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Ail Pruthisiru
Songs like
Ail Pruthisiru
by
Sekhar Ghosh
Based on a tempo of (+/- 10%) and a similar genre
► Preview
Pamela Jain
Jaithili Badi Pata Ku
144 bpm • F min • 04:26 • -4.23db
24% Popularity • 66% Danceability • 96% Energy • 15% Liveness
0% Instrumentalness • 95% Positiveness
► Preview
Suresh Wadkar
Pahile Nabi Tula
144 bpm • F min • 06:36 • -8.65db
43% Popularity • 52% Danceability • 51% Energy • 18% Liveness
0% Instrumentalness • 64% Positiveness
► Preview
Sahana Bajpaie
Ogo Shono Ke Bajay
145 bpm • G Maj • 04:49 • -8.19db
20% Popularity • 60% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Akshaya Mohanty
Kene Gheni Jaucha Jagannathanku
143 bpm • C# Maj • 04:25 • -8.77db
18% Popularity • 47% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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Kumar Sanu
Shyama Ma Ki Amar Kalo
143 bpm • C min • 03:30 • -14.96db
14% Popularity • 53% Danceability • 35% Energy • 26% Liveness
0% Instrumentalness • 54% Positiveness
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Mahendra Kapoor
Ha Khel Sawalyancha
143 bpm • G# Maj • 04:19 • -14db
12% Popularity • 56% Danceability • 34% Energy • 25% Liveness
0% Instrumentalness • 82% Positiveness
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Tansen Singh
Alpa Phulei
143 bpm • G# min • 03:49 • -6.29db
2% Popularity • 39% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
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Arun Date
Shukratara Mand Vara
142 bpm • A Maj • 06:44 • -16db
12% Popularity • 52% Danceability • 25% Energy • 35% Liveness
52% Instrumentalness • 72% Positiveness
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BISHNU MOHAN KABI
E Dunia Bukure Banchibaku Hele
146 bpm • D# min • 05:10 • -4.57db
20% Popularity • 50% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
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Sekhar Ghosh
Hasuthani Chakadola
145 bpm • B Maj • 03:08 • -13.87db
0% Popularity • 45% Danceability • 30% Energy • 38% Liveness
0% Instrumentalness • 80% Positiveness
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R. D. Burman
Maine Dil Diya
142 bpm • C Maj • 06:01 • -5.52db
17% Popularity • 50% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
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Mohammed Aziz
Smruti Eka Rupa Janha
146 bpm • G# Maj • 05:15 • -5.07db
14% Popularity • 38% Danceability • 74% Energy • 43% Liveness
0% Instrumentalness • 64% Positiveness
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Somlata Acharyya Chowdhury
O Je Mane Na Mana
146 bpm • A Maj • 04:54 • -16.38db
46% Popularity • 44% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Hariharan
Mujhe Phir Wahi
146 bpm • D# Maj • 05:24 • -12db
15% Popularity • 43% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Namita Agrawal
Nida Bhara Rati
146 bpm • G# min • 03:14 • -3.1db
27% Popularity • 42% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Sekhar Ghosh
Muha Kholi Thare
146 bpm • F# min • 03:25 • -12.04db
0% Popularity • 49% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Salil Kulkarni
Durdeshi Gela Baba
141 bpm • F Maj • 05:15 • -13.17db
24% Popularity • 47% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Pandit. Shaunak Abhisheki
He Surano Chandra Wha
146 bpm • E min • 06:31 • -17db
31% Popularity • 45% Danceability • 28% Energy • 6% Liveness
0% Instrumentalness • 39% Positiveness
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Dohar
Ekbar Nacho Maa
147 bpm • E Maj • 05:33 • -7.29db
28% Popularity • 53% Danceability • 71% Energy • 56% Liveness
0% Instrumentalness • 93% Positiveness
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Sonu Nigam
To Akhi Mo Aaina
147 bpm • C# min • 06:08 • -7.01db
17% Popularity • 52% Danceability • 69% Energy • 34% Liveness
0% Instrumentalness • 74% Positiveness
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Hridaynath Mangeshkar
Laajun Hasane
147 bpm • C# Maj • 05:51 • -14db
14% Popularity • 37% Danceability • 43% Energy • 14% Liveness
93% Instrumentalness • 65% Positiveness
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Milind Ingle
Gaarva - Version 1
141 bpm • A min • 04:38 • -11.23db
40% Popularity • 50% Danceability • 40% Energy • 50% Liveness
0% Instrumentalness • 51% Positiveness
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Subhasish Mahakud
Mora Bhugolare
141 bpm • C# min • 04:24 • 1.54db
30% Popularity • 45% Danceability • 98% Energy • 46% Liveness
0% Instrumentalness • 54% Positiveness
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Zubeen Garg
Ramchondro Noholu Moi
140 bpm • G Maj • 06:16 • -7.01db
11% Popularity • 62% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 91% Positiveness
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T.Shourie
Sheetalo Aji Jaluchi
148 bpm • E Maj • 04:33 • -3.84db
19% Popularity • 40% Danceability • 60% Energy • 59% Liveness
0% Instrumentalness • 64% Positiveness
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Sonu Nigam
Sunara Chadheyi
148 bpm • G# min • 05:26 • -15.21db
27% Popularity • 40% Danceability • 46% Energy • 83% Liveness
0% Instrumentalness • 81% Positiveness
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Shaan
Bhalobeshe Sakhi Nribhito Jotone
148 bpm • B Maj • 04:01 • -8.99db
26% Popularity • 68% Danceability • 42% Energy • 30% Liveness
1% Instrumentalness • 59% Positiveness
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Swayam Padhi
Sahe Thili Suna Heli
140 bpm • B min • 04:24 • -5db
34% Popularity • 59% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
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Suresh Wadkar
Aga Aga Pori Faslis Ga
148 bpm • G Maj • 04:24 • -10.11db
30% Popularity • 51% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
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Sahana Bajpaie
Moharajo
140 bpm • G Maj • 04:38 • -10.87db
30% Popularity • 49% Danceability • 36% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
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Namita Agrawal
Gananayakaya Ganadevataya
140 bpm • C Maj • 04:48 • -3.18db
28% Popularity • 56% Danceability • 82% Energy • 18% Liveness
0% Instrumentalness • 25% Positiveness
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Sandeep Khare
Paus Asa Runjhunta
140 bpm • F# Maj • 04:22 • -6.89db
28% Popularity • 59% Danceability • 52% Energy • 8% Liveness
1% Instrumentalness • 34% Positiveness
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Prashant Muduli
Chanda Na Tume Tara
148 bpm • F# min • 05:42 • -5db
26% Popularity • 48% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Sonu Nigam
Raat Name Du Chokhe
149 bpm • G Maj • 04:55 • -8db
22% Popularity • 40% Danceability • 52% Energy • 11% Liveness
15% Instrumentalness • 34% Positiveness
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Sekhar Ghosh
Hrudayara Aei Sunyataku
139 bpm • C Maj • 05:39 • -11.15db
22% Popularity • 44% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
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BISHNU MOHAN KABI
Mu Je Eka Pagala Bhanara
150 bpm • G# min • 03:38 • -3.56db
18% Popularity • 51% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
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S. P. Balasubrahmanyam
Teri Hi Aarzoo Hai
139 bpm • E min • 06:01 • -10.88db
30% Popularity • 60% Danceability • 82% Energy • 35% Liveness
0% Instrumentalness • 80% Positiveness
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Namita Agrawal
Abhimanini E Amania Dheu
138 bpm • G# min • 05:05 • -3.7db
33% Popularity • 44% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Jayati Chakraborty
Neel Anjonoghono
150 bpm • B Maj • 06:12 • -6.68db
26% Popularity • 66% Danceability • 65% Energy • 8% Liveness
1% Instrumentalness • 52% Positiveness
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Kumar Sanu
O Chokhe Amar
150 bpm • C Maj • 05:06 • -16.92db
4% Popularity • 59% Danceability • 38% Energy • 49% Liveness
0% Instrumentalness • 84% Positiveness
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Sekhar Ghosh
Kalia Re Ei Bhagya
149 bpm • D# Maj • 03:25 • -14.62db
0% Popularity • 49% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Subhamita
Bol Mon Sukh
150 bpm • D# min • 04:34 • -5.04db
33% Popularity • 60% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Bhikhari Bala
Kotha Bhoga Khiaa
138 bpm • F Maj • 04:54 • -5.05db
29% Popularity • 43% Danceability • 62% Energy • 46% Liveness
0% Instrumentalness • 42% Positiveness
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Osman Mir
Kumkum Na Pagla Padya
150 bpm • D Maj • 02:40 • -5.14db
33% Popularity • 60% Danceability • 80% Energy • 75% Liveness
0% Instrumentalness • 75% Positiveness
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Pousali Banerjee
Krishna Bole Amar Radha
150 bpm • C Maj • 06:24 • -8.92db
32% Popularity • 74% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
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Lopamudra Mitra
Hridmajhare Rakhbo
138 bpm • D min • 05:25 • -10.67db
38% Popularity • 73% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Sekhar Ghosh
Barsha Barsha Barsha
138 bpm • F# min • 06:45 • -8.05db
1% Popularity • 39% Danceability • 54% Energy • 4% Liveness
0% Instrumentalness • 49% Positiveness
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Pranjal Bakshi
Saptamir Bikel
138 bpm • D# Maj • 03:35 • -5.18db
17% Popularity • 55% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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Jignesh Dada
Kon Jani Sake Kaal Ne Re - Original
151 bpm • G# Maj • 08:51 • -7.36db
32% Popularity • 44% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
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Tansen Singh
Jhumka Tike Tuta Halei De
137 bpm • G min • 03:58 • -6.87db
4% Popularity • 45% Danceability • 80% Energy • 18% Liveness
0% Instrumentalness • 88% Positiveness
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Kumar Sanu
Keno Tumi Amake Je Eto Bhalobaso
152 bpm • G# Maj • 05:30 • -10.82db
6% Popularity • 45% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
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Arati Ankalikar Tikekar
Mi Radhika
137 bpm • F min • 05:32 • -12.5db
22% Popularity • 44% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Sekhar Ghosh
Bada Danda Dhuli
137 bpm • F# Maj • 03:12 • -13.26db
0% Popularity • 44% Danceability • 30% Energy • 26% Liveness
3% Instrumentalness • 53% Positiveness
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Indrani Sen
Bhalobasi Bhalobasi
137 bpm • A# Maj • 03:15 • -10.56db
20% Popularity • 36% Danceability • 28% Energy • 12% Liveness
2% Instrumentalness • 30% Positiveness
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Akshaya Mohanty
Chandramallika Hase
137 bpm • A# Maj • 03:11 • -12.63db
5% Popularity • 53% Danceability • 27% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
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Shaan
Aami Tomar Songe Bendhechhi
152 bpm • B Maj • 03:47 • -2.08db
33% Popularity • 58% Danceability • 50% Energy • 32% Liveness
0% Instrumentalness • 52% Positiveness
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Sarbeswar
Likri Jhikri
136 bpm • G Maj • 03:16 • -9.63db
30% Popularity • 77% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Babul Supriyo
Aakashe Pawan
152 bpm • A# min • 05:17 • -4.27db
26% Popularity • 55% Danceability • 85% Energy • 26% Liveness
0% Instrumentalness • 89% Positiveness
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Sekhar Ghosh
Jhipi Jhipi Barsare
137 bpm • F# Maj • 03:19 • -12.17db
0% Popularity • 41% Danceability • 36% Energy • 24% Liveness
0% Instrumentalness • 58% Positiveness
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Kumar Sanu
Amar Sadh Na Mitilo
135 bpm • G min • 04:23 • -15.14db
15% Popularity • 53% Danceability • 32% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
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Namita Agrawal
Emiti Ranga De
153 bpm • A# min • 04:38 • -4.25db
31% Popularity • 46% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
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Milind Ingle
Gaarva - Version 2
135 bpm • G# min • 05:18 • -14.63db
22% Popularity • 49% Danceability • 28% Energy • 39% Liveness
0% Instrumentalness • 47% Positiveness
► Preview
Satyajit Pradhan
Jagatare Paibuni Emiti Thakura Tie
135 bpm • C# min • 09:30 • -2.98db
32% Popularity • 40% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Jayati Chakraborty
Ami Tomar Songe Bedhechi Amar Pran
134 bpm • G# Maj • 04:15 • -8.3db
21% Popularity • 46% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Sekhar Ghosh
Darsana Delu
136 bpm • G# Maj • 03:33 • -10.75db
0% Popularity • 56% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Babushan
Chal Ame Pheri Jiba Kichhi Barsha Pachha...
154 bpm • F# Maj • 04:53 • -3.1db
25% Popularity • 61% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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Kishore Kumar
Ei To Jiban
154 bpm • D Maj • 04:20 • -8.57db
30% Popularity • 52% Danceability • 42% Energy • 88% Liveness
0% Instrumentalness • 67% Positiveness
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K. J. Yesudas
Madhuban Khushboo Deta Hai - Male Vocals
134 bpm • D Maj • 03:17 • -7.97db
23% Popularity • 47% Danceability • 43% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
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Suresh Wadkar
Manuja Jaag Jara
134 bpm • G Maj • 05:18 • -7.53db
29% Popularity • 42% Danceability • 77% Energy • 81% Liveness
0% Instrumentalness • 82% Positiveness
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Jayati Chakraborty
Bhalobese Sokhi
155 bpm • C Maj • 04:32 • -9.06db
36% Popularity • 30% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Sekhar Ghosh
To Atharanala Dein Tora
135 bpm • G Maj • 04:30 • -12.1db
0% Popularity • 67% Danceability • 40% Energy • 22% Liveness
0% Instrumentalness • 80% Positiveness
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Kumar Sanu
Mayer Paayer Jaba Hoye
133 bpm • E Maj • 03:42 • -13.56db
11% Popularity • 69% Danceability • 42% Energy • 48% Liveness
0% Instrumentalness • 78% Positiveness
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Shreya Ghoshal
Tumi Amar Chiro Sathi
156 bpm • G Maj • 03:57 • -7db
32% Popularity • 49% Danceability • 53% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
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Sudhir Phadke
Dehachi Tijori, Pt. 1
132 bpm • D Maj • 03:15 • -21db
20% Popularity • 49% Danceability • 18% Energy • 8% Liveness
91% Instrumentalness • 63% Positiveness
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Suresh Wadkar
Ram Teri Ganga Maili
155 bpm • D# Maj • 05:55 • -8.88db
15% Popularity • 32% Danceability • 62% Energy • 19% Liveness
0% Instrumentalness • 62% Positiveness
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Akshaya Mohanty
Alo Mani
132 bpm • G# Maj • 03:40 • -9.54db
2% Popularity • 70% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 92% Positiveness
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Shaan
Its Only Pyar
132 bpm • D# Maj • 06:20 • -6.23db
35% Popularity • 66% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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Sudesh Bhosle
Hi Dosti Tutayachi Naay (Happy Version)
132 bpm • B Maj • 03:48 • -10.55db
30% Popularity • 68% Danceability • 68% Energy • 67% Liveness
0% Instrumentalness • 88% Positiveness
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Sekhar Ghosh
Dharmara Punyara
131 bpm • D Maj • 05:33 • -13.17db
0% Popularity • 46% Danceability • 34% Energy • 43% Liveness
0% Instrumentalness • 45% Positiveness
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Usha Mangeshkar
Kunya Gavach Aala Pakharu
131 bpm • F min • 05:23 • -14.68db
2% Popularity • 58% Danceability • 47% Energy • 36% Liveness
87% Instrumentalness • 74% Positiveness
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Suresh Wadkar
Main Hi Main Hoon
130 bpm • G min • 04:54 • -12.49db
14% Popularity • 35% Danceability • 65% Energy • 87% Liveness
0% Instrumentalness • 54% Positiveness
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Miss Jojo
Shadher Lau
130 bpm • C Maj • 04:49 • -7.33db
18% Popularity • 77% Danceability • 85% Energy • 12% Liveness
2% Instrumentalness • 78% Positiveness
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Arindom
Kotobaro Bhebechhinu
130 bpm • E Maj • 05:19 • -9.18db
26% Popularity • 52% Danceability • 57% Energy • 54% Liveness
0% Instrumentalness • 41% Positiveness
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Madan Mohan
Kaise Kategi Zindagi Tere Bagair
130 bpm • C Maj • 04:28 • -9.75db
34% Popularity • 29% Danceability • 39% Energy • 12% Liveness
1% Instrumentalness • 26% Positiveness
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Sekhar Ghosh
Duniya Sara
159 bpm • B Maj • 05:10 • -10.46db
0% Popularity • 47% Danceability • 49% Energy • 34% Liveness
0% Instrumentalness • 77% Positiveness
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Subir Sen
Pagal Haowa
130 bpm • E Maj • 03:41 • -15.52db
23% Popularity • 39% Danceability • 31% Energy • 34% Liveness
0% Instrumentalness • 55% Positiveness
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Shaan
Tumi Robe Nirobe
130 bpm • A# Maj • 04:38 • -10.94db
28% Popularity • 44% Danceability • 18% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
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Kumar Bapi
O My Love
160 bpm • G# Maj • 04:15 • -3.5db
34% Popularity • 50% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Vibhavari Apte Joshi
Natyaasa Naav Apulya
160 bpm • G Maj • 04:32 • -10.33db
33% Popularity • 43% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
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Laxmikant–Pyarelal
Saanj Dhale Gagan Tale Hum Kitane Ekaki
128 bpm • B Maj • 04:13 • -7db
37% Popularity • 61% Danceability • 62% Energy • 34% Liveness
0% Instrumentalness • 49% Positiveness
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Mohammed Rafi
Shodhisi Manava Rauli Mandiri
128 bpm • F# Maj • 03:18 • -14.73db
9% Popularity • 61% Danceability • 44% Energy • 16% Liveness
85% Instrumentalness • 89% Positiveness
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Babul Supriyo
Tara Krushnachuda Rangara
128 bpm • A# min • 04:10 • -5.2db
34% Popularity • 76% Danceability • 76% Energy • 22% Liveness
0% Instrumentalness • 89% Positiveness
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Namita Agrawal
Kahana E Phula Kahana
163 bpm • F# min • 03:44 • -3.39db
25% Popularity • 51% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
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Shaan
Pran Chaaye Chhokkhu Na Chaaye
127 bpm • C Maj • 02:34 • -4.9db
26% Popularity • 64% Danceability • 58% Energy • 38% Liveness
0% Instrumentalness • 91% Positiveness
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Alka Yagnik
Tomake Lagche Bhari Chena
127 bpm • C# min • 05:47 • -8.92db
31% Popularity • 51% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
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O. P. Nayyar
Jata Kahan Hai Diwane
127 bpm • C Maj • 03:14 • -6.35db
10% Popularity • 57% Danceability • 60% Energy • 9% Liveness
2% Instrumentalness • 77% Positiveness
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Sekhar Ghosh
Dukha Dei Hasnchure
127 bpm • F min • 03:12 • -13.98db
0% Popularity • 48% Danceability • 36% Energy • 18% Liveness
1% Instrumentalness • 44% Positiveness
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Akshaya Mohanty
Premikara Bari Aare
126 bpm • C min • 03:26 • -13.12db
2% Popularity • 63% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
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Abhijit Bhattacharya
Nila Nayana
165 bpm • A# min • 05:28 • -3.96db
35% Popularity • 55% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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Nirmala Mishra
Chhar Chhar Mor Anchal
126 bpm • C# Maj • 02:57 • -5.89db
0% Popularity • 49% Danceability • 56% Energy • 20% Liveness
0% Instrumentalness • 78% Positiveness
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Ail Pruthisiru