularity • 35% Danceability • 57% Energy • 73% Liveness
94% Instrumentalness • 26% Positiveness
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Enrique Crespo
El Pasodoble y Olé! - Arr. for Trumpet ...
115 bpm • D min • 04:24 • -13.69db
11% Popularity • 41% Danceability • 32% Energy • 78% Liveness
89% Instrumentalness • 32% Positiveness
11% Popularity • 41% Danceability • 32% Energy • 78% Liveness
89% Instrumentalness • 32% Positiveness
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Brighouse And Rastrick Brass Band
Something Stupid
115 bpm • F Maj • 02:38 • -14.08db
8% Popularity • 38% Danceability • 34% Energy • 12% Liveness
92% Instrumentalness • 25% Positiveness
8% Popularity • 38% Danceability • 34% Energy • 12% Liveness
92% Instrumentalness • 25% Positiveness
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Henry VIII
Pastime with good company
116 bpm • F min • 02:46 • -14.86db
17% Popularity • 74% Danceability • 63% Energy • 96% Liveness
90% Instrumentalness • 45% Positiveness
17% Popularity • 74% Danceability • 63% Energy • 96% Liveness
90% Instrumentalness • 45% Positiveness
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Ángel Villoldo
El Choclo
114 bpm • D min • 04:05 • -15.03db
3% Popularity • 47% Danceability • 21% Energy • 8% Liveness
95% Instrumentalness • 36% Positiveness
3% Popularity • 47% Danceability • 21% Energy • 8% Liveness
95% Instrumentalness • 36% Positiveness
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German Brass
The Walls Of Jericho
116 bpm • G Maj • 03:51 • -11.2db
5% Popularity • 54% Danceability • 47% Energy • 8% Liveness
75% Instrumentalness • 8% Positiveness
5% Popularity • 54% Danceability • 47% Energy • 8% Liveness
75% Instrumentalness • 8% Positiveness
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Leonard Bernstein
West Side Story, Act I: Prologue (Arr. f...
116 bpm • C Maj • 02:21 • -15.39db
2% Popularity • 53% Danceability • 30% Energy • 8% Liveness
43% Instrumentalness • 26% Positiveness
2% Popularity • 53% Danceability • 30% Energy • 8% Liveness
43% Instrumentalness • 26% Positiveness
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PRO BRASS
Badinerie
116 bpm • G min • 02:44 • -19.5db
11% Popularity • 65% Danceability • 26% Energy • 14% Liveness
81% Instrumentalness • 51% Positiveness
11% Popularity • 65% Danceability • 26% Energy • 14% Liveness
81% Instrumentalness • 51% Positiveness
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Carl Maria von Weber
Jägerchor
114 bpm • D# Maj • 01:30 • -22.97db
16% Popularity • 62% Danceability • 12% Energy • 18% Liveness
93% Instrumentalness • 53% Positiveness
16% Popularity • 62% Danceability • 12% Energy • 18% Liveness
93% Instrumentalness • 53% Positiveness
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Kurt Weill
Excerpts from Dreigroschenoper: Ouvertur...
114 bpm • B Maj • 01:04 • -13db
20% Popularity • 77% Danceability • 15% Energy • 10% Liveness
79% Instrumentalness • 50% Positiveness
20% Popularity • 77% Danceability • 15% Energy • 10% Liveness
79% Instrumentalness • 50% Positiveness
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![France (La Marseillaise [the March of Marseille],](https://i.scdn.co/image/ab67616d00001e029d0493e525dde150983f4c8d)
Claude Joseph Rouget de Lisle
France (La Marseillaise [the March of Ma...
117 bpm • G Maj • 01:05 • -19.91db
17% Popularity • 55% Danceability • 22% Energy • 10% Liveness
94% Instrumentalness • 38% Positiveness
17% Popularity • 55% Danceability • 22% Energy • 10% Liveness
94% Instrumentalness • 38% Positiveness
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Peter Graham
Force of Nature: I. Matador
117 bpm • E min • 04:48 • -24.11db
8% Popularity • 40% Danceability • 9% Energy • 8% Liveness
95% Instrumentalness • 20% Positiveness
8% Popularity • 40% Danceability • 9% Energy • 8% Liveness
95% Instrumentalness • 20% Positiveness
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Paul Barbarin
Bourbon Street Parade
117 bpm • F Maj • 03:36 • -17.6db
2% Popularity • 40% Danceability • 30% Energy • 9% Liveness
55% Instrumentalness • 73% Positiveness
2% Popularity • 40% Danceability • 30% Energy • 9% Liveness
55% Instrumentalness • 73% Positiveness
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German Brass
Variationen über das Niederländische L...
113 bpm • C Maj • 04:24 • -24.48db
4% Popularity • 43% Danceability • 3% Energy • 7% Liveness
94% Instrumentalness • 32% Positiveness
4% Popularity • 43% Danceability • 3% Energy • 7% Liveness
94% Instrumentalness • 32% Positiveness
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Joseph Alessi
T-Bone Concerto
113 bpm • C Maj • 06:06 • -14db
12% Popularity • 46% Danceability • 24% Energy • 5% Liveness
84% Instrumentalness • 31% Positiveness
12% Popularity • 46% Danceability • 24% Energy • 5% Liveness
84% Instrumentalness • 31% Positiveness
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Erich Wolfgang Korngold
The Seahawk
117 bpm • A# Maj • 07:56 • -11.1db
8% Popularity • 45% Danceability • 36% Energy • 10% Liveness
80% Instrumentalness • 12% Positiveness
8% Popularity • 45% Danceability • 36% Energy • 10% Liveness
80% Instrumentalness • 12% Positiveness
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Jorijn Van Hese
A Selection of Negro Spirituals, No. 1, ...
118 bpm • F Maj • 01:19 • -28.64db
10% Popularity • 81% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 48% Positiveness
10% Popularity • 81% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 48% Positiveness
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The Philip Jones Brass Ensemble
Tico Tico
118 bpm • A# min • 04:06 • -18db
16% Popularity • 56% Danceability • 27% Energy • 10% Liveness
90% Instrumentalness • 39% Positiveness
16% Popularity • 56% Danceability • 27% Energy • 10% Liveness
90% Instrumentalness • 39% Positiveness
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Західноукраїнське об'єднання МСЦ ЄХБ
Дух Господен действов...
118 bpm • F min • 01:50 • -13.73db
10% Popularity • 55% Danceability • 21% Energy • 11% Liveness
98% Instrumentalness • 47% Positiveness
10% Popularity • 55% Danceability • 21% Energy • 11% Liveness
98% Instrumentalness • 47% Positiveness
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German Brass
Wild Cat Blues
118 bpm • C min • 02:21 • -17.43db
3% Popularity • 50% Danceability • 36% Energy • 22% Liveness
95% Instrumentalness • 63% Positiveness
3% Popularity • 50% Danceability • 36% Energy • 22% Liveness
95% Instrumentalness • 63% Positiveness
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Gabriel Fauré
Après un rêve Op. 7, No. 2
112 bpm • F min • 02:37 • -28.21db
9% Popularity • 17% Danceability • 1% Energy • 9% Liveness
89% Instrumentalness • 18% Positiveness
9% Popularity • 17% Danceability • 1% Energy • 9% Liveness
89% Instrumentalness • 18% Positiveness
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Giuseppe Verdi
Aida: Triumphal March - Arr. For Brass E...
112 bpm • D# Maj • 05:58 • -15.56db
3% Popularity • 40% Danceability • 21% Energy • 9% Liveness
89% Instrumentalness • 21% Positiveness
3% Popularity • 40% Danceability • 21% Energy • 9% Liveness
89% Instrumentalness • 21% Positiveness
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Derek M. Broadbent
Centaur
118 bpm • G# Maj • 02:54 • -18.68db
10% Popularity • 60% Danceability • 31% Energy • 16% Liveness
92% Instrumentalness • 81% Positiveness
10% Popularity • 60% Danceability • 31% Energy • 16% Liveness
92% Instrumentalness • 81% Positiveness
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George and Ira Gershwin, arr. Geert Brouwers
I Got Rhythm
112 bpm • G# Maj • 01:30 • -17.44db
10% Popularity • 65% Danceability • 24% Energy • 9% Liveness
63% Instrumentalness • 22% Positiveness
10% Popularity • 65% Danceability • 24% Energy • 9% Liveness
63% Instrumentalness • 22% Positiveness
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Johan de Meij
Finale from Jazz Suite No. 2 Dmitri Shos...
119 bpm • F Maj • 02:16 • -19.65db
23% Popularity • 54% Danceability • 20% Energy • 7% Liveness
96% Instrumentalness • 55% Positiveness
23% Popularity • 54% Danceability • 20% Energy • 7% Liveness
96% Instrumentalness • 55% Positiveness
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Carl Michael Bellman
Hej! sade Fredman
111 bpm • G Maj • 01:09 • -23.7db
12% Popularity • 71% Danceability • 4% Energy • 12% Liveness
74% Instrumentalness • 85% Positiveness
12% Popularity • 71% Danceability • 4% Energy • 12% Liveness
74% Instrumentalness • 85% Positiveness
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Joseph Alessi
Carmen Fantasy - I. Prelude to Act IV: (...
119 bpm • D min • 02:29 • -19db
15% Popularity • 44% Danceability • 12% Energy • 9% Liveness
94% Instrumentalness • 25% Positiveness
15% Popularity • 44% Danceability • 12% Energy • 9% Liveness
94% Instrumentalness • 25% Positiveness
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Blechschaden
Amazing Grace
119 bpm • A# Maj • 03:04 • -14.95db
8% Popularity • 25% Danceability • 14% Energy • 12% Liveness
92% Instrumentalness • 10% Positiveness
8% Popularity • 25% Danceability • 14% Energy • 12% Liveness
92% Instrumentalness • 10% Positiveness
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Launy Grøndahl
Concerto pour trombone et orchestre: III...
120 bpm • F# Maj • 05:14 • -22.74db
4% Popularity • 48% Danceability • 3% Energy • 24% Liveness
95% Instrumentalness • 9% Positiveness
4% Popularity • 48% Danceability • 3% Energy • 24% Liveness
95% Instrumentalness • 9% Positiveness
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Jorijn Van Hese
Thank You - Euphonium Multi-Track
120 bpm • G Maj • 00:52 • -31.29db
18% Popularity • 72% Danceability • 1% Energy • 12% Liveness
87% Instrumentalness • 67% Positiveness
18% Popularity • 72% Danceability • 1% Energy • 12% Liveness
87% Instrumentalness • 67% Positiveness
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Philip Sparke
Hymn of the Highlands: V. Dundonnell - F...
110 bpm • F min • 05:50 • -15db
17% Popularity • 31% Danceability • 32% Energy • 17% Liveness
94% Instrumentalness • 23% Positiveness
17% Popularity • 31% Danceability • 32% Energy • 17% Liveness
94% Instrumentalness • 23% Positiveness
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Percy Grainger
Marching Song of Democracy
120 bpm • C# Maj • 07:04 • -20.04db
8% Popularity • 25% Danceability • 13% Energy • 64% Liveness
90% Instrumentalness • 6% Positiveness
8% Popularity • 25% Danceability • 13% Energy • 64% Liveness
90% Instrumentalness • 6% Positiveness
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Daniel Ridder
March: Down the Street - Euphonium, Cimb...
120 bpm • D# Maj • 02:37 • -24.07db
9% Popularity • 67% Danceability • 3% Energy • 14% Liveness
63% Instrumentalness • 51% Positiveness
9% Popularity • 67% Danceability • 3% Energy • 14% Liveness
63% Instrumentalness • 51% Positiveness
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Blechschaden
Walküre mit Blechschaden
120 bpm • G# Maj • 03:22 • -11.38db
9% Popularity • 62% Danceability • 55% Energy • 31% Liveness
84% Instrumentalness • 66% Positiveness
9% Popularity • 62% Danceability • 55% Energy • 31% Liveness
84% Instrumentalness • 66% Positiveness
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Turner Layton
Way Down Yonder
110 bpm • F Maj • 01:47 • -16.57db
2% Popularity • 41% Danceability • 30% Energy • 21% Liveness
35% Instrumentalness • 64% Positiveness
2% Popularity • 41% Danceability • 30% Energy • 21% Liveness
35% Instrumentalness • 64% Positiveness
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Jorijn Van Hese
O Boundless Salvation | My Jesus, I Love...
120 bpm • G# Maj • 01:25 • -29.97db
12% Popularity • 40% Danceability • 1% Energy • 11% Liveness
91% Instrumentalness • 61% Positiveness
12% Popularity • 40% Danceability • 1% Energy • 11% Liveness
91% Instrumentalness • 61% Positiveness
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Mnozil Brass
Einzug der Gladiatoren
121 bpm • A# Maj • 02:40 • -12.77db
18% Popularity • 47% Danceability • 48% Energy • 42% Liveness
98% Instrumentalness • 40% Positiveness
18% Popularity • 47% Danceability • 48% Energy • 42% Liveness
98% Instrumentalness • 40% Positiveness
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Agathe Backer Grøndahl
3 Morceaux, Op. 15 (arr. for brass ensem...
110 bpm • A# Maj • 02:47 • -26.36db
19% Popularity • 25% Danceability • 4% Energy • 10% Liveness
93% Instrumentalness • 9% Positiveness
19% Popularity • 25% Danceability • 4% Energy • 10% Liveness
93% Instrumentalness • 9% Positiveness
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The Philip Jones Brass Ensemble
Blues March
121 bpm • A# Maj • 02:19 • -14db
10% Popularity • 60% Danceability • 35% Energy • 9% Liveness
90% Instrumentalness • 86% Positiveness
10% Popularity • 60% Danceability • 35% Energy • 9% Liveness
90% Instrumentalness • 86% Positiveness
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Chris Hazell
Cat Suite: I. Kraken
121 bpm • A# Maj • 03:28 • -19db
13% Popularity • 61% Danceability • 14% Energy • 9% Liveness
89% Instrumentalness • 27% Positiveness
13% Popularity • 61% Danceability • 14% Energy • 9% Liveness
89% Instrumentalness • 27% Positiveness
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Mariano Mores
Adios Pampa mia
109 bpm • A Maj • 03:09 • -14.98db
1% Popularity • 39% Danceability • 16% Energy • 33% Liveness
89% Instrumentalness • 22% Positiveness
1% Popularity • 39% Danceability • 16% Energy • 33% Liveness
89% Instrumentalness • 22% Positiveness
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Die Hornisten der Berliner Philharmoniker
Der Freischütz : Jäger-Chor
109 bpm • D Maj • 01:51 • -16db
11% Popularity • 55% Danceability • 14% Energy • 13% Liveness
94% Instrumentalness • 37% Positiveness
11% Popularity • 55% Danceability • 14% Energy • 13% Liveness
94% Instrumentalness • 37% Positiveness
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Jorijn Van Hese
Blacklands - Euphonium Multi-Track
110 bpm • C Maj • 01:01 • -29.86db
20% Popularity • 28% Danceability • 1% Energy • 9% Liveness
96% Instrumentalness • 32% Positiveness
20% Popularity • 28% Danceability • 1% Energy • 9% Liveness
96% Instrumentalness • 32% Positiveness
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Mnozil Brass
Saint Agnes And The Burning Train
121 bpm • E min • 04:24 • -23.46db
9% Popularity • 40% Danceability • 14% Energy • 69% Liveness
97% Instrumentalness • 15% Positiveness
9% Popularity • 40% Danceability • 14% Energy • 69% Liveness
97% Instrumentalness • 15% Positiveness
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Willy Brandt
Concert Piece No. 1 in F Minor, Op. 11 -...
109 bpm • F min • 06:53 • -16db
9% Popularity • 46% Danceability • 13% Energy • 8% Liveness
87% Instrumentalness • 39% Positiveness
9% Popularity • 46% Danceability • 13% Energy • 8% Liveness
87% Instrumentalness • 39% Positiveness
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German Brass
South Rampart Street Parade
108 bpm • D# Maj • 04:37 • -15.29db
2% Popularity • 63% Danceability • 16% Energy • 8% Liveness
93% Instrumentalness • 53% Positiveness
2% Popularity • 63% Danceability • 16% Energy • 8% Liveness
93% Instrumentalness • 53% Positiveness
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Ary Barroso
Samba de Rio
109 bpm • F Maj • 06:50 • -17.78db
3% Popularity • 42% Danceability • 19% Energy • 51% Liveness
88% Instrumentalness • 32% Positiveness
3% Popularity • 42% Danceability • 19% Energy • 51% Liveness
88% Instrumentalness • 32% Positiveness
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Otto M. Schwarz
Funky Brass
122 bpm • A# Maj • 03:30 • -11.91db
12% Popularity • 60% Danceability • 87% Energy • 78% Liveness
83% Instrumentalness • 46% Positiveness
12% Popularity • 60% Danceability • 87% Energy • 78% Liveness
83% Instrumentalness • 46% Positiveness
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Victor Ewald
Quintet No. 3 in D-Flat Major, Op. 11: I...
108 bpm • C Maj • 05:00 • -24.13db
7% Popularity • 30% Danceability • 4% Energy • 11% Liveness
92% Instrumentalness • 12% Positiveness
7% Popularity • 30% Danceability • 4% Energy • 11% Liveness
92% Instrumentalness • 12% Positiveness
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Mnozil Brass
Der Lippenfresser
109 bpm • A Maj • 03:29 • -14.84db
15% Popularity • 40% Danceability • 38% Energy • 80% Liveness
97% Instrumentalness • 46% Positiveness
15% Popularity • 40% Danceability • 38% Energy • 80% Liveness
97% Instrumentalness • 46% Positiveness
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Joseph Bartz
Impromptu for Solo Tuba: V. Allegro gioc...
123 bpm • F min • 00:59 • -30.13db
17% Popularity • 55% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 46% Positiveness
17% Popularity • 55% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 46% Positiveness
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German Brass
Mambo NR. 1
108 bpm • D Maj • 03:00 • -17db
10% Popularity • 65% Danceability • 28% Energy • 2% Liveness
91% Instrumentalness • 75% Positiveness
10% Popularity • 65% Danceability • 28% Energy • 2% Liveness
91% Instrumentalness • 75% Positiveness
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Marcel Boom
You've Got a Friend in Me, From 'Toy Sto...
108 bpm • D# Maj • 02:20 • -29.74db
6% Popularity • 69% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 45% Positiveness
6% Popularity • 69% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 45% Positiveness
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Oskar Böhme
Trompeten-Sextett, Op. 30: I. Adagio ma ...
108 bpm • D# min • 05:46 • -21.06db
8% Popularity • 32% Danceability • 6% Energy • 8% Liveness
90% Instrumentalness • 11% Positiveness
8% Popularity • 32% Danceability • 6% Energy • 8% Liveness
90% Instrumentalness • 11% Positiveness
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Victor Ewald
Quintet No. 3 in D-Flat Major, Op. 11: I...
123 bpm • C# Maj • 03:47 • -21.51db
8% Popularity • 37% Danceability • 8% Energy • 8% Liveness
90% Instrumentalness • 16% Positiveness
8% Popularity • 37% Danceability • 8% Energy • 8% Liveness
90% Instrumentalness • 16% Positiveness
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Leonard Bernstein
West Side Story, Act I: Maria & Mambo (A...
123 bpm • A# Maj • 05:52 • -14.32db
2% Popularity • 36% Danceability • 27% Energy • 5% Liveness
94% Instrumentalness • 28% Positiveness
2% Popularity • 36% Danceability • 27% Energy • 5% Liveness
94% Instrumentalness • 28% Positiveness
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Johan de Meij
T-bone Concerto: I. Rare
123 bpm • C min • 09:40 • -21.64db
10% Popularity • 34% Danceability • 11% Energy • 8% Liveness
94% Instrumentalness • 8% Positiveness
10% Popularity • 34% Danceability • 11% Energy • 8% Liveness
94% Instrumentalness • 8% Positiveness
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German Brass
Hall Of The Swinging King
108 bpm • C min • 02:55 • -16db
10% Popularity • 69% Danceability • 32% Energy • 17% Liveness
57% Instrumentalness • 62% Positiveness
10% Popularity • 69% Danceability • 32% Energy • 17% Liveness
57% Instrumentalness • 62% Positiveness
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Jan van der Roost
Arsenal
107 bpm • G# Maj • 03:38 • -17db
27% Popularity • 30% Danceability • 15% Energy • 32% Liveness
94% Instrumentalness • 46% Positiveness
27% Popularity • 30% Danceability • 15% Energy • 32% Liveness
94% Instrumentalness • 46% Positiveness
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Louis Prima
Sing Sing Sing
107 bpm • E min • 02:47 • -15db
12% Popularity • 53% Danceability • 30% Energy • 6% Liveness
77% Instrumentalness • 62% Positiveness
12% Popularity • 53% Danceability • 30% Energy • 6% Liveness
77% Instrumentalness • 62% Positiveness
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The Philip Jones Brass Ensemble
Kraken
107 bpm • A# Maj • 03:49 • -18db
14% Popularity • 68% Danceability • 15% Energy • 8% Liveness
90% Instrumentalness • 28% Positiveness
14% Popularity • 68% Danceability • 15% Energy • 8% Liveness
90% Instrumentalness • 28% Positiveness
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Західноукраїнське об'єднання МСЦ ЄХБ
Встаньте работники
124 bpm • C Maj • 02:58 • -13.69db
8% Popularity • 47% Danceability • 20% Energy • 10% Liveness
83% Instrumentalness • 30% Positiveness
8% Popularity • 47% Danceability • 20% Energy • 10% Liveness
83% Instrumentalness • 30% Positiveness
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Johan de Meij
T-bone Concerto: III. Well Done
123 bpm • C Maj • 06:14 • -20.69db
9% Popularity • 37% Danceability • 27% Energy • 65% Liveness
96% Instrumentalness • 16% Positiveness
9% Popularity • 37% Danceability • 27% Energy • 65% Liveness
96% Instrumentalness • 16% Positiveness
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George Gershwin
Porgy and Bess, Act II: It Ain't Necessa...
107 bpm • G min • 03:15 • -16.95db
2% Popularity • 39% Danceability • 15% Energy • 17% Liveness
73% Instrumentalness • 18% Positiveness
2% Popularity • 39% Danceability • 15% Energy • 17% Liveness
73% Instrumentalness • 18% Positiveness
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Ferdinand David
Trombone Concertino in E-Flat Major, Op....
124 bpm • D# Maj • 07:47 • -21.69db
20% Popularity • 31% Danceability • 11% Energy • 9% Liveness
92% Instrumentalness • 12% Positiveness
20% Popularity • 31% Danceability • 11% Energy • 9% Liveness
92% Instrumentalness • 12% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Papageno
124 bpm • G# Maj • 02:17 • -17.79db
15% Popularity • 53% Danceability • 16% Energy • 15% Liveness
93% Instrumentalness • 53% Positiveness
15% Popularity • 53% Danceability • 16% Energy • 15% Liveness
93% Instrumentalness • 53% Positiveness
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Anonym Anonym
Sonate in B-Dur
106 bpm • A# Maj • 03:49 • -21.29db
1% Popularity • 57% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 32% Positiveness
1% Popularity • 57% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 32% Positiveness
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John Williams
Hymn To The Fallen
124 bpm • F# Maj • 06:12 • -16.06db
12% Popularity • 21% Danceability • 14% Energy • 9% Liveness
95% Instrumentalness • 7% Positiveness
12% Popularity • 21% Danceability • 14% Energy • 9% Liveness
95% Instrumentalness • 7% Positiveness
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Johan de Meij
March from Jazz Suite No. 2 Dmitri Shost...
124 bpm • F Maj • 02:58 • -18.23db
22% Popularity • 52% Danceability • 29% Energy • 7% Liveness
85% Instrumentalness • 78% Positiveness
22% Popularity • 52% Danceability • 29% Energy • 7% Liveness
85% Instrumentalness • 78% Positiveness
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German Brass
Trumpet Blues And Cantabile
106 bpm • F# Maj • 02:41 • -12.75db
11% Popularity • 58% Danceability • 40% Energy • 18% Liveness
79% Instrumentalness • 53% Positiveness
11% Popularity • 58% Danceability • 40% Energy • 18% Liveness
79% Instrumentalness • 53% Positiveness
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Cole Porter
It's Alright With Me
106 bpm • A# Maj • 04:09 • -14.23db
4% Popularity • 74% Danceability • 32% Energy • 7% Liveness
80% Instrumentalness • 50% Positiveness
4% Popularity • 74% Danceability • 32% Energy • 7% Liveness
80% Instrumentalness • 50% Positiveness
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Philip Sparke
Party Piece
125 bpm • D# Maj • 07:34 • -26.51db
10% Popularity • 34% Danceability • 6% Energy • 8% Liveness
93% Instrumentalness • 20% Positiveness
10% Popularity • 34% Danceability • 6% Energy • 8% Liveness
93% Instrumentalness • 20% Positiveness
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Paul Lovatt-Cooper
Wall of Sound
125 bpm • C Maj • 08:14 • -19.72db
10% Popularity • 53% Danceability • 35% Energy • 39% Liveness
93% Instrumentalness • 37% Positiveness
10% Popularity • 53% Danceability • 35% Energy • 39% Liveness
93% Instrumentalness • 37% Positiveness
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Tredegar Town Band
Children of Sanchez
125 bpm • A# Maj • 06:19 • -18.95db
21% Popularity • 26% Danceability • 12% Energy • 5% Liveness
98% Instrumentalness • 10% Positiveness
21% Popularity • 26% Danceability • 12% Energy • 5% Liveness
98% Instrumentalness • 10% Positiveness
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Giles Farnaby
Mal Sims
125 bpm • C min • 01:29 • -16.1db
8% Popularity • 49% Danceability • 22% Energy • 8% Liveness
89% Instrumentalness • 34% Positiveness
8% Popularity • 49% Danceability • 22% Energy • 8% Liveness
89% Instrumentalness • 34% Positiveness
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German Brass
Espana cani
126 bpm • F Maj • 01:54 • -18.87db
12% Popularity • 63% Danceability • 14% Energy • 7% Liveness
94% Instrumentalness • 37% Positiveness
12% Popularity • 63% Danceability • 14% Energy • 7% Liveness
94% Instrumentalness • 37% Positiveness
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Simon Zöchbauer
Anthem
126 bpm • F min • 06:19 • -22db
8% Popularity • 28% Danceability • 1% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
8% Popularity • 28% Danceability • 1% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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George Gershwin
Porgy and Bess, Act III: There's a Boat ...
105 bpm • C Maj • 02:19 • -14.84db
0% Popularity • 41% Danceability • 14% Energy • 15% Liveness
93% Instrumentalness • 9% Positiveness
0% Popularity • 41% Danceability • 14% Energy • 15% Liveness
93% Instrumentalness • 9% Positiveness
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Christian Lindberg
Alcázar II
126 bpm • A min • 01:09 • -17.7db
18% Popularity • 64% Danceability • 34% Energy • 31% Liveness
96% Instrumentalness • 90% Positiveness
18% Popularity • 64% Danceability • 34% Energy • 31% Liveness
96% Instrumentalness • 90% Positiveness
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Karl Fiorini
Intermezz I
126 bpm • D# min • 01:57 • -17.65db
12% Popularity • 56% Danceability • 40% Energy • 9% Liveness
81% Instrumentalness • 35% Positiveness
12% Popularity • 56% Danceability • 40% Energy • 9% Liveness
81% Instrumentalness • 35% Positiveness
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Jelly Roll Morton
Black Bottom Stomp
126 bpm • C min • 02:02 • -11.69db
8% Popularity • 72% Danceability • 43% Energy • 9% Liveness
90% Instrumentalness • 74% Positiveness
8% Popularity • 72% Danceability • 43% Energy • 9% Liveness
90% Instrumentalness • 74% Positiveness
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Die Hornisten der Berliner Philharmoniker
Carmen Suite: I. Entr´acte
126 bpm • D# min • 01:53 • -23.05db
10% Popularity • 39% Danceability • 3% Energy • 12% Liveness
98% Instrumentalness • 63% Positiveness
10% Popularity • 39% Danceability • 3% Energy • 12% Liveness
98% Instrumentalness • 63% Positiveness
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German Brass
Suite für 10 Blechbläser - Intrada
126 bpm • F Maj • 02:36 • -19.73db
3% Popularity • 48% Danceability • 11% Energy • 12% Liveness
91% Instrumentalness • 25% Positiveness
3% Popularity • 48% Danceability • 11% Energy • 12% Liveness
91% Instrumentalness • 25% Positiveness
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Vladislav Blazhvich
Blazhevic: Trombone duo no. 38: III
105 bpm • D# Maj • 01:12 • -21.04db
13% Popularity • 64% Danceability • 21% Energy • 11% Liveness
95% Instrumentalness • 6% Positiveness
13% Popularity • 64% Danceability • 21% Energy • 11% Liveness
95% Instrumentalness • 6% Positiveness
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Giovanni Gabrieli
Sacrae symphoniae (arr. T. Higgins for b...
105 bpm • C Maj • 02:55 • -17.58db
10% Popularity • 48% Danceability • 10% Energy • 16% Liveness
94% Instrumentalness • 24% Positiveness
10% Popularity • 48% Danceability • 10% Energy • 16% Liveness
94% Instrumentalness • 24% Positiveness
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Lili Boulanger
Deux Morceaux (arr. for brass ensemble b...
126 bpm • G Maj • 01:26 • -18.56db
15% Popularity • 61% Danceability • 32% Energy • 22% Liveness
89% Instrumentalness • 81% Positiveness
15% Popularity • 61% Danceability • 32% Energy • 22% Liveness
89% Instrumentalness • 81% Positiveness
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Heinrich Finck
Schöne außerlesene Lieder des hochber�...
105 bpm • E Maj • 01:47 • -16.67db
1% Popularity • 66% Danceability • 14% Energy • 6% Liveness
94% Instrumentalness • 70% Positiveness
1% Popularity • 66% Danceability • 14% Energy • 6% Liveness
94% Instrumentalness • 70% Positiveness
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John Larsson
For Thine Is the Kingdom - Euphonium & T...
126 bpm • F Maj • 00:57 • -27db
16% Popularity • 26% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 11% Positiveness
16% Popularity • 26% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 11% Positiveness
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German Brass
Swing Low, Sweet Chariot
126 bpm • G# Maj • 02:48 • -25.25db
2% Popularity • 49% Danceability • 4% Energy • 6% Liveness
92% Instrumentalness • 30% Positiveness
2% Popularity • 49% Danceability • 4% Energy • 6% Liveness
92% Instrumentalness • 30% Positiveness
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Georges Bizet
Carmen Suite No. 2: 5. Danse bohème I
126 bpm • A# Maj • 01:08 • -25db
22% Popularity • 51% Danceability • 7% Energy • 18% Liveness
92% Instrumentalness • 45% Positiveness
22% Popularity • 51% Danceability • 7% Energy • 18% Liveness
92% Instrumentalness • 45% Positiveness
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Geraldo Maltos Rodriguez
El Tango la Cumparsita
104 bpm • G min • 04:27 • -15.5db
4% Popularity • 38% Danceability • 19% Energy • 30% Liveness
94% Instrumentalness • 22% Positiveness
4% Popularity • 38% Danceability • 19% Energy • 30% Liveness
94% Instrumentalness • 22% Positiveness
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Carl Michael Bellman
Käraste min Theophile
104 bpm • A# Maj • 00:58 • -23.15db
23% Popularity • 79% Danceability • 1% Energy • 13% Liveness
22% Instrumentalness • 52% Positiveness
23% Popularity • 79% Danceability • 1% Energy • 13% Liveness
22% Instrumentalness • 52% Positiveness
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Peter Graham
Gaelforce
127 bpm • C# Maj • 06:11 • -15db
15% Popularity • 40% Danceability • 31% Energy • 11% Liveness
89% Instrumentalness • 10% Positiveness
15% Popularity • 40% Danceability • 31% Energy • 11% Liveness
89% Instrumentalness • 10% Positiveness
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Vassily Brandt
Brandt - Konzertstück No. 2 VII
103 bpm • G min • 01:07 • -11.09db
20% Popularity • 63% Danceability • 74% Energy • 68% Liveness
93% Instrumentalness • 38% Positiveness
20% Popularity • 63% Danceability • 74% Energy • 68% Liveness
93% Instrumentalness • 38% Positiveness
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German Brass
Sing, Sing, Sing
104 bpm • E min • 05:36 • -8.45db
8% Popularity • 71% Danceability • 60% Energy • 8% Liveness
26% Instrumentalness • 64% Positiveness
8% Popularity • 71% Danceability • 60% Energy • 8% Liveness
26% Instrumentalness • 64% Positiveness
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Західноукраїнське об'єднання МСЦ ЄХБ
С тех пор
102 bpm • G min • 02:08 • -13.6db
9% Popularity • 38% Danceability • 19% Energy • 13% Liveness
84% Instrumentalness • 34% Positiveness
9% Popularity • 38% Danceability • 19% Energy • 13% Liveness
84% Instrumentalness • 34% Positiveness